The paper examines the role of orthographic norms in two types of non-authored text revision – text correction within the educational process and proofreading. Both the teacher and the proofreader intervene in the text in order to correct the deviations from the standard language norms: the teacher with the aim to develop the student's language (and stylistic) abilities, and the proofreader to ensure that the text complies with the standard language norms; in this paper the term correction is used for such interventions in the text. The specialized corpora Šolar and Lektor were used for the comparative analysis. As regards the corrections of upper-case/lower-case initials, there are 2,015 such corrections in the Šolar corpus where they represent a special category within spelling errors, while in the Lektor corpus there are 1,702 of those corrections and they are divided into six subtypes, which together overlap precisely with the category of upper-case and lower-case corrections in the Šolar corpus. They were used to create a typology of corrections from the Šolar corpus for the purposes of this paper. The aim of this paper is to present concrete spelling problems encountered by students and adult authors, and to examine how such errors are corrected by teachers and by proofreaders – whether they strictly adhere to codified orthographic norms, or whether deviations occur and in which cases. It was found that distinguishing between proper and common nouns causes the most problems. The paper represents a new approach in the study of language by connecting the field of developing students' language abilities and the field of proofreading.
{"title":"Analysis of corrections of upper-case/lower-case initials in the Šolar and Lektor corpora","authors":"Vesna Žnidar","doi":"10.4312/aemz1104","DOIUrl":"https://doi.org/10.4312/aemz1104","url":null,"abstract":"The paper examines the role of orthographic norms in two types of non-authored text revision – text correction within the educational process and proofreading. Both the teacher and the proofreader intervene in the text in order to correct the deviations from the standard language norms: the teacher with the aim to develop the student's language (and stylistic) abilities, and the proofreader to ensure that the text complies with the standard language norms; in this paper the term correction is used for such interventions in the text. The specialized corpora Šolar and Lektor were used for the comparative analysis. As regards the corrections of upper-case/lower-case initials, there are 2,015 such corrections in the Šolar corpus where they represent a special category within spelling errors, while in the Lektor corpus there are 1,702 of those corrections and they are divided into six subtypes, which together overlap precisely with the category of upper-case and lower-case corrections in the Šolar corpus. They were used to create a typology of corrections from the Šolar corpus for the purposes of this paper. The aim of this paper is to present concrete spelling problems encountered by students and adult authors, and to examine how such errors are corrected by teachers and by proofreaders – whether they strictly adhere to codified orthographic norms, or whether deviations occur and in which cases. It was found that distinguishing between proper and common nouns causes the most problems. The paper represents a new approach in the study of language by connecting the field of developing students' language abilities and the field of proofreading.","PeriodicalId":52517,"journal":{"name":"Jezik in Slovstvo","volume":" 29","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140691678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dr. Kozma Ahačič podaja svoj pogled na trenutni položaj slovenščine v svetu množične digitalizacije, izpostavlja nekaj negativnih plati in opozarja na to, da dobro znanje knjižne slovenščine ni samoumevno. V intervjuju smo odprli tudi teme variantnosti pri kodifikaciji, študija slovenistike, vprašanje pojmovanja knjižnega in standardnega jezika ter vpliv poznavanja zgodovine jezika, zgodovine rabe jezika, zgodovine jezikoslovja in slovnic klasičnih jezikov na delo s sodobnim jezikom. Prav zgodovinskemu vidiku, tako jezikovne rabe kot slovničarstva in slovaropisja, je predstojnik Inštituta za slovenski jezik Frana Ramovša v svojem znanstvenem delu posvetil največ pozornosti: v zbirki Zgodovina misli o jeziku na Slovenskem je doslej obravnaval obdobje protestantizma in katoliško dobo, v več monografijah se je podrobno ukvarjal z jezikom 16. stoletja (prim. Stati inu obstati: prvih petdeset slovenskih knjig), uredil je tudi spletno mesto Slovenske slovnice in pravopisi: spletišče slovenskih slovnic in pravopisov od 1584 do danes. Doseg do največ govorcev in uporabnikov slovenščine ima njegovo uredniško delo pri portalih Fran in Franček, aktiven je tudi kot član ali vodja različnih skupin, ki v družbeno-političnem smislu skrbijo za razvoj in obstoj slovenščine (prim. Strokovna komisija za Slovenski jezik pri Ministrstvu za kulturo), za približanje slovenščine novim generacijam šolarjev pa je pripravil Slovnico na kvadrat in Kratkoslovnico.
{"title":"Kaj pomeni ljubezen do slovenščine?","authors":"Matevž Treven, Katarina Meglič","doi":"10.4312/vbsa5524","DOIUrl":"https://doi.org/10.4312/vbsa5524","url":null,"abstract":"Dr. Kozma Ahačič podaja svoj pogled na trenutni položaj slovenščine v svetu množične digitalizacije, izpostavlja nekaj negativnih plati in opozarja na to, da dobro znanje knjižne slovenščine ni samoumevno. V intervjuju smo odprli tudi teme variantnosti pri kodifikaciji, študija slovenistike, vprašanje pojmovanja knjižnega in standardnega jezika ter vpliv poznavanja zgodovine jezika, zgodovine rabe jezika, zgodovine jezikoslovja in slovnic klasičnih jezikov na delo s sodobnim jezikom. Prav zgodovinskemu vidiku, tako jezikovne rabe kot slovničarstva in slovaropisja, je predstojnik Inštituta za slovenski jezik Frana Ramovša v svojem znanstvenem delu posvetil največ pozornosti: v zbirki Zgodovina misli o jeziku na Slovenskem je doslej obravnaval obdobje protestantizma in katoliško dobo, v več monografijah se je podrobno ukvarjal z jezikom 16. stoletja (prim. Stati inu obstati: prvih petdeset slovenskih knjig), uredil je tudi spletno mesto Slovenske slovnice in pravopisi: spletišče slovenskih slovnic in pravopisov od 1584 do danes. Doseg do največ govorcev in uporabnikov slovenščine ima njegovo uredniško delo pri portalih Fran in Franček, aktiven je tudi kot član ali vodja različnih skupin, ki v družbeno-političnem smislu skrbijo za razvoj in obstoj slovenščine (prim. Strokovna komisija za Slovenski jezik pri Ministrstvu za kulturo), za približanje slovenščine novim generacijam šolarjev pa je pripravil Slovnico na kvadrat in Kratkoslovnico.","PeriodicalId":52517,"journal":{"name":"Jezik in Slovstvo","volume":" 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140692953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-04DOI: 10.4312/jis.69.1-2.23-30
Miran Štuhec
The characteristics of Matjaž Kmecl’s essay writing are clearly visible in all his key texts. First, the structural role of the story or the meaning of the example must be emphasized, then the sensibility, the synthesis of subjectivity and objectivity, and vitalism. The third is the conceptual starting point, which works along the following lines: contact with nature and the resulting faith in the natural order of things flourishes and is the condition and goal of the good. This view is simple and effective when it rejects hypocrisy, reveals and overcomes the hyperbolized sense of smallness of a nation of some two million people, evokes individuality, overcomes loneliness and self-destructiveness. Kmecl notes the consequences of fatigue and overload when he places literary-historical explanations in temporal and spatial coordinates or in the case of accurate reflections of individuals and events. If I add to this Kmecl’s understanding and consideration of social and socio-historical parallels, it is possible to present a round picture of the mental foundations on which individual texts are created.
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Pub Date : 2024-04-04DOI: 10.4312/jis.69.1-2.31-42
Irena Novak Popov
This article deals with four books by Matjaž Kmecl, which belong to the early period of his writing academic and student manuals (Mala literarna teorija / Little Literary Theory, Od pridige do kriminalke / From Sermon to Criminal Story, Rojstvo slovenskega romana / The Birth of the Slovenian Novel) and a collection of essays (Slovenska postna premišljevanja / Slovenian Lenten Meditations). I present them in a way that summarizes Kmecl’s innovations in literary-historical writing, while at the same time recreating the experiences of a student on the path of becoming a professional reader. The discussions on the rise of the Slovenian bourgeoisie and fictional storytelling in the second half of the 19th century, as well as the reflections based on personal experiences from the times of crisis just before the dissolution of the Yugoslav federation, are permeated by the same attitude from the author: a witty discovery of the natural primordiality and integrity of existence, a tireless gathering of evidence for perseverance, defiance, vitality and faithfulness in the face of despondency, fear, and inhibition. This attitude is rooted in Kmecl’s insightful analyses of the literary past and evolves into a sympathetic assessment of contemporary anomies. In the former, in particular, he recognizes the rich cultural capital that generations of creators have accumulated, despite weak political and economic power, and passed on to their contemporaries and successors with the hope for a self-confident survival of the Slovenian people.
本文论述了马特雅斯-克梅尔（Matjaž Kmecl）的四本书，它们属于他早期写作的学术和学生手册（《小文学理论》（Mala literarna teorija / Little Literary Theory）、《从布道到犯罪故事》（Od pridige do kriminalke / From Sermon to Criminal Story）、《斯洛文尼亚小说的诞生》（Rojstvo slovenskega romana / The Birth of the Slovenian Novel））和散文集（《斯洛文尼亚四旬斋沉思录》（Slovenska postna premišljevanja / Slovenian Lenten Meditations））。我在介绍这些作品时，既总结了克梅克尔在文学史写作方面的创新，同时也再现了一名学生在成为专业读者道路上的经历。关于斯洛文尼亚资产阶级崛起和 19 世纪下半叶虚构故事的讨论，以及基于南斯拉夫联邦解体前危机时期个人经历的思考，都渗透着作者的同一态度：诙谐地发现存在的自然原始性和完整性，孜孜不倦地收集证据，以证明面对绝望、恐惧和抑制时的坚持、反抗、活力和忠诚。这种态度植根于 Kmecl 对过去文学的精辟分析，并发展为对当代反常现象的同情评价。尤其是前者，他承认一代代创作者在政治和经济力量薄弱的情况下积累了丰富的文化资本，并将这些资本传承给他们的同代人和后继者，希望斯洛文尼亚人民能够自信地生存下去。
{"title":"Book reading: a compensation for rare personal contacts","authors":"Irena Novak Popov","doi":"10.4312/jis.69.1-2.31-42","DOIUrl":"https://doi.org/10.4312/jis.69.1-2.31-42","url":null,"abstract":"This article deals with four books by Matjaž Kmecl, which belong to the early period of his writing academic and student manuals (Mala literarna teorija / Little Literary Theory, Od pridige do kriminalke / From Sermon to Criminal Story, Rojstvo slovenskega romana / The Birth of the Slovenian Novel) and a collection of essays (Slovenska postna premišljevanja / Slovenian Lenten Meditations). I present them in a way that summarizes Kmecl’s innovations in literary-historical writing, while at the same time recreating the experiences of a student on the path of becoming a professional reader. The discussions on the rise of the Slovenian bourgeoisie and fictional storytelling in the second half of the 19th century, as well as the reflections based on personal experiences from the times of crisis just before the dissolution of the Yugoslav federation, are permeated by the same attitude from the author: a witty discovery of the natural primordiality and integrity of existence, a tireless gathering of evidence for perseverance, defiance, vitality and faithfulness in the face of despondency, fear, and inhibition. This attitude is rooted in Kmecl’s insightful analyses of the literary past and evolves into a sympathetic assessment of contemporary anomies. In the former, in particular, he recognizes the rich cultural capital that generations of creators have accumulated, despite weak political and economic power, and passed on to their contemporaries and successors with the hope for a self-confident survival of the Slovenian people.","PeriodicalId":52517,"journal":{"name":"Jezik in Slovstvo","volume":"27 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140746027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-04DOI: 10.4312/jis.69.1-2.89-103
Tone Smolej, Tanja Žigon
This paper analyses the 1838/39 season of the German Theatre of the Carniolan Provincial Estates (Ständisches Theater) in Ljubljana, focusing on its artistic output. The introductory section describes the archival material on the basis of which the theatre’s repertoire was reconstructed and then discusses the role of the theatre’s impresario, Ferdinand Funk, and the most important plays which were performed there. In addition to the works of the Austrian playwrights Ferdinand Raimund, Johann Nestroy, Carl Meisl, and Friederich Halm, those of Eugène Scribe and Shakespeare in German translation featured prominently; women playwrights were also noticeably represented in the theatre’s repertoire. Before the 1848 revolutions the Slovene intelligentsia also patronised the Theatre of the Carniolan Provincial Estates, which was the only theatre in Ljubljana at the time, and refined their taste for dramatic art there.
{"title":"Stanovsko gledališče v Ljubljani v sezoni 1838/39","authors":"Tone Smolej, Tanja Žigon","doi":"10.4312/jis.69.1-2.89-103","DOIUrl":"https://doi.org/10.4312/jis.69.1-2.89-103","url":null,"abstract":"This paper analyses the 1838/39 season of the German Theatre of the Carniolan Provincial Estates (Ständisches Theater) in Ljubljana, focusing on its artistic output. The introductory section describes the archival material on the basis of which the theatre’s repertoire was reconstructed and then discusses the role of the theatre’s impresario, Ferdinand Funk, and the most important plays which were performed there. In addition to the works of the Austrian playwrights Ferdinand Raimund, Johann Nestroy, Carl Meisl, and Friederich Halm, those of Eugène Scribe and Shakespeare in German translation featured prominently; women playwrights were also noticeably represented in the theatre’s repertoire. Before the 1848 revolutions the Slovene intelligentsia also patronised the Theatre of the Carniolan Provincial Estates, which was the only theatre in Ljubljana at the time, and refined their taste for dramatic art there.","PeriodicalId":52517,"journal":{"name":"Jezik in Slovstvo","volume":"21 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140742111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-04DOI: 10.4312/jis.69.1-2.193-195
Boža Krakar Vogel
»... bil je vrlo zabaven pripovedovalec, poln šale in naravnega humorja, zavoljo katerega je bil pred nekimi leti ljubljenec krasnega spola v salonu.« (Slovenski glasnik 1862: 68.) Nekako v duhu tega opisa, ki ga je Slovenski glasnik namenil Velentinu Zarniku, smo se o mladem profesorju v 70. letih prejšnjega stoletja pogovarjale njegove tedanje študentke. Nismo se z njim srečevale v salonih, ampak v predavalnicah in ga hitro sprejele kot razgledanega, duhovitega in komunikativnega predavatelja, navdušenega nad družbeno-kulturnim razcvetom slovenskega vitalnega meščanstva v drugi polovici 19. stoletja, posebno pa nad pripovedno prozo, ki je »mimo Prešerna najbolj osupljiv in bleščeč pojav slovenske književnosti tistega časa.«. Predavanja je pogosto popestril s kakšnim citatom is Kmetijskih in rokodelnskih novic, nam arhaičnim in smešnim, kar se je kazalo že v naslovih teh slikovitih pripovednih drobcev: Po čem se pijanec pozna, Skušnja je učila, Baba natepe moža ... Tako je profesor resne in temeljite interpretacije besedil od Ciglerja prek vajevcev, Jurčiča in Levstika, feljtona in prvih kriminalk ilustriral nastanke umetniške pripovedne proze in njihov čas.
{"title":"Spominski utrinki na srečevanja s profesorjevo živo in vsestransko ustvarjalnostjo","authors":"Boža Krakar Vogel","doi":"10.4312/jis.69.1-2.193-195","DOIUrl":"https://doi.org/10.4312/jis.69.1-2.193-195","url":null,"abstract":"»... bil je vrlo zabaven pripovedovalec, poln šale in naravnega humorja, zavoljo katerega je bil pred nekimi leti ljubljenec krasnega spola v salonu.« (Slovenski glasnik 1862: 68.)\u0000Nekako v duhu tega opisa, ki ga je Slovenski glasnik namenil Velentinu Zarniku, smo se o mladem profesorju v 70. letih prejšnjega stoletja pogovarjale njegove tedanje študentke. Nismo se z njim srečevale v salonih, ampak v predavalnicah in ga hitro sprejele kot razgledanega, duhovitega in komunikativnega predavatelja, navdušenega nad družbeno-kulturnim razcvetom slovenskega vitalnega meščanstva v drugi polovici 19. stoletja, posebno pa nad pripovedno prozo, ki je »mimo Prešerna najbolj osupljiv in bleščeč pojav slovenske književnosti tistega časa.«. Predavanja je pogosto popestril s kakšnim citatom is Kmetijskih in rokodelnskih novic, nam arhaičnim in smešnim, kar se je kazalo že v naslovih teh slikovitih pripovednih drobcev: Po čem se pijanec pozna, Skušnja je učila, Baba natepe moža ... Tako je profesor resne in temeljite interpretacije besedil od Ciglerja prek vajevcev, Jurčiča in Levstika, feljtona in prvih kriminalk ilustriral nastanke umetniške pripovedne proze in njihov čas.","PeriodicalId":52517,"journal":{"name":"Jezik in Slovstvo","volume":"19 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140743107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-04DOI: 10.4312/jis.69.1-2.135-149
M. Dović
The relentlessly critical writer Fran Levstik, one of the central figures in Slovenian literature and politics in the decades following the March Revolution of 1848, was also one of the intellectuals of his time who suffered most from censorship. His first volume of poetry, Poems (1854), was harshly suppressed for alleged blasphemy, and his militant nationalist articles in the 1860s led to many publishers receiving lawsuits, heavy fines, and even prison sentences. While Levstik’s literary works were never subject to official censorship during his lifetime this eventually happened after his death with the play Tugomer, originally written by Josip Jurčič, but transformed by Levstik into an opus magnum of Slovenian nationalism.
{"title":"Nationalist “enfant terrible”","authors":"M. Dović","doi":"10.4312/jis.69.1-2.135-149","DOIUrl":"https://doi.org/10.4312/jis.69.1-2.135-149","url":null,"abstract":"The relentlessly critical writer Fran Levstik, one of the central figures in Slovenian literature and politics in the decades following the March Revolution of 1848, was also one of the intellectuals of his time who suffered most from censorship. His first volume of poetry, Poems (1854), was harshly suppressed for alleged blasphemy, and his militant nationalist articles in the 1860s led to many publishers receiving lawsuits, heavy fines, and even prison sentences. While Levstik’s literary works were never subject to official censorship during his lifetime this eventually happened after his death with the play Tugomer, originally written by Josip Jurčič, but transformed by Levstik into an opus magnum of Slovenian nationalism.","PeriodicalId":52517,"journal":{"name":"Jezik in Slovstvo","volume":"23 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140742342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-04DOI: 10.4312/jis.69.1-2.151-163
Jožica Čeh Steger
Literary science, like other sciences, has since the 1990s been intensively responding to anthropogenic climate change in an environmental and socio-cultural context. Climate issues have in literature been narrated in an aesthetic manner, appealing to the reader through stories, stirring emotions in the reader, inviting the reader to reflect on certain values and to behave in an environmentally friendly manner. The present study focuses on a novel about climate change, which in the framework of the environmental genre occupies a space of much importance and which in the 1990s initially gained popularity in the Anglo-American linguistic context. Its structure includes elements of other genres, especially those of science fiction and thrillers. Recently, however, it has distanced itself from fantastic scenarios, moving towards realistic encounters with climate change that can be classified as environmental risk narratives, as illustrated by the example of the novel Zgodovina čebel (The History of Bees) by the Norwegian author Maja Lunde. Climate change is also presented in the novels Na Klancu by Tina Vrščaj and Primerljivi hektarji by Nataša Kramberger.
{"title":"Roman o podnebnih spremembah med znanstveno fantastiko in realnimi izkušnjami","authors":"Jožica Čeh Steger","doi":"10.4312/jis.69.1-2.151-163","DOIUrl":"https://doi.org/10.4312/jis.69.1-2.151-163","url":null,"abstract":" \u0000Literary science, like other sciences, has since the 1990s been intensively responding to anthropogenic climate change in an environmental and socio-cultural context. Climate issues have in literature been narrated in an aesthetic manner, appealing to the reader through stories, stirring emotions in the reader, inviting the reader to reflect on certain values and to behave in an environmentally friendly manner. The present study focuses on a novel about climate change, which in the framework of the environmental genre occupies a space of much importance and which in the 1990s initially gained popularity in the Anglo-American linguistic context. Its structure includes elements of other genres, especially those of science fiction and thrillers. Recently, however, it has distanced itself from fantastic scenarios, moving towards realistic encounters with climate change that can be classified as environmental risk narratives, as illustrated by the example of the novel Zgodovina čebel (The History of Bees) by the Norwegian author Maja Lunde. Climate change is also presented in the novels Na Klancu by Tina Vrščaj and Primerljivi hektarji by Nataša Kramberger.","PeriodicalId":52517,"journal":{"name":"Jezik in Slovstvo","volume":"34 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140744387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-04DOI: 10.4312/jis.69.1-2.105-122
Timothy Pogačar, Ruth E. Pogacar
This study reports the results of surveys of Slovene and English speakers’ responses to the sounds of fictional characters’ names. Responses were measured with two kinds of surveys – implicit and explicit – that gauged how readers reacted to the names of characters in Slovene rural novellas of the 19th and 20th centuries. The focus was on the initial sounds of names. The hypothesis was that certain sounds correlate with positive and negative names and that Slovene and English speakers would respond similarly to names of positive and negative fictional characters. If supported, the hypothesis justifies the practice of preserving personal names in translation. Evidence from the surveys showed that Slovene and English speakers’ responses to personal names were similar to a high degree.
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