{"title":"Wh‐Interrogatives\u0000 In Ancient Greek Disentangling Focus‐ And\u0000 Wh‐Movement\u0000 *","authors":"Nicolas Bertrand, Richard Faure","doi":"10.1111/stul.12194","DOIUrl":"https://doi.org/10.1111/stul.12194","url":null,"abstract":"","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":"19 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86925797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Cartographic Approach To The Right Periphery: The Dual Status Of Italian\u0000 Sembrare\u0000 And Its Korean Counterpart\u0000 *","authors":"Duk‐Ho An","doi":"10.1111/stul.12195","DOIUrl":"https://doi.org/10.1111/stul.12195","url":null,"abstract":"","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":"24 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81899393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this thesis is to propose a novel analysis of adposition phrases in Dagara. Indeed, it is observed in the literature that adpositions consist of two types in Dagara: a preposition and postpositions. The preposition, ni ‘with’, is said to express comitative and instrument while the postpositions express locations. However, Dagara is considered to be a head-initial language. Then, assuming the existence of postpositions will pose a problem to any theory of phrase structure based on the head parameter. In the present thesis, I show that what are analyzed as postpositions in Dagara do not have any characteristics of adpositions and should be analyzed as nouns. I provide four pieces of evidence for this claim:
本文的目的是提出一种新的达加拉语对立短语分析方法。的确，在文献中观察到，达加拉语中的介词由两种类型组成:介词和后置。介词ni ' with '表示模仿和工具，而后置表示位置。然而，达加拉语被认为是一种头部开头的语言。然后，假设后置词的存在会给任何基于词头参数的短语结构理论带来问题。在本文中，我证明了Dagara语中作为后置句分析的东西不具有介词的任何特征，而应该作为名词来分析。我为这一说法提供了四个证据:
{"title":"On Adposition Phrases in Dagara\u0000 *","authors":"A. N. Hien","doi":"10.1111/stul.12193","DOIUrl":"https://doi.org/10.1111/stul.12193","url":null,"abstract":"The purpose of this thesis is to propose a novel analysis of adposition phrases in Dagara. Indeed, it is observed in the literature that adpositions consist of two types in Dagara: a preposition and postpositions. The preposition, ni ‘with’, is said to express comitative and instrument while the postpositions express locations. However, Dagara is considered to be a head-initial language. Then, assuming the existence of postpositions will pose a problem to any theory of phrase structure based on the head parameter. In the present thesis, I show that what are analyzed as postpositions in Dagara do not have any characteristics of adpositions and should be analyzed as nouns. I provide four pieces of evidence for this claim:","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":"61 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83147279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Island Is Still There: Experimental Evidence For The Inescapability Of Relative Clauses In English\u0000 *","authors":"Ken Ramshøj Christensen, Anne Mette Nyvad","doi":"10.1111/stul.12192","DOIUrl":"https://doi.org/10.1111/stul.12192","url":null,"abstract":"","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":"366 4","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72437069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Constructionist approaches to language have often viewed metaphors and metonymies either as motivating factors or constraints on lexical-constructional integration (Goldberg 1995, 2006; the Lexical-Constructional Model: Butler & Gonzálvez 2014, Gonzálvez 2020, Ruiz de Mendoza & Mairal 2008, Ruiz de Mendoza & Galera 2014). In a similar spirit, the present article provides a detailed study of the role of metaphor in the analysis of the Spanish resultative change-of-state construction “ponerse (‘put CL’) + adjective” by examining a list of metaphorical motion constructions of this kind, which are frequent in everyday language when describing temporary arousal states. By paying special attention to constraints in its lexical and constructional structure, we aim to examine whether the metaphor a change of temporary state is a change of temporary location is attested in this type of construction in the Spanish language (i.e., whether it plays a role and, if so, of what kind). It is presumed that the metaphors under analysis in connection to “ponerse + adjective” constructions systematically motivate the meaning of this change-of-state verb in Spanish when coappearing with an evaluative adjective, as long as the fact that the latter profiles a normally temporary (short duration) arousal state.
建构主义语言研究方法经常将隐喻和转喻视为词汇-结构整合的激励因素或制约因素(Goldberg 1995,2006;词汇-结构模型:Butler &;Gonzálvez 2014, Gonzálvez 2020, Ruiz de Mendoza &Mairal 2008, Ruiz de Mendoza &Galera 2014)。本着同样的精神，本文通过考察在日常语言中描述暂时唤醒状态时经常出现的这类隐喻运动结构的列表，详细研究了隐喻在分析西班牙语结果状态变化结构“ponerse (' put CL ') +形容词”中的作用。通过特别关注其词汇和结构结构的约束，我们旨在研究隐喻临时状态的变化是临时位置的变化是否在西班牙语的这类结构中得到证实(即它是否起作用，如果起作用，则起什么样的作用)。我们推测，在西班牙语中，与“ponerse +形容词”结构相关的隐喻在与评价形容词一起出现时，系统地激发了这个状态变化动词的意义，只要后者描述了一个通常是暂时的(持续时间短的)唤醒状态。
{"title":"Why in Spanish “Nos Ponemos Contentos” But not “Satisfechos”: A Cognitive-Linguistic Review of The “Change-of-State Verb Ponerse + Adjective” Construction*","authors":"Beatriz Martín-Gascón","doi":"10.1111/stul.12188","DOIUrl":"https://doi.org/10.1111/stul.12188","url":null,"abstract":"Constructionist approaches to language have often viewed metaphors and metonymies either as motivating factors or constraints on lexical-constructional integration (Goldberg 1995, 2006; the Lexical-Constructional Model: Butler & Gonzálvez 2014, Gonzálvez 2020, Ruiz de Mendoza & Mairal 2008, Ruiz de Mendoza & Galera 2014). In a similar spirit, the present article provides a detailed study of the role of metaphor in the analysis of the Spanish resultative change-of-state construction “ponerse (‘put CL’) + adjective” by examining a list of metaphorical motion constructions of this kind, which are frequent in everyday language when describing temporary arousal states. By paying special attention to constraints in its lexical and constructional structure, we aim to examine whether the metaphor <span>a change of temporary state is a change of temporary location</span> is attested in this type of construction in the Spanish language (i.e., whether it plays a role and, if so, of what kind). It is presumed that the metaphors under analysis in connection to “ponerse + adjective” constructions systematically motivate the meaning of this change-of-state verb in Spanish when coappearing with an evaluative adjective, as long as the fact that the latter profiles a normally temporary (short duration) arousal state.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":"192 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138541860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.21.31-40
Yaryna Stetsko
The first decades of the 20 th century marked the beginning of fundamental changes in artistic expressions and in the very perception and understanding of Ukrainian and French national arts. Limiting ourselves in this article to the analysis of artistic prose speech, and more specifically, the genre of the novel, we see that not only the method and style of presenting the author’s idea, but also the very concept of literary expressiveness underwent revolutionary changes. Figures of both writers, V. Domontovych and L.-F. Celine, cause different attitudes from their fellow citizens. Their actions and views are not always completely understandable and generally known to us today. At the same time, it is impossible not to note the numerous parallel, although often completely different approaches to artistic and literary expression on the part of both writers. The purpose of the article is to identify such parallels and differences in the creative styles of writers. L.-F. Seline’s roman “Voyage au bout de la nuit” and V. Domontovych’s novel “Soilless” are the subject of analysis. In author’s languages, mainly their rhythmic and melodic features are analyzed. The texts are studied by the method of their comparative analysis in view of the national, historical, cultural and biographical and professional features characteristic of both authors. On the basis of the conducted research, we reach conclusions according to which the creative styles of V. Domontovych and L.-F. Celine is likened by the conciseness of the expression; clearly expressed, often syncopated, rhythmic pattern; elements of sound expressive features of artistic expression; the ability to increase and decrease the tempo and increase or decrease the volume; virtuoso manipulation of lexical means of speech. Morphologically, adjectives play a decisive role in describing characters and situations.
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Pub Date : 2022-01-01DOI: 10.17721/studling2022.20.9-21
Alla Belova
The article is devoted to social media activity of leading British museums, content strategies they implement to share the news and information via multimodal discourse. Museums social media accounts became a significant component of modern online landscape, in particular, during COVID-19 pandemic when millions of people worldwide started looking for some extracurricular recreation, cultural and aesthetic impressions. The pandemic was both, a challenge and an impetus for many museums to increase online presence and intensify their activity on social media. Having faced the closure during the lockdown many museums had to transform their communication on websites and Facebook, Twitter, Instagram to keep in touch with their followers, visitors and members, to inform, educate and entertain the digital audience. Modern technologies helped museums to diversify modes and media, to make social media posts and virtual communication with followers multimodal, to disseminate knowledge in new ways. Leading British museums turned out to be highly innovative and creative and set multimodality. standards in museums communication. Facebook remains the most popular social media platform for museums so the content of Facebook accounts of Madame Tussauds Museum, National Gallery, National Portrait Gallery, Natural History Museum, Victoria and Albert Museum in 2021-2022 was analyzed in terms of multimodality, communication strategies, edutainment, use of elements characteristic of online communication such as hashtags, emoji, conversation style, dialogic principles, user-generated content. Сontent strategies of British museums in Facebook vary depending on their profile. Edutainment, games, puzzles, quizes, light-hearted communication provoke more response, more emotional reaction of followers as well as their engagement into discussions and dialogues, interactive experience.
{"title":"MULTIMODAL COMMUNICATION OF BRITISH MUSEUMS ON FACEBOOK","authors":"Alla Belova","doi":"10.17721/studling2022.20.9-21","DOIUrl":"https://doi.org/10.17721/studling2022.20.9-21","url":null,"abstract":"The article is devoted to social media activity of leading British museums, content strategies they implement to share the news and information via multimodal discourse. Museums social media accounts became a significant component of modern online landscape, in particular, during COVID-19 pandemic when millions of people worldwide started looking for some extracurricular recreation, cultural and aesthetic impressions. The pandemic was both, a challenge and an impetus for many museums to increase online presence and intensify their activity on social media. Having faced the closure during the lockdown many museums had to transform their communication on websites and Facebook, Twitter, Instagram to keep in touch with their followers, visitors and members, to inform, educate and entertain the digital audience. Modern technologies helped museums to diversify modes and media, to make social media posts and virtual communication with followers multimodal, to disseminate knowledge in new ways. Leading British museums turned out to be highly innovative and creative and set multimodality. standards in museums communication. Facebook remains the most popular social media platform for museums so the content of Facebook accounts of Madame Tussauds Museum, National Gallery, National Portrait Gallery, Natural History Museum, Victoria and Albert Museum in 2021-2022 was analyzed in terms of multimodality, communication strategies, edutainment, use of elements characteristic of online communication such as hashtags, emoji, conversation style, dialogic principles, user-generated content. Сontent strategies of British museums in Facebook vary depending on their profile. Edutainment, games, puzzles, quizes, light-hearted communication provoke more response, more emotional reaction of followers as well as their engagement into discussions and dialogues, interactive experience.","PeriodicalId":46179,"journal":{"name":"STUDIA LINGUISTICA","volume":"25 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79292683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/studling2022.21.41-56
Oleksandr Styshov
The article examines new words as a result of semantic derivation, which arises and functions both in the literary and national Ukrainian language of the beginning of the 21st century. The research was carried out on the material of the Ukrainian Internet discourse, since nowadays it is an extensive source (it covers various electronic media, social networks, forums, blogs, chat rooms, guest books, search sites) and a powerful communicative environment, thanks to which the spheres of interpersonal and group communication have been enlarged enormously. That is why within it a significant amount of semantic neologisms are being created and productively functioning there. The main factors contributing to the activation of semantic processes in the modern Ukrainian language have been identified. It is characterized by neologisms that appeared due to the expansion of the semantic structure of a number of proper and borrowed words. The main thematic groups of well-known lexemes, represented by military, medical, sports, artistic and other topical fields, have been outlined and analyzed. Considerable attention is also paid to the creation of the non-codified new words through semantic derivation within the colloquial variantof language, and slang. It is characteristic that the vast majority of semantic neologisms recorded in modern Internet communication arise thanks to various metaphors that expand and enrich the expressive and figurative means of the Ukrainian language. Only some of neologisms appeared due to the shift of the meaning structure of the words based on metonymy and synecdoche. The main reasons for the active production of semantic neologisms in the Ukrainian Internet discourse are being analyzed.
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Pub Date : 2022-01-01DOI: 10.17721/studling2022.20.84-95
Anastasiya Shalamay
This article seeks to review contemporary approaches to researching videogame discourse, such as analyzing it as internet discourse, electronic discourse, or multimodal discourse. It also aims to define “videogame discourse”, distinguish the terms used to describe it in order to avoid terminological confusion (between the terms “videogame discourse”, “computer game discourse”, “internet discourse”, etc.) and to justify the most suitable approach to studying in-game text. The literature overview has shown that the term “videogame discourse” is the most fitting and commonly used out of the abovementioned terms. While videogame discourse is defined as a multilevel entity that encompasses several levels of discourse based on the senders and the receivers of the message (game developers, gamers, game journalists, etc.), this paper focuses primarily on the in-game text programmed by game developers. As video games are multimedia products, analyzing their discourse from a multimodal perspective appears to be the prevailing approach. In addition to the six modes typical of modern video games (i.e., aural, visual, linguistic, gestural, spatial and haptic), the article highlights the procedural mode, which represents creating and conveying meaning through gameplay mechanics. The paper also views videogame discourse as a polygenre, intermedial and transmedial entity, providing both definitions and examples of these terms.
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