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Translation and Literature最新文献

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Queer Theory and Translation Studies: Language, Politics, Desire, by Brian James Baer 《酷儿理论与翻译研究:语言、政治、欲望》,作者:布莱恩·詹姆斯·贝尔
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0504
William J. Spurlin
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引用次数: 0
Maria Stepanova: War of the Beasts and the Animals, translated by Sasha Dugdale; Maria Stepanova: The Voice Over, edited by Irina Shevelenko, translated by several hands 玛丽亚·斯特帕诺娃:《兽与兽之战》,萨沙·达格代尔译;玛丽亚·斯捷潘诺娃:《画外音》,伊琳娜·舍甫连科编辑,多人翻译
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0502
R. France
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引用次数: 0
Adapting the Canon: Mediation, Visualization, Interpretation, edited by Ann Lewis and Silke Arnold-de Simine 《改编正典:调解、可视化、阐释》,Ann Lewis和Silke Arnold de Simine编辑
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0503
Michael Stewart
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引用次数: 0
Christian Felix Weiße the Translator: Cultural Transfer and Literary Entrepreneurship in the Enlightenment, by Tom Zille 克里斯蒂安·菲利克斯·魏:《译者:启蒙时期的文化转移与文学创业》,汤姆·齐勒著
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0498
Ina Schabert
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引用次数: 0
Elfriede Jelinek: On The Royal Road: The Burgher King, translated by Gitta Honegger; Christoph Ransmayr: Cox: or The Course of Time, translated by Simon Pare 埃尔弗里德·耶利内克:《皇家之路:盗贼之王》,吉塔·霍尼格译;克里斯托夫·兰斯梅尔:《考克斯:或时间历程》,西蒙·帕尔译
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0501
Byron Spring
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引用次数: 0
Tony Harrison: Poet of Radical Classicism, by Edith Hall 《托尼·哈里森:激进古典主义诗人》,伊迪丝·霍尔著
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0500
S. Perris
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引用次数: 0
Three Cantos from Dante’s Purgatorio 但丁炼狱篇的三章
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0495
P. Terry
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引用次数: 0
Su Manshu's Adaptation of Les Misérables: The Manipulation of a Bridging Text in an Activist Translation 苏曼舒对《不幸的人》的改编:激进主义翻译中衔接语篇的运用
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0493
Li Li
The past two decades have seen a growing ‘activist’ turn in Translation Studies, whereby the translator is not considered a subservient mediator of the source text, but rather an engaged agent whose translation activity promotes particular political and social ends. The translation and adaptation into Chinese of an English version of Victor Hugo's Les Misérables in 1903 by a Buddhist monk, Su Manshu, illustrates the complex range of social and cultural factors that must be taken into account when considering a text of activist translation. Su Manshu radically edited a portion of Charles E. Wilbour's English translation of Hugo's novel, freely adding new elements, for serialization in a Chinese revolutionary newspaper. The present article traces the nature and impact of the changes made to the English bridging text by Su Manshu in the process of creating a polemical adaptation that would reframe Hugo's representation of the volatile events leading to the 1832 Paris Uprising as a work designed to encourage a contemporary Chinese audience to rise up against its rulers.
在过去的二十年里,翻译研究出现了越来越多的“活动家”转向,译者不被认为是源文本的顺从中介,而是一个积极的代理人,其翻译活动促进了特定的政治和社会目的。1903年,一位名叫苏曼殊的佛教僧侣将维克多·雨果的《悲惨世界》英译本翻译成中文,说明了在考虑维权翻译文本时必须考虑的复杂的社会和文化因素。苏曼殊从根本上编辑了查尔斯·E·威尔布尔对雨果小说的英译本的一部分,自由地添加了新的元素,以便在一家中国革命报纸上连载。本文追溯了苏曼殊在创作一部具有争议性的改编作品的过程中对英语衔接文本所做的修改的性质和影响,该作品将雨果对1832年巴黎起义的动荡事件的描述重新定义为一部旨在鼓励当代中国观众奋起反抗统治者的作品。
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引用次数: 0
Back matter 背景材料
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0505
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引用次数: 0
Glossing The Shepheardes Calender in Latin Translation 《牧羊人日历》的拉丁文翻译
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.3366/tal.2022.0492
Katie Mennis
This article examines two Latin translations of The Shepheardes Calender by John Dove (1584) and Theodore Bathurst ( c.1602) respectively. It explores their versions of three aspects of Spenserian pastoral (all prominent in E.K.'s gloss): community and competition; allegory and allusion; register and rusticity. Throughout, it argues for the influence of translation theory on the translations and The Shepheardes Calender. It revises misinformation about the translations, demonstrating that Dove's translation influenced Bathurst's and that Bathurst's is collectively authored. It explores the way in which the translations ‘re-allegorize’ the Calender and reproduce Spenser's rustic style. While Bathurst's translation reveals an interest in Spenser's experience of patronage and poetic career, Dove attends to the poem's religious allegory, political significance, and linguistic agenda, ultimately using his translation to allude to the public disputations of Edmund Campion. Rather than ‘missing the point’ of Spenser's vernacular achievement, the translations extend the remit of Spenserian pastoral.
本文考察了约翰·达夫(1584年)和西奥多·巴瑟斯特(约1602年)对《谢泼德编年史》的两个拉丁文译本。它探讨了他们对斯宾塞田园诗三个方面的看法(在E.K.的光辉中都很突出):社区和竞争;寓言与典故;语域和粗糙度。全文论述了翻译理论对翻译的影响,以及《谢泼德编年史》的影响。它修正了有关翻译的错误信息,表明达夫的翻译影响了巴瑟斯特的翻译,巴瑟斯特是集体创作的。它探讨了译本如何“重新寓言化”《日历》并再现斯宾塞的乡村风格。虽然巴瑟斯特的翻译揭示了人们对斯宾塞的赞助经历和诗歌生涯的兴趣,但达夫关注这首诗的宗教寓言、政治意义和语言议程,最终用他的翻译来暗指埃德蒙·坎皮恩的公开争议。翻译并没有“错过”斯宾塞白话成就的要点,而是扩展了斯宾塞田园诗的范围。
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引用次数: 0
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Translation and Literature
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