{"title":"Traduction et violence, by Tiphaine Samoyault","authors":"Céline Sabiron","doi":"10.3366/TAL.2021.0473","DOIUrl":"https://doi.org/10.3366/TAL.2021.0473","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48326918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"After Fame: The Epigrams of Martial, by Sam Riviere","authors":"G. Nisbet","doi":"10.3366/TAL.2021.0465","DOIUrl":"https://doi.org/10.3366/TAL.2021.0465","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47510923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ten Contemporary Spanish Women Poets, edited and translated by Terence Dooley","authors":"Catherine Davies","doi":"10.3366/TAL.2021.0471","DOIUrl":"https://doi.org/10.3366/TAL.2021.0471","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43857325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Xenophon: Cyropaedia, translated by William Barker, edited by Jane Grogan","authors":"Carla Suthren","doi":"10.3366/TAL.2021.0467","DOIUrl":"https://doi.org/10.3366/TAL.2021.0467","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48875623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ovid and Adaptation in Early Modern English Theatre, edited by Lisa S. Starks; Ovidian Transversions: Iphis and Ianthe, 1300–1650, edited by Valerie Traub, Patricia Badir, and Peggy McCracken","authors":"Sarah Carter","doi":"10.3366/TAL.2021.0466","DOIUrl":"https://doi.org/10.3366/TAL.2021.0466","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41818729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Zola and the Art of Television: Adaptation, Recreation, Translation, by Kate Griffiths","authors":"Jonathan Evans","doi":"10.3366/TAL.2021.0469","DOIUrl":"https://doi.org/10.3366/TAL.2021.0469","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43921967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Karl Kraus: The Third Walpurgis Night: The Complete Text, translated by Fred Bridgham and Edward Timms","authors":"R. Robertson","doi":"10.3366/TAL.2021.0470","DOIUrl":"https://doi.org/10.3366/TAL.2021.0470","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47237033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines the depiction of violence in early female-authored translations and adaptations of the Nibelungenlied. For sixty years, anglophone reception of this text, then frequently characterized as the German national epic, was the preserve of male writers, but in 1877, Auber Forestier published Echoes from Mist-Land, a free adaptation. By 1905 she had been followed by four other women. Margaret Armour and Alice Horton produced fairly close translations. Two others, Lydia Hands and Gertrude Schottenfels, adapted the material for children. All based their work on nineteenth-century German publications, and each took a different approach to the violence of the female protagonist, Kriemhild. These range from the exculpatory – a rewriting which eliminates female-authored violence; a legalistic defence of insanity; a subtle shifting of the blame on to male characters – to a moralizing rejection which emphasizes Kriemhild’s violence. The rationale for each approach is anchored in contemporary understandings of violent women.
{"title":"‘Hardly gear for woman to meddle with’: Kriemhild’s Violence in Nineteenth-Century Women's Versions of the Nibelungenlied","authors":"Maryellen Boyle","doi":"10.3366/TAL.2021.0462","DOIUrl":"https://doi.org/10.3366/TAL.2021.0462","url":null,"abstract":"This article examines the depiction of violence in early female-authored translations and adaptations of the Nibelungenlied. For sixty years, anglophone reception of this text, then frequently characterized as the German national epic, was the preserve of male writers, but in 1877, Auber Forestier published Echoes from Mist-Land, a free adaptation. By 1905 she had been followed by four other women. Margaret Armour and Alice Horton produced fairly close translations. Two others, Lydia Hands and Gertrude Schottenfels, adapted the material for children. All based their work on nineteenth-century German publications, and each took a different approach to the violence of the female protagonist, Kriemhild. These range from the exculpatory – a rewriting which eliminates female-authored violence; a legalistic defence of insanity; a subtle shifting of the blame on to male characters – to a moralizing rejection which emphasizes Kriemhild’s violence. The rationale for each approach is anchored in contemporary understandings of violent women.","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44254152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Since it would have been feasible for Kafka to call his story ‘Die Metamorphose’, the article first considers why most translators render Die Verwandlung as (The) Metamorphosis and not literally as The Transformation. Given the widespread impact of Darwinism and Social Darwinism when Kafka wrote the work in 1912, particular attention is paid to socio-biological factors that may have influenced his choice of title. The article further considers the possible impact of Yiddish theatre and Nietzschean philosophy upon Kafka's decision. It then examines how translators have tackled the story's opening sentence, given the difficulties of rendering the phrase ‘ungeheures Ungeziefer’ (literally ‘monstrous vermin’) in a way that does justice to the sentence's original structure and vocabulary. Finally, the article offers a possible solution to this problem.
{"title":"Giant Bug or Monstrous Vermin? Translating Kafka's Die Verwandlung in its Cultural, Social, and Biological Contexts","authors":"Andrew Barker","doi":"10.3366/TAL.2021.0463","DOIUrl":"https://doi.org/10.3366/TAL.2021.0463","url":null,"abstract":"Since it would have been feasible for Kafka to call his story ‘Die Metamorphose’, the article first considers why most translators render Die Verwandlung as (The) Metamorphosis and not literally as The Transformation. Given the widespread impact of Darwinism and Social Darwinism when Kafka wrote the work in 1912, particular attention is paid to socio-biological factors that may have influenced his choice of title. The article further considers the possible impact of Yiddish theatre and Nietzschean philosophy upon Kafka's decision. It then examines how translators have tackled the story's opening sentence, given the difficulties of rendering the phrase ‘ungeheures Ungeziefer’ (literally ‘monstrous vermin’) in a way that does justice to the sentence's original structure and vocabulary. Finally, the article offers a possible solution to this problem.","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42036830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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