This study aimed to identify the forms of expressive speech acts of compliments and to describe the forms of perlocutionary acts that appear in the anime Yahari Ore no Seishun Love Come wa Machigatteiru and ReLife. This research used Searle’s speech act theory, Holmes' complimenting speech act, and Alston’s verbs of perlocutionary. The study applied descriptive method. The data were collected from observation and notes based on the techniques for analyzing direct elements. The data were presented in an organized set of information, allowing for conclusions and action analysis. Based on the results of the research, it was found that expressive speech acts in the forms of compliments were dominantly influenced by the speaker's ability. Meanwhile, the dominant perlocutionary verbs in the compliments refer to encouraging, irritating, and attracting attention.
本研究旨在识别赞美的表达性言语行为的形式，并描述动漫《Yahari Ore no Seishun Love Come wa Machigatteiru》和《ReLife》中出现的言语行为形式。本研究采用了Searle的言语行为理论、Holmes的赞美言语行为理论和Alston的过言动词理论。本研究采用描述性方法。数据是根据直接元素分析技术从观察和笔记中收集的。这些数据以一套有组织的信息形式呈现，以便得出结论和采取行动进行分析。研究结果表明，以赞美的形式表现的言语行为主要受说话者能力的影响。同时，在赞美语中占主导地位的过言动词指的是鼓励、刺激和吸引注意。
{"title":"THE SPEECH ACTS OF COMPLIMENTS AMONG JAPANESE TEENAGERS IN JAPANESE ANIME FILMS","authors":"D. Kartika, Farras Junior Riza","doi":"10.22515/ljbs.v7i2.4385","DOIUrl":"https://doi.org/10.22515/ljbs.v7i2.4385","url":null,"abstract":"This study aimed to identify the forms of expressive speech acts of compliments and to describe the forms of perlocutionary acts that appear in the anime Yahari Ore no Seishun Love Come wa Machigatteiru and ReLife. This research used Searle’s speech act theory, Holmes' complimenting speech act, and Alston’s verbs of perlocutionary. The study applied descriptive method. The data were collected from observation and notes based on the techniques for analyzing direct elements. The data were presented in an organized set of information, allowing for conclusions and action analysis. Based on the results of the research, it was found that expressive speech acts in the forms of compliments were dominantly influenced by the speaker's ability. Meanwhile, the dominant perlocutionary verbs in the compliments refer to encouraging, irritating, and attracting attention.","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116897270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper is the result of the analysis on Rupi Kaur’s poems compiled in her book entitled Milk and Honey. It focuses on how Kaur portrays women from their breaking to healing stages until finally they become strong and empowered figures. This study employed a qualitative-descriptive method for analyzing the poems. By her poems, Kaur speaks her thoughts about women’s representation in society. She also criticizes the patriarchal ideology that places women as the servant for men’s pleasure. Her works illustrate problems that oppress women such as sexual objectification, mental trauma, and family with patriarchal culture. Throughout the book, Kaur also reveals the journey of women from being hurt to be finally healed and become empowered.
{"title":"EMPOWERED WOMEN REPRESENTED IN RUPI KAUR’S 'MILK AND HONEY'","authors":"Normala Putri Adzkiya, R. Trisnawati, M. Agustina","doi":"10.22515/ljbs.v7i1.5015","DOIUrl":"https://doi.org/10.22515/ljbs.v7i1.5015","url":null,"abstract":"This paper is the result of the analysis on Rupi Kaur’s poems compiled in her book entitled Milk and Honey. It focuses on how Kaur portrays women from their breaking to healing stages until finally they become strong and empowered figures. This study employed a qualitative-descriptive method for analyzing the poems. By her poems, Kaur speaks her thoughts about women’s representation in society. She also criticizes the patriarchal ideology that places women as the servant for men’s pleasure. Her works illustrate problems that oppress women such as sexual objectification, mental trauma, and family with patriarchal culture. Throughout the book, Kaur also reveals the journey of women from being hurt to be finally healed and become empowered.","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130309323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Basid, Neng Sumiyati, Nadya Nafisah, Ely Fauziyah
This study aimed to describe the modalities and propositions in the dialogues of the film entitled Jinniyāt Jabal Kumang based on case grammar theory from Charles J. Fillmore. This is a literary research that applied descriptive-qualitative method. The result of this study showed that from the dialogues there were found three types of time modalities, namely past, present and future; two forms of adverbial modality, i.e.: quantitative and frequency; an a negation modality. Meanwhile, the types of propositions found were the agentive, objective, source, goal, instrument, time, accompanying, benefactive, and locative cases. From the findings, it can be concluded that the case grammar analysis is applicable to Arabic sentence structure similar that of English and Indonesian language.
{"title":"FILLMORE'S CASE GRAMMAR ANALYSIS OF 'JINNIYAT JABAL KUMANG' FILM DIALOGUES","authors":"A. Basid, Neng Sumiyati, Nadya Nafisah, Ely Fauziyah","doi":"10.22515/ljbs.v7i1.5021","DOIUrl":"https://doi.org/10.22515/ljbs.v7i1.5021","url":null,"abstract":"This study aimed to describe the modalities and propositions in the dialogues of the film entitled Jinniyāt Jabal Kumang based on case grammar theory from Charles J. Fillmore. This is a literary research that applied descriptive-qualitative method. The result of this study showed that from the dialogues there were found three types of time modalities, namely past, present and future; two forms of adverbial modality, i.e.: quantitative and frequency; an a negation modality. Meanwhile, the types of propositions found were the agentive, objective, source, goal, instrument, time, accompanying, benefactive, and locative cases. From the findings, it can be concluded that the case grammar analysis is applicable to Arabic sentence structure similar that of English and Indonesian language.","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"766 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131925696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. Ting, Saiful Bahari Mohamad Yusoff, Nancy Kissam
The content structuring of creative arts thesis is still evolving and has been mainly based on the social science thesis structure. However, the diversity of creative works encompassing music compositions, novels, art works, dance, and painting makes it difficult for the thesis to fit into the conventional content structure. There is also the description of intellectual property and the final product validation which are distinctly different components of creative arts research which need to be documented. In addition, the impetus for the creative arts research may not arise from a gap of knowledge in the field but from ergonomical problems of certain products or designs. The present study examined how the introduction section is written in creative arts thesis. Eleven creative arts theses written by undergraduate and postgraduate students in two Malaysian universities were analysed to identify the impetus or entry point for the research. The results indicate that the research problem in creative arts thesis is inclined towards researcher observation of ergonomic problems with existing products or designs although some students strengthen their case by citing related research findings on the weaknesses of existing products or design to carve a niche for their study. The study suggests that patent search offers useful information that can be used to justify the novelty of innovations and inventions.
{"title":"INTRODUCTION SECTIONS IN CREATIVE ARTS THESIS","authors":"S. Ting, Saiful Bahari Mohamad Yusoff, Nancy Kissam","doi":"10.22515/ljbs.v7i1.5090","DOIUrl":"https://doi.org/10.22515/ljbs.v7i1.5090","url":null,"abstract":"The content structuring of creative arts thesis is still evolving and has been mainly based on the social science thesis structure. However, the diversity of creative works encompassing music compositions, novels, art works, dance, and painting makes it difficult for the thesis to fit into the conventional content structure. There is also the description of intellectual property and the final product validation which are distinctly different components of creative arts research which need to be documented. In addition, the impetus for the creative arts research may not arise from a gap of knowledge in the field but from ergonomical problems of certain products or designs. The present study examined how the introduction section is written in creative arts thesis. Eleven creative arts theses written by undergraduate and postgraduate students in two Malaysian universities were analysed to identify the impetus or entry point for the research. The results indicate that the research problem in creative arts thesis is inclined towards researcher observation of ergonomic problems with existing products or designs although some students strengthen their case by citing related research findings on the weaknesses of existing products or design to carve a niche for their study. The study suggests that patent search offers useful information that can be used to justify the novelty of innovations and inventions.","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128443465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aimed to describe the thoughts and attitudes of nationalism expressed by Ali Ahmad Bakasir in his poem Indunisiyyā Kubrā Lanā by using sociological approach to literature. The primary data of this research were the book entitled Indūnisiyya: Malhamah al-Ḥubb was al-Ḥuryah fī Hayāti. The data were collected by documentation, whereas the analysis employed dialectical method. The results showed that Bakasir, as an Indonesian-Middle Eastern Arabic writer, has his anxiety and love to Indonesia expressed in the form of prose, poetry, and drama. In addition, the Arabic literary works written by Bakasir, particularly those with Indonesian theme, are heavily influenced by sociological aspects. As he was born in Indonesia, Bakasir has a high attitude toward nationalism, even though he does not currently live in Indonesia. A lot of his works of prose, poetry, and drama with the theme of Indonesia were written in hyperbolic expression, such in the poem Indūnisiyyā Kubrā Lanā that is included in the book Indūnisiya: Malhamah al-Ḥubb was al-Ḥuryah fī Hayāti.
本研究旨在运用社会学的文学研究方法，描述巴卡西尔在其诗歌《indunisiyyya Kubrā Lanā》中所表达的民族主义思想和态度。本研究的主要资料是题为Indūnisiyya的书:Malhamah al-Ḥubb was al-Ḥuryah f´Hayāti。资料收集采用文献法，分析采用辩证法。结果显示，Bakasir作为一名印尼-中东阿拉伯作家，以散文、诗歌和戏剧的形式表达了他对印度尼西亚的焦虑和热爱。此外，Bakasir的阿拉伯语文学作品，特别是印度尼西亚主题的文学作品，深受社会学方面的影响。由于他出生在印度尼西亚，所以他对民族主义有很高的态度，尽管他目前不住在印度尼西亚。他的许多以印度尼西亚为主题的散文、诗歌和戏剧作品都是用双曲的方式写成的，例如《Indūnisiya: Malhamah al-Ḥubb was al-Ḥuryah f ā Hayāti》中收录的一首诗Indūnisiyyā kubrir Lanā。
{"title":"NATIONALISM IN BAKASIR'S POEM 'INDUNISIYYAA KUBRAA LANAA': A SOCIOLOGY OF LITERATURE PERSPECTIVE","authors":"Wahyu Hanafi Putra","doi":"10.22515/ljbs.v7i1.4858","DOIUrl":"https://doi.org/10.22515/ljbs.v7i1.4858","url":null,"abstract":"This study aimed to describe the thoughts and attitudes of nationalism expressed by Ali Ahmad Bakasir in his poem Indunisiyyā Kubrā Lanā by using sociological approach to literature. The primary data of this research were the book entitled Indūnisiyya: Malhamah al-Ḥubb was al-Ḥuryah fī Hayāti. The data were collected by documentation, whereas the analysis employed dialectical method. The results showed that Bakasir, as an Indonesian-Middle Eastern Arabic writer, has his anxiety and love to Indonesia expressed in the form of prose, poetry, and drama. In addition, the Arabic literary works written by Bakasir, particularly those with Indonesian theme, are heavily influenced by sociological aspects. As he was born in Indonesia, Bakasir has a high attitude toward nationalism, even though he does not currently live in Indonesia. A lot of his works of prose, poetry, and drama with the theme of Indonesia were written in hyperbolic expression, such in the poem Indūnisiyyā Kubrā Lanā that is included in the book Indūnisiya: Malhamah al-Ḥubb was al-Ḥuryah fī Hayāti.","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121816210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this research was to describe the micro, mezzo, and macro linguistic aspects of the news discourse ‘Ministry of Religious Affairs banning Arabic language’ on Tempo.co and Republika online media. The news topic has emerged a polemic among the madrasas or Islamic school environments. It is because there are a lot of Indonesian muslim children study at the schools. This research applied descriptive-qualitative method with critical discourse analysis (CDA) approach. The analysis was divided into three dimensions, namely the micro, mezzo, and macro. From the microdimension, in Tempo news, there were found four data of modalities and each two for positive evaluation sentences and assertive verbs. Meanwhile, in Republika, there are two data of modalities and only one from each metaphor and negative evaluation sentence. In the mezzodimension, the scope of Tempo's discourse is not only restricted to the issue on the prohibition of using Arabic language but also of using hijabs or veils. On the other hand, the news of Republika focuses on the banning of Arabic language without associating it to another case. In the macrodimension, both news texts show an alignment to the government, particularly Ministry of Religious Affairs.
{"title":"CRITICAL DISCOURSE ANALYSIS OF ONLINE MEDIA NEWS: MINISTRY OF RELIGIOUS AFFAIRS BANNING ARABIC LANGUGE","authors":"Laila Nabilal Huda","doi":"10.22515/ljbs.v7i1.4911","DOIUrl":"https://doi.org/10.22515/ljbs.v7i1.4911","url":null,"abstract":"The purpose of this research was to describe the micro, mezzo, and macro linguistic aspects of the news discourse ‘Ministry of Religious Affairs banning Arabic language’ on Tempo.co and Republika online media. The news topic has emerged a polemic among the madrasas or Islamic school environments. It is because there are a lot of Indonesian muslim children study at the schools. This research applied descriptive-qualitative method with critical discourse analysis (CDA) approach. The analysis was divided into three dimensions, namely the micro, mezzo, and macro. From the microdimension, in Tempo news, there were found four data of modalities and each two for positive evaluation sentences and assertive verbs. Meanwhile, in Republika, there are two data of modalities and only one from each metaphor and negative evaluation sentence. In the mezzodimension, the scope of Tempo's discourse is not only restricted to the issue on the prohibition of using Arabic language but also of using hijabs or veils. On the other hand, the news of Republika focuses on the banning of Arabic language without associating it to another case. In the macrodimension, both news texts show an alignment to the government, particularly Ministry of Religious Affairs.","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129076352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The mobility from East to West in nowadays perspective might be very different from that of the old days. This paper discusses the mobility of Natsume Soseki from Japan to London in the early 1900s and the cultural adaptation he does there. This research applied descriptive analysis method and the cultural adaptation theory with a novel entitled Rondontō as the material object. Some studies related to this were use as both references and supporting instruments. The findings showed that the mobility of Soseki to London is indeed affects many things in his life. However, from the cultural adaptation perspective, it appears that Soseki does not adapt well to his new society in the city. Though he accepts his new environment and also communicate well with the host or Londoners, but the acceptance of the host and the pressure to adapt have led him to uncomfortable situation. These factors affect the functional fitness where he is not expecting much from the new environment as well as his psychological health where he feels like not belonging to the place. Despite the uncomfortable situation, the mobility gives him an important experience and affects much to him, especially his works and life as a scholar of English literature.
{"title":"THE MOBILITY OF NATSUME SOSEKI TO LONDON AND HIS CULTURAL ADAPTATION IN 'RODONTŌ'","authors":"Laily Raff Firdausy, Syahrur Marta Dwi Susilo","doi":"10.22515/ljbs.v7i1.4837","DOIUrl":"https://doi.org/10.22515/ljbs.v7i1.4837","url":null,"abstract":"The mobility from East to West in nowadays perspective might be very different from that of the old days. This paper discusses the mobility of Natsume Soseki from Japan to London in the early 1900s and the cultural adaptation he does there. This research applied descriptive analysis method and the cultural adaptation theory with a novel entitled Rondontō as the material object. Some studies related to this were use as both references and supporting instruments. The findings showed that the mobility of Soseki to London is indeed affects many things in his life. However, from the cultural adaptation perspective, it appears that Soseki does not adapt well to his new society in the city. Though he accepts his new environment and also communicate well with the host or Londoners, but the acceptance of the host and the pressure to adapt have led him to uncomfortable situation. These factors affect the functional fitness where he is not expecting much from the new environment as well as his psychological health where he feels like not belonging to the place. Despite the uncomfortable situation, the mobility gives him an important experience and affects much to him, especially his works and life as a scholar of English literature.","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117195816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study analyzed the cultural identity in the novel East Wind: West Wind written by Pearl S. Buck by using postcolonial theory proposed by Bhabha (2007). It aimed to identify the cultural identity, that consists of stereotypes, mimicry, ambivalence, and hybridity, and how it was experienced by the main character in the novel. This study used qualitative method with descriptive approach. The writer collected the data by reading the novel and highlighting the data from the narrations and utterances that were appropriate to the problem of study. The result of this study showed that there are cultural identity construction in the life of Kwei-lan’s, the main character in the novel, which trapped her into identity confusion. Two cultures, namely traditional Chinese and Western culture, cause Kwei-lan’s confusion of her identity. Kwei-lan's attempts to survive from this situation by imitating the modern lifestyle, such as habits, appearances, and parental actions. This cultural shift makes her feel uncanny or being in an unhomely moment where she sticks in the middle between past and present, or between her origin Chinese culture and her new modern Western life.
{"title":"CULTURAL IDENTITY CONSTRUCTION IN THE NOVEL 'EAST WIND: WEST WIND' BY PEARL S. BUCK","authors":"Puspa Lutpiyana Duwi Lestari, Neisya Neisya","doi":"10.22515/ljbs.v7i1.4110","DOIUrl":"https://doi.org/10.22515/ljbs.v7i1.4110","url":null,"abstract":"This study analyzed the cultural identity in the novel East Wind: West Wind written by Pearl S. Buck by using postcolonial theory proposed by Bhabha (2007). It aimed to identify the cultural identity, that consists of stereotypes, mimicry, ambivalence, and hybridity, and how it was experienced by the main character in the novel. This study used qualitative method with descriptive approach. The writer collected the data by reading the novel and highlighting the data from the narrations and utterances that were appropriate to the problem of study. The result of this study showed that there are cultural identity construction in the life of Kwei-lan’s, the main character in the novel, which trapped her into identity confusion. Two cultures, namely traditional Chinese and Western culture, cause Kwei-lan’s confusion of her identity. Kwei-lan's attempts to survive from this situation by imitating the modern lifestyle, such as habits, appearances, and parental actions. This cultural shift makes her feel uncanny or being in an unhomely moment where she sticks in the middle between past and present, or between her origin Chinese culture and her new modern Western life.\u0000 ","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115361433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Bayu Budiharjo, Ardianna Nuraeni, Nur Saptaningsih, B. Murti, Anita Rusjayanti
This study is aimed at examining the message communicated by verbal material in bahasa Indonesia and English in the Boyolali tourism promotion bilingual booklet. The study employs descriptive qualitative approach and applies qualitative data analysis under the framework of Syntax. The research data take form of sentences in the Boyolali tourism promotion bilingual booklet in bahasa Indonesia and in English. The findings show that Boyolali tourism promotion bilingual booklet carries an inequivalent message in terms of informative content and persuasive force. This research has also proven that syntax is a substantial asset in the formation of promotional messages in the promotion of tourism destinations of Boyolali.
{"title":"Persuasion in Tourism Promotion Bilingual Texts: The Importance of Syntactic Forms and Choices","authors":"Bayu Budiharjo, Ardianna Nuraeni, Nur Saptaningsih, B. Murti, Anita Rusjayanti","doi":"10.22515/ljbs.v7i1.4419","DOIUrl":"https://doi.org/10.22515/ljbs.v7i1.4419","url":null,"abstract":"This study is aimed at examining the message communicated by verbal material in bahasa Indonesia and English in the Boyolali tourism promotion bilingual booklet. The study employs descriptive qualitative approach and applies qualitative data analysis under the framework of Syntax. The research data take form of sentences in the Boyolali tourism promotion bilingual booklet in bahasa Indonesia and in English. The findings show that Boyolali tourism promotion bilingual booklet carries an inequivalent message in terms of informative content and persuasive force. This research has also proven that syntax is a substantial asset in the formation of promotional messages in the promotion of tourism destinations of Boyolali.","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"144 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124254093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper discusses the problems of racism in the novel On Beauty. The analysis focuses on both individual and systemic racism represented in the novel as well as the critical position of the author. It employed Stuart Hall theory under qualitative method of analysis. The textual analysis was made to the narratives and dialogues in the novel which constitute racism in their meanings. It was concerned with how racism happens in the storyline. Meanwhile, the contextual analysis was carried out by using related references to supports the findings and the researchers’ arguments. The result showed that black women still accepted  negative stereotypes and became the objects of white people’s oppressions. They were mistreated despite the application of the law on equal protection for women and minorities. In 2000s, systemic racism continued and made it even harder for black people to get the same treatment as the whites. They suffered from the policies, particularly educational policies which had led to the increase of the poverty rate of black people.
{"title":"RACIAL PROBLEMS IN ZADIE SMITH’S 'ON BEAUTY'","authors":"Aqlia Nur Fahma, I. Basuki, L. D. P. Wardani","doi":"10.22515/ljbs.v6i2.4276","DOIUrl":"https://doi.org/10.22515/ljbs.v6i2.4276","url":null,"abstract":"This paper discusses the problems of racism in the novel On Beauty. The analysis focuses on both individual and systemic racism represented in the novel as well as the critical position of the author. It employed Stuart Hall theory under qualitative method of analysis. The textual analysis was made to the narratives and dialogues in the novel which constitute racism in their meanings. It was concerned with how racism happens in the storyline. Meanwhile, the contextual analysis was carried out by using related references to supports the findings and the researchers’ arguments. The result showed that black women still accepted  negative stereotypes and became the objects of white people’s oppressions. They were mistreated despite the application of the law on equal protection for women and minorities. In 2000s, systemic racism continued and made it even harder for black people to get the same treatment as the whites. They suffered from the policies, particularly educational policies which had led to the increase of the poverty rate of black people.","PeriodicalId":398772,"journal":{"name":"LEKSEMA: Jurnal Bahasa dan Sastra","volume":"214 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122618146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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