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Rhetoric of Redress: Australian Political Speeches and Settler Citizens' Historical Consciousness 修正修辞:澳洲政治演说与移民公民的历史意识
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-06-06 DOI: 10.1080/14443058.2023.2217824
Matilda Keynes
ABSTRACT This article traces the convergence of state redress and the educational construction of citizenship from the 1990s onwards in Australia. It examines how successive settler political leaders used the education of a historical consciousness—settler citizens’ relation to past, present and future—as a core strategy to seek resolution to the problematic national past. The article examines key political speeches that sought to mediate the settler nation's past in light of growing international and domestic pressures, including Keating's 1992 Redfern Park speech and Rudd's 2008 Apology to the Stolen Generations, and one of conservative backlash: Howard's 1996 Menzies Lecture. Rudd's subsequent national policy agenda of apology and an Australian Curriculum sought to inaugurate a new era in the settler nation's history. That program was embodied by the figure of the future citizen positioned to reckon with the nation's unjust past, a task inscribed in the inaugural national history curriculum.
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引用次数: 1
Sedimentary Layers: Bob Hawke’s Beer World Record and Ocker Chic 沉积层:鲍勃·霍克的啤酒世界纪录和奥克别致
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-06-05 DOI: 10.1080/14443058.2023.2215790
C. Coventry
ABSTRACT Australia’s 23rd prime minister, Bob Hawke, is celebrated for a world record set at the University of Oxford in the 1950s for the fastest consumption of a yard of ale. The beer record is apocryphal, having five evidential flaws. However, the embellishment—or fabrication—of the record was crucial to the “larrikin-leader” dual image Hawke constructed over the course of the 1970s as he manoeuvred to enter parliament. Hawke’s dual image appealed widely from the 1970s onwards because of the rise of the “ocker”: a middle-class caricature of Australians. By the 1980s, a refined “ocker chic” identity had emerged in which the middle class could erect a national culture that feigned meritocracy. In the 2020s, politicians, professionals, performative fathers and others identify with an ahistorical nation in which irreverence, elasticated leather boots, cowboy hats, Bavarian-style cold beer, and stories of endurance in foreign lands help to conceal their privilege. While many commentators have tried to explain this phenomenon, Diane Kirkby’s formulation of ocker chic reveals the interchange between class, gender and race that has preserved neoliberal capitalism in Australia.
摘要澳大利亚第23任总理鲍勃·霍克因上世纪50年代在牛津大学创下的一项世界纪录而备受赞誉:他以最快的速度喝下了一码麦芽酒。关于啤酒的记录是杜撰的,有五个证据缺陷。然而,对于霍克在20世纪70年代试图进入议会时所塑造的“larrikin-leader”双重形象来说,对记录的修饰或捏造是至关重要的。霍克的双重形象从20世纪70年代开始受到广泛欢迎,因为“ocker”(一种讽刺澳大利亚中产阶级的漫画)的兴起。到20世纪80年代,一种精致的“奥克时髦”身份出现了,中产阶级可以借此建立一种假装精英统治的民族文化。在21世纪20年代,政治家、专业人士、表演父亲和其他人都认同一个没有历史意义的国家,在这个国家里,不敬、松绑皮靴、牛仔帽、巴伐利亚风格的冰啤酒,以及在异国他乡的耐力故事,有助于掩盖他们的特权。当许多评论家试图解释这一现象时,黛安·柯克比(Diane Kirkby)对ocker chic的表述揭示了阶级、性别和种族之间的交换,这种交换保留了澳大利亚的新自由主义资本主义。
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引用次数: 0
Repatriated from Home as Enemy Aliens: Forgotten Lived Experiences of Japanese-Australians during the Second World War 从家乡作为敌人被遣返:二战期间日裔澳大利亚人被遗忘的生活经历
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-06-05 DOI: 10.1080/14443058.2023.2209594
Tets Kimura
ABSTRACT In contemporary Australian society, where nationhood has been built upon Western values, non-Caucasian people, including those with a Japanese background, have largely been treated as “others”. This attitude was particularly evident during the Second World War. When Japan joined the war in December 1941, some 97 per cent of civilians with a Japanese background living in Australia, including those who were born in Australia, were interned, and the vast majority of them were shipped to Japan after the war, even though they had no real connection to Japan. Based on my archival research, I argue that some of these “Japanese” who were thought to be others were, in fact, Australians, with strong loyalty to Australia. Official documents do not necessarily determine people's nationality, but instead a sense of belonging such as how they relate to a given society.
在当代澳大利亚社会,国家地位建立在西方价值观的基础上,非白种人,包括那些有日本背景的人,在很大程度上被视为“他者”。这种态度在第二次世界大战期间尤为明显。当日本于1941年12月参战时,居住在澳大利亚的约97%的日本背景平民(包括在澳大利亚出生的平民)被拘留,其中绝大多数人在战后被运往日本,尽管他们与日本没有真正的联系。根据我的档案研究,我认为这些被认为是其他人的“日本人”中的一些人实际上是澳大利亚人,对澳大利亚有着强烈的忠诚。官方文件不一定决定人们的国籍,而是一种归属感,比如他们与特定社会的关系。
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引用次数: 0
Sub-Imperial Power: Australia in the International Arena 次皇权:国际舞台上的澳大利亚
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-28 DOI: 10.1080/14443058.2023.2216118
S. Pascoe
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引用次数: 0
The Victorian Spiritualists’ Union and the Surprising Survival of Spiritualism in Australia 维多利亚时代的招魂者联盟和澳大利亚招魂术的惊人生存
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-20 DOI: 10.1080/14443058.2023.2211998
A. Singleton
ABSTRACT The new religion of Spiritualism emerged in the mid-19th century. Through mediumship, Spiritualists contacted the dead, believing them to have “passed over” to another plane of existence. It spread from America to Great Britain before arriving in Australia in the 1850s. This article charts the history of the world’s oldest continuously running Spiritualist organisation, the Victorian Spiritualists’ Union (VSU, est. 1870), exploring the unexpected survival of the movement in Australia. It challenges the common idea that Spiritualism enjoyed only a brief revival in the interwar period and has maintained a tenuous status ever since. Rather, I argue that Spiritualism has experienced several peaks and troughs since its emergence in Australia, including a widespread revival in the 1970s, spearheaded by the VSU. Spiritualism in Australia survives due to the development of a church movement, the advocacy of groups such as the VSU, the generous volunteer efforts of individual Spiritualists, the acquisition of church buildings, and its geographic mobility, all of which have allowed Spiritualist churches to be responsive to changing social and cultural conditions for more than a century. It is one of Australia’s largest and most resilient alternative religious movements, not simply a Victorian-era curio.
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引用次数: 0
Difference within Identity: Recognition, Growth and the Circularity of Indigenous Knowledge 认同中的差异:本土知识的认同、成长与循环
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-11 DOI: 10.1080/14443058.2023.2207169
Samuel Curkpatrick
ABSTRACT The concept of circular thinking is readily attributed to patterns of Indigenous knowledge, characterised as distinct from the supposed linearity of Western epistemology; to approach epistemology through this metaphor is to anticipate identity by difference and underscore the autonomy of knowledge within bounded cultural coordinates. In seeking a more nuanced appreciation of the interwoven contours of human knowing, I consider some leading Indigenous Australian thinkers who understand cultural identities to be consolidated through creative repetition and recognised within dynamic relationality. These explorations include Mandawuy Yunupiŋu’s interpretation of Yolŋu thought as a process of making “new connections and new separations”; the performance of manikay (public ceremonial song) by Wägilak singer Daniel Wilfred; Tyson Yunkaporta’s conceptualisation of “turnaround”; Wanta Jampijinpa Pawu’s framework of ngurra-kurlu (home-having); and Stan Grant’s interpretation of an Indigenous Voice to the Australian Parliament. In contrast to the circular demarcation of identity by difference, these voices demonstrate how difference within identity can give impetus to mutual formation and growth, suggesting a Hegelian twist on notions of circularity in which critical differentiation generates an expanding gyre of recognition and meaning.
循环思维的概念很容易归因于土著知识的模式,其特点是与西方认识论的假定线性不同;通过这一隐喻来接近认识论是通过差异来预测身份,并强调知识在有限的文化坐标中的自主性。在寻求对人类认知交织轮廓的更细致的欣赏时,我认为一些领先的澳大利亚土著思想家通过创造性的重复来巩固文化身份,并在动态关系中得到认可。这些探索包括:mandawway Yunupiŋu将Yolŋu思想解释为一个制造“新连接和新分离”的过程;由Wägilak歌手Daniel Wilfred演唱的manikay(公共仪式歌曲);Tyson Yunkaporta的“转机”概念;Wanta Jampijinpa Pawu的“家”框架以及斯坦·格兰特对澳大利亚议会的土著之声的诠释。与差异对身份的循环划分相反,这些声音证明了身份内部的差异如何能够推动相互的形成和成长,这表明了黑格尔对循环概念的扭曲,在这种循环概念中,关键的差异产生了一个不断扩大的认识和意义的环流。
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引用次数: 2
The Hoyleton Institute Stage Door Inscriptions and the Ghosts of Forgotten Travelling Performers 霍伊尔顿学院舞台门上的铭文和被遗忘的旅行演员的鬼魂
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-28 DOI: 10.1080/14443058.2023.2203692
J. Hayward
ABSTRACT This article provides an archaeologist’s reflection on some forgotten cultural and historical artefacts. Since the early 1920s, performing artists and variety acts who visited the Hoyleton Institute Hall in the Mid North of South Australia inscribed their names on the inside of the stage doors as a memento of their visit. Towards the end of the 20th century, the old railway town of Hoyleton and its century-old institute became victims of change, modernisation and progress, leaving the memories of the once popular travelling performers to linger in obscurity on the stage, immortalised on the back of the likewise forgotten stage doors. In this article, I animate some of the performers whose names are inscribed on the stage door through historical documents, juxtaposing the inscriptions with other forms of spontaneous mark-making such as rock art and graffiti to contextualise a cultural phenomenon. I also reflect on the fragility of some cultural heritage and the significance of small and modest sites such as the Hoyleton Institute Hall.
这篇文章提供了一位考古学家对一些被遗忘的文化和历史文物的思考。自20世纪20年代初以来,参观南澳大利亚中北部霍伊尔顿学院大厅的表演艺术家和各种演员在舞台门的内侧写下了他们的名字,作为他们访问的纪念。在20世纪末,霍伊尔顿这个古老的铁路小镇及其百年历史的学院成为了变革、现代化和进步的受害者,留下了曾经受欢迎的旅行表演者的记忆,在舞台上默默无闻地徘徊,在同样被遗忘的舞台门的后面,不朽。在这篇文章中,我通过历史文献将一些表演者的名字刻在舞台门上,并将这些铭文与其他形式的自发标记制作(如岩石艺术和涂鸦)并置,以将一种文化现象置于背景中。我还思考了一些文化遗产的脆弱性,以及像霍伊尔顿学院大厅这样的小型和不起眼的遗址的重要性。
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引用次数: 0
Untangling Maralinga: Spatial and Temporal Complexities of Australia’s Atomic Anthropocene 解开马拉林加之谜:澳大利亚原子人类世的时空复杂性
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-17 DOI: 10.1080/14443058.2023.2199757
Lianda Burrows, D. Holden, Elizabeth Tynan
ABSTRACT Reflecting on the atomic test sites in the South Australian desert, this article analyses the bisociation of cultural and historical spaces with geographical and geological formations. We expand Michel Foucault’s concept of heterotopias to include complex intersections with natural environments. Given the close association of human intervention and landform, these atomic test sites are also important indicators of the Anthropocene, marking transitional geo-spaces influenced by both human and pre-human geological action. Crossing dimensions of colonial contest, tourism, atomic science and geology, we demonstrate that temporal and physical intersections of multiple human cultures at atomic test sites both influence and are influenced by deep-time geological history.
本文以南澳大利亚沙漠中的原子试验场为背景,分析了文化历史空间与地理地质构造的关联。我们将米歇尔·福柯的异托邦概念扩展到包括与自然环境的复杂交集。鉴于人类活动与地形的密切联系,这些核试验场也是人类世的重要指标,标志着受人类和前人类地质活动影响的过渡地理空间。跨越殖民竞赛、旅游、原子科学和地质的维度,我们证明了原子试验场多种人类文化的时间和物理交叉点既影响又受深时间地质历史的影响。
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引用次数: 0
Behrouz Boochani on Manus Island: Contesting Refugee Experience in the Global South 贝鲁兹·布查尼在马努斯岛:全球南方的难民经历之争
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-10 DOI: 10.1080/14443058.2023.2196999
Nicholas Birns, Keyvan Allahyari
ABSTRACT This article makes a case for reframing refugee literature through reading Behrouz Boochani’s No Friend but the Mountains, translated from Farsi by Omid Tofighian. Written in detention on Manus Island via text messages on WhatsApp, Boochani’s book has won wide acclaim in Australia and internationally, not only among literary critics, but as a work of popular appeal in writers’ festivals and cultural prizes. The popular narrative around No Friend but the Mountains has introduced it, on the one hand, as a representative specimen of refugee literature, and more specifically as an example of life writing of a stateless Kurd. We argue that Boochani’s work resists reductive characterisations of refugee literature both through its literary investments and its multiple affiliations with political and discursive interests. By attending closely to stylistic properties and its discursive contexts, we emphasise that No Friend but the Mountains is not just a protest against Boochani’s own treatment by the Australian government but a tracing of how the lived experience and literary subjectivity of refugees in the Global South contests facile categorisation and unitary nationalism.
本文通过阅读贝鲁兹·布查尼由奥米德·托菲吉安译自波斯语的《除了山没有朋友》,来阐释难民文学的重构。布查尼在马努斯岛(Manus Island)被拘留期间通过WhatsApp上的短信写的这本书,在澳大利亚和国际上赢得了广泛赞誉,不仅在文学评论家中,而且在作家节和文化奖项中也颇受欢迎。《除了山没有朋友》的流行叙事,一方面把它作为难民文学的代表样本,更具体地说,是一个无国籍库尔德人生活写作的例子。我们认为,布查尼的作品通过其文学投资及其与政治和话语利益的多重联系,抵制了对难民文学的简化特征。通过密切关注其文体属性及其话语语境,我们强调,《除了山,没有朋友》不仅是对布查尼自己受到澳大利亚政府对待的抗议,而且是对全球南方难民的生活经验和文学主体性如何与肤浅的分类和单一民族主义相抗争的追踪。
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引用次数: 0
A Readership of Convenience: Macro-National Cooperation within the Scandinavian-Australian Newspaper Norden, 1896–1940 方便的读者:斯堪的纳维亚-澳大利亚报纸诺登的宏观国家合作,1896-1940
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-09 DOI: 10.1080/14443058.2023.2197006
Mark Emmerson
ABSTRACT Between 1825 and 1930, almost three million Scandinavians left their homelands as part of a mass exodus from Northern Europe. While the majority established thriving communities in the United States, a small number settled across Australia and New Zealand. The Scandinavian-Australian newspaper Norden (1896–1940) was integral in connecting these most isolated immigrant communities to their homelands and each other. This article considers how Norden resurrected pan-Scandinavianism, a remnant collective ideology of the Romantic period, to foster a sense of collective goodwill and cultural similarity between Australia’s fragmented Danish, Swedish and Norwegian immigrant communities. The article argues that without the unifying power of macro-national cooperation, this unique newspaper and its vibrant readership of convenience would not have survived into the 20th century.
1825年至1930年间,近300万斯堪的纳维亚人离开了自己的家园,成为大规模逃离北欧的一部分。虽然大多数人在美国建立了繁荣的社区,但少数人在澳大利亚和新西兰定居。斯堪的纳维亚-澳大利亚报纸Norden(1896-1940)在将这些最孤立的移民社区与他们的家园和彼此联系起来方面发挥了不可或缺的作用。本文探讨了诺登是如何复兴泛斯堪的纳维亚主义(浪漫主义时期遗留下来的集体意识形态),从而在澳大利亚支离破碎的丹麦、瑞典和挪威移民社区之间培养一种集体善意和文化相似性。文章认为,如果没有宏观国家合作的统一力量,这份独特的报纸和它充满活力的便利读者就不会存活到20世纪。
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引用次数: 0
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Journal of Australian Studies
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