Pub Date : 2022-10-02DOI: 10.1080/03080188.2022.2130593
Reviel Netz
(The sense of ‘X→ Y’ is ‘X made Y substantially more probable’). I concluded that while (1) has merit and is worth pursuing, it is only (2) which is in fact compelling. I now learned that it would be preferable to curtail (2) further. The curtailment of the consequent is straightforward. Much of the discussion in this volume concerned the difficulties of counterfactual history. I find now that it is intemperate to seek to explain something such as ‘The Industrial Revolution’. This event is messy and multicausal, and quite obviously categorically different from ‘Greek Mathematics’. It is, however, interesting enough to argue
{"title":"Envoi","authors":"Reviel Netz","doi":"10.1080/03080188.2022.2130593","DOIUrl":"https://doi.org/10.1080/03080188.2022.2130593","url":null,"abstract":"(The sense of ‘X→ Y’ is ‘X made Y substantially more probable’). I concluded that while (1) has merit and is worth pursuing, it is only (2) which is in fact compelling. I now learned that it would be preferable to curtail (2) further. The curtailment of the consequent is straightforward. Much of the discussion in this volume concerned the difficulties of counterfactual history. I find now that it is intemperate to seek to explain something such as ‘The Industrial Revolution’. This event is messy and multicausal, and quite obviously categorically different from ‘Greek Mathematics’. It is, however, interesting enough to argue","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"47 1","pages":"530 - 533"},"PeriodicalIF":1.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47091442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/03080188.2022.2121995
K. Chemla
ABSTRACT In this response I argue that Netz' essay adopts nineteenth-century theses on the history of mathematics, one of the uses of which was to highlight an alleged difference between Europe and “the others”. The debasement of certain facets of mathematical work devoted to numbers and computation has played a key role in perpetuating these theses. Such a devaluation applies notably to decimal place-value numeration systems, which Reviel perceives as representing no “significant contribution to mathematical science.” I counter this view by showing the continued theoretical impact that numeration systems of this type have had. I also discuss two historiographic operations that I identify in Reviel's argument and whose use requires revision: selecting and purifying. My conclusion emphasizes how in the post World War II period historians such as Lucien Febvre invited their colleagues to focus, in contrast, on the hybrid character of cultural artefacts.
{"title":"Forward … to the nineteenth century: Historiographic concerns about Reviel Netz’s ‘The Place of Archimedes in World History’","authors":"K. Chemla","doi":"10.1080/03080188.2022.2121995","DOIUrl":"https://doi.org/10.1080/03080188.2022.2121995","url":null,"abstract":"ABSTRACT In this response I argue that Netz' essay adopts nineteenth-century theses on the history of mathematics, one of the uses of which was to highlight an alleged difference between Europe and “the others”. The debasement of certain facets of mathematical work devoted to numbers and computation has played a key role in perpetuating these theses. Such a devaluation applies notably to decimal place-value numeration systems, which Reviel perceives as representing no “significant contribution to mathematical science.” I counter this view by showing the continued theoretical impact that numeration systems of this type have had. I also discuss two historiographic operations that I identify in Reviel's argument and whose use requires revision: selecting and purifying. My conclusion emphasizes how in the post World War II period historians such as Lucien Febvre invited their colleagues to focus, in contrast, on the hybrid character of cultural artefacts.","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"47 1","pages":"331 - 350"},"PeriodicalIF":1.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42561983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/03080188.2022.2120235
Rivka Feldhay
ABSTRACT The paper presents some reflections concerned with Archimedes’ legacy for the development of physico-mathematics in early modernity. First, I introduce Netz’s main themes concerned with the achievements of two generations of Greek mathematicians in their context, including some comparisons with contemporary non-Greek mathematical cultures. My paper, then, points out the necessary conditions for the historical transmission of Archimedes’ legacy on the one hand, and more generally for the mobility of bodies of knowledge on the other hand. In particular, I elaborate my perception of such transformations while focusing on four parameters for their analysis: (a) Transformations of the objects of knowledge through the gaze, the touch, as well as through linguistic or manual representations; (b) Transformations following a change in the boundaries between domains of knowledge; (c) Transformations related to the authority of particular carriers of knowledge and (d), Tansformations related to the place of knowledge.
{"title":"Archimedes’ legacy for early modern science: Historical-philosophical reflections","authors":"Rivka Feldhay","doi":"10.1080/03080188.2022.2120235","DOIUrl":"https://doi.org/10.1080/03080188.2022.2120235","url":null,"abstract":"ABSTRACT The paper presents some reflections concerned with Archimedes’ legacy for the development of physico-mathematics in early modernity. First, I introduce Netz’s main themes concerned with the achievements of two generations of Greek mathematicians in their context, including some comparisons with contemporary non-Greek mathematical cultures. My paper, then, points out the necessary conditions for the historical transmission of Archimedes’ legacy on the one hand, and more generally for the mobility of bodies of knowledge on the other hand. In particular, I elaborate my perception of such transformations while focusing on four parameters for their analysis: (a) Transformations of the objects of knowledge through the gaze, the touch, as well as through linguistic or manual representations; (b) Transformations following a change in the boundaries between domains of knowledge; (c) Transformations related to the authority of particular carriers of knowledge and (d), Tansformations related to the place of knowledge.","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"47 1","pages":"360 - 375"},"PeriodicalIF":1.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41805909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-27DOI: 10.1080/03080188.2022.2122788
C. Hauskeller, T. Artinian, Amelia Fiske, Ernesto Schwartz Marin, Osiris Sinuhé González Romero, L. E. Luna, Joseph Crickmore, Peter Sjöstedt-Hughes
{"title":"Decolonization is a metaphor towards a different ethic. The case from psychedelic studies","authors":"C. Hauskeller, T. Artinian, Amelia Fiske, Ernesto Schwartz Marin, Osiris Sinuhé González Romero, L. E. Luna, Joseph Crickmore, Peter Sjöstedt-Hughes","doi":"10.1080/03080188.2022.2122788","DOIUrl":"https://doi.org/10.1080/03080188.2022.2122788","url":null,"abstract":"","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"1 1","pages":""},"PeriodicalIF":1.1,"publicationDate":"2022-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47827585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.1080/03080188.2022.2079214
Sarah Dillon, Jennifer Schaffer-Goddard
ABSTRACT This paper presents the results of a pilot interview study investigating the leisure reading habits of 20 practising AI researchers based in the United Kingdom. The interview analysis yields six areas in which literature plays a role in the field of AI: research focus, career choice, community formation, science communication, ethical thinking, and modelling of sociotechnical futures. These categories are proposed as the basis of a systematic taxonomy of the role of literature in AI research, evidencing literature’s significance in AI laboratory and professional cultures. The paper presents the results of this preliminary investigation in combination with a synthesis of existing evidence in each category of influence. The aim of this hybrid approach is to cohere research and evidence in this relatively new area of study, and to present new findings contextually, in order to provide the foundations for further qualitative and quantitative research.
{"title":"What AI researchers read: the role of literature in artificial intelligence research","authors":"Sarah Dillon, Jennifer Schaffer-Goddard","doi":"10.1080/03080188.2022.2079214","DOIUrl":"https://doi.org/10.1080/03080188.2022.2079214","url":null,"abstract":"ABSTRACT This paper presents the results of a pilot interview study investigating the leisure reading habits of 20 practising AI researchers based in the United Kingdom. The interview analysis yields six areas in which literature plays a role in the field of AI: research focus, career choice, community formation, science communication, ethical thinking, and modelling of sociotechnical futures. These categories are proposed as the basis of a systematic taxonomy of the role of literature in AI research, evidencing literature’s significance in AI laboratory and professional cultures. The paper presents the results of this preliminary investigation in combination with a synthesis of existing evidence in each category of influence. The aim of this hybrid approach is to cohere research and evidence in this relatively new area of study, and to present new findings contextually, in order to provide the foundations for further qualitative and quantitative research.","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"48 1","pages":"15 - 42"},"PeriodicalIF":1.1,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49607786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/03080188.2022.2035104
Gilbert Delor
ABSTRACT Tom Johnson is an interesting case of interdisciplinarity in that he makes music and mathematics coincide in a very obvious and literal way. He was led to this approach in the context of the American avant-garde of the 1970s, in which many artists tried to set artistic creation in the field of the impersonal. In using mathematics, Tom Johnson is in search for something that might allow the music to compose itself automatically. He establishes sequences of numbers and translates them literally into melodies, harmonies or rhythms. In doing so, he manages to make the mathematical background clearly appear. He seems to think of his music as a way of reflecting mathematics in the form of audible phenomena, and ultimately, he attaches some kind of mystical dimension to this experience. Mathematical truths, as he calls them, are unquestionable. Their laws do not depend on human will, they are deeply inscribed in nature, and a composition strictly based on them is necessarily linked to the absolute.
{"title":"Music and mathematics in Tom Johnson’s work: the composer’s view","authors":"Gilbert Delor","doi":"10.1080/03080188.2022.2035104","DOIUrl":"https://doi.org/10.1080/03080188.2022.2035104","url":null,"abstract":"ABSTRACT Tom Johnson is an interesting case of interdisciplinarity in that he makes music and mathematics coincide in a very obvious and literal way. He was led to this approach in the context of the American avant-garde of the 1970s, in which many artists tried to set artistic creation in the field of the impersonal. In using mathematics, Tom Johnson is in search for something that might allow the music to compose itself automatically. He establishes sequences of numbers and translates them literally into melodies, harmonies or rhythms. In doing so, he manages to make the mathematical background clearly appear. He seems to think of his music as a way of reflecting mathematics in the form of audible phenomena, and ultimately, he attaches some kind of mystical dimension to this experience. Mathematical truths, as he calls them, are unquestionable. Their laws do not depend on human will, they are deeply inscribed in nature, and a composition strictly based on them is necessarily linked to the absolute.","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"47 1","pages":"167 - 184"},"PeriodicalIF":1.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43310939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/03080188.2022.2035100
Esther Cavett
ABSTRACT The music of English experimental composer Howard Skempton has been described as strangely simple in acknowledgment of its combination of apparent artlessness and subtlety. Drawing on foundational and more recent psychological research on music and emotion, Cavett explores representative examples from Skempton’s approximately 140 piano miniatures, written from his student days in the 1960s until this year. She proposes that Skempton’s music creates a sense of expectation and thus desire through the creation of pattern repetition that is disrupted, only to be later re-engaged with, creating gratification and a sense of being ‘in the moment’. Skempton then responds to Cavett’s interpretation of his music from his unique perspective as the creator of the repertoire under consideration looking back across the trajectory of his creative career.
{"title":"Desire, gratification and the moment: a music analytical and psychological enquiry into the role of repetition in the music of Howard Skempton, with a response by the composer","authors":"Esther Cavett","doi":"10.1080/03080188.2022.2035100","DOIUrl":"https://doi.org/10.1080/03080188.2022.2035100","url":null,"abstract":"ABSTRACT The music of English experimental composer Howard Skempton has been described as strangely simple in acknowledgment of its combination of apparent artlessness and subtlety. Drawing on foundational and more recent psychological research on music and emotion, Cavett explores representative examples from Skempton’s approximately 140 piano miniatures, written from his student days in the 1960s until this year. She proposes that Skempton’s music creates a sense of expectation and thus desire through the creation of pattern repetition that is disrupted, only to be later re-engaged with, creating gratification and a sense of being ‘in the moment’. Skempton then responds to Cavett’s interpretation of his music from his unique perspective as the creator of the repertoire under consideration looking back across the trajectory of his creative career.","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"47 1","pages":"147 - 166"},"PeriodicalIF":1.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59923523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/03080188.2022.2035105
P. Grange
ABSTRACT In 1974 the composer Harrison Birtwistle commented to the author: ‘On film you can show someone at the bottom of the stairs and then at the top.’ This article explores the relevance of this statement to the compositional practices of Philip Grange. The focus is on Grange's Cloud Atlas (2009) for symphonic wind band, and how an adaption of the structure of David Mitchell's eponymous novel of 2004 is combined with a large-scale realisation of Birtwistle's statement to create a work employing structural eclipsing and narrative substitution that enables the 26 minutes of Grange's composition to suggest a duration twice as long. It forms the basis of a discussion involving Hertz's intertexturality to address the possible motivation for employing sources from other domains, while Jakobson's intersemiotic transmutation aids understanding of the processes involved. Finally, the desire to reveal non-musical sources is discussed using Eco's concept of ‘resonances and echoes’.
{"title":"Philip Grange’s Cloud Atlas: structural eclipsing, narrative substitution, and the use of lacunae in the unfolding of implied alternative temporal trajectories","authors":"P. Grange","doi":"10.1080/03080188.2022.2035105","DOIUrl":"https://doi.org/10.1080/03080188.2022.2035105","url":null,"abstract":"ABSTRACT In 1974 the composer Harrison Birtwistle commented to the author: ‘On film you can show someone at the bottom of the stairs and then at the top.’ This article explores the relevance of this statement to the compositional practices of Philip Grange. The focus is on Grange's Cloud Atlas (2009) for symphonic wind band, and how an adaption of the structure of David Mitchell's eponymous novel of 2004 is combined with a large-scale realisation of Birtwistle's statement to create a work employing structural eclipsing and narrative substitution that enables the 26 minutes of Grange's composition to suggest a duration twice as long. It forms the basis of a discussion involving Hertz's intertexturality to address the possible motivation for employing sources from other domains, while Jakobson's intersemiotic transmutation aids understanding of the processes involved. Finally, the desire to reveal non-musical sources is discussed using Eco's concept of ‘resonances and echoes’.","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"47 1","pages":"199 - 214"},"PeriodicalIF":1.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44396313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/03080188.2022.2042772
Willard McCarty
Readers will have noticed a new design for the cover, which appeared just in time for the previous issue but too late for editorial comment. This design is the most visible of several changes that have been made recently better to communicate the raison d’être of this journal. Apart from the cover image, these include a new brief statement, a longer one beneath it on ISR’s leading web page and improvements in how unsolicited submissions are processed. The image, ‘Two men discussing coming hunt’ (1961), by Inuit artist Qabaroak Qaisiya of Kinngait (formerly Cape Dorset), Nunavut, Canada, was already an altogether too indistinct and incomplete part of ISR’s cover. With communication of the journal’s fundamental purpose in mind, I wanted to foreground Qaisiya’s powerful image so that it would act emphatically on the word ‘science’, by implication enlarging its semantics beyond the natural sciences, back to the larger dimensions of scientia, as is the journal’s actual scope. This is not to exclude, push away or ‘soften’ the scientific but to stretch its meaning (Lloyd 2021). I also wanted by means of the image to suggest ISR’s communal purpose. Students of conversation and of social intelligence more broadly will, I trust, appreciate Qaisiya’s conjuring of the two hunters’ shared mind. To paraphrase cognitive scientist Andy Clark, we are nudged to attend to how, in the betweenness of their relation, they create a common understanding, hence to see that much of what matters about our intelligence is hidden not in the brain, nor invested in any technology, but brought about through the complex and integrated interactions and collaborations between ourselves, each other and the world (Clark 2001, 153–4). Thanks are due to Dorset Fine Arts, Toronto, Canada, for permission to reproduce ‘Two men discussing coming hunt’ and to the staff of Taylor & Francis for patiently translating into an effective design my notions of what would look right. I would also like to welcome to the Editorial Board, Dr Ksenia Tatarchenko (Singapore Management University). In addition I am happy to announce the appointment of our new Communications Editor, Gee Abraham.
{"title":"Editorial","authors":"Willard McCarty","doi":"10.1080/03080188.2022.2042772","DOIUrl":"https://doi.org/10.1080/03080188.2022.2042772","url":null,"abstract":"Readers will have noticed a new design for the cover, which appeared just in time for the previous issue but too late for editorial comment. This design is the most visible of several changes that have been made recently better to communicate the raison d’être of this journal. Apart from the cover image, these include a new brief statement, a longer one beneath it on ISR’s leading web page and improvements in how unsolicited submissions are processed. The image, ‘Two men discussing coming hunt’ (1961), by Inuit artist Qabaroak Qaisiya of Kinngait (formerly Cape Dorset), Nunavut, Canada, was already an altogether too indistinct and incomplete part of ISR’s cover. With communication of the journal’s fundamental purpose in mind, I wanted to foreground Qaisiya’s powerful image so that it would act emphatically on the word ‘science’, by implication enlarging its semantics beyond the natural sciences, back to the larger dimensions of scientia, as is the journal’s actual scope. This is not to exclude, push away or ‘soften’ the scientific but to stretch its meaning (Lloyd 2021). I also wanted by means of the image to suggest ISR’s communal purpose. Students of conversation and of social intelligence more broadly will, I trust, appreciate Qaisiya’s conjuring of the two hunters’ shared mind. To paraphrase cognitive scientist Andy Clark, we are nudged to attend to how, in the betweenness of their relation, they create a common understanding, hence to see that much of what matters about our intelligence is hidden not in the brain, nor invested in any technology, but brought about through the complex and integrated interactions and collaborations between ourselves, each other and the world (Clark 2001, 153–4). Thanks are due to Dorset Fine Arts, Toronto, Canada, for permission to reproduce ‘Two men discussing coming hunt’ and to the staff of Taylor & Francis for patiently translating into an effective design my notions of what would look right. I would also like to welcome to the Editorial Board, Dr Ksenia Tatarchenko (Singapore Management University). In addition I am happy to announce the appointment of our new Communications Editor, Gee Abraham.","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"47 1","pages":"117 - 117"},"PeriodicalIF":1.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47514101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-27DOI: 10.1080/03080188.2022.2047359
Jonah Lynch
ABSTRACT Modelwork, a collection of articles edited by Martin Brückner, Sandy Isenstadt, and Sarah Wasserman (University of Minnesota Press, 2021), contributes to scholarship about human inquiry by exploring the nature and action of models. Models provide access to hidden realities by bridging the gap between the tangible and the abstract; models also alter perceptions and can have deep and lasting effects on human knowing. The collection argues for the importance of attending to this double action of modelling, and explores important epistemological questions.
{"title":"Same and Different: How Models Contribute to Knowing. A review of Modelwork","authors":"Jonah Lynch","doi":"10.1080/03080188.2022.2047359","DOIUrl":"https://doi.org/10.1080/03080188.2022.2047359","url":null,"abstract":"ABSTRACT Modelwork, a collection of articles edited by Martin Brückner, Sandy Isenstadt, and Sarah Wasserman (University of Minnesota Press, 2021), contributes to scholarship about human inquiry by exploring the nature and action of models. Models provide access to hidden realities by bridging the gap between the tangible and the abstract; models also alter perceptions and can have deep and lasting effects on human knowing. The collection argues for the importance of attending to this double action of modelling, and explores important epistemological questions.","PeriodicalId":50352,"journal":{"name":"Interdisciplinary Science Reviews","volume":"48 1","pages":"145 - 157"},"PeriodicalIF":1.1,"publicationDate":"2022-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42868378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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