Pub Date : 2023-01-25DOI: 10.36253/studi_slavis-13179
K. Kaczor-Scheitler
The subject of the article is the issue of virginity and the broader post-Tridentine spirituality using the example of the Maiden’s Palm or the Dissertation on Virginhood (Palma panieńska albo rozprawa o stanie dziewiczym, Kalisz 1607) by Szymon Wysocki, who translated the Italian work Trattato della verginita et dello stato verginale (Rome 1584) by Basili Gradi, introducing only minor editorial modifications. Attention is focused on the ideals and instructions contained in the Polish translation and its place and role in the panorama of 17th-century didactic works devoted to spirituality. The article shows what role Wysocki’s Polish translation could have played in monastic life and in the field of 17th-century literature. It also reveals what kind of translator Szymon Wysocki was, who did not belong to auctores unius libri and translated about 30 works into Polish. The reflection also covers the place of Maiden’s Palm (Palma panieńska) among other Old Polish translations. Perhaps its appearance resulted in the creation of similar didactic treatises intended for consecrated persons. The ideal of religious perfection presented in the Maidenly Palm, which was largely based on the biblical and patristic tradition, was certainly an expression of the participation of both Benedictine and Jesuit orders in the shaping of post-Tridentine spirituality.
这篇文章的主题是童贞问题和更广泛的后tridentine精神，以少女的手掌或西蒙·威索基的处女论文(Palma panieńska albo rozprawa o stanie dziewiczym, Kalisz 1607)为例，他翻译了巴西利·格拉迪的意大利作品《Trattato della verginita et dello stato verginale》(罗马1584)，只引入了少量的编辑修改。注意力集中在波兰语译本中包含的理想和指示，以及它在17世纪致力于灵性的说教作品全景中的地位和作用。这篇文章展示了维索基的波兰语译本在修道院生活和17世纪文学领域可能发挥的作用。这也揭示了西蒙·维索基是什么样的翻译家，他不属于作家联合会图书馆，将30多部作品翻译成波兰语。反射也涵盖了少女的棕榈(帕尔马panieńska)在其他古波兰语翻译的地方。也许它的出现导致了类似的为献身的人的说教论文的创造。《少女掌》中所呈现的宗教完美理想，很大程度上是基于圣经和教父的传统，当然是本笃会和耶稣会在塑造后三叉戟会灵性方面的参与的一种表达。
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Pub Date : 2023-01-25DOI: 10.36253/studi_slavis-14052
R. Vassena
Book Review
书评
{"title":"P.A. Vjazemskij, Briciole della vita, a cura di S. Vitale, Adelphi, Milano 2022, pp. 205.","authors":"R. Vassena","doi":"10.36253/studi_slavis-14052","DOIUrl":"https://doi.org/10.36253/studi_slavis-14052","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78819581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-25DOI: 10.36253/studi_slavis-13797
D. Inštitorisová
The present study deals with the main features of visuality in European para-theatrical and theatrical events (1978-1993) authored by the theater director of Slovak origin Petr Scherhaufer (1942-1999), the co-founder of the legendary Goose on a String Theater in Brno in the then Czechoslovak Socialist Republic. These events were almost always hosted and prepared by theater groups and artists from Eastern and Western Europe. They were unrepeatable because of their atmosphere, humanist message, but also form. They often connected old theater and other forms with known visual (and not only) codes of today and with the socio-political signs of the time, creating interactive and highly authentic-looking and experiential forms. The study is also based on P. Scherhaufer’s and P. Oslzlý’s opinions on the function and meaning of the work of GOST, which is connected to the analyzed forms. It also relies on a wide range of available archival materials and the author's own experience with the creations of GOST. The core of the study is focused on a pragmatic analysis of the European events, their main features, the essence of visuality and the symbolic elements of the language used. Mainly in the conclusion, the findings are embedded in broader philosophical, aesthetic, anthropological and theatrical contexts (M. Eliade, E. Fischer-Lichte, J.TH. Lehman, R. Scherchner).
本研究探讨了欧洲拟戏剧和戏剧事件(1978-1993)中视觉性的主要特征，作者是斯洛伐克裔戏剧导演彼得·舍尔豪弗(1942-1999)，他是当时捷克斯洛伐克社会主义共和国布尔诺传奇的“绳子上的鹅”剧院的联合创始人。这些活动几乎总是由来自东欧和西欧的戏剧团体和艺术家主持和准备的。它们是不可复制的，因为它们的氛围，人文主义的信息，还有形式。他们经常将旧戏剧和其他形式与今天已知的视觉(而不仅仅是)代码以及当时的社会政治标志联系起来，创造出互动性和高度真实的体验形式。本研究还基于P. Scherhaufer和P. Oslzlý关于GOST工作的功能和意义的观点，这与所分析的形式有关。它还依赖于广泛的可用档案材料和作者自己与GOST创作的经验。研究的核心是集中在欧洲事件的语用分析，他们的主要特点，视觉的本质和使用的语言的象征元素。主要是在结论中，这些发现被嵌入到更广泛的哲学、美学、人类学和戏剧背景中(M. Eliade, E. Fischer-Lichte, J.TH。雷曼(R. Scherchner)。
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Pub Date : 2023-01-25DOI: 10.36253/studi_slavis-13828
A. D'Amelia
Book Review
书评
{"title":"A. Accattoli, L. Piccolo (a cura di), 20/Venti. Ricerche sulla cultura russo-sovietica degli anni ’20 del XX secolo, Roma TrE-Press, Roma 2022, pp. 225.","authors":"A. D'Amelia","doi":"10.36253/studi_slavis-13828","DOIUrl":"https://doi.org/10.36253/studi_slavis-13828","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74966743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-25DOI: 10.36253/studi_slavis-13113
Aleksandra Reimann-Czajkowska
The paper Lending an Ear to Mozart’s Operas. Stanisław Barańczak’s Poetic Translation Experiments examines the issues of intermediality, in particular the relationships between music and literature in mixed creative genres fusing disparate media of expression. The brief study discusses the connections and inter-dependencies between the music by Wolfgang Amadeus Mozart, Italian libretti by Lorenzo Da Ponte, their translation by Stanisław Barańczak and his unique quasi-translation (‘fonety’). The article presents interdisciplinary interpretations of selected vocal translations (excerpts from the libretti of ‘Don Giovanni’ and ‘The Marriage of Figaro’) and ‘fonety’ – Barańczak’s own genre created at the boundary where linguistic witticisms and vocal translation meet. The Italian text by Da Ponte is often treated as quasi una musica – as a sound material free from the referential ballast of language (semantics). Barańczak offers the music lover a new means of aural reception in the buffo style, illuminating a path to discovering anew the artistic potential of musical masterpieces.
{"title":"Lending an Ear to Mozart’s Operas. Stanisław Barańczak’s Poetic Translation Experiments","authors":"Aleksandra Reimann-Czajkowska","doi":"10.36253/studi_slavis-13113","DOIUrl":"https://doi.org/10.36253/studi_slavis-13113","url":null,"abstract":"The paper Lending an Ear to Mozart’s Operas. Stanisław Barańczak’s Poetic Translation Experiments examines the issues of intermediality, in particular the relationships between music and literature in mixed creative genres fusing disparate media of expression. The brief study discusses the connections and inter-dependencies between the music by Wolfgang Amadeus Mozart, Italian libretti by Lorenzo Da Ponte, their translation by Stanisław Barańczak and his unique quasi-translation (‘fonety’). The article presents interdisciplinary interpretations of selected vocal translations (excerpts from the libretti of ‘Don Giovanni’ and ‘The Marriage of Figaro’) and ‘fonety’ – Barańczak’s own genre created at the boundary where linguistic witticisms and vocal translation meet. The Italian text by Da Ponte is often treated as quasi una musica – as a sound material free from the referential ballast of language (semantics). Barańczak offers the music lover a new means of aural reception in the buffo style, illuminating a path to discovering anew the artistic potential of musical masterpieces.","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75592859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-25DOI: 10.36253/studi_slavis-14163
Maria Zalambani
Book Review
书评
{"title":"R. De Giorgi, Storia di un’ossessione. Lev Tolstoj e Vladimir Čertkov, Del Vecchio, Bracciano 2022, pp. 540.","authors":"Maria Zalambani","doi":"10.36253/studi_slavis-14163","DOIUrl":"https://doi.org/10.36253/studi_slavis-14163","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77151282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-25DOI: 10.36253/studi_slavis-14165
Laura Rossi
Book Review
书评
{"title":"B.A. Uspenskij, Vocarenie Petra Pervogo (Novyj vzgljad na starye istočniki), Evrazija, Sankt Peterburg 2022, pp. 160.","authors":"Laura Rossi","doi":"10.36253/studi_slavis-14165","DOIUrl":"https://doi.org/10.36253/studi_slavis-14165","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74724089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-28DOI: 10.36253/studi_slavis-13085
Lidia Mafrica
Book Review
书评
{"title":"S.G. Dapía (ed.), Gombrowicz in Transnational Context. Translation, Affect, and Politics, Routledge, New York 2019","authors":"Lidia Mafrica","doi":"10.36253/studi_slavis-13085","DOIUrl":"https://doi.org/10.36253/studi_slavis-13085","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80258637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-28DOI: 10.36253/studi_slavis-12182
R. Cleminson
Silk, as an imported commodity in Europe, is designated either by loan-words or neologisms in European languages. There are several of these in Slavonic languages, notably свила in South Slavonic and шьлкъ in East Slavonic. The use of the latter on two occasions in the Slavonic Book of Esther is part of the evidence for the East Slavonic origin of the Ausgangstext of this book. However, the word that it renders, either בּוּץ or βύσσος, does not mean ‘silk’, but ‘linen’ (although confusion between βύσσος and silk appears to be endemic throughout mediaeval Europe). On the one occasion on which silk really is mentioned in the Bible (Revelation 18:12), none of the established Slavonic words for silk is used, but, in most manuscripts, the hapax legomenon шикъ or сикъ, evidently a corruption of сирикъ for σηρικόν, left untranslated. The occasional substitution of чрьвлень further complicates the picture of how the word was, or was not, understood.
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