Dans L’arbre fouet d’Ananda Devi et Celles qui attendent de Fatou Diome, la violence occupe une place considérable. Et, face à la violence verbale, les personnages féminins observent le silence. Or, la société patriarcale unie à l’espace géographique insulaire rend le silence de la femme double. Dès lors, le rejet du langage, qui se révèle être une stratégie de la part des personnages féminins, indique, non seulement le refus de s’engager dans la violence, mais surtout, le pouvoir que détiennent ces personnages. Les rapports de force sont dès lors inversés. Les « violentées » ne subissent plus la situation, mais la contrôlent. Elles s’approprient le silence à leur avantage. Cet article étudie les lieux du silence où la femme se réapproprie son pouvoir face aux entraves de la société et de l’espace géographique.
{"title":"silence de la femme insulaire dans L’arbre fouet d’Ananda Devi et dans Celles qui attendent de Fatou Diome","authors":"Thila Sunassee-Thapermall","doi":"10.26522/vp.v19i2.4120","DOIUrl":"https://doi.org/10.26522/vp.v19i2.4120","url":null,"abstract":"Dans L’arbre fouet d’Ananda Devi et Celles qui attendent de Fatou Diome, la violence occupe une place considérable. Et, face à la violence verbale, les personnages féminins observent le silence. Or, la société patriarcale unie à l’espace géographique insulaire rend le silence de la femme double. Dès lors, le rejet du langage, qui se révèle être une stratégie de la part des personnages féminins, indique, non seulement le refus de s’engager dans la violence, mais surtout, le pouvoir que détiennent ces personnages. Les rapports de force sont dès lors inversés. Les « violentées » ne subissent plus la situation, mais la contrôlent. Elles s’approprient le silence à leur avantage. Cet article étudie les lieux du silence où la femme se réapproprie son pouvoir face aux entraves de la société et de l’espace géographique.","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42853989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article observe l’impact de la langue française, la langue de l’Autre, pour laquelle a opté Malika Mokeddem, écrivaine algérienne francophone de la période postcoloniale, sur son vécu culturel et son choix de l’exil en pays étranger, selon ses aspirations. L’article prend appui sur ses principaux ouvrages, à savoir : L’interdite, Mes hommes, La désirante.
这篇文章观察了法语的影响，法语是阿尔及利亚后殖民时期的法语作家马里卡·莫克登(Malika Mokeddem)选择的另一种语言，对她的文化经历和她选择流亡国外的愿望的影响。这篇文章是基于他的主要作品，即:l ' interdit, Mes hommes, La desirante。
{"title":"répercussions de la langue française sur Malika Mokeddem, écrivaine algérienne francophone : du conflit identitaire à l’exil","authors":"Dalila Arezki","doi":"10.26522/vp.v19i2.4140","DOIUrl":"https://doi.org/10.26522/vp.v19i2.4140","url":null,"abstract":"Cet article observe l’impact de la langue française, la langue de l’Autre, pour laquelle a opté Malika Mokeddem, écrivaine algérienne francophone de la période postcoloniale, sur son vécu culturel et son choix de l’exil en pays étranger, selon ses aspirations. L’article prend appui sur ses principaux ouvrages, à savoir : L’interdite, Mes hommes, La désirante.","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42789213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study examines spatial, temporal, and theoretical aspects of the theme of exile in La Duchesse de Langeais by Honoré de Balzac. Four motives are identified: departure, refuge, loss of memory, and reminiscence. An optimistic reading is proposed in which exile is perceived as a possibility for romance.
{"title":"mise en scène de l’exil dans La Duchesse de Langeais","authors":"Marie-Louise Brice","doi":"10.26522/vp.v19i1.3936","DOIUrl":"https://doi.org/10.26522/vp.v19i1.3936","url":null,"abstract":"This study examines spatial, temporal, and theoretical aspects of the theme of exile in La Duchesse de Langeais by Honoré de Balzac. Four motives are identified: departure, refuge, loss of memory, and reminiscence. An optimistic reading is proposed in which exile is perceived as a possibility for romance.","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46085924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article postulates that the hegemonic, neocolonial discourse held in France on African post-colonies remains atemporal. It also questions philanthropic projects.
这篇文章假设，法国关于非洲后殖民地的霸权、新殖民主义话语仍然是暂时的。它还质疑慈善项目。
{"title":"Discours hégémonique et relent colonial : les tribunes de La Baule (1990) et de Dakar (2007) ou la Françafrique discursivée","authors":"Lucie Kengne Gatsing","doi":"10.26522/vp.v19i1.3939","DOIUrl":"https://doi.org/10.26522/vp.v19i1.3939","url":null,"abstract":"This article postulates that the hegemonic, neocolonial discourse held in France on African post-colonies remains atemporal. It also questions philanthropic projects.","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43311037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L’empreinte à Crusoé by Patrick Chamoiseau revisits European colonial expansion, specifically slave trade and, rewriting Robinson Crusoe, the deportation of Africans towards America. Chamoiseau’s elliptic style reveals the traumata caused by this experience. The novel thus succeeds in communicating its extreme without describing the ocean crossing itself.
Patrick Chamoiseau的《漂泊的经验》(L 'empreinte cruso)回顾了欧洲的殖民扩张，特别是奴隶贸易，并改写了《鲁滨逊漂流记》，将非洲人驱逐到美国。查莫瓦索的椭圆形风格揭示了这段经历所造成的创伤。因此，这部小说成功地传达了它的极端，而没有描述海洋的穿越本身。
{"title":"mémoire de la traversée dans L’empreinte à Crusoé de Patrick Chamoiseau","authors":"Valeria Liljesthröm","doi":"10.26522/vp.v19i1.3934","DOIUrl":"https://doi.org/10.26522/vp.v19i1.3934","url":null,"abstract":"L’empreinte à Crusoé by Patrick Chamoiseau revisits European colonial expansion, specifically slave trade and, rewriting Robinson Crusoe, the deportation of Africans towards America. Chamoiseau’s elliptic style reveals the traumata caused by this experience. The novel thus succeeds in communicating its extreme without describing the ocean crossing itself.","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46431174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Looking at aesthetics and heterogeneity in Abdelfattah Kilito’s Dites-moi le songe, this article examines how this work challenges the limits of literary genres. Dites-moi le songe includes essayistic digressions, fragmentary writing, oneiric narratives, and elements of the novel. Using literary and extra-literary intertextuality, it rehabilitates Classical Arabic literature.
{"title":"esthétique de l’hétérogénéité dans Dites-moi le songe d’Abdelfattah Kilito","authors":"Abdelouahed Hajji","doi":"10.26522/vp.v19i1.3938","DOIUrl":"https://doi.org/10.26522/vp.v19i1.3938","url":null,"abstract":"Looking at aesthetics and heterogeneity in Abdelfattah Kilito’s Dites-moi le songe, this article examines how this work challenges the limits of literary genres. Dites-moi le songe includes essayistic digressions, fragmentary writing, oneiric narratives, and elements of the novel. Using literary and extra-literary intertextuality, it rehabilitates Classical Arabic literature.\u0000\u0000\u0000 \u0000\u0000","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48658524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visite en Pologne, au Liberatorium","authors":"Radosław Nowakowski","doi":"10.26522/vp.v19i1.3946","DOIUrl":"https://doi.org/10.26522/vp.v19i1.3946","url":null,"abstract":"Polish artist Radosław Nowakowski operates a small press - Liberatorium - and creates series of books focusing on non-writing and non-descriptions.","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42623817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In a poststructuralist world where certainty is located in bygone times, aestheticization of discourse stems from a poetry of deconstruction present at different levels in Le Livre des fuites (1969) and Naissances des fantômes (1998), both by J.M.G. Le Clézio, and Bref séjour chez les vivants (2001) by Marie Darrieussecq. At the crossroads of (Freudian and Lacanian) psychoanalysis and structuralism, the present analysis aims to unveil the psychological route of insane characters who seek to capture the brief and unveil the instant. The process implies a fractal construction, dominated by spatiotemporal psychic fragments, the punctual use of which sets up a fragmentary regime.
在后结构主义世界中，确定性位于过去的时代，话语的审美化源于解构的诗歌，在J.M.G. Le clacimzio(1969)和Naissances des fantômes(1998)中都呈现出不同层次的解构，他们都是由J.M.G. Le clacimzio和Marie Darrieussecq的Bref ssamjour chez les vivants(2001)。在(弗洛伊德和拉康的)精神分析和结构主义的交叉点上，本文的分析旨在揭示寻求捕捉短暂和揭示瞬间的精神错乱人物的心理路线。这个过程暗示了一个分形结构，由时空精神碎片主导，它的准时使用建立了一个碎片的制度。
{"title":"Indétermination spatio-temporelle et structure fragmentaire chez J.M.G. Le Clézio et Marie Darrieussecq","authors":"Orphée Goré","doi":"10.26522/vp.v19i1.3935","DOIUrl":"https://doi.org/10.26522/vp.v19i1.3935","url":null,"abstract":"In a poststructuralist world where certainty is located in bygone times, aestheticization of discourse stems from a poetry of deconstruction present at different levels in Le Livre des fuites (1969) and Naissances des fantômes (1998), both by J.M.G. Le Clézio, and Bref séjour chez les vivants (2001) by Marie Darrieussecq. At the crossroads of (Freudian and Lacanian) psychoanalysis and structuralism, the present analysis aims to unveil the psychological route of insane characters who seek to capture the brief and unveil the instant. The process implies a fractal construction, dominated by spatiotemporal psychic fragments, the punctual use of which sets up a fragmentary regime.","PeriodicalId":40155,"journal":{"name":"Voix Plurielles","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44194781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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