Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-107-116
Tsvetova Natalia S.
The article presents the results of a study on the dynamics of the semantic structure of the modern Russian media discourse key concepts: family, patriotism, and business. On the one hand, the relevance of the topic of the article is due to the huge influencing potential of the media texts. On the other hand, it is due to the design of the semantic-cognitive approach to media speech. The main task of the author is to identify the features of the modernization of the semantic structure of concepts with significant- content. To implement this task, a three-stage analytical algorithm was used, which involves the analysis of the lexicographic description of the concept word, identifying its real, the study of discursive interpretation in the media space is the identification of the value component of the semantic structure of the concept presented in journalistic lexical and phraseological stereotypes and to some extent original contexts that form an associative semantic field in which interrelated, mutually conditioned meanings and meanings are presented. The empirical basis of the research is more than 200 media texts of different genres published over two decades in Russian media of different types and different discursive affiliation. The author comes to the conclusion that modern media are actively working, first of all, on the modernization of the axiological (value) component of the semantic structure of mentally significant concepts. The techniques of transformation of conceptual associative-semantic fields are largely associated with the neutralization of conflicts caused by the general attitude of modern media systems to the formation of a consolidated picture of the world with an extremely minimized national component. The prospects for the development of this research topic are connected with the development of the axiology of journalism and with the formation of such a direction of media studies as media anthropology, with the development of new analytical methods corresponding to the long – standing idea of M. M. Bakhtin, who insists on the need to create national comparative studies – a scientific direction that combines the achievements of many humanitarian disciplines.
{"title":"Current Media Concepts: Dynamics of Value Meanings","authors":"Tsvetova Natalia S.","doi":"10.21209/1996-7853-2021-16-4-107-116","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-107-116","url":null,"abstract":"The article presents the results of a study on the dynamics of the semantic structure of the modern Russian media discourse key concepts: family, patriotism, and business. On the one hand, the relevance of the topic of the article is due to the huge influencing potential of the media texts. On the other hand, it is due to the design of the semantic-cognitive approach to media speech. The main task of the author is to identify the features of the modernization of the semantic structure of concepts with significant- content. To implement this task, a three-stage analytical algorithm was used, which involves the analysis of the lexicographic description of the concept word, identifying its real, the study of discursive interpretation in the media space is the identification of the value component of the semantic structure of the concept presented in journalistic lexical and phraseological stereotypes and to some extent original contexts that form an associative semantic field in which interrelated, mutually conditioned meanings and meanings are presented. The empirical basis of the research is more than 200 media texts of different genres published over two decades in Russian media of different types and different discursive affiliation. The author comes to the conclusion that modern media are actively working, first of all, on the modernization of the axiological (value) component of the semantic structure of mentally significant concepts. The techniques of transformation of conceptual associative-semantic fields are largely associated with the neutralization of conflicts caused by the general attitude of modern media systems to the formation of a consolidated picture of the world with an extremely minimized national component. The prospects for the development of this research topic are connected with the development of the axiology of journalism and with the formation of such a direction of media studies as media anthropology, with the development of new analytical methods corresponding to the long – standing idea of M. M. Bakhtin, who insists on the need to create national comparative studies – a scientific direction that combines the achievements of many humanitarian disciplines.","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41607587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-18-25
There is still a gap between prosperous foundation of national literary heritage, its genre diversity and real practical understanding of its value for society development and national identification. The article is deals with to the study of the short Vietnamese story as a genre of Vietnamese literature, its history, specifics, and the current stage of development. The purpose of the research is to study the short Vietnamese story as a national genre of Vietnamese literature, periodization, identification of its features. In this study, several methods of scientific research were used. Historical and comparative analysis, with the help of which it is possible to identify the features of the genre under study by establishing similarities and differences with other genres, to identify the stages of its development in the historical context; and empirical analysis to summarize, classify and describe the results obtained. The contribution of the study is to present the history of the Vietnamese short story as a genre of Vietnamese literature, reveal its specifics, features due to the cultural and religious basis, the historical heritage of the country and socio-economic development. The periodization of the genre evolution is carried out. Special attention is paid to the analysis of the current stage short story development. The author shows the transformation of the genre, reveals new features inherent in the genre of the modern short Vietnamese story, related to the socio-economic development of Vietnam and the echoes of the military events of the mid-XX century. Namely, the approach to realism and showing the true emotions of the hero. We show that it is the analysis of literary works of this genre that can become an important element, which can help to preserve the depth and beauty of literature, to maintain the continuity of generations. This is especially important in the context of globalization and the erosion of traditional cultural values in Vietnamese society.
{"title":"A Short Story as a Special Genre of Vietnamese National Literature","authors":"","doi":"10.21209/1996-7853-2021-16-4-18-25","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-18-25","url":null,"abstract":"There is still a gap between prosperous foundation of national literary heritage, its genre diversity and real practical understanding of its value for society development and national identification. The article is deals with to the study of the short Vietnamese story as a genre of Vietnamese literature, its history, specifics, and the current stage of development. The purpose of the research is to study the short Vietnamese story as a national genre of Vietnamese literature, periodization, identification of its features. In this study, several methods of scientific research were used. Historical and comparative analysis, with the help of which it is possible to identify the features of the genre under study by establishing similarities and differences with other genres, to identify the stages of its development in the historical context; and empirical analysis to summarize, classify and describe the results obtained. The contribution of the study is to present the history of the Vietnamese short story as a genre of Vietnamese literature, reveal its specifics, features due to the cultural and religious basis, the historical heritage of the country and socio-economic development. The periodization of the genre evolution is carried out. Special attention is paid to the analysis of the current stage short story development. The author shows the transformation of the genre, reveals new features inherent in the genre of the modern short Vietnamese story, related to the socio-economic development of Vietnam and the echoes of the military events of the mid-XX century. Namely, the approach to realism and showing the true emotions of the hero. We show that it is the analysis of literary works of this genre that can become an important element, which can help to preserve the depth and beauty of literature, to maintain the continuity of generations. This is especially important in the context of globalization and the erosion of traditional cultural values in Vietnamese society.","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46622506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-189-192
Il’chenko Sergey N.
The article is a review of books by two foreign authors translated into Russian and published in 2020. The first of these is a popular science publication by Dutch fake researcher Annemarie Bohn. She uses the material of her national and foreign media to tell about the history of the emergence and nature of such a phenomenon of modern media culture as fake. At the same time, the author shows some bias in assessing a number of situations that have developed in recent years in the global information space. Nevertheless, this publication is quite adequate educational in nature, allowing you “to enter the topic” for those who want to learn more about fakes in journalism for the first time. The name of the author of the second peer-reviewed publication is already known to Russian readers. Robert Kiyosaki’s previous book Rich Dad Poor Dad, a world bestseller, was translated and published in Russia. In the new work, the Japanese-American continues a deep and comprehensive analysis of the modern American financial and monetary system. The author uses the concepts of fake and fake manipulation to expose, from his point of view, the imperfections of the existing US financial system.
{"title":"Fake and Reality of Our World","authors":"Il’chenko Sergey N.","doi":"10.21209/1996-7853-2021-16-4-189-192","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-189-192","url":null,"abstract":"The article is a review of books by two foreign authors translated into Russian and published in 2020. The first of these is a popular science publication by Dutch fake researcher Annemarie Bohn. She uses the material of her national and foreign media to tell about the history of the emergence and nature of such a phenomenon of modern media culture as fake. At the same time, the author shows some bias in assessing a number of situations that have developed in recent years in the global information space. Nevertheless, this publication is quite adequate educational in nature, allowing you “to enter the topic” for those who want to learn more about fakes in journalism for the first time. The name of the author of the second peer-reviewed publication is already known to Russian readers. Robert Kiyosaki’s previous book Rich Dad Poor Dad, a world bestseller, was translated and published in Russia. In the new work, the Japanese-American continues a deep and comprehensive analysis of the modern American financial and monetary system. The author uses the concepts of fake and fake manipulation to expose, from his point of view, the imperfections of the existing US financial system.","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41667585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-126-135
Ivanyan Ruzanna G.
The paper is researching the value of solidarity in contemporary Russian journalism, actualized in its professional and civic aspects. The pandemic has contributed to the development of practices of solidarity and mutual aid, and a surge in discussions about this value. Journalism reflects the processes of the birth of new practices and the reincarnation of traditional ones, and takes part in the formation of solidarity, sharing its humanist and civic character. At the same time, solidarity in journalism is actualized as a professional value, allowing the media community to resist external pressure. The object of the study is civil and professional values in journalism; the subject of the study is the value of solidarity. Monitoring of posts and comments in social networks, primary and secondary data analysis, and case analysis were used as methods of research. The empirical material includes cases from contemporary journalistic solidarity practice.The author examines the circumstances that become the background for journalistic solidarity, its traditional and new actors. The fragmented and discrete nature of journalism also manifests itself in the interaction (or lack thereof) between the various actors of journalistic solidarity. The digital nature of the modern media environment makes its contribution: solidarity is being implemented in an online format and the role of the community manager is increasing. Other trends of journalistic solidarity are its publicity, its mediatization, and monetization. The palette of solidarity tools in journalism is constantly expanding, incorporating tools from other fields. Modern solidarity absorbs elements of social projection, taking the form of public campaigns and mobilization projects. Manifestations of journalistic solidarity are situational, often centered around a particular media outlet, an iconic or high-profile event, or a journalist in a particular short period of time. Publicity becomes the primary goal. Examples of extended solidarity are rare and forced to be informationally recalled, interest maintained and moderated. The author concludes that various solidarity practices in journalism are built on the actualized value of solidarity and offers an understanding of it.
{"title":"Solidarity as Value in Journalism","authors":"Ivanyan Ruzanna G.","doi":"10.21209/1996-7853-2021-16-4-126-135","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-126-135","url":null,"abstract":"The paper is researching the value of solidarity in contemporary Russian journalism, actualized in its professional and civic aspects. The pandemic has contributed to the development of practices of solidarity and mutual aid, and a surge in discussions about this value. Journalism reflects the processes of the birth of new practices and the reincarnation of traditional ones, and takes part in the formation of solidarity, sharing its humanist and civic character. At the same time, solidarity in journalism is actualized as a professional value, allowing the media community to resist external pressure. The object of the study is civil and professional values in journalism; the subject of the study is the value of solidarity. Monitoring of posts and comments in social networks, primary and secondary data analysis, and case analysis were used as methods of research. The empirical material includes cases from contemporary journalistic solidarity practice.The author examines the circumstances that become the background for journalistic solidarity, its traditional and new actors. The fragmented and discrete nature of journalism also manifests itself in the interaction (or lack thereof) between the various actors of journalistic solidarity. The digital nature of the modern media environment makes its contribution: solidarity is being implemented in an online format and the role of the community manager is increasing. Other trends of journalistic solidarity are its publicity, its mediatization, and monetization. The palette of solidarity tools in journalism is constantly expanding, incorporating tools from other fields. Modern solidarity absorbs elements of social projection, taking the form of public campaigns and mobilization projects. Manifestations of journalistic solidarity are situational, often centered around a particular media outlet, an iconic or high-profile event, or a journalist in a particular short period of time. Publicity becomes the primary goal. Examples of extended solidarity are rare and forced to be informationally recalled, interest maintained and moderated. The author concludes that various solidarity practices in journalism are built on the actualized value of solidarity and offers an understanding of it.","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44341249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-158-168
Antropova Vera V., Fedorov Vasilii V.
The relevance of the research is due to the fact that under the influence of the relativistic axiological paradigm, traditional humanistic values are “tested” in mass media discourse, and the irrelevance for the modern mass consciousness is constantly verified. Such tendencies are manifested in the existence of a specific agenda, in which fears and phobias are accumulated in relation to the existing type of culture and moral and ethical norms. The paper presents a modern and unique empirical material the discourse of regional media, which represents the mechanisms of verification of values and the impossible transformation in the conditions of a pandemic, which determines the novelty of the study. The problem of studying the value picture is related to the role of the media in the formation of phobias and fears, or, on the contrary, in the elimination. Thus, the mass media are forced to report traumatic events, that is, events that violate the social norm, as a result, a traumatic-phobic segment of the information picture is constructed, which allows us to establish the demanded value dominants. The purpose of the work is to identify the regularities of the construction of the traumatic-phobic discourse of the regional mass media, which presents threats to the norm, the basic values of Russian society. The following methods are used in the work: discourse analysis, concept analysis and narrative analysis of journalistic publication sat the regional level that verbalize the concept of “phobia”. The results of the study confirmed the hypothesis put forward: in the regional mass media discourse, the object of which is traumatic events, there are fears and phobias associated with the loss, loss of key humanistic values that should streamline social reality, harmonize social relations, determine a positive scenario of social life.
{"title":"Verification of Value Dominants in the Regional Media Discourse: а Traumatic-Phobic Segment of the Information Field","authors":"Antropova Vera V., Fedorov Vasilii V.","doi":"10.21209/1996-7853-2021-16-4-158-168","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-158-168","url":null,"abstract":"The relevance of the research is due to the fact that under the influence of the relativistic axiological paradigm, traditional humanistic values are “tested” in mass media discourse, and the irrelevance for the modern mass consciousness is constantly verified. Such tendencies are manifested in the existence of a specific agenda, in which fears and phobias are accumulated in relation to the existing type of culture and moral and ethical norms. The paper presents a modern and unique empirical material the discourse of regional media, which represents the mechanisms of verification of values and the impossible transformation in the conditions of a pandemic, which determines the novelty of the study. The problem of studying the value picture is related to the role of the media in the formation of phobias and fears, or, on the contrary, in the elimination. Thus, the mass media are forced to report traumatic events, that is, events that violate the social norm, as a result, a traumatic-phobic segment of the information picture is constructed, which allows us to establish the demanded value dominants. The purpose of the work is to identify the regularities of the construction of the traumatic-phobic discourse of the regional mass media, which presents threats to the norm, the basic values of Russian society. The following methods are used in the work: discourse analysis, concept analysis and narrative analysis of journalistic publication sat the regional level that verbalize the concept of “phobia”. The results of the study confirmed the hypothesis put forward: in the regional mass media discourse, the object of which is traumatic events, there are fears and phobias associated with the loss, loss of key humanistic values that should streamline social reality, harmonize social relations, determine a positive scenario of social life.","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42718504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-69-77
Baktybaeva Annel T.
The purpose of the article is to identify the originality of the author’s strategy of the Russian-speaking Kazakh poet B. Kanapyanov as an integral element of the conceptual picture of the world. The scientific novelty of the work is determined by a systematic approach to the studied material, as well as by the fact that for the first time the author of the article considers the novels of a prose writer in the stated perspective. “Tales of the Old Combiner” are written in a comic vein, and the genre definition is already given by the title itself. The plots of small chapters demonstrate the ethical “difference” between ideological slogans and everyday reality in which rural workers are immersed. The figure of the narrator here is quite remarkable: this is a young man, on the one hand, who is a product of the Soviet era, and on the other, who has just graduated from an agricultural technical school in the city and has arrived at a state farm, who does not have much life experience, whose consciousness is not yet clouded by ideology, and therefore looking at the world ironically and objectively. The Kazakh author seeks to convey the peculiarities of the laughter outlook of the 1970s–1980s through the use of speech clichés of the Soviet era. He clearly demonstrates Soviet ideologemes, bordering in meaning, with “carnival misalliance”. The results of the study showed that the author’s preface, a kind of communication between the author and the reader through the author’s mask and fairy tale narration, etc., become elements of the author’s strategy of B. Kanapyanov, placed in a comic narrative discourse. The latter unfolds in the description of the ironic impressions of the protagonist, his dreams, the description of the harvesting of bread, the actions of the labor mentor. Prospects for further research can be associated with identifying the features of the author’s strategy of B. Kanapyanov in the story Spray of Champagne, understanding the functional role of comic elements in its construction.
{"title":"Author’s Narrative Strategy with Comic Elements as a Component of the Conceptual Picture of the Prose World of B. Kanapyanov","authors":"Baktybaeva Annel T.","doi":"10.21209/1996-7853-2021-16-4-69-77","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-69-77","url":null,"abstract":"The purpose of the article is to identify the originality of the author’s strategy of the Russian-speaking Kazakh poet B. Kanapyanov as an integral element of the conceptual picture of the world. The scientific novelty of the work is determined by a systematic approach to the studied material, as well as by the fact that for the first time the author of the article considers the novels of a prose writer in the stated perspective. “Tales of the Old Combiner” are written in a comic vein, and the genre definition is already given by the title itself. The plots of small chapters demonstrate the ethical “difference” between ideological slogans and everyday reality in which rural workers are immersed. The figure of the narrator here is quite remarkable: this is a young man, on the one hand, who is a product of the Soviet era, and on the other, who has just graduated from an agricultural technical school in the city and has arrived at a state farm, who does not have much life experience, whose consciousness is not yet clouded by ideology, and therefore looking at the world ironically and objectively. The Kazakh author seeks to convey the peculiarities of the laughter outlook of the 1970s–1980s through the use of speech clichés of the Soviet era. He clearly demonstrates Soviet ideologemes, bordering in meaning, with “carnival misalliance”. The results of the study showed that the author’s preface, a kind of communication between the author and the reader through the author’s mask and fairy tale narration, etc., become elements of the author’s strategy of B. Kanapyanov, placed in a comic narrative discourse. The latter unfolds in the description of the ironic impressions of the protagonist, his dreams, the description of the harvesting of bread, the actions of the labor mentor. Prospects for further research can be associated with identifying the features of the author’s strategy of B. Kanapyanov in the story Spray of Champagne, understanding the functional role of comic elements in its construction.","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48628758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-58-68
Xue Zhao, Govorukhina Yuliya А.
Contemporary Chinese literature is actively studied by Russian literary critics, whose view of a foreign cultural text inevitably differs from that of their Chinese colleagues. As a result, on the one hand, new original interpretations appear, and on the other, certain gaps, “blind spots” (Paul de Man) of perception of Chinese literature become obvious. The purpose of the article is to describe the perspective of the vision of Chinese literature,which manifested itself in the studies of Russian literary scholars. To achieve this goal, the methodological theses of non-classical hermeneutics and receptive aesthetics are used. Based on the material of studies devoted to modern Chinese literature and published in Russia, similar attitudes of Russian scientists are revealed: the attitude towards defining the problem of a person and his place in life in texts; understanding the importance for Chinese society of continuity, dialogue between tradition and modernity; orientation to identify multilingualism in the artistic understanding of the modern world, the influence of Western culture on Chinese; the view of Chinese women’s literature as evidence of a change in the social status of women. At the same time, the view of modern Chinese literature as human-centered does not fully correspond to the real literary situation in which both Confucian and Marxist ideas of collectivism continue to remain in force. Researchers of the latest Chinese literature do not always consider it in conjunction with the period of the 1950s–1970s, while for the Chinese, the 1950s – present time is a holistic stage of cultural development. The identification of traces of the influence of Western theory of literature and aesthetics is not accompanied by an awareness of the specifics of their adaptation (Sinification).
{"title":"The Modern Literary Process in China in the Works of Russian Literary Scholars-Sinologists: Features of the Research Perspective","authors":"Xue Zhao, Govorukhina Yuliya А.","doi":"10.21209/1996-7853-2021-16-4-58-68","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-58-68","url":null,"abstract":"Contemporary Chinese literature is actively studied by Russian literary critics, whose view of a foreign cultural text inevitably differs from that of their Chinese colleagues. As a result, on the one hand, new original interpretations appear, and on the other, certain gaps, “blind spots” (Paul de Man) of perception of Chinese literature become obvious. The purpose of the article is to describe the perspective of the vision of Chinese literature,which manifested itself in the studies of Russian literary scholars. To achieve this goal, the methodological theses of non-classical hermeneutics and receptive aesthetics are used. Based on the material of studies devoted to modern Chinese literature and published in Russia, similar attitudes of Russian scientists are revealed: the attitude towards defining the problem of a person and his place in life in texts; understanding the importance for Chinese society of continuity, dialogue between tradition and modernity; orientation to identify multilingualism in the artistic understanding of the modern world, the influence of Western culture on Chinese; the view of Chinese women’s literature as evidence of a change in the social status of women. At the same time, the view of modern Chinese literature as human-centered does not fully correspond to the real literary situation in which both Confucian and Marxist ideas of collectivism continue to remain in force. Researchers of the latest Chinese literature do not always consider it in conjunction with the period of the 1950s–1970s, while for the Chinese, the 1950s – present time is a holistic stage of cultural development. The identification of traces of the influence of Western theory of literature and aesthetics is not accompanied by an awareness of the specifics of their adaptation (Sinification).","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48713305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-179-188
Tretyakov Evgeniy O.
This article presents a look at Aleksey Balabanov’s program film Brother 2 (2000). The hero is the embodiment of the concept of “new barbarism”. The research methodology includes structural-semiotic, mythopoetic and motivational aspects of the analysis of the work of cinematography. Political and ethical meanings were revealed in the image of Danila Bagrov, but the research carried out clearly shows the features of a barbarian in him. Like the creator of Conan the Barbarian Robert Howard, Aleksey Balabanov states that it is the barbarian who is the hero of the current era. In a world that has “moved from its place”, this “new barbarian” brings unbending will and his own rigid moral guidelines. But if in the first film Brother barbarism looks advantageous, combining strength and ethics – even if insight does not occur, and the barbarian goes to conquer new lands, then in the second film of the diptych the hero goes through violence as usual, with cynicism. Formally, he wins, but existentially he fails. Therefore, the mighty force of the “new barbarian” manifests itself locally, in small ways and is realized in private confrontations. There is no worthy test for Bagrov’s heroism, because the world does not correspond to its scale, and therefore the hero is restless – the truly barbaric fullness of vitality does not protect against existential fear. The discrepancy between the attitudes of the barbarian hero and the position of the intellectual director unmasks the author’s alienation from the principles and common truths of the character and complicates the film with dramatic connotations. Keywords: Aleksey Balabanov, Brother 2, phenomenon of barbarism, existentialism, post- and-decolonial thought
{"title":"“Time of the Barbarians”: The Phenomenon of Barbarism in the Film Brother 2 by Aleksey Balabanov","authors":"Tretyakov Evgeniy O.","doi":"10.21209/1996-7853-2021-16-4-179-188","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-179-188","url":null,"abstract":"This article presents a look at Aleksey Balabanov’s program film Brother 2 (2000). The hero is the embodiment of the concept of “new barbarism”. The research methodology includes structural-semiotic, mythopoetic and motivational aspects of the analysis of the work of cinematography. Political and ethical meanings were revealed in the image of Danila Bagrov, but the research carried out clearly shows the features of a barbarian in him. Like the creator of Conan the Barbarian Robert Howard, Aleksey Balabanov states that it is the barbarian who is the hero of the current era. In a world that has “moved from its place”, this “new barbarian” brings unbending will and his own rigid moral guidelines. But if in the first film Brother barbarism looks advantageous, combining strength and ethics – even if insight does not occur, and the barbarian goes to conquer new lands, then in the second film of the diptych the hero goes through violence as usual, with cynicism. Formally, he wins, but existentially he fails. Therefore, the mighty force of the “new barbarian” manifests itself locally, in small ways and is realized in private confrontations. There is no worthy test for Bagrov’s heroism, because the world does not correspond to its scale, and therefore the hero is restless – the truly barbaric fullness of vitality does not protect against existential fear. The discrepancy between the attitudes of the barbarian hero and the position of the intellectual director unmasks the author’s alienation from the principles and common truths of the character and complicates the film with dramatic connotations. Keywords: Aleksey Balabanov, Brother 2, phenomenon of barbarism, existentialism, post- and-decolonial thought","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48354742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-89-95
Iurchenko Marina G.
The article analyzes the dictionary entries “student” presented in the etymological and historical-etymological dictionaries of the Russian language. The purpose of the article is to determine and describe the motivating signs of the student concept according to the methodology of conceptual analysis of the mental formation structure. The article uses methods: conceptual analysis, descriptive and interpretative. The relevance of the stated topic lies in the correlation of the primary signs of the student concept with its conceptual signs. The scientific novelty of the work consists in the first experience of describing the motivating signs of the student concept. Fifteen dictionaries and discourse material of the Russian National Corpus were analyzed. The analysis of the concept revealed 11 motivating signs. The number of motivating signs indicates the great importance of the considering mental formation: the education sector is important for Russian linguoculture. The identified signs are combined into six blocks: 1. Educational process participants (“learner”, “higher school student”, “student”, “skudent”). 2. Affiliation (“student-led”, “student community”). 3. Effort (“work hard”/”endeavor”, “study diligently”, “study thoroughly”). 4. Ambition (“be anxious for success”). 5. Place of studying (“studio”). 6. The process of studying (“study/practice/train”). In the course of the student concept development there was practically no narrowing of the motivating signs, which retained their relevance and became the conceptual signs. There are 10 out 11 motivating signs have been preserved in the modern linguistic picture of the world.
{"title":"Motivating Signs of the Student Concept","authors":"Iurchenko Marina G.","doi":"10.21209/1996-7853-2021-16-4-89-95","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-89-95","url":null,"abstract":"The article analyzes the dictionary entries “student” presented in the etymological and historical-etymological dictionaries of the Russian language. The purpose of the article is to determine and describe the motivating signs of the student concept according to the methodology of conceptual analysis of the mental formation structure. The article uses methods: conceptual analysis, descriptive and interpretative. The relevance of the stated topic lies in the correlation of the primary signs of the student concept with its conceptual signs. The scientific novelty of the work consists in the first experience of describing the motivating signs of the student concept. Fifteen dictionaries and discourse material of the Russian National Corpus were analyzed. The analysis of the concept revealed 11 motivating signs. The number of motivating signs indicates the great importance of the considering mental formation: the education sector is important for Russian linguoculture. The identified signs are combined into six blocks: 1. Educational process participants (“learner”, “higher school student”, “student”, “skudent”). 2. Affiliation (“student-led”, “student community”). 3. Effort (“work hard”/”endeavor”, “study diligently”, “study thoroughly”). 4. Ambition (“be anxious for success”). 5. Place of studying (“studio”). 6. The process of studying (“study/practice/train”). In the course of the student concept development there was practically no narrowing of the motivating signs, which retained their relevance and became the conceptual signs. There are 10 out 11 motivating signs have been preserved in the modern linguistic picture of the world.","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47822521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.21209/1996-7853-2021-16-4-117-125
Sidorov Viktor A.
The paper deals with the development of a new scientific subject, the axiology of mass media, which is, on the one hand, a practical discipline of philosophical theory of values, and on the other, a natural continuation of the recently developed axiology of journalism. The last one explores journalism as a source and retranslator of social values in all their subject and semantic diversity, and journalism itself as a social value, researching the principles and ways of assimilating of socio-cultural values by journalists, and the effectiveness and methods of their representation in the audience of media. The need to deepen the theory of value analysis of the media and to broaden the scope of study is caused by growing demands from society for understanding and evaluating the processes taking place in the modern media environment, which at present are not limited to the functioning of either traditional media or Internet publications. First, media processes have gained a certain and significant expansion due to the active invasion of the information space by the so-called “mass person”, the intensification of the presence in this space of former media figures – politicians, scientists, cultural figures, etc., the arrival of new ones – bloggers, regular authors of communities, etc. The content of the media environment got expanded – texts, music, videos, games; the number of media platforms increased – messengers, telegram channels, video hosting; the problem of interaction with artificial intelligence emerged. Second, it was due to the technological revolution in the information environment of society which has become digital and, thus, in its development has acquired a new quality. The value analysis of facts, phenomena and processes of digital media communications is one of the most important methods of satisfying society’s demands for new knowledge. Thus, the construction of mass media axiology is objectively predetermined. Consideration of the preconditions for the formation of a new scientific discipline is the subject of this study. The research is based on the study of philosophical discourse on axiology, as well as relevant publications by practitioners-journalists in their professional media.
{"title":"Axiology of Mass Media: Problem Fields and Study Strategies","authors":"Sidorov Viktor A.","doi":"10.21209/1996-7853-2021-16-4-117-125","DOIUrl":"https://doi.org/10.21209/1996-7853-2021-16-4-117-125","url":null,"abstract":"The paper deals with the development of a new scientific subject, the axiology of mass media, which is, on the one hand, a practical discipline of philosophical theory of values, and on the other, a natural continuation of the recently developed axiology of journalism. The last one explores journalism as a source and retranslator of social values in all their subject and semantic diversity, and journalism itself as a social value, researching the principles and ways of assimilating of socio-cultural values by journalists, and the effectiveness and methods of their representation in the audience of media. The need to deepen the theory of value analysis of the media and to broaden the scope of study is caused by growing demands from society for understanding and evaluating the processes taking place in the modern media environment, which at present are not limited to the functioning of either traditional media or Internet publications. First, media processes have gained a certain and significant expansion due to the active invasion of the information space by the so-called “mass person”, the intensification of the presence in this space of former media figures – politicians, scientists, cultural figures, etc., the arrival of new ones – bloggers, regular authors of communities, etc. The content of the media environment got expanded – texts, music, videos, games; the number of media platforms increased – messengers, telegram channels, video hosting; the problem of interaction with artificial intelligence emerged. Second, it was due to the technological revolution in the information environment of society which has become digital and, thus, in its development has acquired a new quality. The value analysis of facts, phenomena and processes of digital media communications is one of the most important methods of satisfying society’s demands for new knowledge. Thus, the construction of mass media axiology is objectively predetermined. Consideration of the preconditions for the formation of a new scientific discipline is the subject of this study. The research is based on the study of philosophical discourse on axiology, as well as relevant publications by practitioners-journalists in their professional media.","PeriodicalId":33580,"journal":{"name":"Gumanitarnyi vektor","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47858938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：