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The Second American Civil War Is Not Taking Place 第二次美国内战没有发生
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/0322198149
M. Kelly
My title both denies and affirms the core claim of the essay by Paul Kahn beneath which this comment appears. I agree for the most part with Kahn’s depiction of the actuality of the United States, but I disagree with his overarching categorization of this as “civil war.” I do not believe a second U.S. civil war is sensu stricto either in progress or even in prospect. The political situation in the United States is not a war. This is a fact that Kahn himself is hardly unaware of, although he seeks to avert it through a redefinition of the term “war.” I will hence contest this redefinition.
我的标题既否定又肯定了保罗·卡恩的文章的核心主张,这篇评论出现在下面。在很大程度上,我同意卡恩对美国现状的描述,但我不同意他将其笼统地归类为“内战”。我不认为第二次美国内战是严格意义上的,无论是在进行中还是在未来。美国的政治局势不是一场战争。这是卡恩本人几乎没有意识到的事实,尽管他试图通过重新定义“战争”一词来避免这一点。因此,我将对这种重新定义提出异议。
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引用次数: 0
“With Desire I Have Desired”: Enjoying the Face of the Other as Political Theology: John Caputo and Dorothy Day Situating Hospitality as Divine Encounter “带着我渴望的欲望”:作为政治神学享受他者的面孔:约翰·卡普托和多萝西·戴将好客视为神圣的相遇
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/0322198023
Martin Tomszak
When attempting to undertake any exploration of the merits that deconstruction may have within the sphere of theology, the natural starting place is the work of John Caputo. Caputo has been instrumental in the formation of radical theology, theopoetics, and a hermeneutics of the event as new, or perhaps very old, ways of wrestling with how we are to traverse the delicate sphere of the Divine generally and the work of Jesus of Nazareth specifically. Thus, his expertise in the realm of theory will serve as a vital foundation for how we might begin to formulate a functional theoaktion and theo-ethic as we ourselves try to navigate what it means to be Catholic and live the Gospel message within the postmodern epoch through my chosen lens of the work done by Dorothy Day and the backdrop of Jesus’s ministry.
当试图对神学领域内解构主义的优点进行任何探索时,约翰·卡普托的作品自然是一个起点。卡普托在激进神学,神学,和事件解释学的形成中发挥了重要作用,作为一种新的,或者可能是非常古老的,与我们如何穿越神圣的微妙领域,特别是拿撒勒人耶稣的工作进行角力的方式。因此,他在理论领域的专业知识将为我们如何开始制定一个功能性的神学和神学伦理提供重要的基础,因为我们自己试图通过我选择的多萝西·戴(Dorothy Day)所做的工作和耶稣事工的背景,在后现代时代中,作为天主教徒和活出福音信息意味着什么。
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引用次数: 0
Empire, State, Nation: Glory to Ukraine 帝国,国家,民族:乌克兰的荣耀
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/1222201189
R. Berman
The high-water mark of globalization has passed. New competitions continue to emerge in a decidedly multipolar international system. As the United States views China and Russia as strategic competitors or worse, an array of mid-level powers—Iran, North Korea, Saudi Arabia, Turkey, India, the BRICS, and so forth—try to navigate this complex system and pursue their national interests. Meanwhile, no matter how much the United States and the European Union both believe themselves part of a single “West,” divergent interests tend to drive them apart, even as tensions within the EU itself have grown sharper. In order to describe part of this increasingly competitive environment, an analytic distinction between so-called “civilizational states” and “liberal empires” seems to provide a framework to analyze international political processes in starkly contrasting terms.1 To some extent, the two terms repackage the terminology of the Cold War era that contrasted closed and open societies, and if we are indeed entering a new Cold War, the return of these categories is arguably appropriate. Yet more is surely at stake than a repetition of the historical competition between Communism and democracy, and the focus on the contrast between allegedly civilizational states and liberal empires may be missing a key part of the picture. Let’s take a closer look at the two concepts and then ask whether this binary provides an adequate toolkit to understand, for example, the conflict in Ukraine. To anticipate the conclusion: those who celebrate Russia as a “civilizational state” doing battle with the evil “liberal empire” of the West miss the key point in the conflict, the will of the Ukrainian people to assert their autonomy as a nation and to resist foreign occupation.
全球化的高潮已经过去。在一个多极的国际体系中,新的竞争不断出现。随着美国将中国和俄罗斯视为战略竞争对手,或者更糟的是,一系列中等实力国家——伊朗、朝鲜、沙特阿拉伯、土耳其、印度、金砖国家等等——试图驾驭这个复杂的体系,追求自己的国家利益。与此同时,无论美国和欧盟都认为自己是同一个“西方”的一部分,不同的利益倾向于将他们分开,即使欧盟内部的紧张局势也变得更加尖锐。为了描述这种日益激烈的竞争环境的一部分,对所谓的“文明国家”和“自由帝国”的分析区分似乎提供了一个框架,可以用截然不同的术语来分析国际政治进程在某种程度上,这两个术语重新包装了冷战时代的术语,这些术语对比了封闭和开放的社会,如果我们确实正在进入一场新的冷战,那么这些类别的回归可以说是适当的。然而,与共产主义和民主之间的历史竞争重演相比,更重要的肯定是利害攸关的,而把重点放在所谓的文明国家和自由帝国之间的对比上,可能会错过这幅图景的关键部分。让我们仔细看看这两个概念,然后问一下这个二进制文件是否提供了一个足够的工具包来理解,例如乌克兰的冲突。预测一下结论:那些称赞俄罗斯是一个正在与邪恶的西方“自由帝国”作战的“文明国家”的人,错过了这场冲突的关键点,即乌克兰人民维护自己作为一个国家的自治权、抵制外国占领的意愿。
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引用次数: 0
Third Term Comparison 第三学期比较
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/0622199011
Sijia Yao
To compare, or not to compare? Since when did that become a question? As long as the discipline of comparative literature is situated in the singular discourse of absolute equity, to compare has become a tabooed concept and action. As Zhang Longxi laments, “In the postmodern critique of fundamentals, we are told not to essentialize anything and not to hold things in a metaphysical hierarchy, as though any kind of comparison or differentiation, any value judgment, or any order of things would result in a repressive regime that privileges one and, of necessity, excludes all other alternatives.”1 This reluctance to make value judgments has led the field of comparative literature to turn to world literature as a way of overcoming a Eurocentric bias by integrating discussion of non-European literature. World literature attempts to thereby go beyond national traditions and eliminate bias to promote a universal culture of literature that advocates equity but avoids comparison. David Damrosch sets up an opposition between national literatures and world literature in which the study of the former historically contextualizes a literary text whereas the latter decontextualizes it. In defining world literature, he writes, “I take world literature to encompass all literary works that circulate beyond their culture of origin, either in translation or in their original language.”2 Accordingly, the world literature idea does not establish relationships between cultural traditions. Instead, it focuses on traveling texts in order to set up a universal culture. Zhang Longxi, for instance, tries to imagine a global canon of literature that consists of “a relatively stable set of canonical works from the world’s different literary traditions.”3 This canon does not depend on its development within a particular historical tradition. Instead, such a global canon attempts to establish a worldwide tradition maintained within the minds of some comparative/world literature professors. Zhang Longxi’s recent idea of world literature (which conflicts with his earlier ideas about comparison4) tends to dissolve cultural traditions into a unified world literature as a set of core texts that takes a form of objectivity and universality.
比较,还是不比较?什么时候这也成了问题了?只要比较文学学科处于绝对公平的单一话语中,比较就成为一种禁忌的概念和行为。正如张龙喜所哀叹的那样,“在后现代的基础批判中,我们被告知不要将任何事物本质化,不要将事物置于形而上学的层次中,似乎任何比较或区分,任何价值判断,或任何事物的顺序都会导致一种压迫性的政权,这种政权只给予一个人特权,而必然排斥所有其他选择。”这种对价值判断的不情愿导致比较文学领域转向世界文学,通过整合对非欧洲文学的讨论来克服以欧洲为中心的偏见。世界文学试图借此超越民族传统,消除偏见,倡导一种崇尚公平、避免比较的普世文学文化。大卫·达姆罗施将民族文学与世界文学对立起来,前者的研究将文学文本历史地语境化,后者的研究将文学文本去语境化。在定义世界文学时,他写道:“我认为世界文学包括所有在其起源文化之外传播的文学作品,无论是通过翻译还是以原始语言传播。”因此,世界文学观念并不建立文化传统之间的关系。相反,它侧重于旅行文本,以建立一种普遍的文化。例如,张龙喜试图想象一种全球文学经典,由“一套相对稳定的来自世界不同文学传统的经典作品”组成。这一经典并不依赖于它在特定历史传统中的发展。相反,这样一个全球性的经典试图建立一个世界范围内的传统,保持在一些比较/世界文学教授的头脑中。张龙喜最近的世界文学观(与他早期的比较观相冲突)倾向于将文化传统消解为一种统一的世界文学,即一套具有客观性和普遍性的核心文本。
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引用次数: 0
Doing Western Studies in China: Its Nature and Methods 在中国做西方研究:性质与方法
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/0622199035
Huimin Jin
If globalization is understood as Westernization or Americanization, then its opposite would be nationalization or localization. The sociologist Roland Robertson introduced the term “glocalization” to refer to the essence of globalization: “Its central dynamic involves the twofold process of the particularization of the universal and the universalization of the particular.”1 Yet this “twofold process” has never been equally “twofold” and balanced for both sides. If, in its initial stages, “globalization” means that Western powers unilaterally push their economy, politics, and culture onto the entire world, then rather paradoxically it is this same process of Westernizing the “rest” of the world that awakens the national or local consciousness, and thus arouses resistance to it in numerous forms, which is manifested not only in the developing countries that have been subjected to globalization but also in the strong powers like the United States that impose globalization upon others. Globalization produces its opponents, and they are global opponents. For example, it is not that China does not want to continue (economic) globalization today but rather that former global powers are demanding to cut their ties with non-Western countries. It seems that we have ironically come to the opposite side of globalization and started a movement of “de-globalization.”
如果把全球化理解为西方化或美国化,那么它的对立面就是民族化或地方化。社会学家罗兰·罗伯逊(Roland Robertson)引入了“全球本土化”一词来指代全球化的本质:“全球化的核心动力包括普遍的特殊化和特殊的普遍化的双重过程。”然而,这种“双重过程”从来就不是平等的“双重”和平衡的。如果说,在“全球化”的最初阶段,“全球化”意味着西方列强单方面地将其经济、政治和文化推向整个世界,那么,矛盾的是,正是这种将世界“其他地方”西化的过程,唤醒了民族或地方的意识,从而引发了各种形式的抵制。这不仅表现在受全球化影响的发展中国家,也表现在像美国这样将全球化强加于他人的大国。全球化产生了它的反对者,他们是全球的反对者。例如,不是中国不想在今天继续(经济)全球化,而是前全球大国要求切断与非西方国家的联系。我们似乎讽刺地站到了全球化的对立面,开始了一场“去全球化”运动。
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引用次数: 0
On the Spectacles of Market Society 论市场社会的景象
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/0922200210
J. Wennström
Timothy W. Luke, Screens of Power: Ideology, Domination, and Resistance in Informational Society, revised edition. Foreword by Ronald J. Deibert. Candor, NY: Telos Press Publishing, 2020. Pp. xxiii + 340.
《权力的屏幕:信息社会中的意识形态、统治与反抗》,修订版。Ronald J. Deibert作序。《坦率》,纽约:Telos出版社,2020年。Pp. xxiii + 340。
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引用次数: 0
Tolerance as Suppressed Disapproval 宽容与压制不赞成
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/0622199107
Tomáš Sobek
In this text, I am going to deal with the concept of tolerance. This concept plays a central role in the tradition of liberal thinking. But it is used in literature rather loosely, which has the potential to cause misunderstandings. I will work within the semantic framework of expressivism. I’m not saying that this particular metaethical theory is necessary to understand the concept of tolerance. The main thesis of my text is that tolerance is a second-order attitude. To tolerate X means to suppress one’s own disapproval of X. This thesis is metaethically neutral. The reader can accept it no matter what metaethical theory he holds. Even a moral realist, moral error theorist, or moral constructivist can admit that tolerance is suppressed disapproval. However, expressivism is very suitable for my purpose because it analyzes the meanings of moral sentences in terms of practical attitudes. This semantic framework helps me to test my language intuitions about the concept of tolerance.
在这篇文章中,我将讨论宽容的概念。这个概念在自由主义思想的传统中起着核心作用。但它在文学中的使用相当松散,这有可能引起误解。我会在表现主义的语义框架内进行研究。我并不是说这个特定的元伦理理论对于理解宽容的概念是必要的。我这篇文章的主要论点是,宽容是一种二级态度。容忍X意味着抑制自己对X的反对。本文在元伦理学上是中立的。无论读者持有何种元伦理理论,他都可以接受它。即使是道德现实主义者、道德错误理论家或道德建构主义者也承认,宽容是被压制的不赞成。然而,表现主义非常适合我的目的,因为它从实践态度的角度来分析道德句子的意义。这个语义框架帮助我测试我对宽容概念的语言直觉。
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引用次数: 0
Of Civil Wars and Where They Lead: Some Reflections 内战及其走向:一些思考
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/0322198155
G. Melleuish
The issue as to what constitutes a “civil war” is an interesting one. The idea that it is something more than an armed conflict is very useful as it allows us to understand those forms of attenuated civil conflict and discord in a more profound way. “Civil wars,” understood as chronic civil conflict, can last for decades, even centuries, with low-level conflict reaching crises that result in violence from time to time.
什么构成了“内战”是一个有趣的问题。这不仅仅是一场武装冲突,这一观点非常有用,因为它使我们能够更深刻地理解这些形式的缓和的国内冲突和不和谐。“内战”被理解为长期的国内冲突,可以持续几十年,甚至几个世纪,低级别的冲突会发展到危机,导致暴力事件不时发生。
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引用次数: 0
From Neoreaction to Alt-Right: A Schmittian Perspective 从新反动到另类右翼:一个施密特的视角
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/0322198090
Courtney Hodrick
In 2009, libertarian billionaire Peter Thiel wrote, “I no longer believe that freedom and democracy are compatible.”1 Thiel’s statement challenged the basic premise of much of Western politics: the liberal democratic consensus that treats economic freedom and political democracy as two guiding stars to be pursued in tandem.2 In the decade since, the rise in conservative populist movements and leaders from Brexit to Bolsonaro, and particularly the 2016 election of Donald Trump as president of the United States, led many scholars to conclude that the liberal democratic consensus had collapsed–or was never really a consensus to begin with.3 The question then becomes: what will replace liberal democracy?.
2009年,自由主义亿万富翁彼得·蒂尔(Peter Thiel)写道:“我不再相信自由和民主是相容的。蒂尔的声明挑战了西方政治的基本前提:自由民主共识,将经济自由和政治民主视为两颗指引的星星,需要同时追求在那之后的十年里,从英国脱欧到博尔索纳罗,保守派民粹主义运动和领导人的崛起,尤其是2016年唐纳德·特朗普当选美国总统,导致许多学者得出结论,自由民主共识已经崩溃——或者从一开始就不是一个真正的共识那么问题就变成了:什么将取代自由民主?
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引用次数: 0
China and the West: Methodologies for Comparison 中国和西方:比较的方法
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3817/0622199020
Xudong Zhang
When it comes to methodologies of comparison between China and the West, it is difficult to recall many meaningful discussions based on the conventional, by now largely obsolete, textbook formula of “influence studies” and “parallel studies” as stock “methods” in comparative literature as an academic discipline.1 To compare, say, landscape poetry or female protagonists in Chinese and European literary traditions almost invariably leads to something too capricious or too general. Such studies often result in mere explanations, even descriptions, of cultural features or aesthetic distinctions standing outside the space of critical interpretation.
当涉及到中西比较的方法论时,很难回忆起许多有意义的讨论是基于传统的,现在基本上已经过时的,教科书式的“影响研究”和“平行研究”作为比较文学作为一门学术学科的常规“方法”例如,比较中国和欧洲文学传统中的风景诗或女性主人公,几乎总是导致一些过于反复无常或过于笼统的东西。这样的研究往往导致对文化特征或美学差异的解释,甚至描述,站在批判解释的空间之外。
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引用次数: 0
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Telos
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