Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2022.0.46.0001
Rasha Abdulmunem Azeez
The inner wasteland can be observed in Samuel Beckett’s early and later plays. His characters suffer from loss of identity, emotions, and sense of time. They lead a life of failure, repetition, inaction, loneliness, doubt, suffering, and nothingness. The inner wasteland includes many aspects, such as the multi and split identity, the habitual repetitive element of life, the dark sorrowful life the characters lead, lack of communication and relations among them, their unfree, inactive condition, their foggy terrible recollections, loneliness, dryness of love, and uncertainty. The analysis and the illustration of each aspect will show how the inner wasteland is intensified in the selected later plays of Beckett.
{"title":"The Inner Wasteland in Selected Later Plays of Samuel Beckett","authors":"Rasha Abdulmunem Azeez","doi":"10.36586/jcl.2.2022.0.46.0001","DOIUrl":"https://doi.org/10.36586/jcl.2.2022.0.46.0001","url":null,"abstract":"The inner wasteland can be observed in Samuel Beckett’s early and later plays. His characters suffer from loss of identity, emotions, and sense of time. They lead a life of failure, repetition, inaction, loneliness, doubt, suffering, and nothingness. The inner wasteland includes many aspects, such as the multi and split identity, the habitual repetitive element of life, the dark sorrowful life the characters lead, lack of communication and relations among them, their unfree, inactive condition, their foggy terrible recollections, loneliness, dryness of love, and uncertainty. The analysis and the illustration of each aspect will show how the inner wasteland is intensified in the selected later plays of Beckett.","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129502562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2022.0.46.0025
Mahmood Hasan Zghair
The Beggar (1965) is a story of isolation and depression which is written by the Egyptian novelist Naguib Mahfouz who is considered the father of Arabic Literature in the modern era. Specifically, he refers in his great novel called The Beggar that the man unable to achieve psychological revival after Nasser’s revolution, the man sacrificed his own job and his family for a desire that increases his feelings of alienation and depression which leads him to an emotional outcry against the indifferent. The main aim of the study highlights the concept of existential dilemma as a philosophical problem and personality crisis by the protagonist of The Beggar novel, Omer Al-Hamzawi who had accepted the death instead of living in the real-life, as a result, was looking for the meaning of life, existence and evaded his truth through searching for a new value that renews the meaning of life that guided him to nothing to find himself living in a double personality and could not get rid of it ultimately.
{"title":"The Existential Dilemma as a Philosophical Problem in The Beggar by Naguib Mahfouz","authors":"Mahmood Hasan Zghair","doi":"10.36586/jcl.2.2022.0.46.0025","DOIUrl":"https://doi.org/10.36586/jcl.2.2022.0.46.0025","url":null,"abstract":"The Beggar (1965) is a story of isolation and depression which is written by the Egyptian novelist Naguib Mahfouz who is considered the father of Arabic Literature in the modern era. Specifically, he refers in his great novel called The Beggar that the man unable to achieve psychological revival after Nasser’s revolution, the man sacrificed his own job and his family for a desire that increases his feelings of alienation and depression which leads him to an emotional outcry against the indifferent. The main aim of the study highlights the concept of existential dilemma as a philosophical problem and personality crisis by the protagonist of The Beggar novel, Omer Al-Hamzawi who had accepted the death instead of living in the real-life, as a result, was looking for the meaning of life, existence and evaded his truth through searching for a new value that renews the meaning of life that guided him to nothing to find himself living in a double personality and could not get rid of it ultimately.","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122719504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2022.0.46.0368
Maysaa Jabar Sadaa, Hamid Marhoon Hamad
המחקר הזה שופך אור על טרמינולוגית האיום בלשון העברית על ידי ניתוח פרגמטי של כמה מודלים לשוניים, בנוסף להצגת סוגי האיום הבסיסיים, וסקירת התנאים למימושם. כמו כן, נדון ביחס השימוש בשני פעולות הדיבור "ההזהרה וההבטחה" עם פעולת האיום, ובגילוי כיצד להשיג באמצעותם, שכן הנמען מתמודד עם קושי להבחין בין שלושת הפעליםהללו. האיום הוא אחת פעולות הדיבור הבולטות שבהן נוקט הדובר כאמצעי להשגת מטרות מסוימות הקשורות לעניין אישי ולפי תנאים ספציפיים. ניתן להבין את האיום על ידי הסתמכות על ידע של היבטים מסוימים, כול: (הקשר פנימי וחיצוני, נסיבות שבהן הושמע האיום המילולי, הסמכות הן של המוען והן של הנמען, וסוג המטרה שיש להשיג, בין אם היא חיובית או שלילית). מחקר זה הגיע למסקנה כי מעשה האיום מכל הסוגים הוא אמצעי יעיל להשגת מטרות אינדיבידואליות וקולקטיביות. עוד הגיע למסקנה שסוג האיום הנפוץ ביותר בעברית הוא "איום עקיף" מכיוון שניתן לבטא אותו בדרכים שונים באמצעות פעולות דיבור אחרות.
{"title":"\"Words of threat in Hebrew language- Pragmatic study\"","authors":"Maysaa Jabar Sadaa, Hamid Marhoon Hamad","doi":"10.36586/jcl.2.2022.0.46.0368","DOIUrl":"https://doi.org/10.36586/jcl.2.2022.0.46.0368","url":null,"abstract":"המחקר הזה שופך אור על טרמינולוגית האיום בלשון העברית על ידי ניתוח פרגמטי של כמה מודלים לשוניים, בנוסף להצגת סוגי האיום הבסיסיים, וסקירת התנאים למימושם. כמו כן, נדון ביחס השימוש בשני פעולות הדיבור \"ההזהרה וההבטחה\" עם פעולת האיום, ובגילוי כיצד להשיג באמצעותם, שכן הנמען מתמודד עם קושי להבחין בין שלושת הפעליםהללו. האיום הוא אחת פעולות הדיבור הבולטות שבהן נוקט הדובר כאמצעי להשגת מטרות מסוימות הקשורות לעניין אישי ולפי תנאים ספציפיים. ניתן להבין את האיום על ידי הסתמכות על ידע של היבטים מסוימים, כול: (הקשר פנימי וחיצוני, נסיבות שבהן הושמע האיום המילולי, הסמכות הן של המוען והן של הנמען, וסוג המטרה שיש להשיג, בין אם היא חיובית או שלילית). מחקר זה הגיע למסקנה כי מעשה האיום מכל הסוגים הוא אמצעי יעיל להשגת מטרות אינדיבידואליות וקולקטיביות. עוד הגיע למסקנה שסוג האיום הנפוץ ביותר בעברית הוא \"איום עקיף\" מכיוון שניתן לבטא אותו בדרכים שונים באמצעות פעולות דיבור אחרות.","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125265275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2022.0.46.0182
Ruqaya M. Jasim
The research work is "The passive voice as a grammatical phenomenon in four selected textbooks". The research deals with the grammatical phenomenon passive in German. The research consists of two parts, the theoretical and the empirical part. The present research work is divided into 3 sections: The first section includes the definition of passive, passive types, process passive, state passive, passive with modal verbs, and other types of passive. The second section provides illustrations of the four selected textbooks. The third chapter presents the passive voice in textbooks, namely German language teaching for foreigners by Dora Schulz and Heinz Griesbach, Delfin von Aufderstrasse H. and others, Em von Balme, M. and others and Studio D by Funk, H. and others. Then I go to the conclusion. Die Forschungsarbeit lautet ,, Das Passiv als grammatisches Phӓnomen in vier ausgewӓhlten Lehrwerken,,. Die Forschung beschäftigt sich mit dem grammatischen Phӓnomen Passiv im Deutschen. Die Forschung wird aus zwei Teile bestanden, theorethischer und empirischer Teil. Die vorliegende Forschungsarbeit wird in 3 Abschnitte eingeteilt: Der erste Abschnitt schließt die Definiton des Passivs, Passivarten, Vorgangspassiv, Zustandspassiv, Passiv mit Modalverben, und andere Arten von Passiv ein. Der zweite Abschnitt stellt Abbildungen der vier ausgewählten Lehrwerken. Das dritte Kapitel stellt das Passiv in Lehrwerken, nämlich Deutsche Sprachlehre für Ausländer von Dora Schulz und Heinz Griesbach, Delfin von Aufderstraße H. Und Andere, Em von Balme, M. und Andere und Studio D von Funk, H. und Andere. Anschließend gehe ich auf Schlussfolgerung ein.
本文的研究工作是《四本教科书中的被动语态语法现象》。研究了德语中的被动语法现象。本研究分为理论和实证两部分。本文的研究工作分为三个部分:第一部分包括被动态的定义、被动态类型、过程被动态、状态被动态、带情态动词的被动态以及其他类型的被动态。第二部分提供了四种教科书的插图。第三章介绍了教材中的被动语态，即Dora Schulz和Heinz Griesbach, Delfin von Aufderstrasse H.等人，Em von Balme M.等人以及Funk H.等人的Studio D。然后是结论。《语法研究》，，《被动语法学Phӓnomen在vier ausgewӓhlten》，，。Die Forschung beschäftigt sich mit dem gramatischen Phӓnomen Passiv im Deutschen。理论学家和经验学家都是如此。在3 Abschnitte schie ßt Die Definiton des Passivs, Passivarten, Vorgangspassiv, Zustandspassiv, Passiv mit Modalverben, andere Arten von passivein中，Der erste Abschnitt schließt Die。学习如何学习如何学习如何学习ausgewählten学习如何学习。Das dritte Kapitel stellt Das Passiv in Lehrwerken, nämlich Deutsche Sprachlehre fre Ausländer von Dora Schulz und Heinz Griesbach, Delfin von Aufderstraße H. und Andere, Em von Balme, M. und Andere和Studio D . von Funk, H. und Andere。Anschließend gehe ich auf Schlussfolgerung ein。
{"title":"The passive As a grammatical phenomenon in four selected textbooks","authors":"Ruqaya M. Jasim","doi":"10.36586/jcl.2.2022.0.46.0182","DOIUrl":"https://doi.org/10.36586/jcl.2.2022.0.46.0182","url":null,"abstract":"The research work is \"The passive voice as a grammatical phenomenon in four selected textbooks\". The research deals with the grammatical phenomenon passive in German. The research consists of two parts, the theoretical and the empirical part. The present research work is divided into 3 sections: The first section includes the definition of passive, passive types, process passive, state passive, passive with modal verbs, and other types of passive. The second section provides illustrations of the four selected textbooks. The third chapter presents the passive voice in textbooks, namely German language teaching for foreigners by Dora Schulz and Heinz Griesbach, Delfin von Aufderstrasse H. and others, Em von Balme, M. and others and Studio D by Funk, H. and others. Then I go to the conclusion. Die Forschungsarbeit lautet ,, Das Passiv als grammatisches Phӓnomen in vier ausgewӓhlten Lehrwerken,,. Die Forschung beschäftigt sich mit dem grammatischen Phӓnomen Passiv im Deutschen. Die Forschung wird aus zwei Teile bestanden, theorethischer und empirischer Teil. Die vorliegende Forschungsarbeit wird in 3 Abschnitte eingeteilt: Der erste Abschnitt schließt die Definiton des Passivs, Passivarten, Vorgangspassiv, Zustandspassiv, Passiv mit Modalverben, und andere Arten von Passiv ein. Der zweite Abschnitt stellt Abbildungen der vier ausgewählten Lehrwerken. Das dritte Kapitel stellt das Passiv in Lehrwerken, nämlich Deutsche Sprachlehre für Ausländer von Dora Schulz und Heinz Griesbach, Delfin von Aufderstraße H. Und Andere, Em von Balme, M. und Andere und Studio D von Funk, H. und Andere. Anschließend gehe ich auf Schlussfolgerung ein.","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"43 12","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114106100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2022.0.46.0212
M. Hussein
The present paper discusses one of the most important Russian linguistic features of Arabic origin Russian lexes denoting some religious worship or some political and social positions like Qadi, Wally, Sultan, Alam, Ruler, Caliph, Amir, Fakih, Mufti, Sharif, Ayatollah, Sheikh.. etc. A lexical analysis of the two of the most efficient and most used words of Arabic origin Russian lexes that are “Caliph and Sheikh” is considered in the present study. The lexicographic analysis of these words makes it possible to identify controversial issues related to their etymology and semantic development. The study is conducted by the use of the modern Russian and Arabic dictionary, specifically, (Intermediate lexicon Dictionary) where many linguistic terms borrowed from Arabic into Russian have been identified. A comparative study of lexical Data used in Russian dictionaries and that of Arabic dictionary (Intermediate lexicon Dictionary) shows significant differences in their lexical modeling. The present study provides a lexical analysis and shows the semantic, grammatical and spelling acoustic of Arabic adapted words in Russian discourse. It is safe to say that through another intermediate language, large number of Arabic lexes have, directly and indirectly, been used in Russian, something clearly modeled in Derivative Russian dictionaries. Аннотация В данной работе обьём статьи ограничён, поэтому мы рассматрваем только два найболее эффективных, найболее интересных и найболее уботребительных слов в русском языке, это лексемы хали́ф / кали́ф и шейх, которые известно носителям русского языка и активно функционируют в русской речи. Лексикографический анализ этих слов позволил выявить спорные вопросы, связанные с их этимологией, показать специфику толькований арабизмов и развитие их семантики. На материале документов Национального корпуса русского языка исследовано функционирование иноязычий в речи, определено отношение слов к нарицательной и собственноименной лексике, к терминонологической системе языка-реципиента.
{"title":"A study of the nomenclature of Russian vocabulary of Arabic origin denoting some religious worship, or denoting some political and social positions","authors":"M. Hussein","doi":"10.36586/jcl.2.2022.0.46.0212","DOIUrl":"https://doi.org/10.36586/jcl.2.2022.0.46.0212","url":null,"abstract":"The present paper discusses one of the most important Russian linguistic features of Arabic origin Russian lexes denoting some religious worship or some political and social positions like Qadi, Wally, Sultan, Alam, Ruler, Caliph, Amir, Fakih, Mufti, Sharif, Ayatollah, Sheikh.. etc. A lexical analysis of the two of the most efficient and most used words of Arabic origin Russian lexes that are “Caliph and Sheikh” is considered in the present study. The lexicographic analysis of these words makes it possible to identify controversial issues related to their etymology and semantic development. The study is conducted by the use of the modern Russian and Arabic dictionary, specifically, (Intermediate lexicon Dictionary) where many linguistic terms borrowed from Arabic into Russian have been identified. A comparative study of lexical Data used in Russian dictionaries and that of Arabic dictionary (Intermediate lexicon Dictionary) shows significant differences in their lexical modeling. The present study provides a lexical analysis and shows the semantic, grammatical and spelling acoustic of Arabic adapted words in Russian discourse. It is safe to say that through another intermediate language, large number of Arabic lexes have, directly and indirectly, been used in Russian, something clearly modeled in Derivative Russian dictionaries. Аннотация В данной работе обьём статьи ограничён, поэтому мы рассматрваем только два найболее эффективных, найболее интересных и найболее уботребительных слов в русском языке, это лексемы хали́ф / кали́ф и шейх, которые известно носителям русского языка и активно функционируют в русской речи. Лексикографический анализ этих слов позволил выявить спорные вопросы, связанные с их этимологией, показать специфику толькований арабизмов и развитие их семантики. На материале документов Национального корпуса русского языка исследовано функционирование иноязычий в речи, определено отношение слов к нарицательной и собственноименной лексике, к терминонологической системе языка-реципиента.","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116950717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2022.0.46.0317
Yadollah Pashabadi
Musicality is a fundamental feature of poetry that takes the interest of scholars and critics. Most poets rely on a variety of literary devices and techniques to bring music to their work like rhymes - words that appear at the end of lines in poetry - and on arranging words techniques in such a way to create a pseudo melody, which is achieved primarily by patterning (or repeating) certain sounds. Such a poetic rhetorical and verbal enhancer’s aspect represented ever since the beginning of the classical poetry has been manifested more evidently in Nali’s poetry. His poetry is marked with particular letters that have played a substantial role in the rhyming that rings like cymbals or jingle like internal elevated rhymes. Within a descriptive-analytical approach, the present study describes the musical techniques of Nali’s poetry, particularly of what is called letter poetry, and investigates the application of these letters as figures of rhetoric in Nali’s poetic style. The study traces the letter poetry types and its impacts on poetic meaning creation in the light of semantic framework. کورته مۆسیقای هۆنراوه هەر لە سەردەمانی کۆنەوه، گرنگییەکی تایبەتی پێدراوه و جێگەوپێگەیەکی ئەوتۆی له چوارچێوه و پەیەکەرەی شیعردا هەبووه. ئەم مۆسیقایه به ڕیزکردن و پاتبوونەوه و ڕێکخستنی وشە و پیته لێکچوو و هاوئاهەنگەکان پەیدا دەبێت. هەر له شیعری کلاسیکەوه تا ئەمڕۆ ئەم تەکنیکه له ڕازه و هونەره جۆربەجۆرەکانی ڕەوانبێژیدا خۆی نواندووه و دەرکەوتووه. له شیعری نالیدا به شێوازێکی زەق و بەرچاو پاتبوونەوەی پیتێکی دیاریکراو له هەندێ له هۆنراوەکانیدا دەورێکی مۆسیقایی بەهێز و زۆر دیاری به ئەستۆ گرتووه و ئاواز و مۆسیقای شیعرەکەی بەرزتر کردۆتەوه. به شێوەیەک که دەکرێت ناوی ئەو پیته ببڕین به سەر ئەو هۆنراوەدا و به «پیتەشیعر» ناوزەدی بکەین. ئەم توێژینەوە به شێوازی تەوسیفی – لێکۆڵینەوەیی هەوڵیداوه به خوێندنەوەی شیعرەکانی نالی هونەر و مۆسیقا و دەوری پیتەشیعر ڕوونبکاتەوه و وەک تەکنیک و هونەرێک له شێواز و شیعری نالیدا بیناسێنێت. له ئاکامدا توانیویه چەشن و کاریگەری و بەتایبەت لایەنە واتاییەکانی ئەم هونەره له شیعری نالیدا بخاته بەر چاو و تیشکی لێکۆڵینەوه و ڕاڤه و شرۆڤەیان لێبدات.
{"title":"Technique and music of letter poetry in Nali’s poetry","authors":"Yadollah Pashabadi","doi":"10.36586/jcl.2.2022.0.46.0317","DOIUrl":"https://doi.org/10.36586/jcl.2.2022.0.46.0317","url":null,"abstract":"Musicality is a fundamental feature of poetry that takes the interest of scholars and critics. Most poets rely on a variety of literary devices and techniques to bring music to their work like rhymes - words that appear at the end of lines in poetry - and on arranging words techniques in such a way to create a pseudo melody, which is achieved primarily by patterning (or repeating) certain sounds. Such a poetic rhetorical and verbal enhancer’s aspect represented ever since the beginning of the classical poetry has been manifested more evidently in Nali’s poetry. His poetry is marked with particular letters that have played a substantial role in the rhyming that rings like cymbals or jingle like internal elevated rhymes. Within a descriptive-analytical approach, the present study describes the musical techniques of Nali’s poetry, particularly of what is called letter poetry, and investigates the application of these letters as figures of rhetoric in Nali’s poetic style. The study traces the letter poetry types and its impacts on poetic meaning creation in the light of semantic framework. کورته مۆسیقای هۆنراوه هەر لە سەردەمانی کۆنەوه، گرنگییەکی تایبەتی پێدراوه و جێگەوپێگەیەکی ئەوتۆی له چوارچێوه و پەیەکەرەی شیعردا هەبووه. ئەم مۆسیقایه به ڕیزکردن و پاتبوونەوه و ڕێکخستنی وشە و پیته لێکچوو و هاوئاهەنگەکان پەیدا دەبێت. هەر له شیعری کلاسیکەوه تا ئەمڕۆ ئەم تەکنیکه له ڕازه و هونەره جۆربەجۆرەکانی ڕەوانبێژیدا خۆی نواندووه و دەرکەوتووه. له شیعری نالیدا به شێوازێکی زەق و بەرچاو پاتبوونەوەی پیتێکی دیاریکراو له هەندێ له هۆنراوەکانیدا دەورێکی مۆسیقایی بەهێز و زۆر دیاری به ئەستۆ گرتووه و ئاواز و مۆسیقای شیعرەکەی بەرزتر کردۆتەوه. به شێوەیەک که دەکرێت ناوی ئەو پیته ببڕین به سەر ئەو هۆنراوەدا و به «پیتەشیعر» ناوزەدی بکەین. ئەم توێژینەوە به شێوازی تەوسیفی – لێکۆڵینەوەیی هەوڵیداوه به خوێندنەوەی شیعرەکانی نالی هونەر و مۆسیقا و دەوری پیتەشیعر ڕوونبکاتەوه و وەک تەکنیک و هونەرێک له شێواز و شیعری نالیدا بیناسێنێت. له ئاکامدا توانیویه چەشن و کاریگەری و بەتایبەت لایەنە واتاییەکانی ئەم هونەره له شیعری نالیدا بخاته بەر چاو و تیشکی لێکۆڵینەوه و ڕاڤه و شرۆڤەیان لێبدات.","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129527825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2022.0.46.0275
R. M. .. J. A. Al Attabi, Zahra Karami Khabbazi
The novel is the revelation of the attitudes of every age. And the writers do not know the winner of their stroke to express these events، The research has been working on a descriptive-analytical approach based on the American Comparative School، Al-Shahez's novel explores the work of the nobly and the film by Hamoun by Dariush Mehrjui By relying on the main characters of these two narratives, they depict a picture of Egypt and Iran From the symbolic lines of these works. In fact, the authors of this research have tried to initiate the introduction and analysis of these two works In fact, the authors of this research have tried to initiate the introduction and analysis of these two works. The results of the research show that Najib protected his literary and semantic literatures, "Al-Shahaz" and Dariush Mehrjui, in the film "Hamoon" They describe the lives of Third World intellectuals In the young age, they were hard-hearted and repulsive revolutionaries, but regretted and disillusioned at midnight. The main characters of these two novels, "Omar al-Hamsawi" and "Hamid Hamoon" are very enthusiastic at the beginning of the journey, but the process of life goes away from their socialist thoughts And suddenly they go to the absurd. They are confronted with events that are more likely to affect the social and psychological contradictions of these two characters. چکیده باتوجه به اینکه رمان بازگوکننده عینی احوالات سیاسی و اجتماعی و فرهنگی و... هر عصر به شمار میرود و نویسندگان برای بیان این وقایع سلاحی برندهتر از قلم خویش نمیشناسند، پژوهش مذکور تلاش کرده است با رویکرد توصیفی- تحلیلی و بر اساس مکتب تطبیقی آمریکایی، رمان الشحّاذ اثر نجیب محفوظ و فیلمنامۀ هامون نوشتۀ داریوش مهرجویی را مورد بررسی قرار دهد تا با تکیه بر شخصیت های اصلی این دو روایت تصویری از سیمای مصر و ایران را از لابهلای سطور نمادین این آثار به نمایش بگذارد. در واقع نگارندگان این پژوهش کوشیدهاند که در ابتدا به معرفی و تحلیل این دو اثر بپردازند و در ادامه شباهت های میان شخصیت های محوری آن را بیان کنند. برآیند تحقیق نشان میدهد که نجیب محفوظ در اثر ادبی و نیمهشناختی خویش «الشحّاذ» و داریوش مهرجویی در فیلمنامۀ «هامون» به شرح زندگی روشنفکران جهان سوم پرداختهاند که در جوانی از انقلابیون سرسخت وآرمانخواه بوده اما در میانسالی پشیمان و سرخورده شدهاند. شخصیتهای اصلی این دو رمان یعنی »عمرالحمزاوی« و «حمید هامون» در ابتدای راه بسیار پرشورند اما در ادامه روند زندگی از افکار سوسیالیستی خود دست میشویند و یکباره به پوچی میرسند. آنها در این فرآیند با اتفاقاتی روبهرو میشوند که بیشازپیش بر تناقضات اجتماعی و روانی این دو شخصیت تأثیرمیگذارند.
{"title":"A comparative study of the pivotal characters in the novel \"Al-Shahz\" and the script \"Hamoon\"","authors":"R. M. .. J. A. Al Attabi, Zahra Karami Khabbazi","doi":"10.36586/jcl.2.2022.0.46.0275","DOIUrl":"https://doi.org/10.36586/jcl.2.2022.0.46.0275","url":null,"abstract":"The novel is the revelation of the attitudes of every age. And the writers do not know the winner of their stroke to express these events، The research has been working on a descriptive-analytical approach based on the American Comparative School، Al-Shahez's novel explores the work of the nobly and the film by Hamoun by Dariush Mehrjui By relying on the main characters of these two narratives, they depict a picture of Egypt and Iran From the symbolic lines of these works. In fact, the authors of this research have tried to initiate the introduction and analysis of these two works In fact, the authors of this research have tried to initiate the introduction and analysis of these two works. The results of the research show that Najib protected his literary and semantic literatures, \"Al-Shahaz\" and Dariush Mehrjui, in the film \"Hamoon\" They describe the lives of Third World intellectuals In the young age, they were hard-hearted and repulsive revolutionaries, but regretted and disillusioned at midnight. The main characters of these two novels, \"Omar al-Hamsawi\" and \"Hamid Hamoon\" are very enthusiastic at the beginning of the journey, but the process of life goes away from their socialist thoughts And suddenly they go to the absurd. They are confronted with events that are more likely to affect the social and psychological contradictions of these two characters. چکیده باتوجه به اینکه رمان بازگوکننده عینی احوالات سیاسی و اجتماعی و فرهنگی و... هر عصر به شمار میرود و نویسندگان برای بیان این وقایع سلاحی برندهتر از قلم خویش نمیشناسند، پژوهش مذکور تلاش کرده است با رویکرد توصیفی- تحلیلی و بر اساس مکتب تطبیقی آمریکایی، رمان الشحّاذ اثر نجیب محفوظ و فیلمنامۀ هامون نوشتۀ داریوش مهرجویی را مورد بررسی قرار دهد تا با تکیه بر شخصیت های اصلی این دو روایت تصویری از سیمای مصر و ایران را از لابهلای سطور نمادین این آثار به نمایش بگذارد. در واقع نگارندگان این پژوهش کوشیدهاند که در ابتدا به معرفی و تحلیل این دو اثر بپردازند و در ادامه شباهت های میان شخصیت های محوری آن را بیان کنند. برآیند تحقیق نشان میدهد که نجیب محفوظ در اثر ادبی و نیمهشناختی خویش «الشحّاذ» و داریوش مهرجویی در فیلمنامۀ «هامون» به شرح زندگی روشنفکران جهان سوم پرداختهاند که در جوانی از انقلابیون سرسخت وآرمانخواه بوده اما در میانسالی پشیمان و سرخورده شدهاند. شخصیتهای اصلی این دو رمان یعنی »عمرالحمزاوی« و «حمید هامون» در ابتدای راه بسیار پرشورند اما در ادامه روند زندگی از افکار سوسیالیستی خود دست میشویند و یکباره به پوچی میرسند. آنها در این فرآیند با اتفاقاتی روبهرو میشوند که بیشازپیش بر تناقضات اجتماعی و روانی این دو شخصیت تأثیرمیگذارند.","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130504524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2020.0.42.0158
Saleem Fahad Khlaif, Rafid Abdul-Ameer Ghaeb
Worldwide, there is an increased reliance on COVID-19-related health messages to curb the COVID-19 outbreak. Therefore, it is vital to provide a well-prepared and authentic translation of English-language messages to reach culturally and linguistically diverse audiences. However, few studies, if any, focus on how non-English-speaking readers receive and linguistically accept the lexical choices in the messages translated into their language. The present study tested a sample of translated Arabic COVID-19-related texts that were obtained from the World Health Organization and Australian New South Wales Health websites. This study investigated to that extent Arabic readers would receive translated COVID-19 health messages and whether the translation would affect their preparedness to easily accept and their ability to fully comprehend the messages in terms of the used lexical items. The survey-based research also explored the translation process and methods that would best ensure the messages would reach the target audience with the least loss of meaning. The study concluded that some acceptability issues and comprehensibility failure were detected in the available translated versions as a result of improper word selection, which could be attributed to adopting a literal translation method and uncommon collocations of certain medical terminologies. Therefore, this study recommends that effective translation of COVID-19-related health messages will be achieved by adopting a two-tier translation process, preferably involving a medical specialised translator.
{"title":"COVID-19 Translated Messages: Arabic Speakers’ Acceptability of Lexical Choices","authors":"Saleem Fahad Khlaif, Rafid Abdul-Ameer Ghaeb","doi":"10.36586/jcl.2.2020.0.42.0158","DOIUrl":"https://doi.org/10.36586/jcl.2.2020.0.42.0158","url":null,"abstract":"Worldwide, there is an increased reliance on COVID-19-related health messages to curb the COVID-19 outbreak. Therefore, it is vital to provide a well-prepared and authentic translation of English-language messages to reach culturally and linguistically diverse audiences. However, few studies, if any, focus on how non-English-speaking readers receive and linguistically accept the lexical choices in the messages translated into their language. The present study tested a sample of translated Arabic COVID-19-related texts that were obtained from the World Health Organization and Australian New South Wales Health websites. This study investigated to that extent Arabic readers would receive translated COVID-19 health messages and whether the translation would affect their preparedness to easily accept and their ability to fully comprehend the messages in terms of the used lexical items. The survey-based research also explored the translation process and methods that would best ensure the messages would reach the target audience with the least loss of meaning. The study concluded that some acceptability issues and comprehensibility failure were detected in the available translated versions as a result of improper word selection, which could be attributed to adopting a literal translation method and uncommon collocations of certain medical terminologies. Therefore, this study recommends that effective translation of COVID-19-related health messages will be achieved by adopting a two-tier translation process, preferably involving a medical specialised translator.","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130161989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2022.0.46.0241
S. Mahmood
The present study, entitled “ linguistic characteristics (the morphology - nominal suffixes ) of a number of (Quriyat or koyrat ) by the poet Kamal Mustafa Daquqli, aims at studying and making a comparison between Turkmen dialect written and spoken forms that show many of the hidden language structures. Similarly, the study sheds light on the poet as one of the most prominent literary figures in Turkmenistan literature. Turkman Quriyat is one of Turkman blank verse significant forms. Apart from (songs and Quriyat) and until the 19th C., folk poetry has been stalled for a long time but reclaimed its literary high position in the middle of the 20th C. The study introduction briefly discusses Turkman literature and traces its variant forms, studies the morphology - nominal suffixes of a number of (Quriyat or koyrat ), and makes a comparison between Turkman and Turkish language through number of given examples. Moreover, it presents a faithful reproduction of a number of unpublished original Quriyat with the necessary alterations to suit Turkman language. During the course of the dictionary writing, a special importance is given to the meanings of Quriyat words that have different form and meaning in modern Turkish language. The conclusion sums up the basic characteristics of Turkman language. Özet Şiirimizin başlangıcı sayılan hoyrat bir duygu ve düşünceyi özgün yollarıyla dile getiren, yedi heceli, dört veya daha fazla mısralı bir halk şiiri türüdür. Hoyrat kendine özgü (özel) müzüğü ile mertlik havası uyandıran, sevda gurbet, sevinç keder, yas, yurt sevgisi, kin ve benzer duyguları işleyen, sanat kavramının klasik unsurlarıyla beslenmiş bir halk edebiyatıdır. Hoyrat bizim Irak Türkmen Edebiyat̕ında çok geniş yer tutar yüksek sanat anlayışı ve aynıca duygusunun bir sonucu olarak edebi sanatların varlığını kayıt eder. Irak Türkmen halk edebiyatının kimliği sayılan hoyrat şüphesiz halk şiirinin en güçlü örneğidir. Fakat halk edebiyatı mahsülleri arasınd bölge halkının tapmacalar dediği bilmeceler önemli bir yer tutar. Bir kısmı manzum olan tapmacalar gibi eskiler sözü, yani atasözü de Irak mensur Türkmenlerinin yaşadığı alanlarda canlılığını sürdürür. Halk edebiyatı mahsulleri arasında nükteler, Molla Nasrettin nükteleri, dualar, beddualar, dilek ve temenni sözler ilgi çeker. Ancak Halk edebiyatının nesir örnekleri için, bölge halkı arasında matal denilen masallar başta gelir. Uzun hikâye, destan veya efsâne türü açısından. Türkmenler arasında yaşayan ve günümüze ulaşan örneklere tesadüf edilmemiştir. Bilinen tek uzun hikâye Arzu ile Kanber atalıdır. Kerkük Türkmen ağzının güzel nesir örneği olan bu masal, Halk edebiyatı metinleri arasında verilmiştir. Türkmen Halk edebiyatı çocuk masalları bakımından da zenginlik arzeder. Kemal Mustafa Dakuk̕ lu yıllar boyu içli hoyratlar kaleme almıştır, yazdığı basılmayan hoyratları toplayarak ve akrabaları ile görüşüp hayatı hakkında bilgi toplayı, hoyratları topluyup bir çalışma olarak hazırladım. Çalışma giriş,
诗人Kamal Mustafa Daquqli目前的研究题为“一些(Quriyat或koyrat)的语言特征(形态学-名义后缀)”，旨在研究和比较土库曼方言的书面和口头形式，这些形式显示了许多隐藏的语言结构。同样，这项研究揭示了这位诗人是土库曼斯坦文学中最杰出的文学人物之一。突厥语体是突厥语体的重要形式之一。直到19世纪，民间诗歌一直停滞了很长一段时间，但在20世纪中期重新获得了文学上的崇高地位。研究简介简要地讨论了土库曼文学及其变体形式，研究了一些(Quriyat或koyrat)的词形-名义后缀，并通过一些例子对土库曼语和土耳其语进行了比较。此外，它忠实地再现了一些未出版的原始古兰经，并进行了必要的修改，以适应土库曼语。在编写词典的过程中，对现代土耳其语中具有不同形式和意义的古利亚词的意义给予了特别的重视。结语部分总结了土库曼语的基本特征。Özet Şiirimizin başlangıcı sayılan hoyrat bir duygu ve d nceyi özgün yollarıyla dile getiren, yedi heceli, dört veya daha fazla mısralı bir halk bir t rrd r。Hoyrat kendine özgü (özel) müzüğü ile mertlik havasyi uyandıran, sevda gurbet, sevinç keder, yas, yurt sevgisi, kin ve benzer duygularyi i leyen, sanat kavramının klasik unsurlarıyla beslenmiyi bir halk edebiyatıdır。Hoyrat bizim伊拉克公司 rkmen Edebiyat´ında geniyyer tutar yksek sanat anlayışı ve aynıca duygusunun bir sonucu olarak edebi sanatların varlığını kayıt eder。伊拉克伊拉克伊拉克人halk edebiyatının kimliği sayılan hoyrat 伊拉克人halk iirinin en güçlü örneğidir。Fakat halk edebiyatki mahs lleri arasınd bölge halkının tapmacalar dediği bilmeceler önemli bir year tutar。Bir kısmı manzum olan tapmacalar gibi eskiler sözü， yani atasözü de Irak mensur t rkmenlerinin yaşadığı alanlarda canlılığını s rrd r r。Halk edebiyatyi mahsulleri arasında n kteler, Molla Nasrettin n kteleri, dualar, beddualar, dilek ve temenni sözler ilgi ekker。Ancak Halk edebiyatının nesir örnekleri iin, bölge halkki arasında material denilen masallar baUzun hikkye, destan veya efs ne türü açısından。t rkmenler arasında yastayan ve g nnm ze ula örneklere tesad f edilmemi tir。Bilinen tek uzun hik ye Arzu ile Kanber atalıdır。kerk k t rkmen ağzının g zel nesir örneği olan bu masal, Halk edebiyatir metinleri arasında verilmi tir。tkmen Halk edebiyatki ocuk masallarki bakımından da zenginlik arzeder。凯末尔·穆斯塔法·达喀尔·萨克鲁yıllar boyu ili hoyratar kaleme almıştır, yazdığı basılmayan hoyratlaryi toplayak ve akrabalarilile görüşüp hayatyi hakkında bilgi toplayyi, hoyratlaryi topluyup bir çalışma olarak hazırladım。马卡尔ışgiriş,迪勒ozelliklerinde isim硬质ekleri, basılmayan hoyratlar ve sozlukten oluşmaktadır .Girişte土库曼edebiyatıhakkında bilgiler vermeye卡尔ıştım, basılmayan hoyratları亚兹德ım, daha sonra Kerkukğzınışekil bilgisinin (isim我şletme eklerinin) ozelliklerini verip卡尔ış玛雅esa olmakla birlikte冰斗şılaştırmalar yapılmıştır。Karşılaştırmada standart t rkiye t rkesi esas alınmış， Anadolu ağızlarına değinilmiştir。Son olarak hoyratlada geen kelimelerden standard t rkiye t rkesine göre önemli ekil ve anlam ayrılıkları gösterenlerle yazir dilinde bulunmayanlar almaktadır。但是çalışmayı yazdığım srede madi ve manevi desteklerini zerimdem esirgemiyen ailem bana her konuda yardım ettiklerinden minnattarım。Bu卡尔ış男人ın gercekleşmesinde değerli bilgilerini benimle paylaş一个kendilerine ne扎曼丹ış萨姆巴zamanlarınıayırıp sabırla v
{"title":"The Linguistic Characteristics In The Morphology ( Nominal Suffixes ) Of a Number Of ( Khoryat or Hoyrat ) Printed By The Poet Kamal Mustafa Daquqli","authors":"S. Mahmood","doi":"10.36586/jcl.2.2022.0.46.0241","DOIUrl":"https://doi.org/10.36586/jcl.2.2022.0.46.0241","url":null,"abstract":"The present study, entitled “ linguistic characteristics (the morphology - nominal suffixes ) of a number of (Quriyat or koyrat ) by the poet Kamal Mustafa Daquqli, aims at studying and making a comparison between Turkmen dialect written and spoken forms that show many of the hidden language structures. Similarly, the study sheds light on the poet as one of the most prominent literary figures in Turkmenistan literature. Turkman Quriyat is one of Turkman blank verse significant forms. Apart from (songs and Quriyat) and until the 19th C., folk poetry has been stalled for a long time but reclaimed its literary high position in the middle of the 20th C. The study introduction briefly discusses Turkman literature and traces its variant forms, studies the morphology - nominal suffixes of a number of (Quriyat or koyrat ), and makes a comparison between Turkman and Turkish language through number of given examples. Moreover, it presents a faithful reproduction of a number of unpublished original Quriyat with the necessary alterations to suit Turkman language. During the course of the dictionary writing, a special importance is given to the meanings of Quriyat words that have different form and meaning in modern Turkish language. The conclusion sums up the basic characteristics of Turkman language. Özet Şiirimizin başlangıcı sayılan hoyrat bir duygu ve düşünceyi özgün yollarıyla dile getiren, yedi heceli, dört veya daha fazla mısralı bir halk şiiri türüdür. Hoyrat kendine özgü (özel) müzüğü ile mertlik havası uyandıran, sevda gurbet, sevinç keder, yas, yurt sevgisi, kin ve benzer duyguları işleyen, sanat kavramının klasik unsurlarıyla beslenmiş bir halk edebiyatıdır. Hoyrat bizim Irak Türkmen Edebiyat̕ında çok geniş yer tutar yüksek sanat anlayışı ve aynıca duygusunun bir sonucu olarak edebi sanatların varlığını kayıt eder. Irak Türkmen halk edebiyatının kimliği sayılan hoyrat şüphesiz halk şiirinin en güçlü örneğidir. Fakat halk edebiyatı mahsülleri arasınd bölge halkının tapmacalar dediği bilmeceler önemli bir yer tutar. Bir kısmı manzum olan tapmacalar gibi eskiler sözü, yani atasözü de Irak mensur Türkmenlerinin yaşadığı alanlarda canlılığını sürdürür. Halk edebiyatı mahsulleri arasında nükteler, Molla Nasrettin nükteleri, dualar, beddualar, dilek ve temenni sözler ilgi çeker. Ancak Halk edebiyatının nesir örnekleri için, bölge halkı arasında matal denilen masallar başta gelir. Uzun hikâye, destan veya efsâne türü açısından. Türkmenler arasında yaşayan ve günümüze ulaşan örneklere tesadüf edilmemiştir. Bilinen tek uzun hikâye Arzu ile Kanber atalıdır. Kerkük Türkmen ağzının güzel nesir örneği olan bu masal, Halk edebiyatı metinleri arasında verilmiştir. Türkmen Halk edebiyatı çocuk masalları bakımından da zenginlik arzeder. Kemal Mustafa Dakuk̕ lu yıllar boyu içli hoyratlar kaleme almıştır, yazdığı basılmayan hoyratları toplayarak ve akrabaları ile görüşüp hayatı hakkında bilgi toplayı, hoyratları topluyup bir çalışma olarak hazırladım. Çalışma giriş,","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122076573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.36586/jcl.2.2022.0.46.0118
Ali Jameel M. Al – Rubaee, Rihab Abduljaleel Saeed
Gender and culture are among the factors that influence the process of understanding and interpreting different types of communication, especially images. The current study, which is a part of a master’s thesis, aims at investigating the role of gender and culture in interpreting and understanding the caricatures that deal with women’s issues in Arab societies. To this end, the researchers adopted Barthes’ (1957) concepts of denotation and connotation in his theory of mythologies in addition to Langacker’s (1987) theory of (Domains). The research concludes that the female subjects have better cognitive abilities in investing the signs within the selected caricatures. The other factor the study reached to is that the respondents’ different cultures didn’t affect their way of dealing with the caricatures very much, so they supported the issues raised in the caricatures almost equally.
{"title":"The Role of Gender and Culture in Dealing with the Arab Woman's Issues Embodied in Caricatures: A Cognitive Linguistic Analysis","authors":"Ali Jameel M. Al – Rubaee, Rihab Abduljaleel Saeed","doi":"10.36586/jcl.2.2022.0.46.0118","DOIUrl":"https://doi.org/10.36586/jcl.2.2022.0.46.0118","url":null,"abstract":"Gender and culture are among the factors that influence the process of understanding and interpreting different types of communication, especially images. The current study, which is a part of a master’s thesis, aims at investigating the role of gender and culture in interpreting and understanding the caricatures that deal with women’s issues in Arab societies. To this end, the researchers adopted Barthes’ (1957) concepts of denotation and connotation in his theory of mythologies in addition to Langacker’s (1987) theory of (Domains). The research concludes that the female subjects have better cognitive abilities in investing the signs within the selected caricatures. The other factor the study reached to is that the respondents’ different cultures didn’t affect their way of dealing with the caricatures very much, so they supported the issues raised in the caricatures almost equally.","PeriodicalId":125897,"journal":{"name":"Journal of the College of languages","volume":"143 12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129420964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：