{"title":"Critique de Mathieu (2020): Les Fleurs du Mal. La résonance de la vie","authors":"Bengt Novén","doi":"10.1075/rro.00027.nov","DOIUrl":"https://doi.org/10.1075/rro.00027.nov","url":null,"abstract":"","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"7 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78521792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
François de Curel, mistakenly regarded as an author of the “problem play”, enjoyed a reputation of an innovator in dramaturgy during his lifetime. By rejecting the canonical form of the drama, he proposes works in which psychological analysis prevails over the dramatic progression of the action. In fact, in La Figurante, the French writer paints a portrait of the characters who resemble “marionettes” operated by unknown forces. In order to survive in bourgeois society, they assume the “masks” that social conventions demand of them and conscientiously play the comedy. However, under the facade and the artifices, the protagonists keep their existential anxieties which express their inner sincerity. In this context, the analysis of this play will lead us to seek affinities with the grotesque dimension of the Pirandello theater.
{"title":"La Figurante de François de Curel. Comédie des apparences ou jeu de rôles","authors":"T. Kaczmarek","doi":"10.1075/rro.20014.kac","DOIUrl":"https://doi.org/10.1075/rro.20014.kac","url":null,"abstract":"\u0000 François de Curel, mistakenly regarded as an author of the “problem play”, enjoyed a reputation of an innovator in\u0000 dramaturgy during his lifetime. By rejecting the canonical form of the drama, he proposes works in which psychological analysis prevails\u0000 over the dramatic progression of the action. In fact, in La Figurante, the French writer paints a portrait of the\u0000 characters who resemble “marionettes” operated by unknown forces. In order to survive in bourgeois society, they assume the “masks” that\u0000 social conventions demand of them and conscientiously play the comedy. However, under the facade and the artifices, the protagonists keep\u0000 their existential anxieties which express their inner sincerity. In this context, the analysis of this play will lead us to seek affinities\u0000 with the grotesque dimension of the Pirandello theater.","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"11 1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90744305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article, I revisit the origins of the attributive relative clause in French (in Je le vois qui vient), in order to advance the hypothesis that reanalysis preceding grammaticalization of this construction originates from a double ambiguity which is situated on two different planes of analysis: (1) on the plane of (non-)restriction of the referent of the antecedent of qui; (2) on the plane of informational structure of the sentence; and that the mentioned reanalysis originates from certain semantic and syntactic link between the attributive relative and the narrative relative clauses, which is best discernible in a kind of mixed relative clause which has relatively high frequency in Old French. In conclusion, I verify the relevance of the application of the concept of constructionalization to the evolution of the attributive relative clause.
在这篇文章中，我重新审视了法语定语关系从句(Je le vois qui vient)的起源，以提出一个假设，即对这种结构的语法化之前的再分析源于双重歧义，这种歧义位于两个不同的分析层面:(1)在(非)限制的层面上指涉物的(非)限制的层面上。(2)在句子信息结构层面;上述再分析源于定语定语从句和叙事性定语从句之间的某种语义和句法联系，这种联系在古法语中出现频率较高的一种混合定语从句中表现得最为明显。最后，我验证了结构化概念的应用与定语关系从句演变的相关性。
{"title":"À propos de la grammaticalisation/constructionnalisation de la relative attributive en français","authors":"Malinka Velinova","doi":"10.1075/RRO.19017.VEL","DOIUrl":"https://doi.org/10.1075/RRO.19017.VEL","url":null,"abstract":"\u0000 In this article, I revisit the origins of the attributive relative clause in French (in Je le vois qui\u0000 vient), in order to advance the hypothesis that reanalysis preceding grammaticalization of this construction\u0000 originates from a double ambiguity which is situated on two different planes of analysis: (1) on the plane of\u0000 (non-)restriction of the referent of the antecedent of qui; (2) on the plane of informational structure of the\u0000 sentence; and that the mentioned reanalysis originates from certain semantic and syntactic link between the attributive relative\u0000 and the narrative relative clauses, which is best discernible in a kind of mixed relative clause which has relatively high\u0000 frequency in Old French. In conclusion, I verify the relevance of the application of the concept of constructionalization to the\u0000 evolution of the attributive relative clause.","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"12 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87806341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Review of Marta Saiz-Sanchez (2020). Les marqueurs d’accord et de desaccord du francais et de l’espagnol. Etude diachronique XIe-XVIIIe siecle. Berne : Peter Lang. 460 p. L’ouvrage que nous presentons est une etude exhaustive sur le fonctionnement des marqueurs d’accord et de desaccord oui, non et si du francais, et si et no de l’espagnol, mais egalement des structures anciennes qui en sont a l’origine, comme oil, si feray ge ou non est, pour le francais medieval, et si faze ou sy hare, pour l’espagnol medieval.
她的父亲是一名律师，母亲是一名律师。法语和西班牙语的同意和不同意标记。历时研究11 - 18世纪。伯尔尼编著:彼得·朗460页,英孚标志物的运作是深入研究好和异议,否。法国的,万一要是号和新旧结构的西班牙语,但还处于最初,是否feray ge oil)一样,是为法语medieval,以西班牙语和faze还是sy hare medieval。
{"title":"Critique de Saiz-Sánchez (2020): Les marqueurs d’ accord et de désaccord du français et de l’ espagnol. Étude diachronique XIe-XVIIIe siècle","authors":"Amalia Rodríguez Somolinos","doi":"10.1075/RRO.21002.ROD","DOIUrl":"https://doi.org/10.1075/RRO.21002.ROD","url":null,"abstract":"Abstract Review of Marta Saiz-Sanchez (2020). Les marqueurs d’accord et de desaccord du francais et de l’espagnol. Etude diachronique XIe-XVIIIe siecle. Berne : Peter Lang. 460 p. L’ouvrage que nous presentons est une etude exhaustive sur le fonctionnement des marqueurs d’accord et de desaccord oui, non et si du francais, et si et no de l’espagnol, mais egalement des structures anciennes qui en sont a l’origine, comme oil, si feray ge ou non est, pour le francais medieval, et si faze ou sy hare, pour l’espagnol medieval.","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"68 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81253999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article deals with the argumentative function of evidential markers in Viel’s novel Paris-Brest. We argue that the combination between reported speeches and evidentials allows the internal narrator to build contexts where his moral responsibility is successfully denied. More specifically, we analyse the expressive effects conveyed by the different types of the evidentials he resorts to in terms of epistemic commitment and reliability.
{"title":"Paris-Brest de Tanguy Viel","authors":"Alain Rihs","doi":"10.1075/RRO.20024.RIH","DOIUrl":"https://doi.org/10.1075/RRO.20024.RIH","url":null,"abstract":"\u0000This article deals with the argumentative function of evidential markers in Viel’s novel Paris-Brest. We argue that the combination between reported speeches and evidentials allows the internal narrator to build contexts where his moral responsibility is successfully denied. More specifically, we analyse the expressive effects conveyed by the different types of the evidentials he resorts to in terms of epistemic commitment and reliability.","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"100 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76208956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of Hummel & Lopes (2020): Address in Portuguese and Spanish. Studies in Diachrony and Diachronic Reconstruction","authors":"Sandi Michele de Oliveira","doi":"10.1075/RRO.00026.OLI","DOIUrl":"https://doi.org/10.1075/RRO.00026.OLI","url":null,"abstract":"","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"26 6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90825857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La poesía satírico burlesca de Juan del Valle y Caviedes (Porcuna, Jaén, 1645-Lima, 1698), fiel a la configuración lírica de finales del siglo XVII, está muy ligada a la plaza pública y a las circunstancias y acontecimientos producidos en ella. Por ello, el presente trabajo analiza en algunos textos de Caviedes la representación poética de los mulatos que habitaron la ciudad de Lima en dicho periodo. Después de revisar las lecturas de Hill (2007) – que estudia estos textos como “poemas de casta” – se presta particular atención a los modos de representación – y valoración – de este grupo de sujetos marginales desde la perspectiva de un contemporáneo.
Juan del Valle y Caviedes (Porcuna, jaen, 1645-Lima, 1698)的滑稽讽刺诗歌，忠实于17世纪晚期的抒情设置，与公共广场及其周围的环境和事件密切相关。因此，本文分析了卡维德斯在这一时期居住在利马市的黑白混血儿的诗歌表现。在这篇文章中，我们回顾了Hill(2007)的阅读，他将这些文本视为“种姓诗”，特别关注了从当代角度对这群边缘主体的表现和评价模式。
{"title":"Marginados en la poesía burlesca colonial","authors":"Carlos F. Cabanillas Cárdenas","doi":"10.1075/RRO.18031.CAB","DOIUrl":"https://doi.org/10.1075/RRO.18031.CAB","url":null,"abstract":"\u0000 La poesía satírico burlesca de Juan del Valle y Caviedes (Porcuna, Jaén, 1645-Lima, 1698), fiel a la configuración\u0000 lírica de finales del siglo XVII, está muy ligada a la plaza pública y a las circunstancias y acontecimientos producidos en ella.\u0000 Por ello, el presente trabajo analiza en algunos textos de Caviedes la representación poética de los mulatos que habitaron la\u0000 ciudad de Lima en dicho periodo. Después de revisar las lecturas de Hill (2007) – que\u0000 estudia estos textos como “poemas de casta” – se presta particular atención a los modos de representación – y valoración – de este\u0000 grupo de sujetos marginales desde la perspectiva de un contemporáneo.","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"33 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82488180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Burlas, burladores, burlados y burlesco en el Siglo de Oro","authors":"I. Arellano","doi":"10.1075/RRO.00025.ARE","DOIUrl":"https://doi.org/10.1075/RRO.00025.ARE","url":null,"abstract":"","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"22 1","pages":"1-5"},"PeriodicalIF":0.2,"publicationDate":"2021-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75853956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the novel El río del Edén by José María Merino, the reader learns about the life experiences of Daniel and Tere. This paper analyzes three stages in their lives: the camping trip, the period before the birth of their son Silvio and the consequences of his medical condition on his parents. These critical moments have been seen from the ironic perspectives of classical and contemporary philosophers: Socrates, Cicero, Kierkegaard, Muecke, Glicksberg and Robbe-Grillet, among others. The concept eiron vs alazon, dissimulation, humor and incoherence are the theoretical tools that permitted this study to bridge the gap between the literary text and the philosophical approaches to irony.
在joss María Merino的小说El río del edn中，读者了解了Daniel和ere的生活经历。本文分析了他们生活中的三个阶段:野营旅行，他们的儿子西尔维奥出生前的一段时间，以及他的身体状况对父母的影响。这些关键时刻已经从古典和当代哲学家的讽刺视角被看到:苏格拉底、西塞罗、克尔凯郭尔、穆克、格利克斯伯格和罗布-格里耶等等。铁与亚马逊、掩饰、幽默和不连贯的概念是本研究的理论工具，使其能够弥合文学文本与哲学方法之间的差距。
{"title":"Las ironías clásicas y modernas en El río del Edén de José María Merino","authors":"Pol Popovic Karic","doi":"10.1075/rro.20028.pop","DOIUrl":"https://doi.org/10.1075/rro.20028.pop","url":null,"abstract":"\u0000 In the novel El río del Edén by José María Merino, the reader learns about the life experiences of Daniel\u0000 and Tere. This paper analyzes three stages in their lives: the camping trip, the period before the birth of their son Silvio and the\u0000 consequences of his medical condition on his parents. These critical moments have been seen from the ironic perspectives of classical and\u0000 contemporary philosophers: Socrates, Cicero, Kierkegaard, Muecke, Glicksberg and Robbe-Grillet, among others. The concept\u0000 eiron vs alazon, dissimulation, humor and incoherence are the theoretical tools that permitted this\u0000 study to bridge the gap between the literary text and the philosophical approaches to irony.","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"97 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81468706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Les énoncés passifs ont traditionnellement fait l’objet, en français, d’études descriptives visant à distinguer les emplois des auxiliaires être et se faire (Tesnière 1988; Le Goffic 1993; Riegel et coll. 1994; Le Bellec 2014). L’espagnol possède deux auxiliaires formellement équivalents : ser et hacerse. Or, à la différence du français, leur emploi n’est pas concurrent puisque hacerse est sémantiquement restreint à l’expression d’actions bénéfiques (e.g., Se hizo masajear la espalda ; Il s’est fait masser le dos). L’objectif de notre étude est de comparer les moyens grammaticaux et lexicaux utilisés en français et en espagnol pour thématiser le patient dans des actions désagréables, à l’oral. Nos résultats montrent que les locuteurs francophones emploient le passif dans 59,3% des réponses, alors que les hispanophones préfèrent des conceptualisations à la voix active où le patient-victime est marqué sous le cas grammatical d’un objet (37,5%). Au sein des conceptualisations passives, le français montre une préférence pour se faire + infinitif (78,9%) alors qu’en espagnol le patient-victime est thématisé à l’aide du complément d’objet d’affectation introduit par la préposition « a » (58,8%). Notre étude montre que la thématisation du patient-victime est un trait distinctif entre ces langues et suggère, dans ce domaine conceptuel, une saillance de la perspective passive pour le français.
{"title":"La thématisation du patient-victime à l’oral","authors":"Isabel Repiso, C. Granget","doi":"10.1075/rro.21014.rep","DOIUrl":"https://doi.org/10.1075/rro.21014.rep","url":null,"abstract":"\u0000 Les énoncés passifs ont traditionnellement fait l’objet, en français, d’études descriptives visant à distinguer\u0000 les emplois des auxiliaires être et se faire (Tesnière\u0000 1988; Le Goffic 1993; Riegel et coll.\u0000 1994; Le Bellec 2014). L’espagnol possède deux auxiliaires formellement\u0000 équivalents : ser et hacerse. Or, à la différence du français, leur emploi n’est pas concurrent\u0000 puisque hacerse est sémantiquement restreint à l’expression d’actions bénéfiques (e.g., Se hizo masajear\u0000 la espalda ; Il s’est fait masser le dos). L’objectif de notre étude est de comparer les moyens\u0000 grammaticaux et lexicaux utilisés en français et en espagnol pour thématiser le patient dans des actions désagréables, à l’oral.\u0000 Nos résultats montrent que les locuteurs francophones emploient le passif dans 59,3% des réponses, alors que les hispanophones\u0000 préfèrent des conceptualisations à la voix active où le patient-victime est marqué sous le cas grammatical d’un objet (37,5%). Au\u0000 sein des conceptualisations passives, le français montre une préférence pour se faire +\u0000 infinitif (78,9%) alors qu’en espagnol le patient-victime est thématisé à l’aide du complément d’objet\u0000 d’affectation introduit par la préposition « a » (58,8%). Notre étude montre que la thématisation du patient-victime est un trait\u0000 distinctif entre ces langues et suggère, dans ce domaine conceptuel, une saillance de la perspective passive pour le français.","PeriodicalId":42193,"journal":{"name":"REVUE ROMANE","volume":"27 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73699258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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