Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.08
Adriana Grzelak-Krzymianowska
Calabria is a region where we may find many traces of very old settlements and the development of human civilization, because it was already inhabited during the Paleolithic Era. Its later, over two thousand years history is characterized by the influence of such ethno-cultural groups as the Greeks, the Brutti, the Romans, the Byzantines, the Saracens and the Normans. Hence, Calabria has become an infinite source of fascination for all who seek the remains of ancient times in Italy. The purpose of my article is to present the history of Scolacium – one of the ancient towns in the Italian province of Calabria basing, above all, on selected literary evidence on the issue. My studies concentrate mainly on pointing out the numerous references and allusions to its name and on the analysis of longer or shorter depictions of the town found in various Greek and Roman literary works and their application in a chronological reconstruction of the town’s past events as an example of historical processes observed on the territory of Magna Graecia.
{"title":"Scolacium w Kalabrii – wybrane źródła literackie do poznania historii miasta","authors":"Adriana Grzelak-Krzymianowska","doi":"10.18778/1733-0319.17.08","DOIUrl":"https://doi.org/10.18778/1733-0319.17.08","url":null,"abstract":"Calabria is a region where we may find many traces of very old settlements and the development of human civilization, because it was already inhabited during the Paleolithic Era. Its later, over two thousand years history is characterized by the influence of such ethno-cultural groups as the Greeks, the Brutti, the Romans, the Byzantines, the Saracens and the Normans. Hence, Calabria has become an infinite source of fascination for all who seek the remains of ancient times in Italy. The purpose of my article is to present the history of Scolacium – one of the ancient towns in the Italian province of Calabria basing, above all, on selected literary evidence on the issue. My studies concentrate mainly on pointing out the numerous references and allusions to its name and on the analysis of longer or shorter depictions of the town found in various Greek and Roman literary works and their application in a chronological reconstruction of the town’s past events as an example of historical processes observed on the territory of Magna Graecia.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.15
K. Płachcińska
The third part of the critical edition of Jan Kochanowski’s corpus in Latin, published by Zofia Głombiowska in 2013, contains an editorial commentary. This volume is the last part of a large and impressive work which was necessary for the academic knowledge of Polish Renaissance literature.
{"title":"Recenzja edycji: Jan Kochanowski, Carmina latina, cz. 3: Komentarz, oprac. Z. Głombiowska, Wydawnictwo Uniwersytetu Gdańskiego, Gdańsk 2013, ss. 983","authors":"K. Płachcińska","doi":"10.18778/1733-0319.17.15","DOIUrl":"https://doi.org/10.18778/1733-0319.17.15","url":null,"abstract":"The third part of the critical edition of Jan Kochanowski’s corpus in Latin, published by Zofia Głombiowska in 2013, contains an editorial commentary. This volume is the last part of a large and impressive work which was necessary for the academic knowledge of Polish Renaissance literature.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.16
Barbara Hartleb-Kropidło
Auctores eius libri, Grzegorz Kotłowski et Elżbieta Starek, omnes inscriptiones (numero 31) imprimis XVII saeculo p. Chr. n. confectas, quae in Basilica Minore Gedani inveniuntur (etiam in adiunctis photographiis) demonstrant. Maxima eorum pars ad vitam et activitatem nobilissimorum civium urbis Gedani pertinet, qui saepe magistratus publicos ac alia munera, e.g. magistrorum vel sacerdotum gerebant, et in gravibus politicis atque religiosis eventibus versati sunt. Magna cum diligentia ac artis epigraphicae linguae que Latinae scientia Auctores omnes inscriptiones in linguam Polonicam transferunt et necessarias notas de personis in inscriptionibus commemoratis praecipue de eorum activitatibus addunt. Hoc in modo hic liber qui de historia urbis Gedani et eius civium activitatibus narrat pro hominibus philologiae studiosis, historiae ac aliarum disciplinarum peritis perutilis certe ostendebitur.
{"title":"Recenzja książki Grzegorza Kotłowskiego i Elżbiety Starek, Łacińskie inskrypcje w kościołach Gdańska. Bazylika Mariacka, Pelplin 2013, Wydawnictwo „Bernardinumn”, ss. 105","authors":"Barbara Hartleb-Kropidło","doi":"10.18778/1733-0319.17.16","DOIUrl":"https://doi.org/10.18778/1733-0319.17.16","url":null,"abstract":"Auctores eius libri, Grzegorz Kotłowski et Elżbieta Starek, omnes inscriptiones (numero 31) imprimis XVII saeculo p. Chr. n. confectas, quae in Basilica Minore Gedani inveniuntur (etiam in adiunctis photographiis) demonstrant. Maxima eorum pars ad vitam et activitatem nobilissimorum civium urbis Gedani pertinet, qui saepe magistratus publicos ac alia munera, e.g. magistrorum vel sacerdotum gerebant, et in gravibus politicis atque religiosis eventibus versati sunt. Magna cum diligentia ac artis epigraphicae linguae que Latinae scientia Auctores omnes inscriptiones in linguam Polonicam transferunt et necessarias notas de personis in inscriptionibus commemoratis praecipue de eorum activitatibus addunt. Hoc in modo hic liber qui de historia urbis Gedani et eius civium activitatibus narrat pro hominibus philologiae studiosis, historiae ac aliarum disciplinarum peritis perutilis certe ostendebitur.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.11
Hanna Zalewska-Jura, Agnieszka Kłosińska-Nachin
W literaturze starozytnej obecne są dwa, biegunowo odmienne, motywy podania o Cyklopie: epicki, znany z IX ks. Odysei, przywolany poźniej i poddany modyfikacji przez Eurypidesa w dramacie satyrowym Cyklop oraz liryczno-erotyczny spopularyzowany przez Teokryta w XI sielance, Skargi Cyklopa. Wersje Teokryta rozbudowal Owidiusz w XIII ks. Metamorfoz. Pomostem miedzy obydwoma wariantami mitycznymi jest tzw. dytyramb Filoksenosa z Kytery. Mit Polifema, glownie w postaci, jaką nadal mu Owidiusz, przewija sie przez hiszpanski wiek XVI az do początku kolejnego stulecia, znajdując wielu naśladowcow i tlumaczy. Pod koniec XVI wieku siega do niego rowniez Lope de Vega w powieści pasterskiej La Arcadia (1598), nadając mu forme tradycyjnej hiszpanskiej strofy romance. Mit stanowi odbicie historii bedącej przedmiotem narracji, wzbogacając powieśc o elementy perspektywy autobiograficznej. W Fabula de Polifemo (1612) Luisa de Gongory mit ulega calkowitej transformacji. W jego interpretacji przewazają barokowe kontrasty i hiperbola. Struktura dziela oparta jest na zbiezności przeciwienstw: potworności Polifema i piekna Galatei. Mit staje sie tez okazją do transpozycji koncepcji piekna, wywodzącej sie od petrarkizmu: obserwowac mozna dominante planu metaforycznego, zastepującego elementy rzeczywistości.
在古代文学中，独眼巨人的应用有两个截然不同的主题：史诗，从第九版开始。后来欧里庇得斯在讽刺剧《独眼巨人》中召唤并修改的《奥德赛》，以及提奥克里特在第11首田园诗《独眼英雄的控诉》中推广的抒情情色。奥维德乌斯在公元13世纪扩充了提奥克里特的版本。变形。这两个神话变体之间的桥梁就是所谓的。Kytera的Ditiramb Philoxenos。Polyphemus的神话，主要是以他仍然拥有Ovidius的形式，贯穿了西班牙16世纪直到下世纪初，发现了许多模仿者和解释者。16世纪末，洛佩·德·维加（Lope de Vega）在田园小说《阿卡迪亚》（La Arcadia，1598）中赋予了它西班牙传统浪漫诗节的形式。神话反映了作为叙事主题的故事，丰富了小说的自传体元素。在Fabula de Polifemo（1612）中，路易莎·德·贡戈里的神话经历了彻底的转变。他的诠释以巴洛克式的对比和夸张为主。分裂的结构是基于对立的融合：多芬的怪物和加拉太的美丽。这个神话也成为了一个转换佩特拉主义所衍生的美概念的机会：人们可以观察到占主导地位的隐喻计划，取代现实的元素。
{"title":"The myth of the cyclops in antiquity and in the Spanish golden age","authors":"Hanna Zalewska-Jura, Agnieszka Kłosińska-Nachin","doi":"10.18778/1733-0319.17.11","DOIUrl":"https://doi.org/10.18778/1733-0319.17.11","url":null,"abstract":"W literaturze starozytnej obecne są dwa, biegunowo odmienne, motywy podania o Cyklopie: epicki, znany z IX ks. Odysei, przywolany poźniej i poddany modyfikacji przez Eurypidesa w dramacie satyrowym Cyklop oraz liryczno-erotyczny spopularyzowany przez Teokryta w XI sielance, Skargi Cyklopa. Wersje Teokryta rozbudowal Owidiusz w XIII ks. Metamorfoz. Pomostem miedzy obydwoma wariantami mitycznymi jest tzw. dytyramb Filoksenosa z Kytery. Mit Polifema, glownie w postaci, jaką nadal mu Owidiusz, przewija sie przez hiszpanski wiek XVI az do początku kolejnego stulecia, znajdując wielu naśladowcow i tlumaczy. Pod koniec XVI wieku siega do niego rowniez Lope de Vega w powieści pasterskiej La Arcadia (1598), nadając mu forme tradycyjnej hiszpanskiej strofy romance. Mit stanowi odbicie historii bedącej przedmiotem narracji, wzbogacając powieśc o elementy perspektywy autobiograficznej. W Fabula de Polifemo (1612) Luisa de Gongory mit ulega calkowitej transformacji. W jego interpretacji przewazają barokowe kontrasty i hiperbola. Struktura dziela oparta jest na zbiezności przeciwienstw: potworności Polifema i piekna Galatei. Mit staje sie tez okazją do transpozycji koncepcji piekna, wywodzącej sie od petrarkizmu: obserwowac mozna dominante planu metaforycznego, zastepującego elementy rzeczywistości.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.10
O. Bologna
{"title":"Gio vanni Pietro Arrivabene. Poet and theologian","authors":"O. Bologna","doi":"10.18778/1733-0319.17.10","DOIUrl":"https://doi.org/10.18778/1733-0319.17.10","url":null,"abstract":"","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.17
K. Osińska, Magdalena Cieślikowka-Ryczko
Prezentowane ponizej dwa przeklady slawnej mowy Arystofanesa z Platonskiej Uczty są poklosiem konkursu translatorskiego, zorganizowanego w Katedrze Filologii Klasycznej UŁ w roku akademickim 2012/2013. Pomysl konkursu narodzil sie na zajeciach poświeconych lekturze autorow greckich, na ktorych studenci I i II roku studiow magisterskich tlumaczyli, pod moim kierunkiem, ten wlaśnie tekst Platona. W trakcie porownywania przez studentow tekstu oryginalnego z istniejącymi polskimi przekladami powstal wśrod nich projekt, aby podjąc probe samodzielnego zmierzenia sie z literackim tlumaczeniem tego pieknego, ale nielatwego do oddania fragmentu Platonskiej prozy. Zadania tego podjelo sie ostatecznie siedem osob, a jego rezultaty byly na tyle interesujące i warte uwagi, ze podsunelam studentom i pracownikom KFK myśl przeprowadzenia konkursu, czyli ocenienia przekladow przez szerszą grupe osob, na co autorzy tlumaczen wyrazili zgode. Ostatecznie konkursowe jury obradowalo w trzech niezaleznych zespolach: pracownikow, studentow studiow magisterskich i studentow studiow licencjackich. Kazdy z czlonkow jury mogl przyznac, odpowiednio, trzy, dwa lub jeden punkt trzem pracom uznanym przez siebie za najlepsze. Ocena byla przeprowadzana w sposob calkowicie anonimowy, prace zostaly zakodowane. Choc uklad miejsc laureatow w ocenie poszczegolnych grup jury nieco sie roznil, po podliczeniu punktow zdecydowanymi zwyciezczyniami konkursu okazaly sie dwie studentki II roku studiow magisterskich: pani Kamila Osinska (33 punkty, miejsce I, I i II – w ostatecznej klasyfikacji miejsce I) i pani Magdalena Cieślikowska-Ryczko (32 punkty, miejsce I, I i III – w ostatecznej klasyfikacji miejsce II). W ocenie jury oba przeklady, ktore dzieli roznica tylko jednego punktu, zaslugują na publikacje – zwlaszcza wobec wzrastającego zainteresowania polskich tlumaczy „arcydialogiem” Platona.
{"title":"Mowa Arystofanesa z \"Uczty\" Platona (189c–193d) – przekład literacki","authors":"K. Osińska, Magdalena Cieślikowka-Ryczko","doi":"10.18778/1733-0319.17.17","DOIUrl":"https://doi.org/10.18778/1733-0319.17.17","url":null,"abstract":"Prezentowane ponizej dwa przeklady slawnej mowy Arystofanesa z Platonskiej Uczty są poklosiem konkursu translatorskiego, zorganizowanego w Katedrze Filologii Klasycznej UŁ w roku akademickim 2012/2013. Pomysl konkursu narodzil sie na zajeciach poświeconych lekturze autorow greckich, na ktorych studenci I i II roku studiow magisterskich tlumaczyli, pod moim kierunkiem, ten wlaśnie tekst Platona. W trakcie porownywania przez studentow tekstu oryginalnego z istniejącymi polskimi przekladami powstal wśrod nich projekt, aby podjąc probe samodzielnego zmierzenia sie z literackim tlumaczeniem tego pieknego, ale nielatwego do oddania fragmentu Platonskiej prozy. Zadania tego podjelo sie ostatecznie siedem osob, a jego rezultaty byly na tyle interesujące i warte uwagi, ze podsunelam studentom i pracownikom KFK myśl przeprowadzenia konkursu, czyli ocenienia przekladow przez szerszą grupe osob, na co autorzy tlumaczen wyrazili zgode. Ostatecznie konkursowe jury obradowalo w trzech niezaleznych zespolach: pracownikow, studentow studiow magisterskich i studentow studiow licencjackich. Kazdy z czlonkow jury mogl przyznac, odpowiednio, trzy, dwa lub jeden punkt trzem pracom uznanym przez siebie za najlepsze. Ocena byla przeprowadzana w sposob calkowicie anonimowy, prace zostaly zakodowane. Choc uklad miejsc laureatow w ocenie poszczegolnych grup jury nieco sie roznil, po podliczeniu punktow zdecydowanymi zwyciezczyniami konkursu okazaly sie dwie studentki II roku studiow magisterskich: pani Kamila Osinska (33 punkty, miejsce I, I i II – w ostatecznej klasyfikacji miejsce I) i pani Magdalena Cieślikowska-Ryczko (32 punkty, miejsce I, I i III – w ostatecznej klasyfikacji miejsce II). W ocenie jury oba przeklady, ktore dzieli roznica tylko jednego punktu, zaslugują na publikacje – zwlaszcza wobec wzrastającego zainteresowania polskich tlumaczy „arcydialogiem” Platona.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.05
L. Stankiewicz
An example of this formula usage is the prayer utterance of one of the national epic’s charac- ter, the Annals of Quintus Ennius (Ann. I 26 Skutsch). Since, for the purposes of literary research, significant is only the first triad of this historic poem, the research was limited to Book I of the work. The realism of portrayed events is a dominant feature of the world depicted in the analyzed work and, in an essential manner, it influenced Roman religious ideals. The prayer of Aeneas to Tiber- inus – the god of the Tiber River, is therefore reviewed in a context of mythological topics taken from Homeric tradition. This sacral utterance is spoken in accordance to certain stylistic and ritual patterns that were in use in Roman poetry.
{"title":"Rzymskie bóstwo akwatyczne \"Tiberinus\" w epickiej nar racji \"Annales\" Enniusza","authors":"L. Stankiewicz","doi":"10.18778/1733-0319.17.05","DOIUrl":"https://doi.org/10.18778/1733-0319.17.05","url":null,"abstract":"An example of this formula usage is the prayer utterance of one of the national epic’s charac- ter, the Annals of Quintus Ennius (Ann. I 26 Skutsch). Since, for the purposes of literary research, significant is only the first triad of this historic poem, the research was limited to Book I of the work. The realism of portrayed events is a dominant feature of the world depicted in the analyzed work and, in an essential manner, it influenced Roman religious ideals. The prayer of Aeneas to Tiber- inus – the god of the Tiber River, is therefore reviewed in a context of mythological topics taken from Homeric tradition. This sacral utterance is spoken in accordance to certain stylistic and ritual patterns that were in use in Roman poetry.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.01
J. Sowa
In this paper, I examine the debate between advocates of male and female love in two works dedicated to this subject: Plutarch’s Amatorius (Dialogue on Love) and Lucian’s Amores (Affairs of the Heart). Plutarch, drawing on Platonic tradition, accepts and praises eros paidikos, but he condemns homosexual intercourse as an act of hybris. On the other hand, Plutarch rejects traditional Greek prejudices against women and glorifies marriage as the highest form of human relationship: he argues that conjugal love contains both the lifelong friendship and sexual relations which are a source of mutual kindness, respect and affection. In Lucian’s work the defender of pederasty, portraying it as a spiritual relationship and a mark of advanced cultural evolution, wins the debate; but in the last part of dialogue moral demands of sexual restraint in pederasty are mocked, and sexual pleasure is called “a mediator of friendship”.
{"title":"Eros \"paidikos\" kontra miłość do kobiety w \"Dialogu o miłości erotycznej\" Plutarcha i \"Bogach miłości\" Lukiana","authors":"J. Sowa","doi":"10.18778/1733-0319.17.01","DOIUrl":"https://doi.org/10.18778/1733-0319.17.01","url":null,"abstract":"In this paper, I examine the debate between advocates of male and female love in two works dedicated to this subject: Plutarch’s Amatorius (Dialogue on Love) and Lucian’s Amores (Affairs of the Heart). Plutarch, drawing on Platonic tradition, accepts and praises eros paidikos, but he condemns homosexual intercourse as an act of hybris. On the other hand, Plutarch rejects traditional Greek prejudices against women and glorifies marriage as the highest form of human relationship: he argues that conjugal love contains both the lifelong friendship and sexual relations which are a source of mutual kindness, respect and affection. In Lucian’s work the defender of pederasty, portraying it as a spiritual relationship and a mark of advanced cultural evolution, wins the debate; but in the last part of dialogue moral demands of sexual restraint in pederasty are mocked, and sexual pleasure is called “a mediator of friendship”.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.02
Marta Czapińska
The story of Triptolemos is connected with the myth of Demeter. This goddess, in gratitude for the hospitality received from the parents of Triptolemos during the difficult quest for her missing daughter, Persephone, gave the young man an unusual chariot in order to help him reveal the mystery of agriculture to people and popularise this skill among them. That special moment was commemorated on vases produced in the red-figure technique in the fifth century BC and later artists repeatedly undertook this theme. However, an interesting difference in the way Triptolemos’s chariot is depicted appears on the subsequent art works. On ancient vases, Triptolemos is seated on a chariot with winged wheels, whereas two snakes are slithering beside. The following works of art depict a chariot dragged by winged dragons. The analysis of selected texts of ancient authors shows that the growing tendency to portray the chariot of Triptolemos with dragons is not justified by literary sources and is dictated by the imagination of the artist.
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Pub Date : 2014-01-01DOI: 10.18778/1733-0319.17.04
Oryslava Ivashkiv-Vashchuk
Lexical expression of the concept love in Theocritus’ works
忒奥克里托斯作品中“爱”概念的词汇表达
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