Pub Date : 2021-10-25DOI: 10.52034/lanstts.v4i.149
Ilse Logie
{"title":"Puentes sobre el mundo. Cultura, traducción y forma literaria en las narrativas de transculturación de José María Arguedas y Vikram Chandra. Sales Salvador, Dora (2004)","authors":"Ilse Logie","doi":"10.52034/lanstts.v4i.149","DOIUrl":"https://doi.org/10.52034/lanstts.v4i.149","url":null,"abstract":"","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"28 1","pages":""},"PeriodicalIF":2.2,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80631681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article deals with metaphor translation emphasising the common ground between translation theory and Cognitive Linguistics (CL). Within the framework of CL, a comparative study of two Danish translations of Spanish poet Federico García Lorca ’s ‘Poeta en Nueva York’ is presented, focusing on a selection of metaphors that form networks throughout the work in question. It is then analysed if and how these metaphoric networks have been successfully transferred into the target language (TL). In conclusion, some remarks are made on the contribution of CL to the overall discussion of the translatability of metaphors.
本文探讨了隐喻翻译，强调了翻译理论与认知语言学的共同点。在语言学的框架内，对西班牙诗人Federico García Lorca的《Poeta en Nueva York》的两种丹麦语翻译进行了比较研究，重点研究了在整个作品中形成网络的隐喻选择。然后分析了这些隐喻网络是否以及如何成功地转移到目的语中。最后，对隐喻可译性的整体讨论中CL的贡献做了一些评论。
{"title":"Translating the Jump of a Horse – two translations of Federico García Lorca’s Poeta en Nueva York","authors":"Nanna Holm","doi":"10.52034/lanstts.v1i.17","DOIUrl":"https://doi.org/10.52034/lanstts.v1i.17","url":null,"abstract":"This article deals with metaphor translation emphasising the common ground between translation theory and Cognitive Linguistics (CL). Within the framework of CL, a comparative study of two Danish translations of Spanish poet Federico García Lorca ’s ‘Poeta en Nueva York’ is presented, focusing on a selection of metaphors that form networks throughout the work in question. It is then analysed if and how these metaphoric networks have been successfully transferred into the target language (TL). In conclusion, some remarks are made on the contribution of CL to the overall discussion of the translatability of metaphors.","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"39 1","pages":""},"PeriodicalIF":2.2,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84852415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-25DOI: 10.52034/lanstts.v5i.171
Anne Verhaert
{"title":"Nouveaux développements de l’imparfait. Labeau, Emmanuelle & Pierre Larrivée (réds.) (2005)","authors":"Anne Verhaert","doi":"10.52034/lanstts.v5i.171","DOIUrl":"https://doi.org/10.52034/lanstts.v5i.171","url":null,"abstract":"","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"7 1","pages":""},"PeriodicalIF":2.2,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83638989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-25DOI: 10.52034/LANSTTS.V4I.131
Fernando Toda
In his Scottish novels, Walter Scott foregrounded the multilingual and multidialectal situation of Scotland. He not only made a deliberate effort to reflect the different linguistic varieties in the dialogues, but also, through his narrators, drew his readers’ attention to the variety being used or the pronunciation employed. Since Scott is writing about post- Union Scotland, he implies that the United Kingdom is a multilingual and multicultural society, and that the British have to be aware of this in order to make their union stronger in its diversity, by preserving national cultural identities and values. Evidence is given from three of Scott’s most relevant Scottish novels.
{"title":"Multilingualism, language contact and translation in Walter Scott’s Scottish novels","authors":"Fernando Toda","doi":"10.52034/LANSTTS.V4I.131","DOIUrl":"https://doi.org/10.52034/LANSTTS.V4I.131","url":null,"abstract":"In his Scottish novels, Walter Scott foregrounded the multilingual and multidialectal situation of Scotland. He not only made a deliberate effort to reflect the different linguistic varieties in the dialogues, but also, through his narrators, drew his readers’ attention to the variety being used or the pronunciation employed. Since Scott is writing about post- Union Scotland, he implies that the United Kingdom is a multilingual and multicultural society, and that the British have to be aware of this in order to make their union stronger in its diversity, by preserving national cultural identities and values. Evidence is given from three of Scott’s most relevant Scottish novels.","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"8 1","pages":""},"PeriodicalIF":2.2,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83665817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-25DOI: 10.52034/LANSTTS.V0I6.203
Philippe Humblé
{"title":"Ni una gota de sangre impura. La España inquisitorial y la Alemania nazi cara a cara. Barcelona: Galaxia. Gutenberg. 537 p. Stallaert, Christiane (2006).","authors":"Philippe Humblé","doi":"10.52034/LANSTTS.V0I6.203","DOIUrl":"https://doi.org/10.52034/LANSTTS.V0I6.203","url":null,"abstract":"","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"3 1","pages":""},"PeriodicalIF":2.2,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85194734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper examines cohesion and coherence within the larger framework of an equivalence-relevant investigation based on a theoretically well-founded translation comparison and a highly refined translation corpus. Cohesion is analysed at the textual, more specifically at the sentential/supra-sentential, level taking due account of the underlying coherence operating at the text¬in-context level. The research investigates and exemplifies the English demonstrative determiner/pronoun ‘this’ as a cohesive device of reference and its German potential equivalents, and indicates trends in translation solutions. The results of this analysis will show that coherence – established by the interaction of intended sense and informed inference – is upheld in the German TT by cohesive means which, though occasionally quite different from their ST counterparts, contribute toward achieving “equivalence in difference” (Jakobson [1959]1992) at the overall text-in-context level.
{"title":"Cohesion and Coherence in Technical Translation: The Case of Demonstrative Reference","authors":"Monika Krein-Kühle","doi":"10.52034/LANSTTS.V1I.5","DOIUrl":"https://doi.org/10.52034/LANSTTS.V1I.5","url":null,"abstract":"This paper examines cohesion and coherence within the larger framework of an equivalence-relevant investigation based on a theoretically well-founded translation comparison and a highly refined translation corpus. Cohesion is analysed at the textual, more specifically at the sentential/supra-sentential, level taking due account of the underlying coherence operating at the text¬in-context level. The research investigates and exemplifies the English demonstrative determiner/pronoun ‘this’ as a cohesive device of reference and its German potential equivalents, and indicates trends in translation solutions. The results of this analysis will show that coherence – established by the interaction of intended sense and informed inference – is upheld in the German TT by cohesive means which, though occasionally quite different from their ST counterparts, contribute toward achieving “equivalence in difference” (Jakobson [1959]1992) at the overall text-in-context level.","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"16 1","pages":""},"PeriodicalIF":2.2,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85461093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
As Edwin Gentzler’s latest book (2001) reveals, translation studies (as opposed to translating) is an area that is becoming increasingly relevant to both cultural and literary studies. Developing this point further, Sherry Simon states that, “Increasingly, translation and writing have become a particularly strong form of writing at a time when national cultures have themselves become diverse, inhabited by plurality”(Simon 1999: 72). Or indeed how “Symbolically, translation comes to be the very representation of the play of equivalence and difference in cultural interchange: translation permits communication without eliminating the grounds of specificity” (Simon 1992: 159). Therefore, particularly in postcolonial contexts, where the balance of power hinges on questions of language possession and linguistic insecurities, translation allows this power to be repositioned: it can establish a form of plurality by refusing to allow one language to dominate another. In recent works exploring the complex relationship between postcolonial environments and translation,1 these issues are examined in a worldwide context – writings from Quebec, North Africa, India constitute but a few examples. Yet, Simon also draws our attention to processes of translation that allow each language to maintain its own specific identity. In the French Caribbean, this becomes highly problematic because of the tensions between French – the official language – and Creole – the native spoken language.2 This article will explore the difficulties involved in establishing and maintaining this language specificity and will look at how, and if, French and Creole can ‘translate ’French Caribbean culture.
{"title":"Beyond translation into chaos: exploring language movement in the French Caribbean","authors":"Catriona J. Cunningham","doi":"10.52034/lanstts.v2i.76","DOIUrl":"https://doi.org/10.52034/lanstts.v2i.76","url":null,"abstract":"As Edwin Gentzler’s latest book (2001) reveals, translation studies (as opposed to translating) is an area that is becoming increasingly relevant to both cultural and literary studies. Developing this point further, Sherry Simon states that, “Increasingly, translation and writing have become a particularly strong form of writing at a time when national cultures have themselves become diverse, inhabited by plurality”(Simon 1999: 72). Or indeed how “Symbolically, translation comes to be the very representation of the play of equivalence and difference in cultural interchange: translation permits communication without eliminating the grounds of specificity” (Simon 1992: 159). Therefore, particularly in postcolonial contexts, where the balance of power hinges on questions of language possession and linguistic insecurities, translation allows this power to be repositioned: it can establish a form of plurality by refusing to allow one language to dominate another. In recent works exploring the complex relationship between postcolonial environments and translation,1 these issues are examined in a worldwide context – writings from Quebec, North Africa, India constitute but a few examples. Yet, Simon also draws our attention to processes of translation that allow each language to maintain its own specific identity. In the French Caribbean, this becomes highly problematic because of the tensions between French – the official language – and Creole – the native spoken language.2 This article will explore the difficulties involved in establishing and maintaining this language specificity and will look at how, and if, French and Creole can ‘translate ’French Caribbean culture.","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"75 1","pages":""},"PeriodicalIF":2.2,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83114338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Francophone literary production in Madagascar, although born out of a colonial context, has found its own voice in terms of the codes and themes it uses. It seeks to take its place in Francophone literature through comprehension based on a common language. However, the works written in French are informed by the cultural, social, spiritual and linguistic context of Madagascar. The resulting texts are full of allusions to prestigious literary genres, shared concerns and concepts whose comprehension is difficult for a readership which understands the words without understanding their cultural connotations. It is necessary to reflect on the specific task of the literary critic who may, whilst respecting the dynamics of a literary text, add annotations in the form of ‘cultural translations’. The aim would be not to smother a body of work, which must be allowed to maintain its own nuances, but to allow better knowledge of the works and to make more effective the intercultural exchanges which are part of contemporary globalisation.
{"title":"Les textes francophones malgaches sont-ils hybrides?","authors":"D. Ranaivoson","doi":"10.52034/lanstts.v2i.77","DOIUrl":"https://doi.org/10.52034/lanstts.v2i.77","url":null,"abstract":"Francophone literary production in Madagascar, although born out of a colonial context, has found its own voice in terms of the codes and themes it uses. It seeks to take its place in Francophone literature through comprehension based on a common language. However, the works written in French are informed by the cultural, social, spiritual and linguistic context of Madagascar. The resulting texts are full of allusions to prestigious literary genres, shared concerns and concepts whose comprehension is difficult for a readership which understands the words without understanding their cultural connotations. It is necessary to reflect on the specific task of the literary critic who may, whilst respecting the dynamics of a literary text, add annotations in the form of ‘cultural translations’. The aim would be not to smother a body of work, which must be allowed to maintain its own nuances, but to allow better knowledge of the works and to make more effective the intercultural exchanges which are part of contemporary globalisation.","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"10 1","pages":""},"PeriodicalIF":2.2,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85866316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-25DOI: 10.52034/lanstts.v10i.282
A. Secară
In this paper I investigate novel and creative linguistic features used in non-conventional subtitling settings such as fansubbing, arguing that they can be advantageously used in professional subtitling practices for a specific medium, such as the Internet. The integration of txt lingo in subtitling is supported by the recent explosion of social translation practices as a response to an ever-growing audience fragmentation as well as changes in technology which make the integration of several customised subtitling tracks possible. In an attempt to provide empirical evidence to support this argument I present the initial results of a pilot eye-tracker-based experiment to elicit data on the reception of “unregimented” subtitling when offered as an alternative to conventional subtitling from consumers in selected new subtitling contexts.
{"title":"R U ready 4 new subtitles? Investigating the potential of social translation practices and creative spellings","authors":"A. Secară","doi":"10.52034/lanstts.v10i.282","DOIUrl":"https://doi.org/10.52034/lanstts.v10i.282","url":null,"abstract":"In this paper I investigate novel and creative linguistic features used in non-conventional subtitling settings such as fansubbing, arguing that they can be advantageously used in professional subtitling practices for a specific medium, such as the Internet. The integration of txt lingo in subtitling is supported by the recent explosion of social translation practices as a response to an ever-growing audience fragmentation as well as changes in technology which make the integration of several customised subtitling tracks possible. In an attempt to provide empirical evidence to support this argument I present the initial results of a pilot eye-tracker-based experiment to elicit data on the reception of “unregimented” subtitling when offered as an alternative to conventional subtitling from consumers in selected new subtitling contexts.","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"12 1","pages":""},"PeriodicalIF":2.2,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79898308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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