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Los marcadores discursivos pues y bueno desde el prisma de su traducción al polaco 从波兰语翻译的角度看话语标记语的好坏
Q4 Arts and Humanities Pub Date : 2020-06-03 DOI: 10.4467/20843917rc.20.004.12173
Barbara Galant
Discourse markers pues and bueno and their translation into Polish ABSTRACT This article analyses the translations of two Spanish discourse markers – pues and bueno – into Polish based on excerpts from five novels by contemporary writers (Juan Marsé, Eduardo Mendoza, Carmen Posadas) and from a graphic novel by Alfonso Zapico. The theoretical part defines these linking words, outlines their common characteristics, as well as describes and illustrates with examples the functions of pues and bueno which play an important part in the cohesion and progression of a monologue or a dialogue. In the analytical section the pragmatic roles of both markers, used together in the originals, are analysed in order to see if they were rendered correctly in the translated versions.
摘要本文从当代作家胡安·马塞维尔、爱德华多·门多萨、卡门·波萨达斯的五部小说和阿方索·萨皮科的一部图画小说中,分析了两种西班牙语话语标记语pues和bueno的波兰语翻译。理论部分对这些连词进行了界定,概述了它们的共同特征,并举例说明了在独白或对话的衔接和发展中起重要作用的“普”和“布”的功能。在分析部分,分析了在原文中一起使用的两种标记的语用作用,以查看它们在翻译版本中是否被正确呈现。
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引用次数: 0
Construção perifrástica andar a + infinitivo – um problema didático no caso dos alunos polacos 迂腐结构a +不定式——波兰学生的教学问题
Q4 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.4467/20843917RC.20.011.12933
Joanna Drzazgowska
The article attempts to highlight the problems in teaching and learning of one Portuguese periphrastic aspect construction. The author will try to present the problem related to multiple possible meanings of the periphrasis as well as factors influencing the meaning. In addition, various Portuguese grammar manuals will be analysed for the presence of information regarding the periphrasis andar a + infinitive to determine whether the information is complete enough for the pupils to use the periphrasis in the proper context.
本文试图突出一种葡萄牙语周边语体建构在教与学中存在的问题。笔者将尝试提出与该迂回语的多重可能意义相关的问题以及影响其意义的因素。此外,我们还将分析各种葡萄牙语语法手册中关于迂回短语和a +不定式的信息,以确定这些信息是否足够完整,使学生能够在适当的上下文中使用迂回短语。
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引用次数: 0
Autobiografía y yo corporal en la ensayística de Salvador Elizondo. Una lectura desde Jean Starobinski 萨尔瓦多·埃利佐多散文中的自传和身体自我。让·斯塔罗宾斯基的阅读
Q4 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.4467/20843917rc.19.024.11913
A. R. Rodríguez
Autobiografia y yo corporal en la ensayistica de Salvador Elizondo. Una lectura desde Jean Starobinski
萨尔瓦多·埃利桑多的自传和我的下士。Jean Starobinski的阅读
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引用次数: 0
Les apprenants polonophones du français et la phonétique : représentations et auto-évaluation 波兰法语学习者与语音学:表征与自我评价
Q4 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.4467/20843917rc.19.021.11910
Krzysztof Kotuła, Françoise Collinet
Les apprenants polonophones du francais et la phonetique : representations et auto-evaluation
讲波兰语的法语和语音学习者:代表和自我评估
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引用次数: 0
La langue française comme pivot principal du monde représenté dans la nouvelle Mademoiselle O de Vladimir Nabokov et le roman Madame d’Antoni Libera 弗拉基米尔·纳博科夫(Vladimir Nabokov)的小说《O小姐》(Mademoiselle O)和小说《安东尼·利伯拉夫人》(Madame d’Antoni Libera)中,法语作为世界的主要支点
Q4 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.4467/20843917rc.19.023.11912
Juliusz Cęcelewski
La langue francaise comme pivot principal du monde represente dans la nouvelle Mademoiselle O de Vladimir Nabokov et le roman Madame d’Antoni Libera
在弗拉基米尔·纳博科夫的新小说《O小姐》和小说《安东尼·利伯夫人》中,法语作为世界的主要支点
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引用次数: 0
Tentativas de estandardização ortográfica dos vocábulos de origem portuguesa em tétum-praça 四重奏中葡语单词正字法规范化的尝试
Q4 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.4467/20843917rc.19.020.11909
Natalia Czopek
Tentativas de estandardizacao ortografica dos vocabulos de origem portuguesa em tetum-praca
《普拉卡四重奏》葡萄牙语汇正字法标准化的尝试
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引用次数: 1
Sous les vents nocturnes… Les échos apollinariens dans l'œuvre de Robert Desnos 在夜风下,罗伯特·德斯诺斯作品中的阿波罗回声
Q4 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.4467/20843917rc.19.022.11911
Małgorzata Kuta
Echoes of the work of Guillaume Apollinaire in the works of Robert Desnos ABSTRACT The article is an attempt to show the links between Guillaume Apollinaire and Robert Desnos (1900– 1945), a French poet closely associated with surrealism. They were both avid readers, lovers of mass literature, cinema and avant-garde art. They are also closely related by the themes of their works domi nated by the riot of everyday life, poetry of the modern city, popular imagination, war, love, eroti -cism, as well as sexual perversions. Apollinaire’s name often appears in early Desnos poems. He also appears as a literary character in the collection of “automatic” texts Pénalités de l’enfer ou Nouvelles Hébrides . His presence in Desnos’s work is also manifested in a veiled manner, through a borrowed poem title or numerous allusions and references to his works.
摘要本文试图揭示纪尧姆·阿波利奈尔与法国超现实主义诗人罗伯特·德诺斯(1900 - 1945)之间的联系。他们都是狂热的读者,大众文学、电影和前卫艺术的爱好者。他们的作品主题也密切相关,日常生活的骚乱,现代城市的诗歌,大众的想象,战争,爱情,色情主义,以及性变态。阿波利奈尔的名字经常出现在德斯诺早期的诗歌中。他也以文学人物的身份出现在“自动”文本集《psamnalitsams de l’enfer ou Nouvelles hsamides》中。他在德斯诺作品中的存在也以一种隐晦的方式表现出来,通过借用的诗歌标题或对他作品的大量典故和参考。
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引用次数: 0
Geometria in un trattato di giochi matematici dell’inizio del Cinquecento 15世纪早期数学游戏条约中的几何学
Q4 Arts and Humanities Pub Date : 2019-03-20 DOI: 10.4467/20843917rc.19.005.11695
Luca Palmarini, Roman Sosnowski
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引用次数: 1
Le roi Saül, personnage théâtral au théâtre français, du Moyen Âge à Voltaire 从中世纪到伏尔泰,法国戏剧中的戏剧人物扫罗国王
Q4 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.4467/20843917rc.19.008.11698
C. Mazouer
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引用次数: 0
Les marqueurs lexico-sémantiques de la cohérence textuelle 文本一致性的词汇语义标记
Q4 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.4467/20843917rc.19.002.11692
Hanna Kost
Generalization and systematization of lexical-semantic markers, which transform the text into a co herent and uniform structure, were aimed at in this article. These markers in the artistic text include synonymous and antonymic groups of words, lexical-semantic fields, thematic and associative chains. In their totality, they create more complex and voluminous structures – isotopes that reveal the theme of the work and the artistic design of the writer. Isotopes are built up by the reader according to his outlook, intelligence and sensuality.
词汇语义标记的泛化和系统化,将文本转化为连贯统一的结构。艺术文本中的这些标记包括同义词和反义词组、词汇语义场、主位链和联想链。总的来说,它们创造了更复杂、更庞大的结构——同位素,揭示了作品的主题和作者的艺术设计。同位素是由读者根据他的观点、智力和性感来建立的。
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引用次数: 0
期刊
Romanica Cracoviensia
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