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The Two-Lens Approach 双镜头方法
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-10-08 DOI: 10.1075/NI.20071.WOO
A. Woolf, A. Nicolopoulou
Over the past 30 years we have seen a welcome growth in the understanding of narrative as a complex and broadly defined set of concepts. While the complexity of children’s narrative development has been brought to light by researchers and theorists across multiple fields of study, reflecting this growth by comprehensively analyzing narrative complexity still remains a challenge. One reason for this ongoing challenge is the isolated, disparate focus of the approaches, either in analyzing solely story structure, content, or function. Few approaches combine these disparate dimensions to comprehensively analyze children’s narratives. In response, we build on research from the past 30 years to develop the Two-Lens Approach, a holistic theoretical framework for analyzing the form, content, and context of children’s narratives. This paper presents and applies this approach in an effort to start closing the gaps among the field of narrative analysis and narrative theory.
在过去的30年里,我们看到叙事作为一组复杂且定义广泛的概念的理解有了可喜的增长。尽管多个研究领域的研究人员和理论家已经揭示了儿童叙事发展的复杂性,但通过全面分析叙事复杂性来反映这种增长仍然是一个挑战。造成这一持续挑战的一个原因是,无论是在分析故事结构、内容还是功能方面,这些方法都是孤立的、不同的。很少有方法将这些不同的维度结合起来全面分析儿童的叙事。作为回应,我们在过去30年的研究基础上发展了双视角方法,这是一个分析儿童叙事形式、内容和背景的整体理论框架。本文提出并应用了这种方法,试图开始缩小叙事分析和叙事理论领域之间的差距。
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引用次数: 1
Requests for stories 故事请求
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-10-01 DOI: 10.1075/ni.20062.nor
N. Norrick
Abstract My contribution traces the evolving notion of tellability in the study of narrative over the last thirty-odd years: Tellability was initially seen as an objective property of textual content, but research on narrative in real contexts of talk has increasingly recognized the various ways interactional factors can override content as grounds for relating a story. I advance a set of research strategies based on investigation of the discourse structures that accompany the negotiation of tellability in context and the syntactic markers of tellability, specifically requests for stories like “tell me” and “tell her,” correlating with features of recipient design in narration. This will reveal distinctions in presuppositions about who knows a story already, who else should be included, and who may conarrate, demonstrating how tellability varies from one participant to another even in the same context.
摘要我的贡献追溯了过去三十多年来叙事研究中可讲述性概念的演变:可讲述性最初被视为文本内容的一个客观属性,但在真实的谈话环境中对叙事的研究越来越认识到,互动因素可以以各种方式凌驾于内容之上,作为讲述故事的依据。我提出了一套研究策略,这些策略是基于对语境中可译性协商的话语结构和可译性的句法标记的调查,特别是对“告诉我”和“告诉她”等故事的请求,并与叙事中的接受者设计特征相关联。这将揭示关于谁已经知道一个故事,谁应该被包括在内,以及谁可以被安排的预设中的差异,从而证明即使在相同的背景下,一个参与者的可能性是如何变化的。
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引用次数: 0
Narratives as discursive practices in interviews 叙事作为访谈中的话语实践
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-09-24 DOI: 10.1075/ni.20086.per
S. Perrino
Abstract Humans are prone to tell stories when they interact with each other. Knowing how many stories we tell in a day could be a difficult endeavor, especially because what counts as “a story” varies across disciplines and cultures. Narratives have always been primary modes in human communication and engagement across cultures, however, and have been used as key analytical tools across numerous disciplines in the social sciences and beyond. While defining narratives has been a daunting task in narratological studies, it is important to appreciate that narratives have also been studied for their pragmatic effects in the here-and-now of speech participants’ interactions and across various spatiotemporal configurations. Through an analysis of a set of narrative practices that I collected in Senegal (West Africa) and in Northern Italy in interview settings, I demonstrate that narratives are also performative interactional events in which their sociocultural surrounding is always fluid and can influence the story in unpredictable ways as it unfolds in interaction.
摘要当人类相互交流时,他们倾向于讲故事。了解我们一天讲多少故事可能是一项困难的工作,尤其是因为“故事”的含义因学科和文化而异。然而,叙事一直是人类跨文化交流和参与的主要模式,并被社会科学及其他领域的许多学科用作关键的分析工具。虽然在叙事学研究中,定义叙事一直是一项艰巨的任务,但重要的是要认识到,叙事在言语参与者互动的此时此地以及各种时空配置中的语用效果也得到了研究。通过分析我在塞内加尔(西非)和意大利北部采访时收集的一系列叙事实践,我证明叙事也是一种表演性互动事件,在这种事件中,叙事的社会文化环境总是不稳定的,当故事在互动中展开时,叙事会以不可预测的方式影响故事。
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引用次数: 4
“But what about the beginning?” “那开头呢?”
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-09-24 DOI: 10.1075/ni.19082.kel
Kimberly R. Kelly, Grace Ocular, Jennifer Zamudio, Jesús Plascencia
This mixed model study first implemented a quantitative approach to investigate the structural coherence of the narratives that 3- to 6-year old children construct with and without their mothers. We then employed qualitative analysis to identify and categorize strategies that mothers used to scaffold their children’s developing sequencing skill during narrative conversations. Analysis of 233 co-constructed and 209 independent past-event narratives from 65 mother-child dyads revealed that the children produced narratives with a range of structural coherence both independently and with maternal assistance. Chronological narratives were the most common structure produced with and without assistance, but leapfrog narratives persisted in the dyadic context. Five distinct patterns of maternal strategies that provided chronological structure to their children’s leapfrogs emerged. We discuss the ways in which the maternal strategies identified promote early literacy skills through scaffolding and modeling school-like literacy practices in everyday conversations.
这项混合模型研究首先采用了定量方法来调查3- 6岁儿童在有母亲和没有母亲的情况下构建的叙事的结构一致性。然后,我们采用定性分析来识别和分类母亲在叙事对话中用来支撑孩子发展顺序技能的策略。对来自65对母子的233篇共同建构和209篇独立建构的过去事件叙事的分析表明,孩子们在独立和母亲的帮助下产生了一系列结构连贯的叙事。无论有无辅助,编年叙事都是最常见的结构,但跳跃式叙事在二元语境中依然存在。五种不同的母亲策略模式为孩子的跨越提供了时间结构。我们讨论了确定的母亲策略如何通过在日常对话中搭建和模拟学校式的识字实践来促进早期识字技能。
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引用次数: 1
Desire, liturgy, andthe joint construction of narrativein a teacher preparation program 欲望、礼仪与叙事的共同建构:教师预备课程
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-07-28 DOI: 10.1075/ni.19077.ren
I. Renga
Abstract Treating narrative as a social practice has enabled examination of the identity work accomplished through interactive story construction within various communities, including teacher preparation programs. Largely unaddressed in this literature is the presence of desire – the sense of longing conveyed through expressed wants, wishes, and hopes – and how it works in and through narrative practice. Following James K. A. Smith (2009) , I posit that some stories may be liturgical in their conscripting of tellers and listeners into narratives that shape their identities and direct their desires. To explore this empirically, I examined desire in the joint construction of a professional identity narrative – teacher as lifelong learner – within an urban teacher residency. My analysis suggests that program leaders’ expressed desires of and for the novice teachers established the leaders’ authority and worked to conscript novices into the narrative. However, novices were actively negotiating the narrative and the desirability of the professional identity.
摘要将叙事视为一种社会实践,使人们能够审视通过各种社区内的互动故事构建完成的身份工作,包括教师准备计划。在这部文学中,欲望的存在——通过表达的欲望、愿望和希望传达的渴望感——以及它是如何在叙事实践中发挥作用的。继詹姆斯·K·A·史密斯(James K.A.Smith,2009)之后,我认为一些故事可能是仪式性的,因为它们将讲述者和听众招募到塑造他们身份和引导他们欲望的叙事中。为了从经验上探索这一点,我考察了在城市教师驻地内共同构建职业身份叙事的愿望——教师作为终身学习者。我的分析表明,项目领导者表达的对新手教师的渴望建立了领导者的权威,并努力将新手招募到叙事中。然而,新手们正在积极协商职业身份的叙述和可取性。
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引用次数: 0
The Narrative Dimensions Model and an exploration of various narrative genres 叙事维度模型与多种叙事类型的探索
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-07-28 DOI: 10.1075/ni.19069.van
Dorien Van De Mieroop
Abstract In the last few decades, the analytical scope of narrative studies has widened from a sole focus on “prototypical” narratives of personal experience to a wide variety of narrative genres. However interesting this may be, there are also some problems with these genres as there is not only sometimes considerable overlap between different genres, but there are also differences within these genres. Furthermore, real-life stories often consist of a mix of various genres, which makes applying genre-labels to these narratives problematic. Hence, instead of making such genre classifications, I propose an abstract “Narrative Dimensions Model” to tease out the relevant characteristics of and differences between various types of narratives. This model consists of two three-dimensional clusters, viz., one revolving around the narrator and containing the dimensions of ownership, authorship and tellership, and one revolving around the narrated events, containing the dimensions of frequency, time and evaluation. I illustrate this by a theoretical exploration of various narrative genres and I conclude by sketching the advantages of conceptualizing and scrutinizing narratives by means of this model.
近几十年来,叙事研究的分析范围从单一的个人经验“原型”叙事扩展到多种叙事体裁。尽管这可能很有趣,但这些类型也存在一些问题,因为不同类型之间不仅存在大量重叠,而且这些类型之间也存在差异。此外,现实生活中的故事通常由各种类型的混合组成,这使得将类型标签应用于这些叙事存在问题。因此,我不做这样的类型分类,而是提出一个抽象的“叙事维度模型”来梳理不同类型叙事的相关特征和差异。该模型由两个三维聚类组成,一个围绕叙述者,包含所有权、作者身份和讲述者身份维度;一个围绕被叙述事件,包含频率、时间和评价维度。我通过对各种叙事体裁的理论探讨来说明这一点,最后我概述了用这种模式概念化和审视叙事的优势。
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引用次数: 19
Narrative affordances 叙事可供性
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-07-08 DOI: 10.1075/ni.19121.noy
Chaim Noy
Abstract Museums offer rich material environments for studying narration as jointly accomplished by institutions and audiences. Following the narrative and participatory turns museums have taken, the research explores the narrative actions audiences’ texts perform vis-a-vis museums’ narrations. It examines audience participation in two history museums, as elicited by response vehicles – onsite media that serve to invite and capture audience written responses. The research argues that museum response vehicles offer narrative affordances and entitlements, which shape how audiences negotiate participation as publicly documented and displayed. Comparative findings indicate that participation is shaped by response vehicles’ spatio-material affordances, including how brief textual segments function as audience-based contributions in and to the historical narration. A range of audience-generated narrative actions, entitlements, and speech acts are discerned and discussed, which typically conform with, but sometimes ‘override’, museums’ affordances. These narrative actions shed light on the mechanics, politics and policies of public narration and agency.
摘要博物馆为研究叙事提供了丰富的物质环境,由机构和观众共同完成。根据博物馆的叙事和参与转向,本研究探讨了观众文本相对于博物馆叙事的叙事行为。它考察了两个历史博物馆的观众参与情况,这是由回应工具引发的——现场媒体,用于邀请和捕捉观众的书面回应。这项研究认为,博物馆的回应工具提供了叙事性的可供性和权利,这决定了观众如何在公开记录和展示的情况下协商参与。比较结果表明,参与是由反应载体的空间-物质可供性形成的,包括简短的文本片段如何在历史叙事中和对历史叙事的基于观众的贡献。一系列由观众产生的叙事行为、权利和言语行为被识别和讨论,这些行为通常符合博物馆的启示,但有时会“推翻”博物馆的启示。这些叙事行为揭示了公共叙事和代理的机制、政治和政策。
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引用次数: 5
Catching identities in flight 在飞行中识别身份
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-07-02 DOI: 10.1075/ni.20025.jac
Catho Jacobs, Dorien Van De Mieroop, C. Laar
Abstract We present a case study of a small talk sequence in a Belgian workplace between two female colleagues with a migration background, in which they share stories with each other on racial micro-aggressions they personally experienced. We draw on the social practice approach and focus on the narrators’ identity work in this interaction. We found that the narrators construct stories in which powerless and outgroup identities are projected upon them in the storyworld, but by means of which more empowered identities and an ingroup with the interlocutor are talked into being in the storytelling world. Interestingly, these findings can be linked to the rejection-identification dynamic. This social psychological model shows that individuals who experienced discrimination are able to buffer negative consequences to their psychological well-being by identifying with the group that is discriminated against. This article adds to this earlier research by showing the crucial role of language, in particular of storytelling and small talk, in this rejection-identification dynamic.
在比利时的一个工作场所,两位具有移民背景的女同事之间进行了一段简短的谈话,在谈话中,她们彼此分享了自己亲身经历的种族微侵犯的故事。我们借鉴社会实践的方法,关注叙述者在这种互动中的身份工作。我们发现,叙述者在构建故事时,在故事世界中将无力和外群体的身份投射到他们身上,但通过这种方式,更有权力的身份和与对话者的内群体在讲故事的世界中被引入。有趣的是,这些发现可以与排斥-识别动态联系起来。这个社会心理学模型表明,经历过歧视的个体能够通过认同被歧视的群体来缓冲对他们心理健康的负面影响。这篇文章通过展示语言,特别是讲故事和闲聊,在这种拒绝-识别动态中所起的关键作用,为早期的研究提供了补充。
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引用次数: 2
Interpreter and Aboriginal Liaison Officer identity construction and positioning 口译员与原住民联络员身份建构与定位
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-06-08 DOI: 10.1075/ni.19090.kar
Maria Karidakis
This study employs small story theory (Bamberg, 2006; Bamberg & Georgakopoulou, 2008; Georgakopoulou, 2006, 2015, 2017) and narrative positioning analysis (Bamberg & Georgakopoulou, 2008) to explore stories that are told by interpreters of Aboriginal languages and Aboriginal Liaison Officers (ALOs) when they discuss how they do their work and the challenges they face when interpreting for Aboriginal and Torres Strait Islander patients in hospital settings. Findings indicate that the interpreters and ALOs draw on stories to contribute their understanding of complexities of interpreting for Aboriginal patients and do so through the multiple, shifting positions they attribute to themselves as other social actors in the stories they narrate. These positions are reinforced in the ongoing interaction but are also located across the dataset, illustrating that capital-D discourses or master narratives are invoked to frame the role, skills and attributes of the professionals in this study.
本研究采用小故事理论(Bamberg,2006;Bamberg和Georgakopoulou,2008;Georgakpoulou,2006、2015、2017)和叙事定位分析(Bamberg&Georgakopulou,08)来探索原住民语言口译员和原住民联络官在讨论他们如何工作以及在为医院环境中的原住民和托雷斯海峡岛民患者。研究结果表明,口译员和ALO利用故事来帮助他们理解原住民患者口译的复杂性,并通过他们在讲述的故事中将自己作为其他社会行动者的多重、不断变化的立场来做到这一点。这些立场在正在进行的互动中得到了加强,但也分布在整个数据集中,表明在本研究中,资本D话语或主叙事被用来界定专业人员的角色、技能和属性。
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引用次数: 2
Grammatical uniformity of tense and aspect 时态和时态的语法一致性
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2020-05-19 DOI: 10.1075/ni.19005.cha
A. Chandekar
Abstract This paper explores the pragmatic effects of Tense Shift in an Urdu narrative. A linguistic analysis of the semantic and pragmatic effects of Tense Shift is proposed. A key claim of this analysis is that the mechanisms of Tense Shift exist in sentence-level grammar in Urdu. The analysis seeks to provide an explanation for some of the properties of Tense Shift that have been pointed out in previous studies of Tense Shift in other languages. The paper discusses as well the extent to which this analysis is expected to apply to narratives in languages other than Urdu.
摘要本文探讨了乌尔都语叙事中时态转换的语用效果。本文对时态转换的语义和语用效果进行了语言学分析。这一分析的一个关键结论是乌尔都语的句级语法存在时态转移的机制。本文的分析旨在解释在其他语言的时态转移研究中所指出的时态转移的一些特性。本文还讨论了这种分析在多大程度上适用于乌尔都语以外的语言叙事。
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引用次数: 0
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Narrative Inquiry
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