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Modern Reading of the Sociology of Morality 道德社会学的现代解读
Pub Date : 2021-11-01 DOI: 10.21209/1996-7853-2021-16-5-50-58
Polyushkevich Oksana A.
The paper analyzes theoretical concepts and empirical tools for the study of morality, altruism, contributing to the development of ideas, beliefs and values about justice or its absence and trust or distrust in oneself, people around and social institutions. The relevance of studying this issue has become especially acute during a pandemic, when questions of morality and ethics have become urgent for many people in everyday space with the daily choice of their own behavior, the safety of themselves and others during and after a pandemic. These research focuses are studied within the framework of an interdisciplinary approach to the sociology of morality. It is shown that the moral dimension of social reality is a key marker of social reproduction. This position is proved by the appeal of contemporaries within the framework of sociology, psychology, philosophy to these topics, as well as the author’s own empirical research conducted in 2019–2020 by filling out diaries for six months (165 people), where moral emotions arising in any life were recorded situations, the methodology of Sh. Schwartz was used to identify the basic values (survey of research participants) and focus group conversations (54 people), which made it possible to identify the discrepancy between the declared values and situational reactions to various interactions mediated by moral emotions. The article traces the influence of social interaction, produced through the influence of social institutions that develop group norms, on the behavior of individuals in certain situations of interaction and group reactions in the process of communication and subsequent assessments of this process. It is proved how moral emotions either strengthen the existing functioning of social institutions or destroy it, eroding the clear framework of what is proper, acceptable, and correct. It also shows how and why situational factors influence norms and values more than general ideas about moral norms. The article may be of interest to philosophers, sociologists and specialists in helping professions for fixing and reflecting on moral states and transformations of the modern social environment.
本文分析了研究道德、利他主义的理论概念和实证工具,有助于发展关于正义或正义的缺失以及对自己、周围人和社会制度的信任或不信任的思想、信念和价值观。在疫情期间,研究这一问题的相关性变得尤为突出,因为在疫情期间和之后,道德和伦理问题对日常生活中的许多人来说变得紧迫,他们每天都在选择自己的行为、自己和他人的安全。这些研究重点是在道德社会学的跨学科方法框架内进行研究的。研究表明,社会现实的道德维度是社会再生产的重要标志。社会学、心理学、哲学框架内的同时代人对这些主题的吸引力,以及作者自己在2019-2020年通过填写六个月的日记(165人)进行的实证研究证明了这一立场,在日记中,任何生活中产生的道德情绪都被记录下来,这是Sh的方法论。Schwartz被用来识别基本价值观(对研究参与者的调查)和焦点小组对话(54人),这使得识别所宣布的价值观和对道德情绪介导的各种互动的情境反应之间的差异成为可能。本文追溯了社会互动的影响,通过发展群体规范的社会制度的影响,对个人在某些互动情况下的行为和群体在沟通过程中的反应以及随后对这一过程的评估产生了影响。事实证明,道德情绪要么加强社会机构的现有功能,要么摧毁它,侵蚀了什么是适当的、可接受的和正确的明确框架。它还展示了情境因素如何以及为什么比道德规范的一般观念更能影响规范和价值观。这篇文章可能会引起哲学家、社会学家和专家的兴趣,帮助他们确定和反思现代社会环境的道德状态和转变。
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引用次数: 1
Social Consciousness in the Realities of IT-Civilization IT文明现实中的社会意识
Pub Date : 2021-11-01 DOI: 10.21209/1996-7853-2021-16-5-25-35
Fatenkov Aleksey N., Grekhov Aleksandr V.
Mental peculiarities of man of IT-civilization are being theoretically reconstructed in the article. The relevance of the topic is determined by the impact (which is apparently controversial and frequently even causing concern) of newest technologies on people’s psyche and somatic features, their private and social life. In methodology the authors rely on non-idealistic dialectics that is correlated with the content of critical social theory. In the stated methodological paradigm, priority is given to a positive non-classical dialectics which is being distinguished from both a classical dialectics and a negative one. The paper is primarily focused on specificity of social consciousness which categorical status is mostly related to Marxist intellectual tradition. The latter is chosen as a paradigm in the given text. Along with that, Marxist problematization of consciousness and its neighboring realities – ontological, epistemological, social ones – is interpreted with historically actual objective and subjective circumstances in mind. In this regard, the role of socio-cultural templates of modernity, modernism and postmodernity is being highlighted. We specify the content of conceptually significant concepts: social consciousness, information, ideology, propaganda, and consumer society. Consumer society itself is identified as capitalism of new technological and mental mode. The negative character of information and computer technologies’ influence on human psyche is being accentuated and elaborated. On the basis of adduced arguments, it is stated: consciousness of digital society’s man is prone to destruction, eclecticism and is susceptible to being manipulated which is fraught with totalitarian outcome. The resistance strategy is being defined. Its important component is an ability to detect innovative forms of exploitation and control concealed behind technological novelties.
本文对信息技术文明人的心理特征进行了理论重构。这个话题的相关性取决于最新技术对人们的心理和身体特征、私人和社会生活的影响(这显然是有争议的,甚至经常引起关注)。在方法论上,作者依赖于与批判性社会理论内容相关的非理想主义辩证法。在所提出的方法论范式中,积极的非古典辩证法被优先考虑,它与古典辩证法和消极辩证法都有区别。社会意识的范畴地位主要与马克思主义的知识传统有关。后者被选为给定文本中的一个范例。与此同时,马克思主义对意识及其邻近现实的问题化——本体论、认识论和社会现实——是在考虑历史实际客观和主观环境的情况下进行解释的。在这方面,现代性、现代性和后现代性的社会文化模板的作用正在凸显。我们规定了具有概念意义的概念的内容:社会意识、信息、意识形态、宣传和消费社会。消费社会本身就是一种新的技术和精神模式的资本主义。信息和计算机技术对人类心理的负面影响正在得到强调和阐述。在列举论点的基础上,指出:数字社会的人的意识容易被破坏、折衷主义,容易被操纵,这充满了极权主义的结果。抵抗策略正在制定中。它的重要组成部分是能够发现隐藏在技术创新背后的创新形式的开发和控制。
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引用次数: 0
Insurance as an Analogue of the Candidates Selection for Sacrifice in the Context of the Problem of Human Sacrifice Universality 在人的牺牲普遍性问题中,保险作为牺牲候选者选择的一种类比
Pub Date : 2021-11-01 DOI: 10.21209/1996-7853-2021-16-5-106-115
Serikov Andrei E.
The problem of human sacrifice universality can be formulated as follows: is a human sacrifice a sociocultural universal and, if so, how can this be proved? One possible approach to solving this problem is to show how human sacrifice is realized in modern societies. The main purpose of this research is to substantiate the assumption that there are contemporary analogues of the candidate’s selection for the role of a human sacrifice. If they exist, this will be an additional argument in favor of the opinion that human sacrifice is universal. The elements of human sacrifice can be spread out in time and space, and also be implemented in a different order than in traditional rituals. The hypothesis was that the selection of candidates for the role of victims in such distributed sacrifice is implemented by life and health insurance. As a research method we used the analysis of possible statistical relationships between mortality and life expectancy of people, on the one hand, and the availability of different types of life and health insurance policies, on the other. Since the mortality rate among the military in active service is higher than among civilians, compulsory life and health insurance for military personnel can be viewed as an analogue of the selection of victims. In the case of civilian victims, the availability of voluntary life and health insurance policies for people is positively correlated with life expectancy, which is presumably associated with better medical care in cases of illness or accident. Voluntary insurance can be viewed as an analogue of negative selection: those not insured have a higher chance of becoming a victim.
人祭普遍性的问题可以表述如下:人祭是社会文化的普遍性吗?如果是,如何证明这一点?解决这个问题的一个可能的方法是展示人类祭祀在现代社会中是如何实现的。本研究的主要目的是证实这样一种假设,即当代有类似的候选人选择人类牺牲的角色。如果它们存在,这将是支持人类献祭是普遍存在的观点的另一个论据。人祭的元素可以在时间和空间上展开,也可以以与传统仪式不同的顺序进行。假设是,在这种分布式牺牲中,受害者角色的选择是由生命和健康保险实施的。作为一种研究方法,我们一方面分析了死亡率和预期寿命之间的可能的统计关系,另一方面分析了不同类型的生命和健康保险政策的可用性。由于现役军人的死亡率高于平民,军事人员的强制性人寿和健康保险可以看作是选择受害者的类似情况。就平民受害者而言,人们是否有自愿人寿和健康保险政策与预期寿命呈正相关,这可能与在生病或发生事故时得到更好的医疗护理有关。自愿保险可以看作是消极选择的类比:那些没有保险的人更有可能成为受害者。
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引用次数: 0
Modern Urban Diasporas: Factors of Social Dynamics (on Materials of Tuva Diaspora in the City Of Abakan) 现代城市散居者:社会动力因素(论阿巴坎城市图瓦散居者资料)
Pub Date : 2021-11-01 DOI: 10.21209/1996-7853-2021-16-5-99-105
Chistanov Marat N., Eremin Leonid V.
In the summer and autumn of 2021, the Department of Philosophy and Cultural Studies of Khakass State University conducted a pilot sociological study of the Tuvan diaspora in the city of Abakan. One of the main tasks of the study was to build a general integrated theoretical model of the identity of ethnic communities, which would be applicable to the analysis of ethnocultural processes in modern urban conditions. Diasporas are seen as complex multilevel systems that can be visualized through a set of specific behavioral scenarios. These scenarios were supposed to be investigated using the methodology of the frames of Ervin Goffman and the concept of iconic turn in the culture of Ilya Inishev. The preliminary results of the study are presented in this article. It is argued that modern ethnic diasporas have a second or third-order ethnic identity (arising after the traditional and industrial stages of social development). This identity is characteristic of adults who have passed through people who have created a family, have children, an education and a profession, but for various reasons they have not realized themselves in their historical homeland. Ethnic identity of such people does not involve participation in ethnic organizations and associations, but involves the use of visual markers that signal their own ethnic identification and self-identification. In the first approach, the model seems justified, the materials of the in-depth interviews and the expert interviews as a whole correspond to its basic provisions. Further development and adjustment of the model will be possible after processing of all empirical data and analysis of the study results.
在2021年的夏季和秋季,哈卡斯州立大学哲学和文化研究系对阿巴坎市的图瓦侨民进行了一项试点社会学研究。本研究的主要任务之一是建立一个民族社区认同的综合理论模型,该模型将适用于分析现代城市条件下的民族文化进程。散居者被视为复杂的多层次系统,可以通过一系列具体的行为场景来可视化。这些场景应该使用Ervin Goffman的框架方法和Ilya Inishev文化中的标志性转向概念进行调查。本文介绍了研究的初步结果。有人认为,现代种族流散者具有第二或第三阶种族身份(在社会发展的传统和工业阶段之后产生)。这种身份是成年人的特征,他们经历了一些人,这些人建立了家庭,有了孩子,接受了教育,有了职业,但由于各种原因,他们没有在自己的历史家园实现自己。这些人的民族认同不涉及参加民族组织和社团,而是涉及使用表明其自身民族认同和自我认同的视觉标记。在第一种方法中,模型似乎是合理的,深度访谈和专家访谈的材料整体上符合其基本规定。在对所有实证数据进行处理并对研究结果进行分析后,可以对模型进行进一步的开发和调整。
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引用次数: 1
Human Dignity and Rationality of Modern Medicine in the Aspect of the Biomedical Technologies 从生物医学技术看现代医学的人的尊严与合理性
Pub Date : 2021-11-01 DOI: 10.21209/1996-7853-2021-16-5-43-49
Izutkin Dmitri A.
Some ethical aspects of the usage of the biomedical technologies in the frame of human bodiness and the relationship of the physician and the sick from the point of human dignity are set forth in the article. Growing tendency of rationalization of medicine and broadening limits of its influence on healthy and diseased organism are highlighted. In particular, it is associated with the introduction in medical practice of different elements of the artificial intellect in the diagnostics and treatment of different diseases, which have found its legislative order in the Edict of the President of the Russian Federation. It challenges the necessity of consideration of this problem in the format of ethics and law with the accent on the dignity of the human as an individual and unique personality. Contradictive character of the usage of different biomedical technologies from the point of science, on the one hand, and human existence – on the other are marked. These positions are regarded in the aspects of the human bodiness and relationships of the physician and the sick. The problem of “vulnerability” of the human body is shown on the example of increase of different biomedical investigations, like experimental medicine and its “commodification”. In this respect, judgement about ontological role of the body in life space and human experience is exposed. In the analysis of the relationships of the physician and the sick through the “prism” of the biomedical technologies special attention is being paid to the change of the subject-object roles in this communicative sphere. As a sequence, technical model is starting dominating in modern medicine. All tye abovementioned ideas reflect transformation of historically assembled traditions of medical and ethical character and strengthening of the ideas of transhumanism when the sick individual loses its uniqueness and is being investigated in the virtual space.
文章从人的尊严的角度出发,阐述了在人体和医患关系的框架内使用生物医学技术的一些伦理问题。医学合理化的趋势日益突出,其对健康和患病生物的影响范围日益扩大。特别是,它与在医疗实践中引入人工智能的不同要素来诊断和治疗不同的疾病有关,这些要素已在俄罗斯联邦总统令中找到了立法秩序。它挑战了以伦理和法律的形式审议这一问题的必要性,强调人作为一个个体和独特人格的尊严。不同生物医学技术的使用,从科学的角度,一方面与人类生存的角度,另一方面的矛盾性是显著的。这些职位被认为是在人体和医患关系方面。人体的“脆弱性”问题以各种生物医学研究的增加为例,如实验医学及其“商品化”。在这方面,暴露了对身体在生活空间和人类经验中的本体论作用的判断。在通过生物医学技术的“棱镜”分析医生和病人之间的关系时,特别注意在这一交流领域中主客体角色的变化。因此,技术模式开始在现代医学中占据主导地位。上述所有类型的思想反映了历史上聚集的医学和伦理特征传统的转变,以及当病人个体失去其独特性并在虚拟空间中被调查时,超人类主义思想的加强。
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引用次数: 0
SciFi Cinema as one of Spatial Localizations of Military Images in American Mass Culture 科幻电影是美国大众文化中军事形象的空间定位之一
Pub Date : 2021-11-01 DOI: 10.21209/1996-7853-2021-16-5-77-86
Kyrchanoff Maksym W.
War is one of the most popular topics in modern mass culture. The author analyzes the features of the perception of war in modern science fiction cinema. The purpose of this article is to analyze the representation of war in American science fiction as a form of historical memory in mass culture. The author uses inventionism methods to analyze the images of war in the film production of mass culture as “invented traditions” of the consumer society. The range of perception of war and military experience in popular culture is analyzed. Modern global film industry and national film industries regularly address military themes in the world or national contexts, producing films that actualize military experience of nations and states. The film industry segments that specialize in the production of science fiction and fantasy films also do not ignore the military theme. It is supposed that popular culture offers a variety of images of war, including militarism, violence, military collective trauma, and military political psychosis. The author believes that military theme in popular culture arose as a result of reflection on real military conflicts, and the creators of the pop-cultural project could reject the war or idealize it. The author believes that military science fiction in modern American mass culture actualizes the values of pacifism or militarism as reflections of the left or right preferences of the creators of such cultural product for the consumer society. Science fiction films actualize various forms of war, including global military clashes, civil conflicts, aggression, intervention and genocide. Popular culture is becoming the main sphere of existence of the memory of war because military conflicts of science fiction series can be perceived in the consumer society as more real than the historical wars of the past. Military images of mass culture are supposed to actualize various forms of war memory, including memory as trauma, memory as marginalization, and memory as nostalgia which idealize war.
战争是现代大众文化中最受欢迎的话题之一。分析了现代科幻电影中战争感知的特点。本文的目的是分析美国科幻小说中战争作为一种大众文化中的历史记忆形式的表现。作者运用发明论的方法,将大众文化电影制作中的战争形象分析为消费社会的“发明传统”。分析了大众文化中对战争和军事经验的感知范围。现代全球电影业和国家电影业经常处理世界或国家背景下的军事主题,制作实现国家和国家军事经验的电影。专门制作科幻和奇幻电影的电影行业也不会忽视军事主题。人们认为,流行文化提供了各种战争形象,包括军国主义、暴力、军事集体创伤和军事政治精神病。作者认为,流行文化中的军事主题是对现实军事冲突反思的结果,流行文化项目的创作者可以拒绝战争,也可以将战争理想化。作者认为,美国现代大众文化中的军事科幻小说实现了和平主义或军国主义的价值观,反映了这种文化产品的创造者对消费社会的左右偏好。科幻电影实现了各种形式的战争,包括全球军事冲突、国内冲突、侵略、干预和种族灭绝。大众文化正成为战争记忆的主要存在领域,因为在消费社会中,科幻系列的军事冲突可以被视为比过去的历史战争更真实。大众文化的军事形象应该实现各种形式的战争记忆,包括将战争理想化的作为创伤的记忆、作为边缘化的记忆和作为怀旧的记忆。
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引用次数: 1
The Marginal Reality of Humor 幽默的边缘现实
Pub Date : 2021-11-01 DOI: 10.21209/1996-7853-2021-16-5-36-42
Fedotova Marina G.
The relevance of the work is due to the presence of a contradiction between the prevalence of humor, its ubiquity and ubiquity in social reality and its rather weak research as a phenomenon of this social reality. The main line of existing research on the nature of humor is connected with the study of it as a statement with a special (contradictory) logic. The purpose of this article is to study the nature of humor not so much within the framework of a separate statement with a special logic but as a phenomenon that constructs social reality, as well as the place of humorous reality among other types of social reality. The analysis is carried out on the basis of the constructivist approach, by the method of reconstruction of the humorous text. As a result of the study, the hypothesis of the existence of humor as a certain layer between referential realities (Zh. Derrida) is supplemented by the idea of constructing in a humorous utterance on the basis of these referential realities a special independent reality of humor, which remains marginal within the framework of the discourse in which referential realities are realized. Humor destroys the contingent logic of discourse in a certain semantic field, comparing previously disparate realities. The construction of humorous reality within the semantic field of professional knowledge performs other functions than outside of it (for example, in everyday knowledge). The absence or limitation of jokes about the knowledge sacred to the system, which belongs to the nuclear part of the corresponding discourse that constructs the system, is a protective mechanism for this system, which stabilizes society. The results of the study are a continuation of the development of the constructivist approach in ontology and social philosophy and can serve as a basis for studying the ways of constructing realities in society
这部作品的相关性是由于幽默的普遍性、它在社会现实中的普遍性和普遍性与它作为一种社会现实现象的研究相当薄弱之间存在矛盾。现有研究幽默本质的主线是将幽默作为一种具有特殊(矛盾)逻辑的陈述来研究。本文的目的是研究幽默的本质,与其说是在一个具有特殊逻辑的单独陈述的框架内,不如说是一种构建社会现实的现象,以及幽默现实在其他类型的社会现实中的地位。分析是在建构主义方法的基础上,采用幽默文本重构的方法进行的。作为研究的结果,幽默作为指称现实之间的某一层存在的假设(Zh.Derida)得到了在这些指称现实的基础上在幽默话语中构建一种特殊的独立幽默现实的想法的补充,这种幽默现实在实现指称实实的话语框架内仍然是边缘的。幽默破坏了话语在某个语义领域的偶然逻辑,比较了以前截然不同的现实。幽默现实在专业知识语义领域内的构建起着除专业知识之外的其他作用(例如,在日常知识中)。关于系统神圣知识的笑话的缺失或限制,属于构建系统的相应话语的核心部分,是这个系统的保护机制,它稳定了社会。研究结果是建构主义方法在本体论和社会哲学中发展的延续,可以作为研究构建社会现实的方法的基础
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引用次数: 0
Female Characters in Doctor Zhivago and Their Role in the Fate of the Protagonist 《日瓦戈医生》中的女性角色及其在主人公命运中的作用
Pub Date : 2021-10-01 DOI: 10.21209/1996-7853-2021-16-4-46-57
Jannat Nure
The article attempts to compare the three female characters in the novel Doctor Zhivago to identify their role in the formation of the psychological image of the main character, as well as their main functions as characters in the plot structure of the novel. Distinguishing the terms “character” and “hero” as theoretical concepts, we seek to establish the complementarity of two methods: character analysis as a way of structuring the text, on the one hand, and phenomenological, which allows us to capture the uniqueness of a single hero, as well as its influence on the fate of other participants in the action. Taking into account the long-term work on Doctor Zhivago, the author of the article proceeds from the idea that along with autobiographical material in the characterization of three women – Tonya, Larisa, and Marina, B. Pasternak widely uses plot analogies with masterpieces of Russian and world literature, as well as certain allusions to biblical images. Important here is the principle of inseparability and non-confusion in the depiction of the fates of the three women in their relationship with the main character, associated with the Christian tradition. For the first time, the article introduces the essentiality– existentiality opposition to compare the main female figures. At the same time, it is important that the author, creating female images, uses a different measure of fabulousness associated with the vicissitudes in the life of the main character – the maximum in the relationship of Yuri and Lara and the minimum in relation to the hero with Marina. There is also a different degree of detail of the three images, the use of symbols in their characterization, and the symbolization as the main method of Marina’s characterization is noted. The author concludes that the outstanding Russian poet and novelist B. Pasternak shows a high degree of skill, penetrating the depths of female psychology. At the same time, while maintaining the principles of construction characteristic of the classical narrative, the writer, thanks to the special arrangement of the material, gives the novel features that bring it closer to the best examples of world literature of the twentieth century.
本文试图通过对小说《日瓦戈医生》中三位女性角色的比较,来确定她们在小说主人公心理形象形成中的作用,以及她们作为人物在小说情节结构中的主要作用。将“人物”和“英雄”作为理论概念加以区分,我们试图建立两种方法的互补性:一方面,人物分析是构建文本的一种方式,另一方面,现象学使我们能够捕捉到单个英雄的独特性,以及它对行动中其他参与者命运的影响。考虑到《日瓦戈医生》的长期创作,这篇文章的作者从这样一个观点出发:在对三个女人——托尼娅、拉里萨和玛丽娜——的塑造中,帕斯捷尔纳克广泛使用了与俄罗斯和世界文学名著的情节类比,以及对圣经形象的某些典故。这里重要的是不可分割和不混淆的原则在描述三个女人的命运和她们与主角的关系时,与基督教传统有关。本文首次引入本质-存在对立来比较主要的女性形象。与此同时,重要的是,作者在创造女性形象时,使用了与主角生活沧桑相关的不同的神话标准——尤里和劳拉的关系是最大的,而主人公与玛丽娜的关系是最小的。这三个形象也有不同程度的细节化,在他们的塑造中使用了符号,并注意到符号化作为玛丽娜塑造的主要方法。作者认为,俄国杰出的诗人、小说家帕斯捷尔纳克表现出高超的技巧,洞悉了女性心理的深处。与此同时,作者在保持经典叙事的结构原则的同时,由于材料的特殊安排,赋予了小说特征,使其更接近二十世纪世界文学的最佳范例。
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引用次数: 0
The Value Basis of Russian Network Communities: the Integrative Function of Communicative Aggression 俄罗斯网络社区的价值基础:交际侵略的整合功能
Pub Date : 2021-10-01 DOI: 10.21209/1996-7853-2021-16-4-136-144
Kurushkin Sergey V.
The article raises questions of the xenophobia evolution in the Russian online communities. The main task was to analyze the transformation of phobias into communicative aggression in the dynamics of social interaction. Considering communicative aggression as a tool for establishing dominance in social goal-setting, we turned to the study of communities of different types in order to identify the relationship between the level of communicative tension and certain values. As an empirical basis for the study, we chose messages (posts) published in the online communities of feminists and anonymous users (in the context of their relationship to Islam). The research methods were case-study and critical discourse analysis (at the level of research foundation), non-formalized content analysis, text mining and correlation analysis (at the level of data collection and data processing). At the general theoretical level, an attempt was made to combine the positivist and interpretative paradigms. The study of two cases revealed the dynamics of the transition from the cultivation of phobias to the spread of communicative aggression. It shows how the digitalization of communications affects the polarization of cultural, symbolic and sociopolitical differences and promotes the integration of the individual into the network community. Various scenarios were identified according to which the spread of communicative aggression occurs. For example, in radical feminist communities, aggression occurs when the values of freedom, life and health are threatened. In the case of Islam, aggression is caused by tolerance as a value, as well as a threat to the law, family and freedom. Based on the results of the analysis of each case, recommendations are presented to reduce the level of communicative tension, which consist in avoiding specific value triggers, transforming the media image of network communities and building communication strategies with a more even appeal to all values, and not only to terminal ones. Thus, communities with integration occurs solely by spreading aggressive communications will be forced to turn to other strategies to implement full-fledged activities.
这篇文章提出了俄罗斯网络社区仇外情绪演变的问题。本研究的主要任务是分析在社会互动动态中,恐惧症向交际攻击的转变。考虑到交际攻击是在社会目标设定中建立支配地位的工具,我们转向对不同类型社区的研究,以确定交际紧张程度与某些价值观之间的关系。作为研究的经验基础,我们选择了女权主义者和匿名用户(在他们与伊斯兰教关系的背景下)在在线社区发布的消息(帖子)。研究方法为案例研究和批评话语分析(研究基础层面)、非形式化内容分析、文本挖掘和相关性分析(数据收集和数据处理层面)。在一般理论层面,试图将实证主义范式和解释范式结合起来。对两个案例的研究揭示了从恐惧症的培养到交际攻击的传播的转变动力学。它显示了通信的数字化如何影响文化、符号和社会政治差异的两极分化,并促进个人融入网络社区。根据交际攻击发生的不同情况,确定了交际攻击发生的不同情况。例如,在激进的女权主义社区,当自由、生命和健康的价值观受到威胁时,就会发生侵略。在伊斯兰教中,侵略是由于作为一种价值观的容忍以及对法律、家庭和自由的威胁而引起的。根据每个案例的分析结果,提出了降低传播紧张程度的建议,包括避免特定的价值触发因素,转变网络社区的媒介形象,建立更均匀地呼吁所有价值观的传播策略,而不仅仅是终端价值观。因此,仅仅通过传播积极的通讯来实现一体化的社区将被迫转向其他战略来执行全面的活动。
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引用次数: 0
Images of the Hunghuz in the Literature of Manchuria in the 1920s–1940s (The Case of Xiao Jun’s Works) 20世纪20—40年代满洲文学中的胡人形象(以肖军作品为例)
Pub Date : 2021-10-01 DOI: 10.21209/1996-7853-2021-16-4-26-35
Zhou Xinyu
The relevance of the study is due to the interest of Russian and Chinese science in artistic capture of the processes taking place on the territory of the Far Eastern frontier – Manchuria and the Far East in the first half of the 20th century. In a situation of political chaos, economic confusion and civil wars in these lands, the phenomenon of hunkhuznichestvo arises, which has become a real disaster for civilians. This problem is covered in great detail in the literature of the Far Eastern emigration and historical, literary works. The novelty of the research is determined by the appeal to Chinese sources (scientific and literary), which until now have not been systematically studied from the point of view of the ethnocultural, ethnosocial and literary paradigm. The problem lies in the comparative analysis of historical, socio-political materials (dictionaries, chronicles, scientific articles) and the results of the artistic reception of the phenomenon of hunkhuznichestvo in the works of northeastern writers of the 1920s–1940s. The aim of the work is to study the images of the Hunghuz from the point of view of the socio-political, ethno-cultural request of the emerging Chinese national consciousness of the 1920s–1940s and their artistic interpretation by Xiao Jun. The main methods are historical-genetic (reconstruction of the formation of ideas about Hunghuz in the Chinese mind), cultural-historical (study of images of Hunghuz in the context of the formation of the literature of the “Left Wing” and the influence of Soviet models), comparative-historical (comparison of images of Hunghuz in literature of the 1920–1940 and their subsequent reception in the Chinese public consciousness), biographical (the influence of the family’s upbringing and the author’s inner circle on his perception of hunkhuzism), translation methods (translation of Chinese scientific works, dictionary entries, historical documents, Xiao Jun’s novels) and the method of immanent analysis (in relation to the above-mentioned texts by the author studied). When writing his novels (Village in August, Third Generation) Xiao Jun drew not only on the ideologemes of the communist movement in China, literary examples of Soviet heroic-romantic prose about the civil war, but also on his personal experience of knowledge of hunkhuzism. The author comes to the conclusion that Xiao Jun recorded important historical and cultural ethnocultural, ethnopsychological, ethnoreligious details of Hunghuz life, customs, original ethos.
这项研究的相关性是由于俄罗斯和中国科学界对20世纪上半叶远东边疆(满洲和远东)发生的过程的艺术捕捉感兴趣。在这些土地上政治混乱、经济混乱和内战的情况下,出现了hunkhuznichestvo现象,这对平民来说已经成为一场真正的灾难。这个问题在远东移民文学和历史文学作品中都有详细的论述。这项研究的新颖性取决于对中国来源(科学和文学)的吸引力,迄今为止,还没有从民族文化、民族社会和文学范式的角度对这些来源进行系统的研究。问题在于对历史、社会政治材料(字典、编年史、科学文章)的比较分析,以及对20世纪20年代至40年代东北作家作品中的hunkhuznichestvo现象的艺术接受结果。本研究的目的是从20世纪20年代至40年代新兴的中国民族意识的社会政治、民族文化要求及其肖军的艺术阐释的角度来研究匈牙利人的形象,文化史(在“左翼”文学形成和苏联模式影响的背景下研究洪的形象)、比较历史(1920–1940年文学中洪的形象及其随后在中国公众意识中的接受的比较),传记(家庭的成长和作者的核心圈子对他对葫芦子主义的看法的影响)、翻译方法(翻译中国科学著作、字典条目、历史文献、肖军的小说)和内在分析方法(与作者研究的上述文本有关)。肖军在创作《八月村》、《第三代》时,不仅借鉴了中国共产主义运动的理论家、苏联关于内战的浪漫主义英雄散文的文学范例,而且还借鉴了他个人对霍克主义的认识。作者认为,萧军记录了胡兹重要的历史文化、民族文化、民族心理、民族宗教等方面的生活细节、风俗习惯、原始民族精神。
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Gumanitarnyi vektor
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