Pub Date : 2021-06-01DOI: 10.52773/tsuull.gold.2021.2/qasy9853
Aftondil Ėrkinov, Oysara Madaliyeva
The article shows that according to the content of the manuscript copied by Sultanali Mashhadi in 905/1499 - 1500 and considered until now as Navoi's "Terma divan", it is actually "Navodir un-nihoya" divan. Attention is drawn to the fact that this manuscript is the last copy of the book "Navodir un-nihoya" edited by Navoi. The table attached to the article shows the matlas of the poems in this manuscript divan, the number of their stanzas and the page.
{"title":"\"Terma devan\" or the latest edition of Navoi's \"Navodir un-nihoya\"?","authors":"Aftondil Ėrkinov, Oysara Madaliyeva","doi":"10.52773/tsuull.gold.2021.2/qasy9853","DOIUrl":"https://doi.org/10.52773/tsuull.gold.2021.2/qasy9853","url":null,"abstract":"The article shows that according to the content of the manuscript copied by Sultanali Mashhadi in 905/1499 - 1500 and considered until now as Navoi's \"Terma divan\", it is actually \"Navodir un-nihoya\" divan. Attention is drawn to the fact that this manuscript is the last copy of the book \"Navodir un-nihoya\" edited by Navoi. The table attached to the article shows the matlas of the poems in this manuscript divan, the number of their stanzas and the page.","PeriodicalId":197666,"journal":{"name":"Golden scripts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129020281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.52773/tsuull.gold.2021.2/nvve6422
G. Shodmonov
In the middle of the last century in the field of Uzbek textology and source studies, significant achievements have been made in the study of Alisher Navoi's works, in particular, in implementation of mass publica-tions of the poet's epics "Khamsa" and compilation of their scientific-criti-cal texts. Porso Shamsievis a textologist who created a school for the study of manuscripts of the Khamsa epics and composed its scientific and critical texts. His contribution to many publications created during this period is great. Therefore, the study of scientific and practical activities of the scien-tist in this field, the acquisition of his scientific experience, as well as the theoretical examination of publications made by P. Shamsiev and his di-rect participation are among the priorities of textology studies. Of course, the study of the activities of scholars, the mastery of their experience in publishing and composing scientific-critical texts is very important in the formation of new views in the field of textology, its scientific and theoreti-cal basis, in general, in finding solutions to existing problems. This article analyzes the history of the publication of the epics "Khamsa" and related processes, in general, the first achievements of Uzbek textual studies, the experience gained and their significance, as well as relevant scientific conclusions.
{"title":"The first stage of uzbek textology and the development of publications of Navoiy‘s Khamsa","authors":"G. Shodmonov","doi":"10.52773/tsuull.gold.2021.2/nvve6422","DOIUrl":"https://doi.org/10.52773/tsuull.gold.2021.2/nvve6422","url":null,"abstract":"In the middle of the last century in the field of Uzbek textology and source studies, significant achievements have been made in the study of Alisher Navoi's works, in particular, in implementation of mass publica-tions of the poet's epics \"Khamsa\" and compilation of their scientific-criti-cal texts. Porso Shamsievis a textologist who created a school for the study of manuscripts of the Khamsa epics and composed its scientific and critical texts. His contribution to many publications created during this period is great. Therefore, the study of scientific and practical activities of the scien-tist in this field, the acquisition of his scientific experience, as well as the theoretical examination of publications made by P. Shamsiev and his di-rect participation are among the priorities of textology studies. Of course, the study of the activities of scholars, the mastery of their experience in publishing and composing scientific-critical texts is very important in the formation of new views in the field of textology, its scientific and theoreti-cal basis, in general, in finding solutions to existing problems. This article analyzes the history of the publication of the epics \"Khamsa\" and related processes, in general, the first achievements of Uzbek textual studies, the experience gained and their significance, as well as relevant scientific conclusions.","PeriodicalId":197666,"journal":{"name":"Golden scripts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133891955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-10DOI: 10.52773/tsuull.gold.2021.1/pxka6837
Ilyos Ismoilov
Alisher Navoi enriched Uzbek literature with many novelties and experiences. In particular, the great poet raised the tradition of writing introduction to a high level in terms of image system, composition, style, poetry and content. In the preface of his masnawi (poetic form), Alisher Navoi skillfully combines the reader's point of view, his own experiences, the content of the work and the philosophy of tasawwuf (mysticism). It is noteworthy that he is able to depict a preface on a subject and a theme in a new literary landscape and poetic variations each time. This article discusses the preface of masnawi of Alisher Navoi's work “Sadd-i-Iskandari” (Alexander's Wall), which focuses on the poet's writing skills of preface. The poetry of the preface of “Sadd-i-Iskandari” (Alexander's Wall), the connection of the chapters in the preface with the content of the work, as well as the role of revealing the essence of the work are analyzed. In order to enlighten the writing skill of preface of Alisher Navoi, it is based on a comparative-historical method and is compared with the preface to Nizami Ganjavi's Eskandar-Nâmeh (‘The Book of Alexander’). And it is provided necessary conclusions.
{"title":"The poetry of the preface (debacha) of Alisher Navoi's epic “Sadd-i-Iskandari” (Alexander's Wall)","authors":"Ilyos Ismoilov","doi":"10.52773/tsuull.gold.2021.1/pxka6837","DOIUrl":"https://doi.org/10.52773/tsuull.gold.2021.1/pxka6837","url":null,"abstract":"Alisher Navoi enriched Uzbek literature with many novelties and experiences. In particular, the great poet raised the tradition of writing introduction to a high level in terms of image system, composition, style, poetry and content. In the preface of his masnawi (poetic form), Alisher Navoi skillfully combines the reader's point of view, his own experiences, the content of the work and the philosophy of tasawwuf (mysticism). It is noteworthy that he is able to depict a preface on a subject and a theme in a new literary landscape and poetic variations each time. This article discusses the preface of masnawi of Alisher Navoi's work “Sadd-i-Iskandari” (Alexander's Wall), which focuses on the poet's writing skills of preface. The poetry of the preface of “Sadd-i-Iskandari” (Alexander's Wall), the connection of the chapters in the preface with the content of the work, as well as the role of revealing the essence of the work are analyzed. In order to enlighten the writing skill of preface of Alisher Navoi, it is based on a comparative-historical method and is compared with the preface to Nizami Ganjavi's Eskandar-Nâmeh (‘The Book of Alexander’). And it is provided necessary conclusions.","PeriodicalId":197666,"journal":{"name":"Golden scripts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127214957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-10DOI: 10.52773/tsuull.gold.2021.1/nyrc4837
Murtazo Saydumarov
The article examines the Qur'anic quotes used in the verses of Abu Muhammad al-Qasim al-Hariri (1054-1122), which demonstrate one of the main forms of medieval Arabic rhetoric. It is known that the Qur'an had a great influence on the literature of all other nations in the medieval Arab and Muslim world. Not only do religious literature and pamphlets on Muslim law reflect the spirit of Islam and are enriched with Qur'anic quotations but also other works of medieval art of expression also have this effect. In medieval Arabic literature, we consider this aspect in the example of Hariri's maqamats which are considered to be the most perfect Arabic short stories on eloquence, knowledge in various fields, asceticism, and other subjects. The article analyzes the use of Qur'anic quotes in the speech of two important characters, the narrator and the protagonist, in different situations, themes and relationships, and the protagonist's justification of his actions through these Qur'anic quotes.
本文考察了Abu Muhammad al-Qasim al-Hariri(1054-1122)诗句中使用的古兰经引文，这些引文展示了中世纪阿拉伯语修辞的主要形式之一。众所周知，《古兰经》对中世纪阿拉伯和穆斯林世界所有其他国家的文学都有很大的影响。不仅宗教文学和穆斯林法律小册子反映了伊斯兰教的精神，并丰富了古兰经的语录，而且其他中世纪的表现艺术作品也有这种效果。在中世纪阿拉伯文学中，我们以哈里里的《麦加玛特》为例来考虑这方面，它被认为是关于口才、各个领域的知识、禁欲主义和其他主题的最完美的阿拉伯短篇小说。本文分析了叙述者和主人公这两个重要人物在不同的情境、主题和关系中对古兰经语录的使用，以及主人公通过这些古兰经语录为自己的行为辩护。
{"title":"Qur’anic quotes in Hariri maqamats","authors":"Murtazo Saydumarov","doi":"10.52773/tsuull.gold.2021.1/nyrc4837","DOIUrl":"https://doi.org/10.52773/tsuull.gold.2021.1/nyrc4837","url":null,"abstract":"The article examines the Qur'anic quotes used in the verses of Abu Muhammad al-Qasim al-Hariri (1054-1122), which demonstrate one of the main forms of medieval Arabic rhetoric. It is known that the Qur'an had a great influence on the literature of all other nations in the medieval Arab and Muslim world. Not only do religious literature and pamphlets on Muslim law reflect the spirit of Islam and are enriched with Qur'anic quotations but also other works of medieval art of expression also have this effect. In medieval Arabic literature, we consider this aspect in the example of Hariri's maqamats which are considered to be the most perfect Arabic short stories on eloquence, knowledge in various fields, asceticism, and other subjects. The article analyzes the use of Qur'anic quotes in the speech of two important characters, the narrator and the protagonist, in different situations, themes and relationships, and the protagonist's justification of his actions through these Qur'anic quotes.","PeriodicalId":197666,"journal":{"name":"Golden scripts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116071011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-10DOI: 10.52773/tsuull.gold.2021.1/dwek5314
M. Imomnazarov
The Comparison of the six Diwans (poetry)(Based on the newly discovered the copy of Tehran of “Bada'i al-bidaya”)In this article, the six diwans (poetry) of Alisher Navoi are analysed comparatively, including “Ilk devon”, Oqquyunli muxlislar devoni”, the first pro-diwan of “Bada’i al-Bidaya” (the copy of Paris), the copy of Tashkent that was copied in the poet’s life and considered the last version known to us, the copy written by Abdujamil Katib that was published as the second volume of “The complete works of Alisher Navoi”, and a newly discovered the copy of Tehran. The composition and structure of these diwans (poetry) are compared, providing the necessary conclusions, as well as the most important views are expressed on the periodization of Navoi’s poetry.
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Pub Date : 2021-03-10DOI: 10.52773/tsuull.gold.2021.1/zjjh2982
Sohiba Madirimova
The collection “Mazhmui muhammasoti ash-shuaroi Feruzshakhiy” is the largest source of lyric works by the authors of the Khorezm literary environment. According to the king’s decree, the complex was formed in the second half of the XIX sentury by Tabibi. It includes examples of poetry by contemporaries of the author. This resource, which provides valuable information about the literary environment of its time, is now stored in the main fund of the Abu Rayhan Beruni Institute of Oriental Studies at the Academy of Sciences of the Republic of Uzbekistan under number 1134. The collection differs from other collections in the composition of the genre, that is, muhammas. One of the collection’s most popular poets is Mutrib Hanaharab ibn Muhammad Hasan Devan Haji Tabib.The article analyzes the muhammas of Mutrib Hanaharabi, who are associated with the gazalles of master poets Agahi and Feruz. The artistic features of the Mutrib muhammasses are studied, which are not in handwritten copies. The weight, significance and novelty of the poetic gazal, as well as the evolutionary nature of the content, are proven by the original sources. Muhammasses and musaddasses of the poet, which are introduced in the collection, are compared with verses in manuscripts and studied in the fields of textology and source study.
“Mazhmui muhammasoti ash-shuaroi Feruzshakhiy”合集是Khorezm文学环境中作者抒情作品的最大来源。根据国王的法令，这个建筑群是由塔比比在十九世纪下半叶建造的。它包括作者同时代人的诗歌范例。这份资料提供了有关当时文学环境的宝贵资料，目前存放在乌兹别克斯坦共和国科学院阿布·雷汉·贝鲁尼东方研究所的主要基金中，编号为1134。这部合集与其他合集的不同之处在于其流派的构成，即穆罕默德。其中最受欢迎的诗人之一是Mutrib Hanaharab ibn Muhammad Hasan Devan Haji Tabib。本文分析了Mutrib Hanaharabi的穆罕默德，他们与诗人大师Agahi和Feruz的gazalles有关。穆罕默德经的艺术特征得到了研究，这在手写的抄本中是没有的。诗歌杂志的分量、意义和新颖性，以及内容的进化性，都得到了原始来源的证明。在文集中介绍的诗人的穆罕默德和穆萨达诗与手稿中的诗句进行了比较，并在考据学和来源研究领域进行了研究。
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Pub Date : 2021-03-10DOI: 10.52773/tsuull.gold.2021.1/fdfi6444
H. Eshonqulov
The article reveals the peculiarities of the artistic structure of Alisher Navoi's romantic ghazals based on the analysis. It deals with the great poet's skill in the use of visual aids and rhyming techniques related to word repetition. Navoi, aware of the question-and-answer style in the ghazals of his great predecessors such as Hafiz and Lutfi, raised the traditional question-and-answer session between the lover and the lover in the ghazal "Jong'a chun dermen..." It is defined as the artistic discovery of peculiarities, such as the beginning, the course of events, rising actions, climax, and the conclusion. The artistic skills of the great poet in the use of the art of tardi’aks are analyzed, and the analysis of the formation of a unique semantic-compositional structure of romantic poems with the help of such pictorial means based on word repetition is revealed. The analysis also reveals the peculiarities of the musajja ghazals based on the poet's ghazal verses, the influence of the rhyme and internal radifs on the artistic structure of the ghazal, and the fact that Navoi's musajja ghazals were written not only in the hazaj, but also in the rajaz and ramal.
本文在此基础上揭示了阿利舍尔·纳沃伊浪漫主义诗艺术结构的独特性。它讲述了这位伟大诗人在使用视觉辅助工具和与单词重复相关的押韵技巧方面的技巧。纳沃伊意识到他的伟大前辈哈菲兹和卢特菲的迦勒歌中的问答风格，在迦勒歌“Jong’a chun dermen……”中提出了恋人之间传统的问答环节。它被定义为艺术发现的特点，如开始，事件的过程，上升的行动，高潮，和结论。分析了这位大诗人运用塔迪亚克艺术的艺术技巧，揭示了借助于这种以单词重复为基础的意象手法，浪漫主义诗歌独特的语义构成结构的形成。通过对纳沃伊的诗文的分析，揭示了穆萨迦诗的独特性，韵律和内部半径对伽伽诗艺术结构的影响，以及纳沃伊的穆萨迦诗不仅用伽伽诗，而且用拉贾诗和拉马尔诗创作。
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Pub Date : 2021-03-10DOI: 10.52773/tsuull.gold.2021.1/heta1264
Shuhrat Sirojiddinov
Among the other genres of classical literature of the East, the genre of the qasida (or qasidah, often translated as ode) is relatively old and played an important role in the development of poetic thinking. Furthermore, the praise (madh) is one of the most widely described issues in classical literature, as well as it developed simultaneously with the genre of qasida (or qasidah, often translated as ode). The issue about the genre of qasida (or qasidah, often translated as ode) and the praise (madh) in the history of our literature is so intertwined that is impossible to imagine them separately. In this research, the author analyzed these two issues together. This article discusses the qasida (or qasidah, often translated as ode) called masnu' (meaning full of arts) dedicated to Alisher Navoi by Ahli Shirazi, a representative of Persian-Tajik literature. The author emphasizes that the qasida (or qasidah, often translated as ode) written by Alisher Navoi called masnu' (meaning full of arts) inspired Ahli Shirazi, and while analyzing the verses of the qasida (or qasidah, often translated as ode), he proved through historical facts that each verse in the qasida describes the qualities of the poet.
{"title":"The praise (madh) of Alisher Navoi in the qasida by Ahli Shirazi","authors":"Shuhrat Sirojiddinov","doi":"10.52773/tsuull.gold.2021.1/heta1264","DOIUrl":"https://doi.org/10.52773/tsuull.gold.2021.1/heta1264","url":null,"abstract":"Among the other genres of classical literature of the East, the genre of the qasida (or qasidah, often translated as ode) is relatively old and played an important role in the development of poetic thinking. Furthermore, the praise (madh) is one of the most widely described issues in classical literature, as well as it developed simultaneously with the genre of qasida (or qasidah, often translated as ode). The issue about the genre of qasida (or qasidah, often translated as ode) and the praise (madh) in the history of our literature is so intertwined that is impossible to imagine them separately. In this research, the author analyzed these two issues together. This article discusses the qasida (or qasidah, often translated as ode) called masnu' (meaning full of arts) dedicated to Alisher Navoi by Ahli Shirazi, a representative of Persian-Tajik literature. The author emphasizes that the qasida (or qasidah, often translated as ode) written by Alisher Navoi called masnu' (meaning full of arts) inspired Ahli Shirazi, and while analyzing the verses of the qasida (or qasidah, often translated as ode), he proved through historical facts that each verse in the qasida describes the qualities of the poet.","PeriodicalId":197666,"journal":{"name":"Golden scripts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131145963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-10DOI: 10.52773/tsuull.gold.2021.1/zply1401
Samixon Ashirboyev
In Uzbek linguistics, areal linguistics has entered into the stage of development. It should be noted that in this issue A. Dzhuraeva's research plays a methodological role. Nevertheless, in the scientific literature there are studies in which some questions of this problem have been considered without using the term "areal linguistics". The article covers in detail one of the problems of areal linguistics, that is, the problem of taxon and its development in Uzbek areal linguistics. The article also highlights the following issues: taxonomic linguistics, its scientific sources, its relation to linguistic geography, the essence of the taxon phenomenon - its geography, the influence of surrounding languages and dialects, features of historical development. The article also deals with the content of the concept of a taxon, the taxonomic features of the Uzbek-speaking errey, the role of geographical location, the influence of the contact language and dialects, the historical development of each taxon in determining the characteristics of taxa, and draws attention to the fact that each taxon has its own historical development. The variety of taxa based on the examples of the Turkic languages, the Uzbek language and its dialects.
{"title":"The interpretation of the concept of taxon in areal linguistics","authors":"Samixon Ashirboyev","doi":"10.52773/tsuull.gold.2021.1/zply1401","DOIUrl":"https://doi.org/10.52773/tsuull.gold.2021.1/zply1401","url":null,"abstract":"In Uzbek linguistics, areal linguistics has entered into the stage of development. It should be noted that in this issue A. Dzhuraeva's research plays a methodological role. Nevertheless, in the scientific literature there are studies in which some questions of this problem have been considered without using the term \"areal linguistics\". The article covers in detail one of the problems of areal linguistics, that is, the problem of taxon and its development in Uzbek areal linguistics. The article also highlights the following issues: taxonomic linguistics, its scientific sources, its relation to linguistic geography, the essence of the taxon phenomenon - its geography, the influence of surrounding languages and dialects, features of historical development. The article also deals with the content of the concept of a taxon, the taxonomic features of the Uzbek-speaking errey, the role of geographical location, the influence of the contact language and dialects, the historical development of each taxon in determining the characteristics of taxa, and draws attention to the fact that each taxon has its own historical development. The variety of taxa based on the examples of the Turkic languages, the Uzbek language and its dialects.","PeriodicalId":197666,"journal":{"name":"Golden scripts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122797245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-10DOI: 10.52773/tsuull.gold.2020.4/zvgm5905
Ozoda Tojiboyeva
The article focuses on the interpretation of the image of Alexander in fiction, one of the most widely used images in Eastern and Western literature. Alisher Navoi's epic “Sadd-i-Iskandari” and its influence on the written and oral literature of the XVII-XIX centuries are considered. Prose interpretations of “Iskandarnama”, translated works and independent short stories created in the style of folklore are analyzed on the basis of primary sources, manuscripts and lithographs. An epic “Sadd-i-Iskandari” by Navoi and its prose statement “Iskandarnama”, a translation from Persian, an independent short story “Iskandarnama” written in Uzbek are described according to their specific features. The controversial places that have been interpreted in the world literature, the attitude to the ideas in the plates. A comparative analysis of the plots shows that the “Shah-Namai Turkish” had a significant influence on the creation of the “Iskandarnama” in the Uzbek language.
{"title":"About the Prose Sources of “Iskandarnoma”","authors":"Ozoda Tojiboyeva","doi":"10.52773/tsuull.gold.2020.4/zvgm5905","DOIUrl":"https://doi.org/10.52773/tsuull.gold.2020.4/zvgm5905","url":null,"abstract":"The article focuses on the interpretation of the image of Alexander in fiction, one of the most widely used images in Eastern and Western literature. Alisher Navoi's epic “Sadd-i-Iskandari” and its influence on the written and oral literature of the XVII-XIX centuries are considered. Prose interpretations of “Iskandarnama”, translated works and independent short stories created in the style of folklore are analyzed on the basis of primary sources, manuscripts and lithographs. An epic “Sadd-i-Iskandari” by Navoi and its prose statement “Iskandarnama”, a translation from Persian, an independent short story “Iskandarnama” written in Uzbek are described according to their specific features. The controversial places that have been interpreted in the world literature, the attitude to the ideas in the plates. A comparative analysis of the plots shows that the “Shah-Namai Turkish” had a significant influence on the creation of the “Iskandarnama” in the Uzbek language.","PeriodicalId":197666,"journal":{"name":"Golden scripts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122350773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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