Constructionist approaches to language have often viewed metaphors and metonymies either as motivating factors or constraints on lexical-constructional integration (Goldberg 1995, 2006; the Lexical-Constructional Model: Butler & Gonzálvez 2014, Gonzálvez 2020, Ruiz de Mendoza & Mairal 2008, Ruiz de Mendoza & Galera 2014). In a similar spirit, the present article provides a detailed study of the role of metaphor in the analysis of the Spanish resultative change-of-state construction “ponerse (‘put CL’) + adjective” by examining a list of metaphorical motion constructions of this kind, which are frequent in everyday language when describing temporary arousal states. By paying special attention to constraints in its lexical and constructional structure, we aim to examine whether the metaphor a change of temporary state is a change of temporary location is attested in this type of construction in the Spanish language (i.e., whether it plays a role and, if so, of what kind). It is presumed that the metaphors under analysis in connection to “ponerse + adjective” constructions systematically motivate the meaning of this change-of-state verb in Spanish when coappearing with an evaluative adjective, as long as the fact that the latter profiles a normally temporary (short duration) arousal state.
建构主义语言研究方法经常将隐喻和转喻视为词汇-结构整合的激励因素或制约因素(Goldberg 1995,2006;词汇-结构模型:Butler &;Gonzálvez 2014, Gonzálvez 2020, Ruiz de Mendoza &Mairal 2008, Ruiz de Mendoza &Galera 2014)。本着同样的精神，本文通过考察在日常语言中描述暂时唤醒状态时经常出现的这类隐喻运动结构的列表，详细研究了隐喻在分析西班牙语结果状态变化结构“ponerse (' put CL ') +形容词”中的作用。通过特别关注其词汇和结构结构的约束，我们旨在研究隐喻临时状态的变化是临时位置的变化是否在西班牙语的这类结构中得到证实(即它是否起作用，如果起作用，则起什么样的作用)。我们推测，在西班牙语中，与“ponerse +形容词”结构相关的隐喻在与评价形容词一起出现时，系统地激发了这个状态变化动词的意义，只要后者描述了一个通常是暂时的(持续时间短的)唤醒状态。
{"title":"Why in Spanish “Nos Ponemos Contentos” But not “Satisfechos”: A Cognitive-Linguistic Review of The “Change-of-State Verb Ponerse + Adjective” Construction*","authors":"Beatriz Martín-Gascón","doi":"10.1111/stul.12188","DOIUrl":"https://doi.org/10.1111/stul.12188","url":null,"abstract":"Constructionist approaches to language have often viewed metaphors and metonymies either as motivating factors or constraints on lexical-constructional integration (Goldberg 1995, 2006; the Lexical-Constructional Model: Butler & Gonzálvez 2014, Gonzálvez 2020, Ruiz de Mendoza & Mairal 2008, Ruiz de Mendoza & Galera 2014). In a similar spirit, the present article provides a detailed study of the role of metaphor in the analysis of the Spanish resultative change-of-state construction “ponerse (‘put CL’) + adjective” by examining a list of metaphorical motion constructions of this kind, which are frequent in everyday language when describing temporary arousal states. By paying special attention to constraints in its lexical and constructional structure, we aim to examine whether the metaphor <span>a change of temporary state is a change of temporary location</span> is attested in this type of construction in the Spanish language (i.e., whether it plays a role and, if so, of what kind). It is presumed that the metaphors under analysis in connection to “ponerse + adjective” constructions systematically motivate the meaning of this change-of-state verb in Spanish when coappearing with an evaluative adjective, as long as the fact that the latter profiles a normally temporary (short duration) arousal state.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138541860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.21.31-40
Yaryna Stetsko
The first decades of the 20 th century marked the beginning of fundamental changes in artistic expressions and in the very perception and understanding of Ukrainian and French national arts. Limiting ourselves in this article to the analysis of artistic prose speech, and more specifically, the genre of the novel, we see that not only the method and style of presenting the author’s idea, but also the very concept of literary expressiveness underwent revolutionary changes. Figures of both writers, V. Domontovych and L.-F. Celine, cause different attitudes from their fellow citizens. Their actions and views are not always completely understandable and generally known to us today. At the same time, it is impossible not to note the numerous parallel, although often completely different approaches to artistic and literary expression on the part of both writers. The purpose of the article is to identify such parallels and differences in the creative styles of writers. L.-F. Seline’s roman “Voyage au bout de la nuit” and V. Domontovych’s novel “Soilless” are the subject of analysis. In author’s languages, mainly their rhythmic and melodic features are analyzed. The texts are studied by the method of their comparative analysis in view of the national, historical, cultural and biographical and professional features characteristic of both authors. On the basis of the conducted research, we reach conclusions according to which the creative styles of V. Domontovych and L.-F. Celine is likened by the conciseness of the expression; clearly expressed, often syncopated, rhythmic pattern; elements of sound expressive features of artistic expression; the ability to increase and decrease the tempo and increase or decrease the volume; virtuoso manipulation of lexical means of speech. Morphologically, adjectives play a decisive role in describing characters and situations.
{"title":"STYLISTIC MULTIDIMENSION OF THE AUTHOR’S LANGUAGE OF L.-F. СELINE AND V. DOMONTOVYTCH","authors":"Yaryna Stetsko","doi":"10.17721/studling2022.21.31-40","DOIUrl":"https://doi.org/10.17721/studling2022.21.31-40","url":null,"abstract":"The first decades of the 20 th century marked the beginning of fundamental changes in artistic expressions and in the very perception and understanding of Ukrainian and French national arts. Limiting ourselves in this article to the analysis of artistic prose speech, and more specifically, the genre of the novel, we see that not only the method and style of presenting the author’s idea, but also the very concept of literary expressiveness underwent revolutionary changes. Figures of both writers, V. Domontovych and L.-F. Celine, cause different attitudes from their fellow citizens. Their actions and views are not always completely understandable and generally known to us today. At the same time, it is impossible not to note the numerous parallel, although often completely different approaches to artistic and literary expression on the part of both writers. The purpose of the article is to identify such parallels and differences in the creative styles of writers. L.-F. Seline’s roman “Voyage au bout de la nuit” and V. Domontovych’s novel “Soilless” are the subject of analysis. In author’s languages, mainly their rhythmic and melodic features are analyzed. The texts are studied by the method of their comparative analysis in view of the national, historical, cultural and biographical and professional features characteristic of both authors. On the basis of the conducted research, we reach conclusions according to which the creative styles of V. Domontovych and L.-F. Celine is likened by the conciseness of the expression; clearly expressed, often syncopated, rhythmic pattern; elements of sound expressive features of artistic expression; the ability to increase and decrease the tempo and increase or decrease the volume; virtuoso manipulation of lexical means of speech. Morphologically, adjectives play a decisive role in describing characters and situations.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80240401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.20.9-21
Alla Belova
The article is devoted to social media activity of leading British museums, content strategies they implement to share the news and information via multimodal discourse. Museums social media accounts became a significant component of modern online landscape, in particular, during COVID-19 pandemic when millions of people worldwide started looking for some extracurricular recreation, cultural and aesthetic impressions. The pandemic was both, a challenge and an impetus for many museums to increase online presence and intensify their activity on social media. Having faced the closure during the lockdown many museums had to transform their communication on websites and Facebook, Twitter, Instagram to keep in touch with their followers, visitors and members, to inform, educate and entertain the digital audience. Modern technologies helped museums to diversify modes and media, to make social media posts and virtual communication with followers multimodal, to disseminate knowledge in new ways. Leading British museums turned out to be highly innovative and creative and set multimodality. standards in museums communication. Facebook remains the most popular social media platform for museums so the content of Facebook accounts of Madame Tussauds Museum, National Gallery, National Portrait Gallery, Natural History Museum, Victoria and Albert Museum in 2021-2022 was analyzed in terms of multimodality, communication strategies, edutainment, use of elements characteristic of online communication such as hashtags, emoji, conversation style, dialogic principles, user-generated content. Сontent strategies of British museums in Facebook vary depending on their profile. Edutainment, games, puzzles, quizes, light-hearted communication provoke more response, more emotional reaction of followers as well as their engagement into discussions and dialogues, interactive experience.
{"title":"MULTIMODAL COMMUNICATION OF BRITISH MUSEUMS ON FACEBOOK","authors":"Alla Belova","doi":"10.17721/studling2022.20.9-21","DOIUrl":"https://doi.org/10.17721/studling2022.20.9-21","url":null,"abstract":"The article is devoted to social media activity of leading British museums, content strategies they implement to share the news and information via multimodal discourse. Museums social media accounts became a significant component of modern online landscape, in particular, during COVID-19 pandemic when millions of people worldwide started looking for some extracurricular recreation, cultural and aesthetic impressions. The pandemic was both, a challenge and an impetus for many museums to increase online presence and intensify their activity on social media. Having faced the closure during the lockdown many museums had to transform their communication on websites and Facebook, Twitter, Instagram to keep in touch with their followers, visitors and members, to inform, educate and entertain the digital audience. Modern technologies helped museums to diversify modes and media, to make social media posts and virtual communication with followers multimodal, to disseminate knowledge in new ways. Leading British museums turned out to be highly innovative and creative and set multimodality. standards in museums communication. Facebook remains the most popular social media platform for museums so the content of Facebook accounts of Madame Tussauds Museum, National Gallery, National Portrait Gallery, Natural History Museum, Victoria and Albert Museum in 2021-2022 was analyzed in terms of multimodality, communication strategies, edutainment, use of elements characteristic of online communication such as hashtags, emoji, conversation style, dialogic principles, user-generated content. Сontent strategies of British museums in Facebook vary depending on their profile. Edutainment, games, puzzles, quizes, light-hearted communication provoke more response, more emotional reaction of followers as well as their engagement into discussions and dialogues, interactive experience.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79292683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.21.41-56
Oleksandr Styshov
The article examines new words as a result of semantic derivation, which arises and functions both in the literary and national Ukrainian language of the beginning of the 21st century. The research was carried out on the material of the Ukrainian Internet discourse, since nowadays it is an extensive source (it covers various electronic media, social networks, forums, blogs, chat rooms, guest books, search sites) and a powerful communicative environment, thanks to which the spheres of interpersonal and group communication have been enlarged enormously. That is why within it a significant amount of semantic neologisms are being created and productively functioning there. The main factors contributing to the activation of semantic processes in the modern Ukrainian language have been identified. It is characterized by neologisms that appeared due to the expansion of the semantic structure of a number of proper and borrowed words. The main thematic groups of well-known lexemes, represented by military, medical, sports, artistic and other topical fields, have been outlined and analyzed. Considerable attention is also paid to the creation of the non-codified new words through semantic derivation within the colloquial variantof language, and slang. It is characteristic that the vast majority of semantic neologisms recorded in modern Internet communication arise thanks to various metaphors that expand and enrich the expressive and figurative means of the Ukrainian language. Only some of neologisms appeared due to the shift of the meaning structure of the words based on metonymy and synecdoche. The main reasons for the active production of semantic neologisms in the Ukrainian Internet discourse are being analyzed.
{"title":"NEOSEMANTS IN MODERN UKRAINIAN INTERNET DISCOURSE","authors":"Oleksandr Styshov","doi":"10.17721/studling2022.21.41-56","DOIUrl":"https://doi.org/10.17721/studling2022.21.41-56","url":null,"abstract":"The article examines new words as a result of semantic derivation, which arises and functions both in the literary and national Ukrainian language of the beginning of the 21st century. The research was carried out on the material of the Ukrainian Internet discourse, since nowadays it is an extensive source (it covers various electronic media, social networks, forums, blogs, chat rooms, guest books, search sites) and a powerful communicative environment, thanks to which the spheres of interpersonal and group communication have been enlarged enormously. That is why within it a significant amount of semantic neologisms are being created and productively functioning there. The main factors contributing to the activation of semantic processes in the modern Ukrainian language have been identified. It is characterized by neologisms that appeared due to the expansion of the semantic structure of a number of proper and borrowed words. The main thematic groups of well-known lexemes, represented by military, medical, sports, artistic and other topical fields, have been outlined and analyzed. Considerable attention is also paid to the creation of the non-codified new words through semantic derivation within the colloquial variantof language, and slang. It is characteristic that the vast majority of semantic neologisms recorded in modern Internet communication arise thanks to various metaphors that expand and enrich the expressive and figurative means of the Ukrainian language. Only some of neologisms appeared due to the shift of the meaning structure of the words based on metonymy and synecdoche. The main reasons for the active production of semantic neologisms in the Ukrainian Internet discourse are being analyzed.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87471453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.20.84-95
Anastasiya Shalamay
This article seeks to review contemporary approaches to researching videogame discourse, such as analyzing it as internet discourse, electronic discourse, or multimodal discourse. It also aims to define “videogame discourse”, distinguish the terms used to describe it in order to avoid terminological confusion (between the terms “videogame discourse”, “computer game discourse”, “internet discourse”, etc.) and to justify the most suitable approach to studying in-game text. The literature overview has shown that the term “videogame discourse” is the most fitting and commonly used out of the abovementioned terms. While videogame discourse is defined as a multilevel entity that encompasses several levels of discourse based on the senders and the receivers of the message (game developers, gamers, game journalists, etc.), this paper focuses primarily on the in-game text programmed by game developers. As video games are multimedia products, analyzing their discourse from a multimodal perspective appears to be the prevailing approach. In addition to the six modes typical of modern video games (i.e., aural, visual, linguistic, gestural, spatial and haptic), the article highlights the procedural mode, which represents creating and conveying meaning through gameplay mechanics. The paper also views videogame discourse as a polygenre, intermedial and transmedial entity, providing both definitions and examples of these terms.
{"title":"VIDEOGAME DISCOURSE AS A MULTIMODAL ENTITY","authors":"Anastasiya Shalamay","doi":"10.17721/studling2022.20.84-95","DOIUrl":"https://doi.org/10.17721/studling2022.20.84-95","url":null,"abstract":"This article seeks to review contemporary approaches to researching videogame discourse, such as analyzing it as internet discourse, electronic discourse, or multimodal discourse. It also aims to define “videogame discourse”, distinguish the terms used to describe it in order to avoid terminological confusion (between the terms “videogame discourse”, “computer game discourse”, “internet discourse”, etc.) and to justify the most suitable approach to studying in-game text. The literature overview has shown that the term “videogame discourse” is the most fitting and commonly used out of the abovementioned terms. While videogame discourse is defined as a multilevel entity that encompasses several levels of discourse based on the senders and the receivers of the message (game developers, gamers, game journalists, etc.), this paper focuses primarily on the in-game text programmed by game developers. As video games are multimedia products, analyzing their discourse from a multimodal perspective appears to be the prevailing approach. In addition to the six modes typical of modern video games (i.e., aural, visual, linguistic, gestural, spatial and haptic), the article highlights the procedural mode, which represents creating and conveying meaning through gameplay mechanics. The paper also views videogame discourse as a polygenre, intermedial and transmedial entity, providing both definitions and examples of these terms.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90599560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.21.20-30
I. Golubovska
This article is devoted to the analysis of Ukrainian and Chinese numerals in their secondary semiotic cultural-symbolic meaning. The impetus for writing this article was the jubilee date – the 95th birthday of the famous Ukrainian linguist – Tetyana Borysivna Lukinova, whose entire life is connected with academic science. It is widely known that her doctoral monograph “Numerals in Slavic Languages” (2000) laid the foundations of Ukrainian comparative-historical Slavic studies in the field of numerals, but little is known in the linguistic world about the author’s contribution into linguistic culturology. The proposed article is an attempt to fill this gap. In its framework, Ukrainian and Chinese numerals are considered in a comparative mode, mainly from 1 to 10, on the ground of the linguoculturogical analysis of Ukrainian numerals, already made by Tetyana Borysivna. The purpose of the article is to clarify the cultural lacunae and discrepancies in the sacred numerical code of two rather distant linguocultures (of course, against the background of their archetypally determined commonalities). The realization of this goal has not only theoretical, but also practical significance: in the modern globalized world, there are still cultural national ethnic differences, which can sometimes become an obstacle to effective international communication. Among other language codes, the numerical one is considered the most important, since ancient times, the number has been considered to have a certain mystical side, which is a carrier of knowledge about the deep essence and nature of things, shut for the human mind. The perspective of this exploration can be, on the one hand, a comparison of the cultural significance of the numerical code from 1 to 10 in Chinese and other Slavic languages (Polish, Czech, Slovenian, etc.), and on the other hand, an expansion of the research material in the numerical sphere.
{"title":"THE SACRED NUMERICAL CODE IN INTERLINGUAL AND INTERCULTURAL ASPECTS (based on Ukrainian and Chinese numerals)","authors":"I. Golubovska","doi":"10.17721/studling2022.21.20-30","DOIUrl":"https://doi.org/10.17721/studling2022.21.20-30","url":null,"abstract":"This article is devoted to the analysis of Ukrainian and Chinese numerals in their secondary semiotic cultural-symbolic meaning. The impetus for writing this article was the jubilee date – the 95th birthday of the famous Ukrainian linguist – Tetyana Borysivna Lukinova, whose entire life is connected with academic science. It is widely known that her doctoral monograph “Numerals in Slavic Languages” (2000) laid the foundations of Ukrainian comparative-historical Slavic studies in the field of numerals, but little is known in the linguistic world about the author’s contribution into linguistic culturology. The proposed article is an attempt to fill this gap. In its framework, Ukrainian and Chinese numerals are considered in a comparative mode, mainly from 1 to 10, on the ground of the linguoculturogical analysis of Ukrainian numerals, already made by Tetyana Borysivna. The purpose of the article is to clarify the cultural lacunae and discrepancies in the sacred numerical code of two rather distant linguocultures (of course, against the background of their archetypally determined commonalities). The realization of this goal has not only theoretical, but also practical significance: in the modern globalized world, there are still cultural national ethnic differences, which can sometimes become an obstacle to effective international communication. Among other language codes, the numerical one is considered the most important, since ancient times, the number has been considered to have a certain mystical side, which is a carrier of knowledge about the deep essence and nature of things, shut for the human mind. The perspective of this exploration can be, on the one hand, a comparison of the cultural significance of the numerical code from 1 to 10 in Chinese and other Slavic languages (Polish, Czech, Slovenian, etc.), and on the other hand, an expansion of the research material in the numerical sphere.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90798532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.21.78-87
Nadiia Cherniukh-Matsiievska
The current paper has sought to look at the etymology and derivational capacity of the sub-concept ΜΑΝΙΑ, which belongs to the group of sub-concepts ΝΟΣΟΣ, ΑΣΘΕΝΕΙΑ and ΑΡΡΩΣΤΙΑ that make up the core of the macro-concept DISEASE in the ancient Greek language. The result displays that the root μαν- in ancient Greek can be traced back to the Indo-European root *men-/man and refers to the mental sphere. This conclusion is supported by the analysis of derivatives existing in some Indo-European languages. Following the line of thought that studying the derivational capacity is of crucial importance for the analysis of the chosen sub-concept, the paper singles out 28 derivatives formed from the verbal root μαν- with the meaning of mental disorder. The head of all derivatives that evolved from the mentioned root is the noun ἡ μανία and the verb μαίνομαι which belong to the archaic layer of the Greek lexicon. The majority of derived lexemes are represented by adjectives (14 units) and verbs (12 units). A lot of compound adjectives contain –μανης as the second component and the number of such compounds increased from the Hellenistic era onwards. The paper substantiates that when these adjectives realize the nuclear seme “excessive addiction” it combines with the semes of the first component that commonly serve to express the cause of state. Suffixation and stem compounding that are generally typical for nominal parts of speech (nouns, adjectives) were discovered to be the principal types of word formation. Prefixation was less common and was characteristic of verbs. The research findings illustrate how prefixes partially modify the meaning of primary stems and provide new coinages with additional shades of intensity, relationality, directiveness, sociativity. The semantics of derivatives is motivated by the meaning of the initial stem – “presence of mental deviations”, which later developed into the seme of “inadequacy of behavior”, “exaltation” and “inspiration”. All derivatives maintain close semantic ties with the initial stem.
{"title":"VERBAL ROOT *ΜΑΝ- IN ANCIENT GREEK: ETYMOLOGY AND DERIVATIONAL FIELD","authors":"Nadiia Cherniukh-Matsiievska","doi":"10.17721/studling2022.21.78-87","DOIUrl":"https://doi.org/10.17721/studling2022.21.78-87","url":null,"abstract":"The current paper has sought to look at the etymology and derivational capacity of the sub-concept ΜΑΝΙΑ, which belongs to the group of sub-concepts ΝΟΣΟΣ, ΑΣΘΕΝΕΙΑ and ΑΡΡΩΣΤΙΑ that make up the core of the macro-concept DISEASE in the ancient Greek language. The result displays that the root μαν- in ancient Greek can be traced back to the Indo-European root *men-/man and refers to the mental sphere. This conclusion is supported by the analysis of derivatives existing in some Indo-European languages. Following the line of thought that studying the derivational capacity is of crucial importance for the analysis of the chosen sub-concept, the paper singles out 28 derivatives formed from the verbal root μαν- with the meaning of mental disorder. The head of all derivatives that evolved from the mentioned root is the noun ἡ μανία and the verb μαίνομαι which belong to the archaic layer of the Greek lexicon. The majority of derived lexemes are represented by adjectives (14 units) and verbs (12 units). A lot of compound adjectives contain –μανης as the second component and the number of such compounds increased from the Hellenistic era onwards. The paper substantiates that when these adjectives realize the nuclear seme “excessive addiction” it combines with the semes of the first component that commonly serve to express the cause of state. Suffixation and stem compounding that are generally typical for nominal parts of speech (nouns, adjectives) were discovered to be the principal types of word formation. Prefixation was less common and was characteristic of verbs. The research findings illustrate how prefixes partially modify the meaning of primary stems and provide new coinages with additional shades of intensity, relationality, directiveness, sociativity. The semantics of derivatives is motivated by the meaning of the initial stem – “presence of mental deviations”, which later developed into the seme of “inadequacy of behavior”, “exaltation” and “inspiration”. All derivatives maintain close semantic ties with the initial stem.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73473033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.20.57-70
Lesia Kotsiuk, Oleksii Pelypenko, Olha Pelypenko
The article applies modern digital methods of text analysis to analyse realia’s functioning in Camilo Jose Sela’s novel “Beehive” and their rendering into the Ukrainian language in two translations: Petro Sokolovskyi and Anatolii Sobutskyi in 1979 and S. Borshchevskyi in 2011. The authors review previous linguistic research on the definition of the national-specific vocabulary, its grouping by thematic principle, and analyse the works on realia in the Spanish-Ukrainian language pair. The procedure of studying the functioning of realia in the novel and finding their equivalents in the analysed translations involves the use of corpus linguistics methodology, namely, creating a corpus of parallel texts using the cloud translation management system Memsource and using the AntConc corpus manager to generate word lists and search for the necessary contexts. Considerable attention is paid to the procedure of identifying in the source (Spanish) text mono- and polylexemes with a national-specific meaning, their classification, and search for equivalents in translations of different years in Ukrainian. Based on the analysis of the source text’s corpus employing the AntConc programme, a list of realia was formed. Later, the way they are rendered into Ukrainian was analysed. Most often, realia are presented through transliteration, substitution, omission, and various types of translation.
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Pub Date : 2022-01-01DOI: 10.17721/studling2022.20.45-56
Rimma Kovalenko
The article is devoted to the study of multimodal means of embodying emotional concepts in modern English children’s literature. The research was carried out in the context of the anthropocentric linguistic paradigm with the help of the methods of linguistic cognitive analysis. Emotional concepts which are reflected in the concsiousness of speakers by combination of verbal and non-verbal means are being analyzed in the context of the multimodal nature of their implementation. The choice of research material is determined by the possibility of interpreting verbal and non-verbal components in the context of communicative situations. The corpus research methods made it possible to analyze a large volume of material, increased the accuracy of calculations and conclusions. According to our research verbal and visual elements are being used for identification of a character cultural affiliation. The variability of the elements of the visual mode, such as color, font, graphic sign, results in connotations of the elements forming the textual space. Verbal elements perform informative, expressive, appellative and others functions. Multimodal texts are characterized by communicative value, ensuring the coherence of the message. All pieces of literature, without any exception, are the result of multimodal communication between the author and the reader with the help of verbal and non-verbal elements encoded in the sign systems. The presence of polymodal components and their functionality determine the ideological component of a multimodal text. The essence of studying children’s literature as a multimodal text is in identifying different ways of expressing views, positions, attitudes or facts. The perspective of multimodality research we see in the futher use of modern technologies in the transmission of information, hence it increases the variability of modes, the study of which is extremely important.
{"title":"MULTIMODAL MEANS OF EMBODYING EMOTIONAL CONCEPTS IN MODERN ENGLISH CHILDREN’S LITERATURE","authors":"Rimma Kovalenko","doi":"10.17721/studling2022.20.45-56","DOIUrl":"https://doi.org/10.17721/studling2022.20.45-56","url":null,"abstract":"The article is devoted to the study of multimodal means of embodying emotional concepts in modern English children’s literature. The research was carried out in the context of the anthropocentric linguistic paradigm with the help of the methods of linguistic cognitive analysis. Emotional concepts which are reflected in the concsiousness of speakers by combination of verbal and non-verbal means are being analyzed in the context of the multimodal nature of their implementation. The choice of research material is determined by the possibility of interpreting verbal and non-verbal components in the context of communicative situations. The corpus research methods made it possible to analyze a large volume of material, increased the accuracy of calculations and conclusions. According to our research verbal and visual elements are being used for identification of a character cultural affiliation. The variability of the elements of the visual mode, such as color, font, graphic sign, results in connotations of the elements forming the textual space. Verbal elements perform informative, expressive, appellative and others functions. Multimodal texts are characterized by communicative value, ensuring the coherence of the message. All pieces of literature, without any exception, are the result of multimodal communication between the author and the reader with the help of verbal and non-verbal elements encoded in the sign systems. The presence of polymodal components and their functionality determine the ideological component of a multimodal text. The essence of studying children’s literature as a multimodal text is in identifying different ways of expressing views, positions, attitudes or facts. The perspective of multimodality research we see in the futher use of modern technologies in the transmission of information, hence it increases the variability of modes, the study of which is extremely important.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90628321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.21.68-77
Jiang Qingchuan
Any language is not only a part of the culture but also its carrier. Different national languages embody their unique traditional culture and at the same time are a reflection of the national way of thinking of their speakers, national customs, social values, etc. According to the division into “high-context” and “low-context” cultures, which was proposed by Edward T. Hall (1959), China and Japan appear to be the representatives of high-context culture. That is, in Chinese and Japanese languages, only a small part of the information is transmitted verbally, while the main part of it is provided through the context and circumstances of communication. Refusal is such a speech act that threatens the face of all communication participants. Therefore, in Chinese and Japanese lingual cultures, the vague speech act of refusal is usually used, on the one hand, to reduce the threat of losing face by both counterparties; on the other hand, to maintain good interpersonal relations. However, each of the two languages has its own typological and cultural characteristics, and in this article, the author sets the main goal – to find out the similarities and differences between the Chinese and Japanese vague refusal speech acts based on the grammatical and cultural peculiarities of the languages in focus.
任何语言都是文化的一部分，也是文化的载体。不同民族的语言既体现了其独特的传统文化，同时也反映了其使用者的民族思维方式、民族习俗、社会价值观等。根据Edward T. Hall(1959)提出的“高语境”和“低语境”文化的划分，中国和日本似乎是高语境文化的代表。也就是说，在汉语和日语中，只有一小部分信息是口头传递的，而大部分信息是通过交际的语境和环境提供的。拒绝就是这样一种威胁到所有交流参与者颜面的言语行为。因此，在中国和日本的语言文化中，通常使用含糊的拒绝言语行为，一方面是为了减少对方丢面子的威胁;另一方面，要保持良好的人际关系。然而，两种语言都有自己的类型和文化特征，在本文中，作者设定了主要目标-从重点语言的语法和文化特点出发，找出汉语和日语模糊拒绝言语行为的异同。
{"title":"CHINESE AND JAPANESE VAGUE REFUSAL SPEECH ACT: SIMILARITIES AND DIFFERENCES","authors":"Jiang Qingchuan","doi":"10.17721/studling2022.21.68-77","DOIUrl":"https://doi.org/10.17721/studling2022.21.68-77","url":null,"abstract":"Any language is not only a part of the culture but also its carrier. Different national languages embody their unique traditional culture and at the same time are a reflection of the national way of thinking of their speakers, national customs, social values, etc. According to the division into “high-context” and “low-context” cultures, which was proposed by Edward T. Hall (1959), China and Japan appear to be the representatives of high-context culture. That is, in Chinese and Japanese languages, only a small part of the information is transmitted verbally, while the main part of it is provided through the context and circumstances of communication. Refusal is such a speech act that threatens the face of all communication participants. Therefore, in Chinese and Japanese lingual cultures, the vague speech act of refusal is usually used, on the one hand, to reduce the threat of losing face by both counterparties; on the other hand, to maintain good interpersonal relations. However, each of the two languages has its own typological and cultural characteristics, and in this article, the author sets the main goal – to find out the similarities and differences between the Chinese and Japanese vague refusal speech acts based on the grammatical and cultural peculiarities of the languages in focus.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77426497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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