Pub Date : 2018-12-30DOI: 10.18778/1733-0319.21.05
A. Marchewka
After the death of Socrates, anecdotes and distorted stories about the philosopher’s family life and the unbearable character of his wife, Xanthippe, circulated in the general quasi literary circle. These stories were willingly read in subsequent epochs. Eventually, they preserved the model of the hellcat wife in the shape of Xanthippe, to which we still eagerly refer to. But did Socrates’ wife really deserve such a bad opinion? Is it possible for such a rating to be given by the desultory information we owe to Plato (Phaed. 60a) and Xenophon (Mem. II 2, Conv. II 10)? When attempting to defend the Xanthippe, an important source turned out to be a letter from Pseudo-Xenophon (vel Pseudo-Aeschines), which allowed us to look at the philosopher’s wife as his pupil, leading life according to Socrates’ teachings and surrounded by the care of his friends (Epist. XXI, Hercher 1873: 624).
{"title":"Ksantypa – dobra żona Sokratesa","authors":"A. Marchewka","doi":"10.18778/1733-0319.21.05","DOIUrl":"https://doi.org/10.18778/1733-0319.21.05","url":null,"abstract":"After the death of Socrates, anecdotes and distorted stories about the philosopher’s family life and the unbearable character of his wife, Xanthippe, circulated in the general quasi literary circle. These stories were willingly read in subsequent epochs. Eventually, they preserved the model of the hellcat wife in the shape of Xanthippe, to which we still eagerly refer to. But did Socrates’ wife really deserve such a bad opinion? Is it possible for such a rating to be given by the desultory information we owe to Plato (Phaed. 60a) and Xenophon (Mem. II 2, Conv. II 10)? When attempting to defend the Xanthippe, an important source turned out to be a letter from Pseudo-Xenophon (vel Pseudo-Aeschines), which allowed us to look at the philosopher’s wife as his pupil, leading life according to Socrates’ teachings and surrounded by the care of his friends (Epist. XXI, Hercher 1873: 624).","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43834296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-30DOI: 10.18778/1733-0319.21.01
K. Narecki
{"title":"Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część I: Mneme w utworach Ajschylosa i Sofoklesa","authors":"K. Narecki","doi":"10.18778/1733-0319.21.01","DOIUrl":"https://doi.org/10.18778/1733-0319.21.01","url":null,"abstract":"","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42380694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-03-30DOI: 10.18778/1733-0319.21.09
M. Sterna
{"title":"Topos starca i młodzieńca w dramacie Pescatori Raffaela Vivianiego w kontekście świata wartości kultury antycznej","authors":"M. Sterna","doi":"10.18778/1733-0319.21.09","DOIUrl":"https://doi.org/10.18778/1733-0319.21.09","url":null,"abstract":"","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41372753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-03-30DOI: 10.18778/1733-0319.21.11
J. Czerwińska
{"title":"Recenzja książki: Porfiriusz z Tyru O wegetarianizmie (Περὶ ἀποχῆς ἐμψúχων), wprowadzenie, przekład i komentarz Ewa Osek, Wydawnictwo Naukowe Sub Lupa, Warszawa 2018, ss. 460","authors":"J. Czerwińska","doi":"10.18778/1733-0319.21.11","DOIUrl":"https://doi.org/10.18778/1733-0319.21.11","url":null,"abstract":"","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47527704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.12
J. Mielczarek
The Czech and Polish modernistic project of the critical national mythology is, in general, a form of the artist’s discussion with his own cultural tradition which was represented by the common, collective awareness. This collective awareness was, at that time, deprived of official form, due to the lack of state independence. In the works of Stanisław Wyspiański and Julius Zeyer, we can see the aspiration to achieve the recent, non-fixed look at the national tradition in its literary shape. There was the idea of tragic conflict which has been used by Wyspiański, first of all, in the cycle of his historical plays: Bolesław Śmiały and Skałka. Julius Zeyer’s most famous work, the epic poem named Vyšehrad, refers to the most important tradition of Czech romanticism, namely, to the way of the functioning of folklore in literary tradition. Zeyer also took up the discussion with the tradition of the alleged medieval manuscripts (the so-called Rukopis královédvorský and Rukopis zelenohorský) and suggested a critical using of national mythology. Critical – in this case – means: non-particular, non-provincial, opened to influence and reinterpretation.
{"title":"Julius Zeyer i Stanisław Wyspiański. Modernistyczny projekt krytycznej mitologii narodowej","authors":"J. Mielczarek","doi":"10.18778/1733-0319.17.12","DOIUrl":"https://doi.org/10.18778/1733-0319.17.12","url":null,"abstract":"The Czech and Polish modernistic project of the critical national mythology is, in general, a form of the artist’s discussion with his own cultural tradition which was represented by the common, collective awareness. This collective awareness was, at that time, deprived of official form, due to the lack of state independence. In the works of Stanisław Wyspiański and Julius Zeyer, we can see the aspiration to achieve the recent, non-fixed look at the national tradition in its literary shape. There was the idea of tragic conflict which has been used by Wyspiański, first of all, in the cycle of his historical plays: Bolesław Śmiały and Skałka. Julius Zeyer’s most famous work, the epic poem named Vyšehrad, refers to the most important tradition of Czech romanticism, namely, to the way of the functioning of folklore in literary tradition. Zeyer also took up the discussion with the tradition of the alleged medieval manuscripts (the so-called Rukopis královédvorský and Rukopis zelenohorský) and suggested a critical using of national mythology. Critical – in this case – means: non-particular, non-provincial, opened to influence and reinterpretation.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.06
Tamara Roszak
The article deals with the names of two Umbrian deities written in the Iguvine Tablets, PUEMUNE (dat. sg. m.) and VESUNE (dat. sg. f.). The author relates the Umbrian forms to the Indo-European roots *pō(i)- and *ṷes-, both of them meaning ‘to pasture’, which produce respectively: Lith. piemÂnÅ (f.) ‘shepherdess’, piemẽo (m.) ‘shepherd’, Gk. poim»n (m.) ‘id.’ and Hitt. ṷēštara- (c.) ‘shepherd’, Av. vāstar- (m.) ‘id.’. The Umbrian theonym PUEMUN- can be connected with the Lusitanian name of the pastoral goddess Poemanae (dat. sg. f.). The root ves- of the other Umbrian theonym can be compared with the root of the Lusitanian name Vestero (dat. sg. m.) ‘pastoral god’. The Umbrian noun has the suffix IE. *-H noH -, present in the Italic theonyms 1 2 (e.g. Lat. Pōmōna). Pieces of the same sheep were sacrificed to both deities, which additionally proves their pastoral function.
{"title":"Osservazioni sulla etimologia e funzione di due teonimi umbri","authors":"Tamara Roszak","doi":"10.18778/1733-0319.17.06","DOIUrl":"https://doi.org/10.18778/1733-0319.17.06","url":null,"abstract":"The article deals with the names of two Umbrian deities written in the Iguvine Tablets, PUEMUNE (dat. sg. m.) and VESUNE (dat. sg. f.). The author relates the Umbrian forms to the Indo-European roots *pō(i)- and *ṷes-, both of them meaning ‘to pasture’, which produce respectively: Lith. piemÂnÅ (f.) ‘shepherdess’, piemẽo (m.) ‘shepherd’, Gk. poim»n (m.) ‘id.’ and Hitt. ṷēštara- (c.) ‘shepherd’, Av. vāstar- (m.) ‘id.’. The Umbrian theonym PUEMUN- can be connected with the Lusitanian name of the pastoral goddess Poemanae (dat. sg. f.). The root ves- of the other Umbrian theonym can be compared with the root of the Lusitanian name Vestero (dat. sg. m.) ‘pastoral god’. The Umbrian noun has the suffix IE. *-H noH -, present in the Italic theonyms 1 2 (e.g. Lat. Pōmōna). Pieces of the same sheep were sacrificed to both deities, which additionally proves their pastoral function.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.03
Aneta Tylak
This paper contains the Polish translation of Corpus Hermeticum XVI, with a short commentary.
这篇论文包含波兰语翻译的文集赫尔墨斯十六，与一个简短的评论。
{"title":"Corpus Hermeticum XVI","authors":"Aneta Tylak","doi":"10.18778/1733-0319.17.03","DOIUrl":"https://doi.org/10.18778/1733-0319.17.03","url":null,"abstract":"This paper contains the Polish translation of Corpus Hermeticum XVI, with a short commentary.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.14
Mariusz Bartosiak
The paper presents a complex analysis of “Arcadia” by Tom Stoppard as an example of the postmodern artistic strategy that reinterprets traditional myth and themes within the context of dynamical changes in the cultural discourse of the last few decades. At the same time, it applies theories of contemporary natural sciences in the construction of characters, scenery and dramatic plot. The paper argues that such artistic strategy aims at the topoi koinoi of the anthropologically conceived culture and technologically oriented civilization. The analysis of Stoppard’s drama is set within two contexts: 1) the historical bifurcations of ancient (Theocritus, Virgil) and modern (Phillip Sidney, Nicolas Poussin) interpretations of the Arcadian myth; 2) the basic notions of chaos theory that are suggested in the dialogues and, at the same time, are applied in the construction of dramatic plot and its representation (bifurcation, attractor). The notion of entopia (‘in-place’), as opposed to the pair of utopia and dystopia, which are usually connected with interpretations of the myth of Arcadia as a desirable or undesirable ‘no-place’, refers to the ‘Arcadian’ aspects and possibilities of living, and especially to the acting here and now. In this respect, the paper argues that Stoppard’s “Arcadia” provides a mental space for the recognition of anthropological and axiological (performative) determinants of contemporary ‘Arcadian’ entopia.
{"title":"\"Et in Arcadia fracta ego\". Ponowoczesna entopia Toma Stopparda","authors":"Mariusz Bartosiak","doi":"10.18778/1733-0319.17.14","DOIUrl":"https://doi.org/10.18778/1733-0319.17.14","url":null,"abstract":"The paper presents a complex analysis of “Arcadia” by Tom Stoppard as an example of the postmodern artistic strategy that reinterprets traditional myth and themes within the context of dynamical changes in the cultural discourse of the last few decades. At the same time, it applies theories of contemporary natural sciences in the construction of characters, scenery and dramatic plot. The paper argues that such artistic strategy aims at the topoi koinoi of the anthropologically conceived culture and technologically oriented civilization. The analysis of Stoppard’s drama is set within two contexts: 1) the historical bifurcations of ancient (Theocritus, Virgil) and modern (Phillip Sidney, Nicolas Poussin) interpretations of the Arcadian myth; 2) the basic notions of chaos theory that are suggested in the dialogues and, at the same time, are applied in the construction of dramatic plot and its representation (bifurcation, attractor). The notion of entopia (‘in-place’), as opposed to the pair of utopia and dystopia, which are usually connected with interpretations of the myth of Arcadia as a desirable or undesirable ‘no-place’, refers to the ‘Arcadian’ aspects and possibilities of living, and especially to the acting here and now. In this respect, the paper argues that Stoppard’s “Arcadia” provides a mental space for the recognition of anthropological and axiological (performative) determinants of contemporary ‘Arcadian’ entopia.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.07
K. Kuszewska
The Lexicon of Verrius Flaccus (De verborum significatu) is the first Latin dictionary which included a lot of information about the history, society, religion and topography of Rome. Unfortunately, it is only known in fragments and abridgments. The epitome of this lexicon was created by Pompeius Festus, who probably lived in the second century. His work now exists only in fragments within a single manuscript, the Codex Farnesianus. We can reconstruct this text thanks to Paul the Deacon who also abridged the work of Festus for Charlemagne. Over the years, many editions of the text have been created which consisted of the work of Festus and the epitome of Paul. Today, we have few critical editions and comments on the text. This Lexicon is an amazing source of information and is of great importance to scholars of antiquity.
Verrius Flaccus词典(De verborum significatu)是第一本拉丁文词典，其中包含了大量关于罗马历史、社会、宗教和地形的信息。不幸的是，人们只知道它的片段和删节。庞培·费斯都(Pompeius Festus)创造了这个词汇的缩影，他可能生活在二世纪。他的作品现在只存在于一份手稿中，即《法内西努斯抄本》。多亏执事保罗，我们才能重建这段文字，他也为查理曼大帝删节了非斯都的作品。多年来，许多版本的文本已经创建，其中包括非斯都的工作和保罗的缩影。今天，我们很少有批评版本和对文本的评论。这本词典是一个惊人的信息来源，对古代学者来说非常重要。
{"title":"Historia leksykonu \"De verborum significatu\"","authors":"K. Kuszewska","doi":"10.18778/1733-0319.17.07","DOIUrl":"https://doi.org/10.18778/1733-0319.17.07","url":null,"abstract":"The Lexicon of Verrius Flaccus (De verborum significatu) is the first Latin dictionary which included a lot of information about the history, society, religion and topography of Rome. Unfortunately, it is only known in fragments and abridgments. The epitome of this lexicon was created by Pompeius Festus, who probably lived in the second century. His work now exists only in fragments within a single manuscript, the Codex Farnesianus. We can reconstruct this text thanks to Paul the Deacon who also abridged the work of Festus for Charlemagne. Over the years, many editions of the text have been created which consisted of the work of Festus and the epitome of Paul. Today, we have few critical editions and comments on the text. This Lexicon is an amazing source of information and is of great importance to scholars of antiquity.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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