This article aims to study several aspects of the charitable action of the first Portuguese consort queens (12th-15th centuries).
本文旨在研究第一批葡萄牙王后(12 -15世纪)的慈善行为的几个方面。
{"title":"Preocupações caritativas das rainhas medievais portuguesas","authors":"Paulo Drumond Braga","doi":"10.53943/elcv.0121_03","DOIUrl":"https://doi.org/10.53943/elcv.0121_03","url":null,"abstract":"This article aims to study several aspects of the charitable action of the first Portuguese consort queens (12th-15th centuries).","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116129440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The reading of Aluísio Azevedo’s novels led many critics to consider that this Brazilian novelist had a very strong anti-Portuguese bias. This study aims to correct this assessment, based on the analysis of the biography of the writer from Maranhão (1857-1913). Son of Portuguese parents, he lived his childhood and adolescence in a patriarchal and slave society, dominated by Portuguese, Luso-Brazilian traders and by the rural oligarchy and the ultramontane Church. Self-taught, but raised in an educated family, he completed his training in Rio de Janeiro as a journalist and caricaturist, before asserting himself as a writer. He was greatly influenced by Portuguese intellectuals and writers, such as Ramalho Ortigão, Eça de Queirós, Maria Amália Vaz de Carvalho and by the caricaturist Bordalo Pinheiro, whom he met in Rio de Janeiro and with whom he would maintain friendly relations throughout his life. In Rio de Janeiro, the author actively participated in the promotion of the work of Eça de Queirós, before asserting himself as the promoter of Naturalism in Brazil. For ten years, Azevedo was, alongside Ferreira de Araújo and Machado de Assis, one of the main activists in favor of signing a Portuguese-Brazilian copyright agreement that guaranteed equality and reciprocity between Brazilian and Portuguese authors.Thus, the letters sent to friends and quoted in this article deny the accusations of anti-Lusitanist by the author of O Mulato, Casa de Pensão and O Cortiço.
在阅读Aluísio阿泽维多的小说时，许多评论家认为这位巴西小说家有很强的反葡萄牙偏见。本研究旨在通过对这位来自maranh(1857-1913)的作家的传记的分析来纠正这一评价。他的父母是葡萄牙人，他的童年和青春期生活在一个由葡萄牙人、葡巴商人、农村寡头和极端山地教会主导的父权和奴隶社会。他自学成才，但成长于一个受过良好教育的家庭，在里约热内卢完成了记者和漫画家的训练，之后才成为一名作家。他深受葡萄牙知识分子和作家的影响，如Ramalho ortig o, ea de Queirós, Maria Amália Vaz de Carvalho和漫画家Bordalo Pinheiro，他在里约热内卢的里约热内卢遇到了他们，并与他们保持了一生的友好关系。在巴西里约热内卢，作者在宣称自己是巴西自然主义的推动者之前，积极参与了ea de Queirós的推广工作。十年来，阿泽维多与Ferreira de Araújo和Machado de Assis一起，是支持签署葡萄牙和巴西版权协议的主要活动家之一，该协议保证了巴西和葡萄牙作家之间的平等和互惠。因此，寄给朋友的信件和本文引用的信件否认了《O Mulato》、《Casa de pens》和《O corsidoro》的作者对反卢西坦主义者的指控。
{"title":"Aluísio Azevedo e Portugal: uma ambígua relação","authors":"Jean-Yves Mérian","doi":"10.53943/elcv.0120_09","DOIUrl":"https://doi.org/10.53943/elcv.0120_09","url":null,"abstract":"The reading of Aluísio Azevedo’s novels led many critics to consider that this Brazilian novelist had a very strong anti-Portuguese bias. This study aims to correct this assessment, based on the analysis of the biography of the writer from Maranhão (1857-1913). Son of Portuguese parents, he lived his childhood and adolescence in a patriarchal and slave society, dominated by Portuguese, Luso-Brazilian traders and by the rural oligarchy and the ultramontane Church. Self-taught, but raised in an educated family, he completed his training in Rio de Janeiro as a journalist and caricaturist, before asserting himself as a writer. He was greatly influenced by Portuguese intellectuals and writers, such as Ramalho Ortigão, Eça de Queirós, Maria Amália Vaz de Carvalho and by the caricaturist Bordalo Pinheiro, whom he met in Rio de Janeiro and with whom he would maintain friendly relations throughout his life. In Rio de Janeiro, the author actively participated in the promotion of the work of Eça de Queirós, before asserting himself as the promoter of Naturalism in Brazil. For ten years, Azevedo was, alongside Ferreira de Araújo and Machado de Assis, one of the main activists in favor of signing a Portuguese-Brazilian copyright agreement that guaranteed equality and reciprocity between Brazilian and Portuguese authors.Thus, the letters sent to friends and quoted in this article deny the accusations of anti-Lusitanist by the author of O Mulato, Casa de Pensão and O Cortiço.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130667129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The text aims to draw attention to a novel that has gone completely unnoticed by criticism, relegated to oblivion. Even though its author, a Northeastern woman, was known at that time for another aspect of her work, the more political one, the novel, published in 1965, has not yet received the reading worthy of what it raises. This may be explained by the engendering of the questions posed, both concerning the feminine condition, and the narrative and discursive relationships. I try, then, to underline the labyrinthine exploration of time, semantic games, metaphorical inflections, improprieties, metonymic employment, etc., which could have given it the prominent place of a vanguard narrative.
{"title":"O cerco rompido. (Leitura de O círculo, de Alina Paim)","authors":"Maria Lúcia Dal Farra","doi":"10.53943/elcv.0118_05","DOIUrl":"https://doi.org/10.53943/elcv.0118_05","url":null,"abstract":"The text aims to draw attention to a novel that has gone completely unnoticed by criticism, relegated to oblivion. Even though its author, a Northeastern woman, was known at that time for another aspect of her work, the more political one, the novel, published in 1965, has not yet received the reading worthy of what it raises. This may be explained by the engendering of the questions posed, both concerning the feminine condition, and the narrative and discursive relationships. I try, then, to underline the labyrinthine exploration of time, semantic games, metaphorical inflections, improprieties, metonymic employment, etc., which could have given it the prominent place of a vanguard narrative.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122255466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Between the 1930s and 1940s, the Brazilian poet Carlos Drummond de Andrade (1902-1987) produced a type of engaged literature, under the strong influence of socialist ideas, in a political key that would mark his verses until the end of the Second World War. This position, rare among Brazilian poets, seems to reflect the ideological climate of the time, converging with the position of many European authors linked to international communism. In this article we explore the points of contact between Drummond’s production in this period and the engaged literature that emerged in Spain and Portugal at the same time, influenced by the Spanish Civil War and the Portuguese neorealist movement. The convergence of themes, jargon and images invites us to reflect on the ideological conflict that Europe was experiencing at the time and the extent of its influence in the countries of Latin America.
在20世纪30年代和40年代之间，巴西诗人卡洛斯·德拉蒙德·安德拉德(Carlos Drummond de Andrade, 1902-1987)在社会主义思想的强烈影响下，以一种政治基调创作了一种参与文学，这种基调将标志着他的诗歌直到第二次世界大战结束。这种立场在巴西诗人中很少见，似乎反映了当时的意识形态气候，与许多与国际共产主义有关的欧洲作家的立场一致。在这篇文章中，我们探讨了德拉蒙德在这一时期的作品与西班牙和葡萄牙同时出现的交战文学之间的联系点，这些文学受到西班牙内战和葡萄牙新现实主义运动的影响。主题、行话和形象的融合促使我们反思当时欧洲正在经历的意识形态冲突，以及它对拉丁美洲国家的影响程度。
{"title":"Drummond e o Neorrealismo Português: confluências de uma literatura engajada","authors":"Marcelo Bortoloti","doi":"10.53943/elcv.0121_11","DOIUrl":"https://doi.org/10.53943/elcv.0121_11","url":null,"abstract":"Between the 1930s and 1940s, the Brazilian poet Carlos Drummond de Andrade (1902-1987) produced a type of engaged literature, under the strong influence of socialist ideas, in a political key that would mark his verses until the end of the Second World War. This position, rare among Brazilian poets, seems to reflect the ideological climate of the time, converging with the position of many European authors linked to international communism. In this article we explore the points of contact between Drummond’s production in this period and the engaged literature that emerged in Spain and Portugal at the same time, influenced by the Spanish Civil War and the Portuguese neorealist movement. The convergence of themes, jargon and images invites us to reflect on the ideological conflict that Europe was experiencing at the time and the extent of its influence in the countries of Latin America.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134465919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper aims to examine the transformative role of art and artists, today and in the future. We have chosen as a starting point the work of a remarkable Portuguese sculptor at the leading edge: Rui Chafes, a challenger of new aesthetic paths. Chafes is a conceptual sculptor of iron and fire who seeks and aspires to abstractionism, as a novel language and a novel vision of the world. The artist thinks his work deeply, regularly publishing texts about his work and its connections with art, beauty and life. From his imaginary artistic biography, Between Heaven and Earth, a bit like Vasari’s The Lives, we will begin by presenting the sculptor’s aesthetic and plastic universe. Then we will consider the way his unique identity path turns out to be inspiring and fulfilling. This imaginary character, born in Germany in the 13th century, absorbed the spiritual medieval gothic shapes and the sense of nature, the sublime and the absolute spirit, peculiar to German Romanticism. From his long experience we highlight learning the value of life, and the love for here and now, both rooted in a density of experiences and memories; memories, places and times which interact and dialogue with his sculptures — works which cralise the spaces they inhabit as if they had always been part of them. For Rui Chafes the future of humankind depends on our ability to incorporate memory and the past into the present, and in this sense his project is a very original and promising alliance between tradition and modernity.
本文旨在研究艺术和艺术家在今天和未来的变革作用。我们选择了一位杰出的葡萄牙雕塑家的作品作为起点:Rui Chafes，新美学道路的挑战者。Chafes是一位铁与火的概念雕塑家，他寻求并渴望抽象主义，作为一种新的语言和一种新的世界观。这位艺术家对自己的作品进行了深入的思考，定期发表关于他的作品及其与艺术、美和生活的联系的文章。我们将从他想象的艺术传记《天地之间》(Between Heaven and Earth)——有点像瓦萨里(Vasari)的《生命》(The Lives)——开始，呈现这位雕塑家的审美和塑料宇宙。然后，我们将考虑他独特的身份道路如何变得鼓舞人心和充实。这个虚构的人物，13世纪出生在德国，吸收了中世纪哥特式的精神形态和自然的感觉，崇高和绝对的精神，德国浪漫主义所特有的。从他的长期经历中，我们强调学习生命的价值，以及对此时此地的热爱，这两者都植根于经验和记忆的密度;记忆、地点和时间与他的雕塑相互作用和对话——这些作品使他们居住的空间变得神秘，仿佛他们一直是其中的一部分。对于Rui Chafes来说，人类的未来取决于我们将记忆和过去融入现在的能力，从这个意义上说，他的项目是传统与现代之间非常原始和有希望的联盟。
{"title":"A Arte como desenvolvimento espiritual: a linguagem abstrata de Rui Chafes","authors":"M. T. Amado","doi":"10.53943/elcv.0121_09","DOIUrl":"https://doi.org/10.53943/elcv.0121_09","url":null,"abstract":"The paper aims to examine the transformative role of art and artists, today and in the future. We have chosen as a starting point the work of a remarkable Portuguese sculptor at the leading edge: Rui Chafes, a challenger of new aesthetic paths. Chafes is a conceptual sculptor of iron and fire who seeks and aspires to abstractionism, as a novel language and a novel vision of the world. The artist thinks his work deeply, regularly publishing texts about his work and its connections with art, beauty and life. From his imaginary artistic biography, Between Heaven and Earth, a bit like Vasari’s The Lives, we will begin by presenting the sculptor’s aesthetic and plastic universe. Then we will consider the way his unique identity path turns out to be inspiring and fulfilling. This imaginary character, born in Germany in the 13th century, absorbed the spiritual medieval gothic shapes and the sense of nature, the sublime and the absolute spirit, peculiar to German Romanticism. From his long experience we highlight learning the value of life, and the love for here and now, both rooted in a density of experiences and memories; memories, places and times which interact and dialogue with his sculptures — works which cralise the spaces they inhabit as if they had always been part of them. For Rui Chafes the future of humankind depends on our ability to incorporate memory and the past into the present, and in this sense his project is a very original and promising alliance between tradition and modernity.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115470991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
After reflecting on Literature as a historical source, namely its scope and limits, we seek, based on five portuguese humorous leaflets from the end of the Ancien Régime, to understand how cod and sardines were understood in the daily lives of populations. The paper also aims analises how these literary sources are importants, compared with several others, in order to corroborate the information, to evaluate the valour of this texts.
{"title":"Bacalhau e sardinha servidos com humor em folhetos portugueses do final do Antigo Regime","authors":"Isabel Drumond Braga","doi":"10.53943/elcv.0220_05","DOIUrl":"https://doi.org/10.53943/elcv.0220_05","url":null,"abstract":"After reflecting on Literature as a historical source, namely its scope and limits, we seek, based on five portuguese humorous leaflets from the end of the Ancien Régime, to understand how cod and sardines were understood in the daily lives of populations. The paper also aims analises how these literary sources are importants, compared with several others, in order to corroborate the information, to evaluate the valour of this texts.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130258004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Catholicism, deeply rooted in Spain until nowadays, made the heterodoxies that Protestants and Masons represented in modern times build bridges of collaboration among them, when the legal framework for freedoms allowed it, in their fight against the common enemy which was the Church of Rome. Studies observe that this was a fact, above all from 1868 until the beginning of the last civil war (1936) when there was a regime of tolerance and, promptly, religious freedom, within the constitutional frame. The close relationship between Masons and Protestants was seen in some common projects: in the commitment to an ideology of liberalism that was more progressive, democratic and even republican (supporters of religious freedom), the fight for a secular school or at least neutral in religious matters, outreach to the less favoured sectors of society, etc. However, concerning the number of Protestants framed in the ranks of Freemasonry, studies — still partial — show that the number was low possibly due to the also limited number of followers that had the different reformed churches in Spain.
{"title":"Protestantismo y Masonería en la España contemporânea","authors":"José Leonardo Ruiz Sánchez","doi":"10.53943/elcv.0118_15","DOIUrl":"https://doi.org/10.53943/elcv.0118_15","url":null,"abstract":"Catholicism, deeply rooted in Spain until nowadays, made the heterodoxies that Protestants and Masons represented in modern times build bridges of collaboration among them, when the legal framework for freedoms allowed it, in their fight against the common enemy which was the Church of Rome. Studies observe that this was a fact, above all from 1868 until the beginning of the last civil war (1936) when there was a regime of tolerance and, promptly, religious freedom, within the constitutional frame. The close relationship between Masons and Protestants was seen in some common projects: in the commitment to an ideology of liberalism that was more progressive, democratic and even republican (supporters of religious freedom), the fight for a secular school or at least neutral in religious matters, outreach to the less favoured sectors of society, etc. However, concerning the number of Protestants framed in the ranks of Freemasonry, studies — still partial — show that the number was low possibly due to the also limited number of followers that had the different reformed churches in Spain.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126372915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
From an attempt to conceptualize art, supported by several theorists, emerges the observation of the interaction of its languages as a way to optimize the message. Art presents itself as a form of response to the situation of contemporary society without obliterating retroactive and prospective dimensions, advanced here through concrete examples focusing on post-colonialism.
{"title":"Miscigenação de linguagens","authors":"Isabel Ponce de Leão","doi":"10.53943/elcv.0221_10","DOIUrl":"https://doi.org/10.53943/elcv.0221_10","url":null,"abstract":"From an attempt to conceptualize art, supported by several theorists, emerges the observation of the interaction of its languages as a way to optimize the message. Art presents itself as a form of response to the situation of contemporary society without obliterating retroactive and prospective dimensions, advanced here through concrete examples focusing on post-colonialism.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121044573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Marcela Magalhães de Paula, Lorena da Silva Rodrigues
This paper aims to present an analysis of Portuguese language use as the official language of the Portuguese colonial state, in confrontation with the linguistic diversity of colonized countries, especially Angola. To this end, the short story «Mestre Tamoda», by the writer Uanhenga Xitu, will be analyzed to exemplify and discuss linguistic attitudes of African speakers of Portuguese. In addition, the role of Portuguese public language policies and the processes (attempts) of annihilation and abolition of autochthonous African languages will be analyzed, as well as the way in which the Portuguese language was promoted and served as an instrument of colonial power’s oppression. In the African text in question, we can observe the violent process by which autochthonous subjects were submitted in favor of the implementation of a series of political measures that «sold» the idea of civilization, but that extinguished or tried to diminish manifestations of local cultures and languages. Tamoda builds his identity by seeking, through copying the colonizer’s habits and customs, a place in society. In the Portuguese-speaking context, this «invention of citizenship» took place by subverting the idea that it is the invaded who must accept and adapt to the «local» values of the invader and not the other way around. Thus, language and culture could not only be imposed, but they would also have to offer a hope of ascension and entry into citizenship. These sophisticated public policies have made and would make the modern project of governance viable, through the imposition of disciplinary instruments, such as the promotion of the Portuguese language.
{"title":"A língua portuguesa e a identidade do assimilado em Angola: algumas leituras a partir do conto «Mestre Tamoda», de Uanhenga Xitu","authors":"Marcela Magalhães de Paula, Lorena da Silva Rodrigues","doi":"10.53943/elcv.0121_10","DOIUrl":"https://doi.org/10.53943/elcv.0121_10","url":null,"abstract":"This paper aims to present an analysis of Portuguese language use as the official language of the Portuguese colonial state, in confrontation with the linguistic diversity of colonized countries, especially Angola. To this end, the short story «Mestre Tamoda», by the writer Uanhenga Xitu, will be analyzed to exemplify and discuss linguistic attitudes of African speakers of Portuguese. In addition, the role of Portuguese public language policies and the processes (attempts) of annihilation and abolition of autochthonous African languages will be analyzed, as well as the way in which the Portuguese language was promoted and served as an instrument of colonial power’s oppression. In the African text in question, we can observe the violent process by which autochthonous subjects were submitted in favor of the implementation of a series of political measures that «sold» the idea of civilization, but that extinguished or tried to diminish manifestations of local cultures and languages. Tamoda builds his identity by seeking, through copying the colonizer’s habits and customs, a place in society. In the Portuguese-speaking context, this «invention of citizenship» took place by subverting the idea that it is the invaded who must accept and adapt to the «local» values of the invader and not the other way around. Thus, language and culture could not only be imposed, but they would also have to offer a hope of ascension and entry into citizenship. These sophisticated public policies have made and would make the modern project of governance viable, through the imposition of disciplinary instruments, such as the promotion of the Portuguese language.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114076012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article analyzes the way the female characters appear in the book A Filosofia na alcova of Marquis de Sade. It highlights the author’s recurrent themes, such as space, private life and freedom, relating them to the discussion about the role of women during the eighteenth century in France. Such a thematic-spatial option analyzes, therefore, points that were not thoroughly studied and that, for a long time, were only considered in addendums within the studies about the French post-revolutionary context. The discussion is part of the theoretical intersection between History and Literature, using as reference the works of Georges Bataille, Michele Perrot, Eliane Robert Moraes and Lynn Hunt.
{"title":"Peripécias na alcova de Sade: A mulher em La philosophie dans le boudoir","authors":"Edson Santos Silva, Wallas Jefferson de Lima","doi":"10.53943/elcv.0118_06","DOIUrl":"https://doi.org/10.53943/elcv.0118_06","url":null,"abstract":"The article analyzes the way the female characters appear in the book A Filosofia na alcova of Marquis de Sade. It highlights the author’s recurrent themes, such as space, private life and freedom, relating them to the discussion about the role of women during the eighteenth century in France. Such a thematic-spatial option analyzes, therefore, points that were not thoroughly studied and that, for a long time, were only considered in addendums within the studies about the French post-revolutionary context. The discussion is part of the theoretical intersection between History and Literature, using as reference the works of Georges Bataille, Michele Perrot, Eliane Robert Moraes and Lynn Hunt.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131358512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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