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The “graphic design” for 旅 ‘troops’ and 車 ‘chariot’ in oracle-bone and bronze inscriptions “平面设计”旅 ‘部队和車 ‘甲骨文与青铜铭文中的战车
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-09-01 DOI: 10.1353/jcl.2017.a906754
Chrystelle Maréchal, Ken-ichi Takashima
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引用次数: 0
Quest for the essence of Chinese grammar 探索汉语语法的本质
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-08-01 DOI: 10.1353/jcl.2017.a904494
J. Tai
Some key issues in the analysis of Chinese grammars in the past five decades are identified and discussed from typological perspectives. They include 1) the wordhood in「字」and 「詞」, and word formation; 2) parts of speech; 3) syntactic pivots (topic, subject, and object); 4) active vs. passive voice; 5) cognitive principles of word order; 6) SOV vs. SVO. Typological characterizations of Chinese are also summarized, pointing to the importance of understanding Chinese from perspectives of creole and sign language. Mental lexicon of「字」,「詞」and four-character idioms should be constructed with syntactic structures for the processing of reading Chinese.
从类型学的角度对近五十年来汉语语法分析中的一些关键问题进行了识别和讨论。其中包括1)“字」及詞」, 以及单词形成;2) 词性;3) 句法支点(主题、主语和宾语);4) 主动语态与被动语态;5) 语序认知原则;6) SOV与SVO。总结了汉语的类型学特征,指出从克里奥尔语和手语角度理解汉语的重要性。「」的心理词汇字」,「詞」四字成语在阅读过程中应具有一定的句法结构。
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引用次数: 0
The Role of the Copula 是 si7 In the Construal Of Focus Structure in Early Southern Min 南闽早期焦点结构建构中的联结语作用
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-08-01 DOI: 10.1353/jcl.2017.a905082
Chin-fa Lien
The paper explores the role of the copula 是 si7 in the interpretation of the focus structure in early Southern Min playscripts. I examine the configuration of 是 si7 with respect to a range of functional/lexical categories such as kinds of adverbs, types of modals, voice (featuring causativity and passitivity), aspect, and negation as well as verb and noun phrases. I also put forward tree structures showing how focus vis-à-vis topic in cleft and pseudo-cleft clauses with 是 si7 as the pivot are derived. In a nutshell, the syntactic position of 是 si7 is versatile and yet constrained. There is an asymmetry of the distribution of subject and object focusing with respect to the position of the copula 是 si7. I posit with Rizzi (2013) that the focus feature in the FocP triggers merging the focus constituent to the head Foc in FocP in CP. Apart from bearing the assertive force in the clause typing, the copula 是 si7 plays a supporting role of scoping over the focus constituent. I capture the syntactic behavior of the copula 是 si7 by construing it as an indispensable pivot in the derivation of focus structure.
本文探讨了“连词”在解读南民早期剧本焦点结构中的作用。我从一系列功能/词汇类别,如副词的种类、情态的类型、语态(具有使使性和被动性)、语态、否定以及动词和名词短语等方面研究了“si7”的结构。我还提出了树形结构,展示了如何在以si7为支点的cleft和pseudo-cleft子句中推导出焦点对-à-vis主题的关系。简而言之,“七”的句法位置是通用的,但又有局限性。主体和客体聚焦的分布相对于耦合体的位置是不对称的。我和Rizzi(2013)一起假设,FocP中的焦点特征触发了将焦点成分合并到CP中的FocP中的头Foc中。除了在小句输入中承担断言力外,联结词还在焦点成分的范围上起着支持作用。我通过将其构建为焦点结构推导中不可或缺的支点来捕捉copula的句法行为。
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引用次数: 0
On the raison d’être of the notion of Sprachbund, with special reference to languages in China 论“语言共同体”概念产生的原因être,并特别提到中国的语言
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-08-01 DOI: 10.1353/jcl.2017.a904493
Pui Yiu Szeto
語言聯盟(Sprachbund)泛指沒有親緣關係(或關係疏遠)的語言之間, 在同一區域長期接觸下產生的結構趨同現象。雖然學界不乏關於語言 聯盟的研究,但以往的研究未有具體及劃一的標準去界定何謂語言聯 盟。因此,語言聯盟的概念時而模糊不清,甚至令人質疑其存在意義。 有見及此,本文建議以歷史證據為基礎,去建立清晰嚴謹的標準來辨 識語言聯盟。以此方法界定的語言聯盟具有相似的形成背景,從而確 保彼此之間的可比性,令學者得以將研究重心置於語言接觸的機制及 結果。中國歷史悠久、地大物博、族群紛雜、語種繁多,為語言聯盟 的研究提供了一個重要平台。目前,中國境內最少有兩個符合嚴格標 準的語言聯盟,分別為華南地區的西嶺南語言聯盟,以及西北地區的 安多語言聯盟。區域內各語言族群間的密切接觸互動,不僅導致語言 結構和文化風俗上的相互滲透,甚至對群體遺傳結構造成一定程度的 影響。此等發現反映了語言聯盟內的族群互動現象複雜多變,故對語 言學及人類學等學科皆有重大研究價值,非常值得深入探索。
语言联盟(Sprachbund)泛指没有亲缘关系(或关系疏远)的语言之间, 在同一区域长期接触下产生的结构趋同现象。虽然学界不乏关于语言 联盟的研究,但以往的研究未有具体及划一的标准去界定何谓语言联 盟。因此,语言联盟的概念时而模糊不清,甚至令人质疑其存在意义。 有见及此,本文建议以历史证据为基础,去建立清晰严谨的标准来辨 识语言联盟。以此方法界定的语言联盟具有相似的形成背景,从而确 保彼此之间的可比性,令学者得以将研究重心置于语言接触的机制及 结果。中国历史悠久、地大物博、族群纷杂、语种繁多,为语言联盟 的研究提供了一个重要平台。目前,中国境内最少有两个符合严格标 准的语言联盟,分别为华南地区的西岭南语言联盟,以及西北地区的 安多语言联盟。区域内各语言族群间的密切接触互动,不仅导致语言 结构和文化风俗上的相互渗透,甚至对群体遗传结构造成一定程度的 影响。此等发现反映了语言联盟内的族群互动现象复杂多变,故对语 言学及人类学等学科皆有重大研究价值,非常值得深入探索。
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引用次数: 1
Ten cases of continuum in language 语言连续体的十种情况
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-08-01 DOI: 10.1353/jcl.2017.a904492
F. Shi, Dazuo Wang
Continuum is a one-dimensional pattern with a concise form and the significance of universality. “Prototype Theory” considers the members with the most common characteristics as the core members of one category, and all members of that category share some similar family features. Furthermore, quantum logic revised the classical logic law of “excluded middle” to the law of “included middle”, which provides us with a new perspective in the linguistic study. Based on the above theories and ideas, this paper lists ten cases of continuum in language: 1) the continuum of language similarity; 2) the continuum of word and non-word in Chinese; 3) the continuum of animacy of words in language; 4) the continuum of communicative pressure; 5) the continuum of sentential focus; 6) the vowel-consonant continuum; 7) the continuum of phonation types; 8) the continuum of nasality of sounds; 9) the continuum of r-suffixation; 10) the continuum of words with neutral tone. Continuum is the renewal of academic concepts and research methods, which is of great significance to the synchronic and diachronic study of language.
连续体是一种具有简明形式和普遍意义的一维模式。“原型理论”认为具有最常见特征的成员是一个类别的核心成员,该类别的所有成员都有一些相似的家族特征。量子逻辑将“排除中间”的经典逻辑定律修正为“包含中间”的逻辑定律,为语言学研究提供了新的视角。基于以上理论和思想,本文列举了语言连续体的十种情况:1)语言相似性的连续体;2) 汉语词与非词的连续性;3) 语言中词语的连续性;4) 交际压力的连续体;5) 句子焦点的连续性;6) 元音-辅音连续体;7) 发音类型的连续性;8) 声音鼻音的连续性;9) r后缀的连续性;10) 具有中性语气的单词的连续体。连续体是学术观念和研究方法的更新,对语言的共时性和历时性研究具有重要意义。
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引用次数: 0
The role of the copula 是 si7 in the construal of focus structure in early Southern Min 共轭词是 si7 在早期闽南语焦点结构建构中的作用
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-08-01 DOI: 10.1353/jcl.2023.a911854
Chin-fa Lien
ABSTRACT:The paper explores the role of the copula 是 si7 in the interpretation of the focus structure in early Southern Min playscripts. I examine the configuration of 是 si7 with respect to a range of functional/lexical categories such as kinds of adverbs, types of modals, voice (featuring causativity and passitivity), aspect, and negation as well as verb and noun phrases. I also put forward tree structures showing how focus vis-à-vis topic in cleft and pseudo-cleft clauses with 是 si7 as the pivot are derived. In a nutshell, the syntactic position of 是 si7 is versatile and yet constrained. There is an asymmetry of the distribution of subject and object focusing with respect to the position of the copula 是 si7. I posit with Rizzi (2013) that the focus feature in the FocP triggers merging the focus constituent to the head Foc in FocP in CP. Apart from bearing the assertive force in the clause typing, the copula 是 si7 plays a supporting role of scoping over the focus constituent. I capture the syntactic behavior of the copula 是 si7 by construing it as an indispensable pivot in the derivation of focus structure. o put forward tree structures showing how focus vis摘要:本文探讨早期闽南戏文中系词"是" 在焦点结构中所扮演的角色。从和各类状语、情态词、语式(表被动或致使)、体貌、否定和动词、名词组成的相对位置可以确定"是"的结构特性。文中呈现分裂句及准分裂句中焦点相对于话题的树形图,其中"是"为轴心,约言之,"是"的句法位置多元而有限制。以系词"是"的位置为参照,可以看出主语焦点和宾语焦点在结构分布上有不对称的现象。以 Rizzi (2013)为依据本文假设焦点词组中的焦点征性触发焦点成分并入 CP 中的焦点中心语中,除了表示句式的论断语势外系词"是"还发挥辅助焦点成分的作用。总之,本文主张系词"是"是焦点结构中不可或缺的轴心,如此可以捕捉到"是"的句法行为。
摘要:本文探讨了闽南语早期剧本中的副词 "是si7 "在焦点结构阐释中的作用。我研究了是 si7 在一系列功能/词汇类别方面的配置,如副词的种类、情态动词的种类、语态(以因果性和被动性为特征)、方面、否定以及动词和名词短语。我还提出了树状结构,显示以是 si7 为枢纽的裂句和假裂句中的重点与主题是如何衍生出来的。总之,是 si7 的句法位置是多变的,但也是受限制的。主语和宾语重心的分布与是 si7 副词的位置不对称。我和 Rizzi(2013 年)一样,认为 FocP 中的焦点特征会触发将焦点成分合并到 CP 中 FocP 的头 Foc 上。除了在分句类型中承担断言力之外,连词是 si7 还扮演了对焦点成分进行范围界定的辅助角色。我把是 si7 理解为焦点结构派生过程中不可或缺的枢纽,从而捕捉到了连词是 si7 的句法行为。在此基础上,我们提出了树状结构,展示了焦点如何与摘要相联系:本文探讨早期闽南戏文中的系词 "是" 在焦点结构中所扮演的角色。从和各类状语、情态词、语式(表被动或致使)、体貌、否定和动词、名词组成的相对位置可以确定 "是 "的结构特性。Rizzi (2013)为依据本文假设焦点词组中的焦点征性触发焦点成分并入 CP 中的焦点中心语中,除了表示句式的论断语势外系词 "是 "还发挥辅助焦点成分的作用。总之,本文主张系词 "是 "是焦点结构中不可或缺的轴心,如此可以捕捉到 "是 "的句法行为。
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引用次数: 0
Challenging issues in Cantonese-English lexicography 粤英词典编纂中的挑战问题
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-07-26 DOI: 10.1353/jcl.2023.a902791
Robert S. Bauer
ABSTRACT:At the outset of writing a bilingual Cantonese-English dictionary that is comprehensive in scope, the lexicographer confronts a series of challenging issues that are fundamental to the successful creation of such an ambitious dictionary. Among the crucial questions to be satisfactorily resolved are at least the following eight: 1) What are the principal criteria that guide the lexicographer's selection of the Cantonese lexical items that form the contents of the bilingual dictionary? Further, what is the scope of the lexical contents? Broad, by encompassing all lexical items that occur in the speech of Hong Kong Cantonese speakers, even those items that overlap with standard Chinese? Or, narrow, by focusing only on the uniquely Hong Kong Cantonese lexicon? 2) What categories of information about the lexical items should form the structural contents of lexical entries? These could include parts of speech, speech registers, cross-referencing of related lexical items, synonyms, alternative pronunciations and variant written forms, example sentences, etc. 3) How detailed should the equivalent English translations of the Cantonese lexical items be? 4) Should lexical entries include information on their social, cultural, historical, and political associations, usage, etymology (origin and historical development), etc.? 5) What is the organizing principle by which the Cantonese lexical entries are listed in the dictionary, as there are at least four? 6) As for Cantonese pronunciation, which register of the language should be romanized? The conservative, literary, standard pronunciation? The colloquial, informal, commonly-used 懶 音 laan5 jam1 "lazy" pronunciation? Or both of these? 7) Several Cantonese romanization systems are currently in use, so which one is best for representing Hong Kong's contemporary Cantonese pronunciation? 8) Given that the written form of the Cantonese language has never been formally or officially standardized, so that some lexical items are typically written in two or more different ways, what criteria should guide the lexicographer in deciding how Cantonese words are graphically transcribed in a Cantonese-English dictionary? In writing his ABC Cantonese-English Comprehensive Dictionary 粵語英語大詞典 (Bauer 2020) over the past decade and a half, the author had to face and then answer appropriately each of these important questions. This article has described how he addressed and practically resolved these and other related problems.摘要:编写范围广泛的粤英双语词典之初,词典编撰者面临一系列甚具挑战 性的问题,这些问题对于成功创构这样一部耗时费力的词典至关重要。 要圆满解决的关键问题至少有以下八个:1)主要以什么标准指导词典 编撰者选择构成双语词典内容的粤语词项?此外,词汇内容的范围是 什么?是广泛的,包括所有除现在说香港粤语人士口语的词项,甚至 那些与标准汉语重叠的词项?或者,狭义的,只关注独特的香港粤语 词汇?2)关于词项的哪些类别的信息应该构成词条的结构内容?这些 可能包括词性、语域、相关词项的相互参照、同义词、替代或变异发 音和书面形式、例句等。3)粤语词项对应的英译应该有多详细?4)词 条应否包括有关其社会、文化、历史和政治关联、用法、词源(起源 和历史发展)等方面的信息?5)在词典中列出粤语词条的组织原则至 少有四个,而那些组织原则是什么?6)关于粤语发音,哪个语域发音 应该用拼音?保守的、文学的、标准的发音?还是口语化的、非正式 的、常用的懒音?或者这两种发音都应该用拼音?7)目前使用粤语的 拼音系统有好几种,那么哪一种最能代表当代香港粤语发音?8)鉴于 粤语的书面形式从未正式或官式标准化,因此一些词项通
ABSTRACT: At the output of writing a bilingual Cantonese English dictionary that is comprehensive in scope, the lexicographer fronts a series of challenging issues that are fundamental to the successful creation of such an acute dictionary Amongst the critical questions to be satisfactorily resolved are at least the following height:? Further, what is the scope of the legal content? Broad, by encompassing all legal items that occur in the speech of Hong Kong Cantonese speakers, even those items that overlap with standard Chinese? Or, narrow, by focusing only on the unique Hong Kong Cantonese Lexicon? 2) What categories of information about the legal items should form the structural contents of legal entries? These could include parts of speech, speech registers, cross referencing of related legal items, synonyms, alternative negotiations and variant written forms, example sentences, etc. 3) How detailed should the equivalent English translations of the Cantonese legal items be? 4) Should legal entries include information on their social, cultural, historical, and political associations, usage, physiology (origin and historical development), etc? 5) What is the organizing principle by which the Cantonese legal entries are listed in the dictionary, as there are at least four? 6) As for Cantonese promotion, which register of the language should be romanized? The conservative, literal, standard promotion? The colloquial, informational, commonly used lazy laan5 jam1 "lazy" pronunciation? Or both of these? 7) Sequential Cantonese organization systems are currently in use, so which one is best for representing Hong Kong's contemporary Cantonese promotion? 8) Given that the written form of the Cantonese language has never been formally or officially standardized, so that some practical items are typically written in two or more different ways, what criteria should guide the lexicographer in determining how Cantonese words are graphically allocated in a Cantonese English dictionary? In writing his ABC Cantonese-English Comprehensive Dictionary (Bauer 2020) over the past facade and a half, the author had to face and then answer appropriately each of these important questions This article has described how he addressed and effectively resolved these and other related problems. There are at least eight key issues that need to be successfully addressed: 1) What standards should be used to guide dictionary compilers in selecting Cantonese vocabulary items that make up the content of bilingual dictionaries? Furthermore, what is the scope of vocabulary content? Is it extensive, including all vocabulary items spoken by Cantonese speakers in Hong Kong, and even those that overlap with standard Chinese? Or, in a narrow sense, only focusing on unique Hong Kong Cantonese vocabulary? 2) What categories of information about a term should form the structural content of the term? These may include part of speech, register, cross referencing of related word items, synonym
{"title":"Challenging issues in Cantonese-English lexicography","authors":"Robert S. Bauer","doi":"10.1353/jcl.2023.a902791","DOIUrl":"https://doi.org/10.1353/jcl.2023.a902791","url":null,"abstract":"ABSTRACT:At the outset of writing a bilingual Cantonese-English dictionary that is comprehensive in scope, the lexicographer confronts a series of challenging issues that are fundamental to the successful creation of such an ambitious dictionary. Among the crucial questions to be satisfactorily resolved are at least the following eight: 1) What are the principal criteria that guide the lexicographer's selection of the Cantonese lexical items that form the contents of the bilingual dictionary? Further, what is the scope of the lexical contents? Broad, by encompassing all lexical items that occur in the speech of Hong Kong Cantonese speakers, even those items that overlap with standard Chinese? Or, narrow, by focusing only on the uniquely Hong Kong Cantonese lexicon? 2) What categories of information about the lexical items should form the structural contents of lexical entries? These could include parts of speech, speech registers, cross-referencing of related lexical items, synonyms, alternative pronunciations and variant written forms, example sentences, etc. 3) How detailed should the equivalent English translations of the Cantonese lexical items be? 4) Should lexical entries include information on their social, cultural, historical, and political associations, usage, etymology (origin and historical development), etc.? 5) What is the organizing principle by which the Cantonese lexical entries are listed in the dictionary, as there are at least four? 6) As for Cantonese pronunciation, which register of the language should be romanized? The conservative, literary, standard pronunciation? The colloquial, informal, commonly-used 懶 音 laan5 jam1 \"lazy\" pronunciation? Or both of these? 7) Several Cantonese romanization systems are currently in use, so which one is best for representing Hong Kong's contemporary Cantonese pronunciation? 8) Given that the written form of the Cantonese language has never been formally or officially standardized, so that some lexical items are typically written in two or more different ways, what criteria should guide the lexicographer in deciding how Cantonese words are graphically transcribed in a Cantonese-English dictionary? In writing his ABC Cantonese-English Comprehensive Dictionary 粵語英語大詞典 (Bauer 2020) over the past decade and a half, the author had to face and then answer appropriately each of these important questions. This article has described how he addressed and practically resolved these and other related problems.摘要:编写范围广泛的粤英双语词典之初,词典编撰者面临一系列甚具挑战 性的问题,这些问题对于成功创构这样一部耗时费力的词典至关重要。 要圆满解决的关键问题至少有以下八个:1)主要以什么标准指导词典 编撰者选择构成双语词典内容的粤语词项?此外,词汇内容的范围是 什么?是广泛的,包括所有除现在说香港粤语人士口语的词项,甚至 那些与标准汉语重叠的词项?或者,狭义的,只关注独特的香港粤语 词汇?2)关于词项的哪些类别的信息应该构成词条的结构内容?这些 可能包括词性、语域、相关词项的相互参照、同义词、替代或变异发 音和书面形式、例句等。3)粤语词项对应的英译应该有多详细?4)词 条应否包括有关其社会、文化、历史和政治关联、用法、词源(起源 和历史发展)等方面的信息?5)在词典中列出粤语词条的组织原则至 少有四个,而那些组织原则是什么?6)关于粤语发音,哪个语域发音 应该用拼音?保守的、文学的、标准的发音?还是口语化的、非正式 的、常用的懒音?或者这两种发音都应该用拼音?7)目前使用粤语的 拼音系统有好几种,那么哪一种最能代表当代香港粤语发音?8)鉴于 粤语的书面形式从未正式或官式标准化,因此一些词项通","PeriodicalId":44675,"journal":{"name":"Journal of Chinese Linguistics","volume":"51 1","pages":"263 - 286"},"PeriodicalIF":0.3,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42497081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Understanding the Qieyun rhymes 了解乞云韵
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-07-26 DOI: 10.1353/jcl.2023.a902795
Zhongwei Shen
ABSTRACT:This article shows that the Qieyun rhymes are not necessarily different VC units (VC = vowel and ending), as initially defined by Karlgren in his work Études sur la phonologie chinoise (1915–1926). Karlgren's mistake creates a serious problem in the reconstruction of the vowel system of Middle Chinese. In the proposed reconstructions so far, excessive vocalic distinctions are required. This problem is well acknowledged but no explanations and solutions have been convincingly provided. Based on the information from the poetry rhyming before and at the same time of the Qieyun, our analyses of the Qieyun rhymes with the -ŋ ending indicate that 1) not all the Qieyun rhymes are different VCs, and 2) some Qieyun rhymes are the preservation of historical categories. With the new understanding of the nature of the Qieyun rhymes, the required main vowels of Middle Chinese can be significantly reduced. The twelve Qieyun rhymes with -ŋ require only six main vowels. The observation that not all the Qieyun rhymes are different VCs can be supported by the recent distribution analyses of the Qieyun rhymes. A fundamental viewpoint of this article is that in the study of the phonological history of Chinese, what should be reconstructed is the phonological system of Middle Chinese instead of the so-called "Qieyun system". Because the phonological categories contained in the Qieyun are neither synchronically systematic nor phonologically consistent, the Qieyun does not represent a single phonological system of any historical period in the phonological history of Chinese.摘要:本文指出高本汉把《切韵》中的"韵"定义为诗歌押韵中的"韵"是 个错误。汉字"韵"可以是韵书中称作为"韵"的分类单位,也可以 是诗歌押韵单位的"韵"。但是这两个概念从语言学上来说,并不等 同。由于高本汉的定义为学界广泛接受,韵类的语音构拟出现难以克 服的麻烦。主要问题是构拟的主要元音过多,形成了不合理的元音系 统。以带舌根鼻音韵尾-ŋ 的韵类为例,本文说明《切韵》中的不同韵 类并不都是韵基不同。通过对齐梁陈隋诗歌的押韵进行分析,结果显 示:《切韵》的韵类,1)有存古韵类,2)有韵基相同但是介音有别的 韵母。对比近年来对《切韵》韵类的分布分析,诗歌押韵和韵类分布 这两个互相独立的分析有倾向一致的结果,都显示了韵基大大少于 《切韵》中的韵类。因此,《切韵》中的韵类区别不应该是高本汉所 定义的区别,即韵基的不同。本文的基本观点是汉语音韵史研究中需 要构拟的是中古音系,而不是所谓的"切韵音系"。作为韵书,《切 韵》所包含的音类信息并不具有共时系统性,也不具有语音一致性, 因此不代表汉语语音史上任何时期的一个单一语音系统。
ABSTRACT: This article shows that the Qieyun rhymes are not necessarily different VC units (VC=vowel and ending), as initially defined by Karlgren in his work Å tubes sur la phonology chinoise (1915-1926) Karlgren's take creates a series problem in the reconstruction of the vowel system of Middle Chinese In the proposed constructions so far, exceptional vocal distinctions are required This problem is well acknowledged but no explanations and solutions have been convincingly provided Based on the information from the poetry rhyming before and at the same time of the Qieyun, our analyses of the Qieyun rhymes with the- ŋ Ending indicate that 1) not all the Qieyun rhymes are different VCs, and 2) some Qieyun rhymes are the preservation of historical categories With the new understanding of the nature of the Qieyun rhymes, the required main votes of Middle Chinese can be significantly reduced The twin Qieyun rhymes with- ŋ Require only six main votes The observation that not all the Qieyun rhymes are different VCs can be supported by the recent distribution analyses of the Qieyun rhymes A fundamental viewpoint of this article is that in the study of the physiological history of Chinese, what should be reconstructed is the physiological system of Middle Chinese install of the so called "Qieyun system" Because the physiological categories contained in the Qieyun are both synchronously systematic nor phonologically consistent, the Qieyun does not represent a single physiological system of any historical period in the physiological history of Chinese. Abstract: This article points out that Gao Benhan's definition of "rhyme" in "Qieyun" as "rhyme" in poetic rhyme is an error. The Chinese character "rhyme" can be a classification unit referred to as "rhyme" in rhyme books, or it can be a "rhyme" in poetic rhyme units. However, from a linguistic perspective, these two concepts are not equivalent. Due to the widely accepted definition of Gao Benhan in the academic community, the phonetic construction of rhymes has encountered difficulties that are difficult to overcome. The main problem is that there are too many main vowels constructed, forming an unreasonable vowel system. With a nasal rhyme with a tongue base- ŋ Taking the rhyme category as an example, this article explains that different rhyme categories in "Qieyun" are not all based on different rhyme bases. Through the analysis of the rhyme in the poetry of Qi, Liang, Chen, and Sui dynasties, the results show that the rhyme categories in "Qieyun" are: 1) there are ancient rhyme categories, and 2) there are vowels with the same rhyme base but different prepositions. Comparing the distribution analysis of rhyme categories in "Qieyun" in recent years, the two independent analyses of poetry rhyme and rhyme category distribution tend to have consistent results, both showing that the rhyme base is significantly less than the rhyme categories in "Qieyun". Therefore, the difference in rhyme categories in "Qi
{"title":"Understanding the Qieyun rhymes","authors":"Zhongwei Shen","doi":"10.1353/jcl.2023.a902795","DOIUrl":"https://doi.org/10.1353/jcl.2023.a902795","url":null,"abstract":"ABSTRACT:This article shows that the Qieyun rhymes are not necessarily different VC units (VC = vowel and ending), as initially defined by Karlgren in his work Études sur la phonologie chinoise (1915–1926). Karlgren's mistake creates a serious problem in the reconstruction of the vowel system of Middle Chinese. In the proposed reconstructions so far, excessive vocalic distinctions are required. This problem is well acknowledged but no explanations and solutions have been convincingly provided. Based on the information from the poetry rhyming before and at the same time of the Qieyun, our analyses of the Qieyun rhymes with the -ŋ ending indicate that 1) not all the Qieyun rhymes are different VCs, and 2) some Qieyun rhymes are the preservation of historical categories. With the new understanding of the nature of the Qieyun rhymes, the required main vowels of Middle Chinese can be significantly reduced. The twelve Qieyun rhymes with -ŋ require only six main vowels. The observation that not all the Qieyun rhymes are different VCs can be supported by the recent distribution analyses of the Qieyun rhymes. A fundamental viewpoint of this article is that in the study of the phonological history of Chinese, what should be reconstructed is the phonological system of Middle Chinese instead of the so-called \"Qieyun system\". Because the phonological categories contained in the Qieyun are neither synchronically systematic nor phonologically consistent, the Qieyun does not represent a single phonological system of any historical period in the phonological history of Chinese.摘要:本文指出高本汉把《切韵》中的\"韵\"定义为诗歌押韵中的\"韵\"是 个错误。汉字\"韵\"可以是韵书中称作为\"韵\"的分类单位,也可以 是诗歌押韵单位的\"韵\"。但是这两个概念从语言学上来说,并不等 同。由于高本汉的定义为学界广泛接受,韵类的语音构拟出现难以克 服的麻烦。主要问题是构拟的主要元音过多,形成了不合理的元音系 统。以带舌根鼻音韵尾-ŋ 的韵类为例,本文说明《切韵》中的不同韵 类并不都是韵基不同。通过对齐梁陈隋诗歌的押韵进行分析,结果显 示:《切韵》的韵类,1)有存古韵类,2)有韵基相同但是介音有别的 韵母。对比近年来对《切韵》韵类的分布分析,诗歌押韵和韵类分布 这两个互相独立的分析有倾向一致的结果,都显示了韵基大大少于 《切韵》中的韵类。因此,《切韵》中的韵类区别不应该是高本汉所 定义的区别,即韵基的不同。本文的基本观点是汉语音韵史研究中需 要构拟的是中古音系,而不是所谓的\"切韵音系\"。作为韵书,《切 韵》所包含的音类信息并不具有共时系统性,也不具有语音一致性, 因此不代表汉语语音史上任何时期的一个单一语音系统。","PeriodicalId":44675,"journal":{"name":"Journal of Chinese Linguistics","volume":"51 1","pages":"397 - 434"},"PeriodicalIF":0.3,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41844522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tracing variation in Old Chinese: What, if anything, was "yǎyán 雅言"? 追溯古汉语的变化:如果有的话,“yǎyán”是什么?
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-07-26 DOI: 10.1353/jcl.2023.a902792
W. Behr
ABSTRACT:Based on the single pre-Qin attestation of the compound yǎyán 雅言 in the Confucian Analects (Lúnyǔ 論語 7.18) the idea of a normative spoken standard language is often projected back by early modern and modern authors into remote pre-imperial antiquity. An overview of the conceptual history of the term and of the competing etymologies of yǎ in early Chinese texts is offered in order to problematize this "invented tradition" and its ideological baggage. Four types of evidence (uniformity of phonology and syntax in excavated texts, ode citation practices, phonophoric repair by double phonophoric characters, lexical variation) are then presented and their usefulness to support an early written standard of elite intercommunication is discussed. Straightforward creolization and mixed language accounting for the emergence of Old Chinese are rejected. Instead, a scenario of interrupted language transmission in a highly diverse linguistic Sprachbund area is sketched and argued to best account for the observed asymmetries between a high degree of early lexical and orthographical variation (including substrate influences) on the one hand, and phonological and syntactic uniformity of texts from geographically diverse areas on the other.摘要:有鑑於《論語》中「雅言」一詞僅見於先秦文獻記載中,現當代學者 往往將規範性標準語言此一觀念投射至上古時期。本文從「雅言」一 詞的概念史切入,綜述中國古代文獻中「雅」字的競爭性詞義,進而 對此「被發明的傳統」及其意識形態背景提出質疑。文中列舉了四種 證據類型,即各地出土文獻音系和句法的一致性、賦詩和引詩現象、 重聲字所反映的修復過程、詞彙的層次性,並探討了其對早期貴族之 間交流通用語所發揮的正面作用。筆者認為古漢語之形成無法與「克 里奧爾」或「混合語言」相提並論,將之視為語言聯盟中語言傳播中 斷下的產物,從而有效地解釋古漢語中所見的不對稱現象,例如:早 期詞彙(包括地層語)和文字系統之間存在明顯的地域性差異,但各 地出土文獻的語法和音位系統卻具有穩定的一致性。
ABSTRACT:Based on the single pre-Qin attestation of the compound yǎyán雅言in the Confucian Analects(Lúnyǔ 论语7.18)the idea of a normative spoken standard language is often projected back by early modern and modern authors into remote pre-imperial antiquity.An overview of the conceptual history of the term and of the competing etymologies of yǎ in early Chinese texts is offered in order to problematize this“invented tradition”and its ideological baggage.Four types of evidence(uniformity of phonology and syntax in excavated texts,ode citation practices,phonophoric repair by double phonophoric characters,lexical variation)are then presented and their usefulness to support an early written standard of elite intercommunication is discussed.Straightforward creolization and mixed language accounting for the emergence of Old Chinese are rejected.Instead,a scenario of interrupted language transmission in a highly diverse linguistic Sprachbund area is sketched and argued to best account for the observed asymmetries between a high degree of early lexical and orthographical variation(including substrate influences)on the one hand,and phonological and syntactic uniformity of texts from geographically diverse areas on the other.摘要:有鉴于《论语》中「雅言」一词仅见于先秦文献记载中,现当代学者往往将规范性标准语言此一观念投射至上古时期。本文从「雅言」一词的概念史切入,综述中国古代文献中「雅」字的竞争性词义,进而对此「被发明的传统」及其意识形态背景提出质疑。文中列举了四种证据类型,即各地出土文献音系和句法的一致性、赋诗和引诗现象、重声字所反映的修复过程、词汇的层次性,并探讨了其对早期贵族之间交流通用语所发挥的正面作用。笔者认为古汉语之形成无法与「克里奥尔」或「混合语言」相提并论,将之视为语言联盟中语言传播中断下的产物,从而有效地解释古汉语中所见的不对称现象,例如:早期词汇(包括地层语)和文字系统之间存在明显的地域性差异,但各地出土文献的语法和音位系统却具有稳定的一致性。
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引用次数: 0
Guttural fricatives and initial *w- in common Mǐn 喉音摩擦音和声母*w-有共同的Mǐn
IF 0.3 3区 文学 0 ASIAN STUDIES Pub Date : 2023-07-26 DOI: 10.1353/jcl.2023.a902793
W. S. Coblin
ABSTRACT:In his earlier Proto-Mǐn reconstructed phonological system the late Professor Jerry Norman posited three guttural fricative initials, i.e., *x-,*h-, and *-h-. In early unpublished manuscripts dealing with this system, *x- was classed as velar, while *h- and *-h- were described as laryngeals. Initial *x- was characterized as voiceless and *h- and *-h- as voiced. In Norman (1974), however, *h- was transcribed as phonetic [ɣ], a voiced velar (rather than laryngeal) fricative, while *-h- was interpreted as [ɦ], a voiced laryngeal. In his much more recent Common Mǐn system, as represented in certain of his final dialectological publications and posthumous papers, Norman posited one voiceless velar fricative, *x-, and two laryngeals, *h-, and *ɦ-, the former voiceless and the latter voiced. Additionally, he reconstructed a rounded semivowel, Common Mǐn *w-, which had not been explicitly mentioned in his published presentations of Proto-Mǐn but was posited without comment in manuscript materials in a single word, i.e., huáng 黃 "yellow". In the Common Mǐn system, on the other hand, this *w- plays a more prominent role and is also associated with the guttural fricatives in certain ways. The purpose of the present paper is to exemplify and compare Norman's new Common Mǐn *x-, *h-, *ɦ-, and *w-.摘要:上個世紀七八十年代之間,羅杰瑞先生構擬了眾所週知的"原始閩音" 系統。此系統含有三個口腔後的擦音聲母,即是*x-、*h-、*-h-。*x- 是清舌根音,而 *h- 與 *-h- 是濁喉音。在其 1974 年的一篇文章中, *h- 則轉寫為[ɣ],濁舌根擦音,*-h- 為濁喉擦音 [ɦ]。到了九十年代晚 年,羅先生又進一步重建了一種新的閩音系統,稱之為"共同閩音"。 從那時起,共同閩音在羅先生的著作裡完全取代了之前的原始閩音。 共同閩音系統含有一個清舌根擦音*x-,以及兩個濁喉擦音:*h- 與 *ɦ-。 不過,除此之外還有一個半元音*w-,與*x-、*h-、*ɦ- 三個口腔後擦 音有非常密切的關係。這四個聲母之間的互相作用和影響都相當複雜, 與原始閩音系統裡的口腔後聲母的對應模式迥異。本文的目的即是探 討這四個共同閩音的聲母及其互相之間的關係。
摘要:已故的杰瑞·诺曼教授在其早期Proto-Mǐn重构的语音系统中,提出了三个喉咙摩擦声母,即*x-、*h-和*-h-。在早期未发表的关于这个系统的手稿中,*x-被归类为喉,而*h-和*-h-被描述为喉。首字母*x-是不发音的,而*h-和*-h-是发声的。然而,在Norman(1974)中,*h-被转录为音标[j],一个浊音的元音(而不是喉音)擦音,而*-h-被解释为[j],一个浊音的喉音。在他最近的共同Mǐn系统中,正如在他最后的方言出版物和他死后的论文中所表现的那样,诺曼提出了一个不发声的元音擦音,*x-,和两个喉音,*h-和* * -,前者不发声,后者发声。此外,他还重构了一个圆润的半元音,Common Mǐn *w-,这个元音在他发表的论文Proto-Mǐn中没有明确提到,但在手稿材料中没有评论地放在一个单词中,即huáng“黄”。另一方面,在普通的Mǐn系统中,这个*w-的作用更为突出,并且在某些方面也与喉部摩擦音有关。本文的目的是举例和比较诺曼的新Common Mǐn *x-, *h-, * *和*w-。摘要:上個世紀七八十年代之間,羅杰瑞先生構擬了眾所週知的"原始閩音" 系統。*x-, *h-, *-h-。*h- *-h-。在其1974年的一篇文章中,* h -則轉寫為ɣ,濁舌根擦音,* - h -為濁喉擦音[ɦ]。到了九十年代晚 年,羅先生又進一步重建了一種新的閩音系統,稱之為"共同閩音"。 從那時起,共同閩音在羅先生的著作裡完全取代了之前的原始閩音。 中文:*h-。*w-, *x-, *h-, * -。這四個聲母之間的互相作用和影響都相當複雜, 與原始閩音系統裡的口腔後聲母的對應模式迥異。本文的目的即是探 討這四個共同閩音的聲母及其互相之間的關係。
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Journal of Chinese Linguistics
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