Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-10830
Martina Morabito
Book Review
书评
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Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-9912
M. Korzo
This paper puts forward some hypotheses on the sources of a ‘verbal picture’, that is to say allegorical love poetry, in a prosta mova marriage sample sermon addressed to laity and found in two Orthodox Ritual (Trebnik) editions: the first is by the publisher Michail Slezka (L’viv 1644) and the second by the bishop Arsenij Želiborskij (L’viv 1645). I shall argue that that the very combination of vernacular homiletic material and traditional ecclesiastical rites therein found goes back to sixteenth-century Polish Catholic Rituals; in the Orthodox Church of the Polish-Lithuanian Commonwealth, this model was introduced for the first time in the Ritual of the Orthodox Brotherhood of Vilnius (1621). The verbal picture analysed in this paper draws on Pictura amoris sive amicitiae, a short moralistic text written by the English Dominican Robert Holсot (ca. 1290-1349) which appears in his exegetical voluminous work In Librum Sapientiae Regis Salomonis Praelectiones ccxiii (ca. 1333-1342). Popular among late thirteenth-early fourteenth century English Dominicans, verbal pictures did not rely on earlier samples and were a literary product, a sort of exemplum or mnemonic tool for preachers to memorize abstract concepts. Since the sixteenth century, works of different genre reproduced Holcot’s verbal picture, without any attribution to its author, as emblem to create the so-called emblemata nuda (‘naked emblems’), which describe images but lack illustrations. The article suggests that the author(-s) of the Orthodox marriage sample sermon used a textbook on rhetoric Orator extemporaneus, seu artis oratoriae breviarium bipartitum by Michael Radau (1617-1687) as his main source, of which several manuscripts had started circulating by 1644. The article also presents some concluding remarks about the authorship of the marriage sample sermon.
本文提出了一些关于“口头图片”来源的假设，即讽喻的爱情诗，在两个东正教仪式(Trebnik)版本中发现的prosta mova婚姻布道样本:第一个是出版商Michail Slezka (L ' viv 1644)，第二个是主教Arsenij Želiborskij (L ' viv 1645)。我想说的是，民间布道材料和传统教会仪式的结合可以追溯到16世纪的波兰天主教仪式;在波兰立陶宛联邦的东正教中，这种模式在维尔纽斯东正教兄弟会的仪式(1621年)中首次被引入。本文所分析的文字图片来源于Pictura amoris sive amicitiae，这是英国多米尼加人罗伯特·霍尔斯罗特(约1290-1349年)写的一篇简短的道德文本，出现在他的训诂巨著《in Librum Sapientiae Regis Salomonis Praelectiones ccxiii》(约1333-1342)中。在13世纪末至14世纪初的英国道明会教徒中流行，口头图片不依赖于早期的样本，而是一种文学产品，是牧师记忆抽象概念的一种范例或助记工具。自16世纪以来，不同流派的作品复制了霍尔科特的口头图片，而没有任何归属于其作者，作为创造所谓的“赤裸的象征”(“赤裸的象征”)的标志，描述图像但缺乏插图。文章认为，东正教婚姻布道样本的作者(-s)使用了一本修辞教科书Orator extemporaneus, seu artis oratoriae breviarium bipartitum，由Michael Radau(1617-1687)撰写，其中一些手稿在1644年开始流传。文章还对这篇婚姻样道的作者作了一些总结。
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Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-10800
N. Badurina
Book Review
书评
{"title":"P. Lazarević Di Giacomo, M.R. Leto (a cura di), L’Adriatico tra sogno e realtà, Edizioni dell’Orso, Alessandria 2019 (= Studi interadriatici, 1), pp. 470.","authors":"N. Badurina","doi":"10.36253/studi_slavis-10800","DOIUrl":"https://doi.org/10.36253/studi_slavis-10800","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":"83 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86641214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-11325
Maria Teresa Di Salvo
In the manuscript Architektura cyvilnaja (written in Venice in 1699), “Gasparo Vecchia” is mentioned by the Russian prince G.F. Dolgorukov as the author of a selection of Palladio’s and other famous architects’ texts, which were the sources Dolgorukov drew upon when writing his work. To my knowledge, Gasparo (Della) Vecchia has neither so far been properly identified nor his role studied in detail; in this paper, I try to shed some light on his relationship with Dolgorukov’s text by analysing a manuscript penned by the Italian artist and entitled Breve trattato d’architettura civile, here investigated for the first time. I shall argue that in Venice Della Vecchia continued to be involved with Russians for some time: a letter dated 1715 and addressed to Peter the Great contains his proposal for a garden with didactic ends, thereby demonstrating that Della Vecchia was fully aware of the tsar’s interests and goals.
{"title":"Gasparo (Della) Vecchia, Architecture, and Russia","authors":"Maria Teresa Di Salvo","doi":"10.36253/studi_slavis-11325","DOIUrl":"https://doi.org/10.36253/studi_slavis-11325","url":null,"abstract":"In the manuscript Architektura cyvilnaja (written in Venice in 1699), “Gasparo Vecchia” is mentioned by the Russian prince G.F. Dolgorukov as the author of a selection of Palladio’s and other famous architects’ texts, which were the sources Dolgorukov drew upon when writing his work. To my knowledge, Gasparo (Della) Vecchia has neither so far been properly identified nor his role studied in detail; in this paper, I try to shed some light on his relationship with Dolgorukov’s text by analysing a manuscript penned by the Italian artist and entitled Breve trattato d’architettura civile, here investigated for the first time. I shall argue that in Venice Della Vecchia continued to be involved with Russians for some time: a letter dated 1715 and addressed to Peter the Great contains his proposal for a garden with didactic ends, thereby demonstrating that Della Vecchia was fully aware of the tsar’s interests and goals.","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75082892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-10406
A. Ferrari
Luigi Villari’s book Fire and Sword in the Caucasus, published in London in 1906, is widely quoted by scholars working on the history of Transcaucasia, in particular in respect to the Armenian-Tatar war. Yet neither this text nor its author have been so far studied in detail. The Italian Luigi Villari (1876-1959) is a figure of considerable interest; he was a diplomat, traveler, and journalist. His father, Pasquale Villari (1827-1917), was an accomplished historian and politician who played an important role in nineteenth-century Italy; Villari’s mother was the British writer Linda White (1836-1915). It is remarkable that the author wrote a book an English at a time when this was not a popular language in Italy. He wrote extensively both in English and Italian about different topics, mainly related to history and international politics. It has been shown that, after the First World War, Villari joined Fascism and contributed actively to the regime’s propaganda in Great Britain. The present paper examines Luigi Villari’s book on the Caucasus, especially the author’s attitude towards the Armenians. I shall demonstrate that in his work, he handles negative stereotypes of the Armenians (“one of the most unpopular races of the East”), which were common in the Russian empire at the beginning of the twentieth century, in a rather interesting way.
路易吉·维拉里(Luigi Villari) 1906年在伦敦出版的《高加索的火与剑》(Fire and Sword in the Caucasus)一书，被研究外高加索历史的学者广泛引用，尤其是关于亚美尼亚-鞑靼战争的学者。然而，到目前为止，这篇文章及其作者都没有被详细研究过。意大利人路易吉·维拉里(Luigi Villari, 1876-1959)是一个非常有趣的人物;他是一名外交官、旅行家和记者。他的父亲Pasquale Villari(1827-1917)是一位有成就的历史学家和政治家，在19世纪的意大利发挥了重要作用;维拉里的母亲是英国作家琳达·怀特(Linda White, 1836-1915)。值得注意的是，作者在英语在意大利不流行的时候写了一本书。他用英语和意大利语撰写了大量关于不同主题的文章，主要与历史和国际政治有关。有证据表明，第一次世界大战后，维拉里加入了法西斯主义，并积极参与了该政权在英国的宣传。本文检视路易吉。维拉里关于高加索的著作，尤其是作者对亚美尼亚人的态度。我将证明，在他的作品中，他以一种相当有趣的方式处理了对亚美尼亚人(“东方最不受欢迎的种族之一”)的负面刻板印象，这种刻板印象在20世纪初的俄罗斯帝国很常见。
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Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-10716
M. Mitrović
Book Review
书评
{"title":"M. Fin, H. Steenwijk (a cura di), Gerasim Zelić e il suo tempo, Firenze University Press, Firenze 2019, pp. 125.","authors":"M. Mitrović","doi":"10.36253/studi_slavis-10716","DOIUrl":"https://doi.org/10.36253/studi_slavis-10716","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":"91 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84027379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-10573
A. Giust
Book Review
书评
{"title":"G. Ranzi (a cura di), Dmitrij Šostakovič. Il grande compositore sovietico, Fondazione Mudima, Milano 2019, pp. 611.","authors":"A. Giust","doi":"10.36253/studi_slavis-10573","DOIUrl":"https://doi.org/10.36253/studi_slavis-10573","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":"99 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85782924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-11288
Maria Di Salvo
Book Review
书评
{"title":"M. Maurizio, V.S. Tomelleri (a cura di), Rivoluzione visiva attraverso visioni rivoluzionarie: alfabeti, cinema e letteratura in urss, Dipartimento di Lingue e Culture Straniere Moderne, Torino 2018 (= “QuadRi. Quaderno di Ricognizioni”, VIII), pp. 146.","authors":"Maria Di Salvo","doi":"10.36253/studi_slavis-11288","DOIUrl":"https://doi.org/10.36253/studi_slavis-11288","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75238004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-10810
Marialuisa Ferrazzi
Book Review
书评
{"title":"S. Toscano, Ju. Nikolaeva, P. Buoncristiano (a cura di), Roma e il mondo/Rim i mir. Scritti in onore di Rita Giuliani, Lithos, Roma 2019, pp. 646.","authors":"Marialuisa Ferrazzi","doi":"10.36253/studi_slavis-10810","DOIUrl":"https://doi.org/10.36253/studi_slavis-10810","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":"92 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74479350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-20DOI: 10.36253/studi_slavis-11399
Ljiljana Banjanin
Book Review
书评
{"title":"S. Šeatović, U zaleđu Sredozemlja. Mediteran u modernoj srpskoj književnosti, Institut za književnost i umetnost, Beograd 2019, pp. 352.","authors":"Ljiljana Banjanin","doi":"10.36253/studi_slavis-11399","DOIUrl":"https://doi.org/10.36253/studi_slavis-11399","url":null,"abstract":"Book Review","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":"173 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82953943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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