Pub Date : 2023-08-31DOI: 10.32611/jgcc.2023.8.56.19
Jin-Young Kim
In recent animations, the main character is not a fixed character who plays an exemplary role, but is expressed as a changing character who achieves self-reflection through frustration. And the work focuses on this process. If the change to a self-reflecting character is a character that the modern audience wants, this phenomenon will occur regardless of the East and the West. If the transition to a character that changes from both East and West animations to self-reflection is increasing, the character in the work is more likely to follow this trend. In order to find out if the main phenomenon is happening in the East, I tried to check the works of traditional Chinese character Nezha by period. Only the process of following the given fate in The investiture of the gads was expressed, so it could be seen that self-reflection was unknown. It is expressed as a grown-up hero who has already completed self-reflection in . It could be seen that Nezha's self-reflection process was ignored. It details and expresses the process of completing self-reflection as a unity of local conduct through the frustration shown in . Comparing the self-reflection of Nezha chara in these three periods, it was confirmed that as modern society progresses, characters that grow through individual anguish and self-reflection appear in Eastern animation. It was also found that the growth of characters is becoming the center of the story.
{"title":"Wang Yang-myeong's Unity of Knowledge and Conduct and Self-Reflection of Nezha, a Traditional Chinese Character: The 『Investiture of the Gads』, ,","authors":"Jin-Young Kim","doi":"10.32611/jgcc.2023.8.56.19","DOIUrl":"https://doi.org/10.32611/jgcc.2023.8.56.19","url":null,"abstract":"In recent animations, the main character is not a fixed character who plays an exemplary role, but is expressed as a changing character who achieves self-reflection through frustration. And the work focuses on this process. If the change to a self-reflecting character is a character that the modern audience wants, this phenomenon will occur regardless of the East and the West. If the transition to a character that changes from both East and West animations to self-reflection is increasing, the character in the work is more likely to follow this trend. In order to find out if the main phenomenon is happening in the East, I tried to check the works of traditional Chinese character Nezha by period. Only the process of following the given fate in The investiture of the gads was expressed, so it could be seen that self-reflection was unknown. It is expressed as a grown-up hero who has already completed self-reflection in . It could be seen that Nezha's self-reflection process was ignored. It details and expresses the process of completing self-reflection as a unity of local conduct through the frustration shown in . Comparing the self-reflection of Nezha chara in these three periods, it was confirmed that as modern society progresses, characters that grow through individual anguish and self-reflection appear in Eastern animation. It was also found that the growth of characters is becoming the center of the story.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116097084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-31DOI: 10.32611/jgcc.2023.8.56.101
Ji-Hye Lee, Soong-Beum Ahn
The purpose of the study is twofold. First, we would like to propose the concepts of “NFT contents” and “NFT culture contents” by identifying the characteristics and characteristics of contents produced using NFT (non-replaceable tokens). Second, the identity of the enjoyment community formed in the process of consuming NFT culture contents will be named a derivative real community and the implications of the “imaginative communication space” will be explained. According to the results of the study, simply defining “NFT contents” can be said to be content that has proven ownership with NFT technology, and there are various types. Determining the value of NFT contents is not the original value of real objects, but the symbolic value of virtual objects transferred on the web. In particular, if NFT content issued with non-replaceable tokens is NFT culture contents by embodying tangible and intangible cultural elements, it can cover concepts such as “NFT art” and “NFT culture and artistic contents.” It can also acquire the possibility of reconsidering culture contents terms that are already being used on a new technology basis. Today, NFT culture contents is expanding the possibility of interaction through imaginary preference values in the production and distribution process, which is an important reference point for discussing the utility of NFT contents. It is noteworthy that in the case of NFT culture contents, the value of the “imaginative communication space” is confirmed by the storytelling effect of the enjoyment community derived around it. Accordingly, this paper explained the power of the “imaginative communication space” driven by the NFT culture contents in the term “Hyperréel Community.” Based on these theoretical discussions, this article analyzes two representative examples of NFT contents. The series of NFT contents work attempted by Banksy and the ‘Hunminjeongeum Haeryebon’, published as an NFT by the Kansong Museum of Art, are examples of the nature of the “imaginative communication space” and the flowing power of the “Hyperréel Community.” These works have something in common as consumer goods with a new imaginary context, erasing the boundaries between the web and the real world. On the other hand, it was found that there was a difference in the process of creating imaginary preference values and the supermediated aspect of the derivative real community.
{"title":"NFT Culture Contents and Hyperréel Community: Focusing on Banksy and the Case of","authors":"Ji-Hye Lee, Soong-Beum Ahn","doi":"10.32611/jgcc.2023.8.56.101","DOIUrl":"https://doi.org/10.32611/jgcc.2023.8.56.101","url":null,"abstract":"The purpose of the study is twofold. First, we would like to propose the concepts of “NFT contents” and “NFT culture contents” by identifying the characteristics and characteristics of contents produced using NFT (non-replaceable tokens). Second, the identity of the enjoyment community formed in the process of consuming NFT culture contents will be named a derivative real community and the implications of the “imaginative communication space” will be explained. According to the results of the study, simply defining “NFT contents” can be said to be content that has proven ownership with NFT technology, and there are various types. Determining the value of NFT contents is not the original value of real objects, but the symbolic value of virtual objects transferred on the web. In particular, if NFT content issued with non-replaceable tokens is NFT culture contents by embodying tangible and intangible cultural elements, it can cover concepts such as “NFT art” and “NFT culture and artistic contents.” It can also acquire the possibility of reconsidering culture contents terms that are already being used on a new technology basis. Today, NFT culture contents is expanding the possibility of interaction through imaginary preference values in the production and distribution process, which is an important reference point for discussing the utility of NFT contents. It is noteworthy that in the case of NFT culture contents, the value of the “imaginative communication space” is confirmed by the storytelling effect of the enjoyment community derived around it. Accordingly, this paper explained the power of the “imaginative communication space” driven by the NFT culture contents in the term “Hyperréel Community.” Based on these theoretical discussions, this article analyzes two representative examples of NFT contents. The series of NFT contents work attempted by Banksy and the ‘Hunminjeongeum Haeryebon’, published as an NFT by the Kansong Museum of Art, are examples of the nature of the “imaginative communication space” and the flowing power of the “Hyperréel Community.” These works have something in common as consumer goods with a new imaginary context, erasing the boundaries between the web and the real world. On the other hand, it was found that there was a difference in the process of creating imaginary preference values and the supermediated aspect of the derivative real community.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133225271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.32611/jgcc.2023.5.55.135
Jonghyun Lee
In order to promote a constructive future of postcolonialism theory and criticism, this paper diagnoses the narrative method of postcolonialism and seeks changes. First, we read Albert Camus' “The Stranger” and Carmel Daoud's “Meursault, Contre-Enquete” together to discuss the difference. and Explore the nature of the decolonist narrative and the style of reproducing the identity of the decolonist. As a result of the analysis, various narrative differences such as character-centered and event-centered, dynamic and static, realism and fiction are found in “The Stranger” and “Meursault, Contre-Enquete”, respectively. Above all, “The Stranger” presents self-production or self-creating narratives in an independent way of thinking. However, “Meursault, Contre-Enquete” constitutes a narrative method that lacks subjectivity, buried in criticism and subversion of colonial narratives. This narrative style of decolonial aesthetics can act as a limit to expressing the identity of the decolonial subject or persuading readers. Therefore, we seek a change in the decolonist narrative method in the direction of joining the narrative characteristics of the two novels, and this paper presents a new narrative model called Trans-Identity Storytelling as an alternative.
{"title":"The Transition from Postcolonial Narrative to Trans-Identity Storytelling: Focused on the Novels “The Stranger” and “Meursault, Contre-Enquete”","authors":"Jonghyun Lee","doi":"10.32611/jgcc.2023.5.55.135","DOIUrl":"https://doi.org/10.32611/jgcc.2023.5.55.135","url":null,"abstract":"In order to promote a constructive future of postcolonialism theory and criticism, this paper diagnoses the narrative method of postcolonialism and seeks changes. First, we read Albert Camus' “The Stranger” and Carmel Daoud's “Meursault, Contre-Enquete” together to discuss the difference. and Explore the nature of the decolonist narrative and the style of reproducing the identity of the decolonist. As a result of the analysis, various narrative differences such as character-centered and event-centered, dynamic and static, realism and fiction are found in “The Stranger” and “Meursault, Contre-Enquete”, respectively. Above all, “The Stranger” presents self-production or self-creating narratives in an independent way of thinking. However, “Meursault, Contre-Enquete” constitutes a narrative method that lacks subjectivity, buried in criticism and subversion of colonial narratives. This narrative style of decolonial aesthetics can act as a limit to expressing the identity of the decolonial subject or persuading readers. Therefore, we seek a change in the decolonist narrative method in the direction of joining the narrative characteristics of the two novels, and this paper presents a new narrative model called Trans-Identity Storytelling as an alternative.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"195 9","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120881232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.32611/jgcc.2023.5.55.55
Hae-Lin Baek
This study analyzed the laugh-inducing materials and laugh-inducing factors of , the only open-air comedy program currently available in Korea, in order to examine the laugh production method of Korean comedy programs. As a result, would use external materials usually such as appearance and body as well as primary colors such as excrement, farts, and sexuality to compose the conte, and it has been confirmed that it was biased toward ‘disgusting’ forced laughter rather than healthy laughter that was fun. In addition, it would focus on superiority laughter by setting up a group of victims based on appearance or couple through a three-person relationship and making them a laughing stock. Considering the above analysis results, in order for a comedy program to play a role as a resting place or an alternative space, it would be necessary to refrain from one-dimensional and primary color laughter and to think about various materials and elements of laughter in order to improve the quality of the program.
{"title":"A Study on the Laughter Production Method of Korean Comedy Programs: Focused on","authors":"Hae-Lin Baek","doi":"10.32611/jgcc.2023.5.55.55","DOIUrl":"https://doi.org/10.32611/jgcc.2023.5.55.55","url":null,"abstract":"This study analyzed the laugh-inducing materials and laugh-inducing factors of , the only open-air comedy program currently available in Korea, in order to examine the laugh production method of Korean comedy programs. \u0000As a result, would use external materials usually such as appearance and body as well as primary colors such as excrement, farts, and sexuality to compose the conte, and it has been confirmed that it was biased toward ‘disgusting’ forced laughter rather than healthy laughter that was fun. \u0000In addition, it would focus on superiority laughter by setting up a group of victims based on appearance or couple through a three-person relationship and making them a laughing stock. \u0000Considering the above analysis results, in order for a comedy program to play a role as a resting place or an alternative space, it would be necessary to refrain from one-dimensional and primary color laughter and to think about various materials and elements of laughter in order to improve the quality of the program.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"146 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132937837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.32611/jgcc.2023.5.55.151
Mijeung Cho, Great Root Woods
This study examines the novel Meursault Investigation by Algerian author Kamel Daoud, focusing on the language and identity of multicultural subjects. Meursault Investigation reinterprets Albert Camus' classic French novel “The Stranger” from the perspective of an unknown Algerian man called “Arab” who was killed by the main character Meursault. The novel deals with the tools of colonialism, identity and oppression in Algeria during the French occupation. Daoud argues that French, imposed on colonial Algerians, has become a tool of oppression, and that Algerians must regain their language in order to claim their cultural and ethnic identity. It is also a strong criticism of French colonialism and its continued influence on Algeria, and raises important questions about language and identity related to other post- colonial societies as well as Algeria. Algeria's historical background, which had been under long colonial rule, also had a profound influence on literature, resulting in a triple structure of the literary expression language of Arabic, French, and Berber. Under French colonial rule, writers had no choice of language due to the implementation of French language assimilation policies. French was a forced language and a language of oppression. So why did Kamel Daoud choose French, the language of the enemy, to write his work in 2014, 70 years after Kamel Daoud's Stranger was published? Daoud has two reasons for choosing French, the language of the enemy, as an expression tool for literary works. First, it is to restore the name of ‘Arab’ (‘Moussa’) that was not even given a name under colonial rule. This means the restoration of national identity. Second, after his brother's death, he had to represent the mother's voice, who did not possess the ruler's language, and his eyes were always separated from the mother's delusion and protected himself. This is reminiscent of Algeria, which remains under French influence, and means separation and independence from it. For Dowd, French, the language of the colonial state, is the language of recovery, the language of independence, the language of creation and order, and the language of subversion that summons past situations and events. In Daoud's work, the unknown “Arab” and “Harun” are multicultural subjects of the times. Multiculturalism has be- come a downgraded expression of our society for strangers and migrants. Rather than accepting diversity that is distinct from mainstream Koreans, we evaluate them from the perspective of discrimination and exclusion. Why should they be called “multicultural” that excludes personal identity, including their own ethnicity, historicality, and cultural diversity? Since the situation of “Arabians” and “Moussa” in Kamel Daoud's work resembles the existence of multicultural subjects coexisting in our time, we would like to examine their language and identity, diagnose the present of multicultural sub- jects, and predict the future.
{"title":"Karmel Daoud's Meursault Investigation: Language and Identity of Multicultural Subjects","authors":"Mijeung Cho, Great Root Woods","doi":"10.32611/jgcc.2023.5.55.151","DOIUrl":"https://doi.org/10.32611/jgcc.2023.5.55.151","url":null,"abstract":"This study examines the novel Meursault Investigation by Algerian author Kamel Daoud, focusing on the language and identity of multicultural subjects. Meursault Investigation reinterprets Albert Camus' classic French novel “The Stranger” from the perspective of an unknown Algerian man called “Arab” who was killed by the main character Meursault. The novel deals with the tools of colonialism, identity and oppression in Algeria during the French occupation. Daoud argues that French, imposed on colonial Algerians, has become a tool of oppression, and that Algerians must regain their language in order to claim their cultural and ethnic identity. It is also a strong criticism of French colonialism and its continued influence on Algeria, and raises important questions about language and identity related to other post- colonial societies as well as Algeria. \u0000Algeria's historical background, which had been under long colonial rule, also had a profound influence on literature, resulting in a triple structure of the literary expression language of Arabic, French, and Berber. Under French colonial rule, writers had no choice of language due to the implementation of French language assimilation policies. French was a forced language and a language of oppression. So why did Kamel Daoud choose French, the language of the enemy, to write his work in 2014, 70 years after Kamel Daoud's Stranger was published? Daoud has two reasons for choosing French, the language of the enemy, as an expression tool for literary works. First, it is to restore the name of ‘Arab’ (‘Moussa’) that was not even given a name under colonial rule. This means the restoration of national identity. Second, after his brother's death, he had to represent the mother's voice, who did not possess the ruler's language, and his eyes were always separated from the mother's delusion and protected himself. This is reminiscent of Algeria, which remains under French influence, and means separation and independence from it. For Dowd, French, the language of the colonial state, is the language of recovery, the language of independence, the language of creation and order, and the language of subversion that summons past situations and events. \u0000In Daoud's work, the unknown “Arab” and “Harun” are multicultural subjects of the times. Multiculturalism has be- come a downgraded expression of our society for strangers and migrants. Rather than accepting diversity that is distinct from mainstream Koreans, we evaluate them from the perspective of discrimination and exclusion. Why should they be called “multicultural” that excludes personal identity, including their own ethnicity, historicality, and cultural diversity? Since the situation of “Arabians” and “Moussa” in Kamel Daoud's work resembles the existence of multicultural subjects coexisting in our time, we would like to examine their language and identity, diagnose the present of multicultural sub- jects, and predict the future.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125276930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.32611/jgcc.2023.5.55.95
Sunghee Chung
Ikuno Korea Town was a place where Koreans who came to Korea during the Japanese colonial era gathered and lived in poverty, and it was also a symbol of poverty and discrimination in Japanese society. From the 1950s to the 1970s, many Koreans in Japan visited this place to find food ingredients. However, since the 1970s, due to the generational change in Korean society in Japan, it has entered the path of decline. Afterwards, the store owners began to seek revitalization of Ikuno Korea Town through various methods such as landscape maintenance and holding festivals. And as of 2023, due to their efforts and the Korean Wave boom, Korean culture has been actively accepted, and Ikuno Cori Town is visited by so many visitors that there is no room to step foot. This paper paid attention to the signboards of the stores showing their names among the language landscapes of Ikuno Korea town with such a history. Since 1993, Ikuno Korea Town has enhanced its ethnic landscape with arcades, street lights, and road maintenance. However, when looking at the language landscape, it was confirmed that the stores that easily reveal the ethnicity of Ikuno Korea Town still use a lot of signboards written in Japanese. In most cases, store signboards are installed for the purpose of providing information about the store or urging customers to enter the store, and the language used in the store signboard is the choice of the store owner. In other words, store owners consider various social aspects when choosing a language for signboards, and store signboards reflect the culture of the society. Considering such points, using Japanese on signboards can be said to be one of the methods of Koreans in Japan store owners who tried to ‘coexist’ in Japanese society. Also, it was confirmed that Koreans in Japan tried to apply the cultures of their home country and the country of residence by crossing over through political and social conflicts in Japan.
日帝强占时期来到韩国的韩国人聚集在一起过着贫穷生活的“Ikuno韩国城”，也是日本社会贫穷和歧视的象征。从20世纪50年代到70年代，很多旅日朝鲜人来到这里寻找食材。但是，从20世纪70年代开始，由于在日韩人社会的代际变化，进入了衰落的道路。此后，店主们开始通过景观维护和举办庆典等多种方式寻求Ikuno Korea Town的振兴。到2023年，由于他们的努力和韩流热潮，韩国文化得到了积极的接受，Ikuno Cori镇的游客非常多，以至于没有立足的空间。本文关注了在具有这样一段历史的Ikuno韩国城的语言景观中，店铺的招牌上的名字。自1993年以来，Ikuno韩国城通过拱廊、路灯和道路维护来加强民族景观。但是，从语言景观上看，可以轻易看出Ikuno韩国城民族特征的商店仍然使用大量的日文招牌。在大多数情况下，商店招牌的安装是为了提供有关商店的信息或敦促顾客进入商店，而商店招牌使用的语言是店主的选择。换句话说，店家在选择招牌的语言时考虑到社会的各个方面，而店家招牌则反映了社会的文化。考虑到这一点，在招牌上使用日文可以说是旅日韩国人店主试图与日本社会“共存”的方法之一。另外，据确认，在日本的韩国人通过日本国内的政治、社会矛盾，试图将本国文化和居住国文化融合在一起。
{"title":"Linguistic landscape of the concentrated Koreans in Japan: Focusing on Ikuno Korea Town","authors":"Sunghee Chung","doi":"10.32611/jgcc.2023.5.55.95","DOIUrl":"https://doi.org/10.32611/jgcc.2023.5.55.95","url":null,"abstract":"Ikuno Korea Town was a place where Koreans who came to Korea during the Japanese colonial era gathered and lived in poverty, and it was also a symbol of poverty and discrimination in Japanese society. From the 1950s to the 1970s, many Koreans in Japan visited this place to find food ingredients. However, since the 1970s, due to the generational change in Korean society in Japan, it has entered the path of decline. Afterwards, the store owners began to seek revitalization of Ikuno Korea Town through various methods such as landscape maintenance and holding festivals. And as of 2023, due to their efforts and the Korean Wave boom, Korean culture has been actively accepted, and Ikuno Cori Town is visited by so many visitors that there is no room to step foot. \u0000This paper paid attention to the signboards of the stores showing their names among the language landscapes of Ikuno Korea town with such a history. Since 1993, Ikuno Korea Town has enhanced its ethnic landscape with arcades, street lights, and road maintenance. However, when looking at the language landscape, it was confirmed that the stores that easily reveal the ethnicity of Ikuno Korea Town still use a lot of signboards written in Japanese. In most cases, store signboards are installed for the purpose of providing information about the store or urging customers to enter the store, and the language used in the store signboard is the choice of the store owner. In other words, store owners consider various social aspects when choosing a language for signboards, and store signboards reflect the culture of the society. Considering such points, using Japanese on signboards can be said to be one of the methods of Koreans in Japan store owners who tried to ‘coexist’ in Japanese society. Also, it was confirmed that Koreans in Japan tried to apply the cultures of their home country and the country of residence by crossing over through political and social conflicts in Japan.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127641135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.32611/jgcc.2023.5.55.1
Kihong Kim
This study focuses on the popular video content of fireplace videos that have gained popularity on platforms such as YouTube over the past few years. As most popular videos on video platforms have a plot and even very short videos contain narrative elements such as events or twists, it is noteworthy that monotonous fireplace videos without a story have gained such widespread popularity. This study attempts a critical analysis of the phenomenon by linking the online reproduction of fireplace videos with the trendy term “hitting mung” which has received significant attention from the public. Starting from the discourse on “daydreaming” being linked to psychological effects and being presented as the purpose of the production and distribution of videos, previous research on the psychological effects of campfire videos was explored. Then, to specialize in “hitting mung” among various “daydreaming” contents, the unique media history of “hitting mung” videos and the cultural context of Western households were examined. In addition, by examining Gaston Bachelard's discussion of the imagery of fire in relation to daydreaming, material imagination, relaxation, and healing, the study interpreted the psychology of modern people who prefer “hitting mung” videos. The study presents a content critique that gives meaning to the imagery of fire as a cultural archetype through an interpretive analysis of the epistemo- logical relationship between “fire” and “hitting mung”.
{"title":"An Interpretive Study on the Public's Preference for the Fireplace Videos","authors":"Kihong Kim","doi":"10.32611/jgcc.2023.5.55.1","DOIUrl":"https://doi.org/10.32611/jgcc.2023.5.55.1","url":null,"abstract":"This study focuses on the popular video content of fireplace videos that have gained popularity on platforms such as YouTube over the past few years. As most popular videos on video platforms have a plot and even very short videos contain narrative elements such as events or twists, it is noteworthy that monotonous fireplace videos without a story have gained such widespread popularity. This study attempts a critical analysis of the phenomenon by linking the online reproduction of fireplace videos with the trendy term “hitting mung” which has received significant attention from the public. \u0000Starting from the discourse on “daydreaming” being linked to psychological effects and being presented as the purpose of the production and distribution of videos, previous research on the psychological effects of campfire videos was explored. Then, to specialize in “hitting mung” among various “daydreaming” contents, the unique media history of “hitting mung” videos and the cultural context of Western households were examined. In addition, by examining Gaston Bachelard's discussion of the imagery of fire in relation to daydreaming, material imagination, relaxation, and healing, the study interpreted the psychology of modern people who prefer “hitting mung” videos. The study presents a content critique that gives meaning to the imagery of fire as a cultural archetype through an interpretive analysis of the epistemo- logical relationship between “fire” and “hitting mung”.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120963026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.32611/jgcc.2023.5.55.21
J. Kim
German merchant Ernst Jacob Oppert(1832~1903), the mastermind of the “Opert Incident” (It refers to his theft of the royal family’s tomb) has been a rash aggressor and traitorous figure in Korean history. It has also been almost entirely negatively evaluated as a very ambitious merchant who tried to monopolize business by pushing through trade pressure and provided the Joseon government with the pretext of severe Catholic persecution. Unlike this previous evaluation, as a result of this study that analyzed Opert’s wrritten records of Korean music in his travelogue, the need for his re-evaluation as a music critic increased. His music writing was highly complete in both form and content levels, making it reasonable to define it as a “music review”. In particular, he praised Koreans’ own musical ear and music fondness, which seems to have demonstrated insight into their outstanding musicality and love for music, which is considered the driving force of the “Myth of K-pop success” among experts these days. The study illuminated his music historical value as the first Westerner to leave an unprecedented record of “Korean Music Criticism” just before the port opening era, which is expected that a new evaluation will be made only in the history of cultural exchange.
{"title":"Opert’s Pioneering Aspects and Insights as a ‘Korean Music Critic’ introduced Western Music to Josen during the Its Opening Period","authors":"J. Kim","doi":"10.32611/jgcc.2023.5.55.21","DOIUrl":"https://doi.org/10.32611/jgcc.2023.5.55.21","url":null,"abstract":"German merchant Ernst Jacob Oppert(1832~1903), the mastermind of the “Opert Incident” (It refers to his theft of the royal family’s tomb) has been a rash aggressor and traitorous figure in Korean history. It has also been almost entirely negatively evaluated as a very ambitious merchant who tried to monopolize business by pushing through trade pressure and provided the Joseon government with the pretext of severe Catholic persecution. Unlike this previous evaluation, as a result of this study that analyzed Opert’s wrritten records of Korean music in his travelogue, the need for his re-evaluation as a music critic increased. His music writing was highly complete in both form and content levels, making it reasonable to define it as a “music review”. In particular, he praised Koreans’ own musical ear and music fondness, which seems to have demonstrated insight into their outstanding musicality and love for music, which is considered the driving force of the “Myth of K-pop success” among experts these days. The study illuminated his music historical value as the first Westerner to leave an unprecedented record of “Korean Music Criticism” just before the port opening era, which is expected that a new evaluation will be made only in the history of cultural exchange.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"97 9","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133007904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.32611/jgcc.2023.5.55.37
Sanghyun Park, Jongoh Lee
The OTT platform, which shows explosive growth, enables users to watch autonomously and actively compared to existing media. This study examined the influence relationship surrounding binge-watching, which is emerging as a characteristic viewing behavior of the OTT platform. As individual users' psychological tendencies are emphasized as an important factor in determining binge-watching, the influence on binge-watching behavior, attitude, and future viewing intention was verified through the psychological variable of sensation seeking. A path analysis was conducted based on the response of a total of 300 people, adult men and women in their 20s and 30s who usually do binge-watching to verify research problem and hypothesis. As a result of this study, it was found that thrill and adventure seeking among sensation seeking, has a positive effect on viewing frequency, the experience seeking has a positive effect on viewing intensity, and the disinhibition has a positive effect on pre-planning. The frequency of binge-watching, the intensity of watching, and the pre-planning variables, all has a positive effect on the attitude of binge-watching. In addition, the study was identified that significant effect of the binge-watching behavior and attitude on the future binge-watching intention. The result of this study is expected to be useful data to increase the level of understanding of OTT platform users and establish marketing strategies.
{"title":"Effects of Sensation Seeking Tendency on Binge-watching OTT Contents","authors":"Sanghyun Park, Jongoh Lee","doi":"10.32611/jgcc.2023.5.55.37","DOIUrl":"https://doi.org/10.32611/jgcc.2023.5.55.37","url":null,"abstract":"The OTT platform, which shows explosive growth, enables users to watch autonomously and actively compared to existing media. This study examined the influence relationship surrounding binge-watching, which is emerging as a characteristic viewing behavior of the OTT platform. As individual users' psychological tendencies are emphasized as an important factor in determining binge-watching, the influence on binge-watching behavior, attitude, and future viewing intention was verified through the psychological variable of sensation seeking. \u0000A path analysis was conducted based on the response of a total of 300 people, adult men and women in their 20s and 30s who usually do binge-watching to verify research problem and hypothesis. \u0000As a result of this study, it was found that thrill and adventure seeking among sensation seeking, has a positive effect on viewing frequency, the experience seeking has a positive effect on viewing intensity, and the disinhibition has a positive effect on pre-planning. The frequency of binge-watching, the intensity of watching, and the pre-planning variables, all has a positive effect on the attitude of binge-watching. In addition, the study was identified that significant effect of the binge-watching behavior and attitude on the future binge-watching intention. The result of this study is expected to be useful data to increase the level of understanding of OTT platform users and establish marketing strategies.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117263310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.32611/jgcc.2023.5.55.113
Jeong Hyeon Kim, T. Park
Kamel Daoud's Meursault, Contre-enquêtete changes the general view we have had on L'Étranger as the canon of world classical literature. With Meursault, Contre-enquêtete, LÉtranger is converted to an autobiographical novel based on facts. For most Camus‘ readers, L'Étranger is a novel representing Algeria, but on the contrary, it is a forgetting agent that blurs Algeria. Thus, through Meursault, Contre-enquêtete, Daoud plays a role in evoking Algerian' remembering to restore their impaired identity and recover the tarnished Algeria's reputation. This study will analyze these two works from the perspective of discourse on memory, conduct a theoretical review of remembering, forgetting, and literary works as media, and then interpret Algeria recalled from a colonial perspective in L'Étranger and represented from a postcolonial view in Meursault, Contre-enquêtete. These two works, which testify to the same place, are distinctive in terms of a conflict and overthrow of remembering and forgetting. In particular, 'the subjects of memory', united through Musa and Harun, show the concept of multidirectional memory that strengthens the will to struggle and also heals trauma through the medium of literature. Through this study, as third-party readers, it will be an opportunity to consider how different memories described in literary works dispute and overturn.
{"title":"A Conflict, Overthrow of Remembering and Forgetting: In the Cases of L'Étranger and Meursault, Contre-enquête","authors":"Jeong Hyeon Kim, T. Park","doi":"10.32611/jgcc.2023.5.55.113","DOIUrl":"https://doi.org/10.32611/jgcc.2023.5.55.113","url":null,"abstract":"Kamel Daoud's Meursault, Contre-enquêtete changes the general view we have had on L'Étranger as the canon of world classical literature. With Meursault, Contre-enquêtete, LÉtranger is converted to an autobiographical novel based on facts. For most Camus‘ readers, L'Étranger is a novel representing Algeria, but on the contrary, it is a forgetting agent that blurs Algeria. Thus, through Meursault, Contre-enquêtete, Daoud plays a role in evoking Algerian' remembering to restore their impaired identity and recover the tarnished Algeria's reputation. This study will analyze these two works from the perspective of discourse on memory, conduct a theoretical review of remembering, forgetting, and literary works as media, and then interpret Algeria recalled from a colonial perspective in L'Étranger and represented from a postcolonial view in Meursault, Contre-enquêtete. These two works, which testify to the same place, are distinctive in terms of a conflict and overthrow of remembering and forgetting. In particular, 'the subjects of memory', united through Musa and Harun, show the concept of multidirectional memory that strengthens the will to struggle and also heals trauma through the medium of literature. Through this study, as third-party readers, it will be an opportunity to consider how different memories described in literary works dispute and overturn.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"218 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121048916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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