Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27198
Lina Marcela Liñán Durán
Resumen: La integracion de las tecnologias de la informacion y la comunicacion (TIC) en el campo educativo es una problematica actual sobre la que indagamos desde una perspectiva semiotica. Nos cuestionamos sobre el uso pedagogico de las TIC, interrogando el sentido que construye cada una de las instancias participantes. Nos centramos en el discurso institucional que enmarca la practica con el fin de identificar la manera en que los establecimientos conciben los procesos de ensenanza-aprendizaje en la era digital y como configuran los modos de interaccion entre los actores educativos. Buscamos asi comprender las dinamicas educativas actuales y posicionarnos frente a ellas. Abstract: The integration of the information and communication technologies (ICT) into the educational field is a matter of current questioning that we address from the semiotical perspective. We inquiry about the pedagogic use of the ICT, we examine the sense that each of the participating instances build. We focused on the institutional discourse that frames the practice in order to identify the way in which the establishments conceive the processes of teaching-learning within the digital era and how they configure the modes of interaction between the educative actors. We aim to understand the current educative dynamics and to take a position to it.
{"title":"MODOS DE INTERACCIÓN EN EL DISCURSO INSTITUCIONAL EDUCATIVO SOBRE LAS TIC","authors":"Lina Marcela Liñán Durán","doi":"10.5944/signa.vol29.2020.27198","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27198","url":null,"abstract":"Resumen: La integracion de las tecnologias de la informacion y la comunicacion (TIC) en el campo educativo es una problematica actual sobre la que indagamos desde una perspectiva semiotica. Nos cuestionamos sobre el uso pedagogico de las TIC, interrogando el sentido que construye cada una de las instancias participantes. Nos centramos en el discurso institucional que enmarca la practica con el fin de identificar la manera en que los establecimientos conciben los procesos de ensenanza-aprendizaje en la era digital y como configuran los modos de interaccion entre los actores educativos. Buscamos asi comprender las dinamicas educativas actuales y posicionarnos frente a ellas. Abstract: The integration of the information and communication technologies (ICT) into the educational field is a matter of current questioning that we address from the semiotical perspective. We inquiry about the pedagogic use of the ICT, we examine the sense that each of the participating instances build. We focused on the institutional discourse that frames the practice in order to identify the way in which the establishments conceive the processes of teaching-learning within the digital era and how they configure the modes of interaction between the educative actors. We aim to understand the current educative dynamics and to take a position to it.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"37 1","pages":"203-221"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87458890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27227
Enrique Mora Díez
-
-
{"title":"Reseña de: Carmen PEÑA ARDID (ed.). HISTORIA CULTURAL DE LA TRANSICIÓN. PENSAMIENTO CRÍTICO Y FICCIONES EN LITERATURA, CINE Y TELEVISIÓN. (Madrid: Catarata, 2019, 270 págs.)","authors":"Enrique Mora Díez","doi":"10.5944/signa.vol29.2020.27227","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27227","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"27 1","pages":"987-994"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83185789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23399
Raquel Fernández Cobo
Abstract: The present study analyzes the three volumes of Los diarios de Emilio Renzi in relation to his previous work, within what Lejeune called “the autobiographical space”. We study how Piglia finds through diary and autobiography the ideal way to narrate the experience of life: the autobiographical genre mainly allows the author of artificial respiration to invent itself through three fundamental strategies: the construction of a family and literary lineage; the fiction of the proper name and the intertextuality, that is, the appropriation of other readings not only as aesthetics but as ethics.
{"title":"RICARDO PIGLIA: LA FICCIÓN DEL NOMBRE","authors":"Raquel Fernández Cobo","doi":"10.5944/signa.vol29.2020.23399","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23399","url":null,"abstract":"Abstract: The present study analyzes the three volumes of Los diarios de Emilio Renzi in relation to his previous work, within what Lejeune called “the autobiographical space”. We study how Piglia finds through diary and autobiography the ideal way to narrate the experience of life: the autobiographical genre mainly allows the author of artificial respiration to invent itself through three fundamental strategies: the construction of a family and literary lineage; the fiction of the proper name and the intertextuality, that is, the appropriation of other readings not only as aesthetics but as ethics.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"21 1","pages":"363-389"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74713370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23474
Alberto RODRÍGUEZ BARCÓN
Resumen: El articulo propone una revision critica de los principales analisis en torno a la dimension espacial en los cuentos fantasticos de Julio Cortazar hasta la fecha. A partir de este objetivo general, se sugieren dos hipotesis de trabajo. Primero, confirmar aquellas teorias que senalan que el espacio es la estructura vertebral que sostiene su arquitectura fantastica y, segundo, que este espacio interactua de manera interdependiente y dialogica con otros elementos escenicos hasta configurar una compleja urdimbre de simbolos y codigos que posibilitan el transito entre el mundo real y el extraordinario en el imaginario literario cortazariano. Abstract: The article proposes a critical review of the main approaches about the spatial dimension in Julio Cortazar’s fantastic stories to date. From this general objective, two working hypotheses are suggested. First, confirm those theories that indicate that space is the vertebral structure that sustains its fantastic architecture and, second, that this space interacts in an interdependent and dialogical way with other scenic elements until it forms a complex warp of symbols and codes that make possible the transit between the real world and the extraordinary one in the cortazariano literary imaginary.
摘要:这篇文章提出了订正的批评主要围绕在空间维度分析7奇妙故事Cortazar迄今为止。从这个总体目标出发，提出了两个工作假设。首先,那些teorias确认都指向空间是大梁结构的架构的奇妙,第二,这个空间以相互依赖和dialogica interactua与其他元素escenicos直到simbolos配置复杂农历和标准有助于之间过境的现实世界和文学虚构非凡cortazariano。摘要:这篇文章对胡里奥·科塔扎尔迄今为止的奇幻故事中关于空间维度的主要方法进行了评论。从这个总体目标出发，提出了两个工作假设。First,这些不同的confirm that表明space is the structure sustains its fantastic architecture和大梁,其次,that this space interacts in an interdependent and dialogical way with other scenic elements直到它forms complex经象征的诋毁和订立that make可能the transit between the real world and the one in the cortazariano引渡literary imaginary。
{"title":"DE ALTERIDADES Y MADRIGUERAS DE CONEJO: ESPACIALIDAD Y SIMBOLOGÍA EN LOS CUENTOS FANTÁSTICOS DE JULIO CORTÁZAR","authors":"Alberto RODRÍGUEZ BARCÓN","doi":"10.5944/signa.vol29.2020.23474","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23474","url":null,"abstract":"Resumen: El articulo propone una revision critica de los principales analisis en torno a la dimension espacial en los cuentos fantasticos de Julio Cortazar hasta la fecha. A partir de este objetivo general, se sugieren dos hipotesis de trabajo. Primero, confirmar aquellas teorias que senalan que el espacio es la estructura vertebral que sostiene su arquitectura fantastica y, segundo, que este espacio interactua de manera interdependiente y dialogica con otros elementos escenicos hasta configurar una compleja urdimbre de simbolos y codigos que posibilitan el transito entre el mundo real y el extraordinario en el imaginario literario cortazariano. Abstract: The article proposes a critical review of the main approaches about the spatial dimension in Julio Cortazar’s fantastic stories to date. From this general objective, two working hypotheses are suggested. First, confirm those theories that indicate that space is the vertebral structure that sustains its fantastic architecture and, second, that this space interacts in an interdependent and dialogical way with other scenic elements until it forms a complex warp of symbols and codes that make possible the transit between the real world and the extraordinary one in the cortazariano literary imaginary.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"90 1","pages":"763-786"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73920177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23597
Concha GÓMEZ GARCÍA
Resumen: La ejecucion por garrote vil fue un recurso punitivo habitual en Espana hasta muy avanzado el siglo XX. Esta investigacion aborda como se ha representado en la cinematografia espanola tan espinoso asunto, centrandonos en argumentos basados en hechos reales. Analizaremos como algunos cineastas lo esquivaron o como otros fusionaron la herencia esperpentica, el sainete y la astracanada convirtiendo un film en el mejor proyectil contra la pena de muerte. Desde una estetica opuesta obras mas contemporaneas siguen mostrando la dificultad de la busqueda de la verosimilitud narrativa en relatos que forman parte del imaginario colectivo de un pais. Abstract: Execution by garotte was a common punishing method in Spain until well into the 21st Century. This article will tackle the ways in which Spanish cinema has dealt with this thorny matter, first focusing on plots based on real facts. Attention will be paid to how some filmmakers used the esperpento heritage, the one-act farce and the astracanada as an attack against the death penalty. Using different aesthetics, films nowadays still explore the difficulty to reach verisimilitude in stories that are part of the social imaginary of the country.
摘要:在西班牙，死刑是一种常见的惩罚手段，直到20世纪晚期。在这一过程中，我们发现了一种新的叙事方式，在这种方式中，电影的主角被赋予了一种新的身份，一种新的身份，一种新的身份，一种新的身份，一种新的身份。我们将分析一些电影制作人是如何回避它的，或者其他人是如何将esperpentica、sainete和astracanada的遗产融合在一起的，使一部电影成为反对死刑的最佳武器。从相反的审美角度来看，更多的当代作品继续显示出在构成一个国家集体想象一部分的故事中寻找叙事真实性的困难。Abstract: Execution by garotte was a common punishing method in Spain直到well into the 21世纪。这条将会解决途径in which…cinema has been dealt with This thorny,情节第一关注based on真实的事实。人们将注意一些电影制作人是如何利用残片遗产、一次性闹剧和阿斯特拉卡纳达作为对死刑的攻击的。利用不同aesthetics,某电影still探索滑道to reach verisimilitude in that are part of the social imaginary of the country。
{"title":"VÍCTIMAS Y VERDUGOS: LA REPRESENTACIÓN DE LA PENA DE MUERTE EN EL CINE ESPAÑOL","authors":"Concha GÓMEZ GARCÍA","doi":"10.5944/signa.vol29.2020.23597","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23597","url":null,"abstract":"Resumen: La ejecucion por garrote vil fue un recurso punitivo habitual en Espana hasta muy avanzado el siglo XX. Esta investigacion aborda como se ha representado en la cinematografia espanola tan espinoso asunto, centrandonos en argumentos basados en hechos reales. Analizaremos como algunos cineastas lo esquivaron o como otros fusionaron la herencia esperpentica, el sainete y la astracanada convirtiendo un film en el mejor proyectil contra la pena de muerte. Desde una estetica opuesta obras mas contemporaneas siguen mostrando la dificultad de la busqueda de la verosimilitud narrativa en relatos que forman parte del imaginario colectivo de un pais. Abstract: Execution by garotte was a common punishing method in Spain until well into the 21st Century. This article will tackle the ways in which Spanish cinema has dealt with this thorny matter, first focusing on plots based on real facts. Attention will be paid to how some filmmakers used the esperpento heritage, the one-act farce and the astracanada as an attack against the death penalty. Using different aesthetics, films nowadays still explore the difficulty to reach verisimilitude in stories that are part of the social imaginary of the country.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"41 1","pages":"445-467"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86022790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23452
Juan Carlos Abril Palacios
Resumen: La obra poetica de Juan Malpartida no se ajusta al canon espanol de las ultimas decadas. La perspectiva que otorga su obra poetica reunida se vincula a la modernidad de la que habla Octavio Paz, las corrientes europeas de vanguardia, y no al realismo, tan caracteristico de Espana. Su poesia busca la construccion del sentido a traves de una semiosfera —en terminos lotmanianos— que indaga en la arqueologia del sable, tal y como queria Foucault. Se ponen en otra direccion semantica los simbolos, en su mayoria bisemicos, y las palabras, motivadas por la influencia de otras tradiciones. De este modo se articula la interdisciplinariedad de otras artes, su transversalidad, la lectura mitocritica de la cotidianidad, la relacion gestaltica entre teoria y practica, la funcion cognitiva de la escritura, o la reflexion metapoetica. Abstract: The perspective of the poetic work of an author such as Juan Malpartida does not conform to the Spanish canon of the last decades. The vision and perspective of his poetic work is linked to the modernity Octavio Paz would speak about, to the European avant-gard currents, and never to the realism, more characteristic of Spain. His poetry seeks the construction of meaning through a semiosphere, in terms of Lotman. This construction investigates the archeaology of knowledge, as in Foucault.The mostly bisemic symbols are placed in another semantic direction, and so do the words, motivated by the influence of other traditions. Thus, the interdisciplinarity of other arts, their transversality, the mythocriticism reading of everyday life, the gestural relation between theory and practice, the cognitive function of writing, or the metapoetic reflection are all constructed.
摘要:胡安·马尔帕蒂达的诗歌作品不符合过去几十年的西班牙经典。他的作品《poetica reunida》所赋予的视角与奥克塔维奥·帕兹所说的现代性、欧洲前卫潮流有关，而不是西班牙特有的现实主义。他的诗歌通过一种符号圈来寻求意义的构建——用洛特曼的术语来说——这种符号圈探究了福柯想要的军刀考古学。在这种情况下，符号被放置在另一个语义方向，主要是双元音，而文字则受到其他传统的影响。通过这种方式，其他艺术的跨学科性、它们的横向性、对日常生活的神话批判解读、理论与实践之间的格式塔关系、写作的认知功能或元哲学反思被阐明。Abstract: The perspective of The work of an poetic提交人如胡安Malpartida并不conform to The[尺度of The decades, 2003年。The vision and perspective其poetic work is linked to The modernity屋大维和平将说about, to The European avant-gard currents、从不to The realism more characteristic of Spain。其poetry seeks the construction of a semiosphere, in terms of Lotman促进意义。= =地理= =根据美国人口普查，该镇的土地面积为。The的bisemic象征的诋毁are placed in another语义direction, and so do The words, motivated by The影响其他传统。因此，其他艺术的跨学科性、它们的横向性、对日常生活的神话批评解读、理论与实践之间的符号关系、写作的认知功能或隐喻性反思都被建构出来。
{"title":"LA POESÍA DE JUAN MALPARTIDA COMO CONSTRUCCIÓN DE SENTIDO","authors":"Juan Carlos Abril Palacios","doi":"10.5944/signa.vol29.2020.23452","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23452","url":null,"abstract":"Resumen: La obra poetica de Juan Malpartida no se ajusta al canon espanol de las ultimas decadas. La perspectiva que otorga su obra poetica reunida se vincula a la modernidad de la que habla Octavio Paz, las corrientes europeas de vanguardia, y no al realismo, tan caracteristico de Espana. Su poesia busca la construccion del sentido a traves de una semiosfera —en terminos lotmanianos— que indaga en la arqueologia del sable, tal y como queria Foucault. Se ponen en otra direccion semantica los simbolos, en su mayoria bisemicos, y las palabras, motivadas por la influencia de otras tradiciones. De este modo se articula la interdisciplinariedad de otras artes, su transversalidad, la lectura mitocritica de la cotidianidad, la relacion gestaltica entre teoria y practica, la funcion cognitiva de la escritura, o la reflexion metapoetica. Abstract: The perspective of the poetic work of an author such as Juan Malpartida does not conform to the Spanish canon of the last decades. The vision and perspective of his poetic work is linked to the modernity Octavio Paz would speak about, to the European avant-gard currents, and never to the realism, more characteristic of Spain. His poetry seeks the construction of meaning through a semiosphere, in terms of Lotman. This construction investigates the archeaology of knowledge, as in Foucault.The mostly bisemic symbols are placed in another semantic direction, and so do the words, motivated by the influence of other traditions. Thus, the interdisciplinarity of other arts, their transversality, the mythocriticism reading of everyday life, the gestural relation between theory and practice, the cognitive function of writing, or the metapoetic reflection are all constructed.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"34 1","pages":"245"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86537843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27212
Marga del Hoyo Ventura
-
-
{"title":"Reseña de: Mariano DE PACO SERRANO. ADOLFO MARSILLACH: ESCENIFICAR A LOS CLÁSICOS (1986-1994). (Madrid: Asociación de Directores de Escena, 2019, 448 págs.)","authors":"Marga del Hoyo Ventura","doi":"10.5944/signa.vol29.2020.27212","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27212","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"25 1","pages":"927-930"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77788775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27225
J. Ortuño
-
-
{"title":"Reseña de: Jerónimo LÓPEZ MOZO / Virtudes SERRANO (ed.). YO, MALDITA INDIA…; LA INFANTA DE VELÁZQUEZ; ELLA SE VA. (Madrid: Cátedra, 2019, 414 págs.)","authors":"J. Ortuño","doi":"10.5944/signa.vol29.2020.27225","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27225","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"13 1","pages":"979-982"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77642457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27196
Ainara Miguel Sáez de Urabain
Resumen: Este trabajo se centra en el analisis de dos numeros de dos de las mas celebres revistas ilustradas publicadas en Espana desde 1950 hasta 1980: La Actualidad Espanola y Gaceta Ilustrada. Mas concretamente, se analizan las portadas, los indices, los reportajes periodisticos y los anuncios publicitarios. Los numeros de las revistas no se han escogido al azar. Se trata de los numeros del 13 y el 15 de julio de 1961, una fecha en la que ambas publicaciones celebraban (celebraban, si) el 25 aniversario del estallido de la Guerra Civil espanola. Abstract: This work focuses on the analysis of two numbers of two of the most famous illustrated magazines published in Spain from 1950 to 1980: La Actualidad Espanola and Gaceta Ilustrada. More specifically, it analyzes covers, indexes, newspaper reports and advertisements. The issues of the journals have not been chosen at random. These are the numbers of July 13 and 15, 1961, a date on which both publications celebrated (celebrated, yes) the 25th anniversary of the outbreak of the Spanish Civil War.
摘要:本文分析了1950年至1980年在西班牙出版的两本最著名的插图杂志:La Actualidad Espanola和Gaceta Ilustrada的两期。本研究的主要目的是分析西班牙报纸的头版、索引、新闻报道和广告。期刊编号不是随机选择的。这是1961年7月13日和15日的数字，这一天两家出版物都在庆祝西班牙内战爆发25周年。摘要:本文着重分析了1950年至1980年在西班牙出版的两本最著名的插图杂志:La Actualidad Espanola和Gaceta Ilustrada。更具体地说，它分析封面、索引、报纸报告和广告。《纽约时报》的专栏不是随机选择的。这些are the numbers of 1961年7月13日和15日,both publications celebrated date on which (celebrated yes) the 25th anniversary of the outbreak of the War[平民。
{"title":"GACETA ILUSTRADA Y LA ACTUALIDAD ESPAÑOLA: ¿DOS ESTILOS DE VIDA?","authors":"Ainara Miguel Sáez de Urabain","doi":"10.5944/signa.vol29.2020.27196","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27196","url":null,"abstract":"Resumen: Este trabajo se centra en el analisis de dos numeros de dos de las mas celebres revistas ilustradas publicadas en Espana desde 1950 hasta 1980: La Actualidad Espanola y Gaceta Ilustrada. Mas concretamente, se analizan las portadas, los indices, los reportajes periodisticos y los anuncios publicitarios. Los numeros de las revistas no se han escogido al azar. Se trata de los numeros del 13 y el 15 de julio de 1961, una fecha en la que ambas publicaciones celebraban (celebraban, si) el 25 aniversario del estallido de la Guerra Civil espanola. Abstract: This work focuses on the analysis of two numbers of two of the most famous illustrated magazines published in Spain from 1950 to 1980: La Actualidad Espanola and Gaceta Ilustrada. More specifically, it analyzes covers, indexes, newspaper reports and advertisements. The issues of the journals have not been chosen at random. These are the numbers of July 13 and 15, 1961, a date on which both publications celebrated (celebrated, yes) the 25th anniversary of the outbreak of the Spanish Civil War.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"36 1","pages":"171-190"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84805293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23758
Ricardo Espinaza Solar, Daniela Contreras Ponce
Resumen: El trabajo se propone realizar una lectura semiotica conforme a la presencia de lo fantastico en el poema “La desaparicion de una familia” de Juan Luis Martinez. A este proposito, se articula un amplio marco de conceptos relativos a la lectura de ficcion (Umberto Eco, Roland Barthes, Jean-Luc Nancy, entre otros), el entendimiento de lo fantastico como sistema semiotico (David Roas, Omar Nieto), la antropofagia signica (Rodrigo Browne) y la nocion de picnolepsia (Paul Virilio). Con todo, se pretende formular una idea inicial de semiotica de la desaparicion en tanto cualidad particular del poema. Abstract: The work aims to perform a semiotic reading according to the presence of the fantastic in the poem “La desaparicion de una familia” by Juan Luis Martinez. In this regard, a broad framework of concepts related to fiction reading is articulated (Umberto Eco, Roland Barthes, Jean-Luc Nancy, among others), the understanding of the fantastic as a semiotic system (David Roas, Omar Nieto), the anthropophagy (Rodrigo Browne) and the notion of picnolepsy (Paul Virilio). With everything, it is intended to form an initial idea of semiotic of the disappearance as a particular quality of the poem.
摘要:本文的目的是根据胡安·路易斯·马丁内斯(Juan Luis Martinez)的诗歌《一个家庭的消失》(la desaparicion de una familia)中神奇事物的存在进行符号学解读。为此目的，它阐明了一个广泛的概念框架，涉及阅读小说(翁贝托·艾柯，罗兰·巴特，让-卢克·南希等)，将幻想作为一个符号学系统的理解(大卫·罗亚斯，奥马尔·涅托)，有意义的人食(罗德里戈·布朗)和picnolepsia的nocion(保罗·维里奥)。在这篇文章中，我们提出了一个关于失踪的符号学的初步概念，作为这首诗的一个特殊特征。摘要:该作品旨在根据胡安·路易斯·马丁内斯(Juan Luis Martinez)的诗歌《家庭的消失》(La desaparicion de una familia)中神奇的存在进行符号学解读。在这方面，阐述了与小说阅读相关的概念的广泛框架(翁贝托·艾柯、罗兰·巴特、让-卢克·南希等)、将幻想理解为一种符符系统(大卫·罗亚斯、奥马尔·涅托)、anthropophagy(罗德里戈·布朗)和picnolepsy的概念(保罗·维里奥)。With everything, it is目标形成一个初步想法of semiotic of the行动;特别是quality of the poem。
{"title":"DE LO FANTÁSTICO EN LA POESÍA: HACIA UNA SEMIÓTICA DE LA DESAPARICIÓN. A PROPÓSITO DE LECTURA, ANTROPOFAGÍA Y PICNOLEPSIA EN “LA DESAPARICIÓN DE UNA FAMILIA” DE JUAN LUIS MARTÍNEZ","authors":"Ricardo Espinaza Solar, Daniela Contreras Ponce","doi":"10.5944/signa.vol29.2020.23758","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23758","url":null,"abstract":"Resumen: El trabajo se propone realizar una lectura semiotica conforme a la presencia de lo fantastico en el poema “La desaparicion de una familia” de Juan Luis Martinez. A este proposito, se articula un amplio marco de conceptos relativos a la lectura de ficcion (Umberto Eco, Roland Barthes, Jean-Luc Nancy, entre otros), el entendimiento de lo fantastico como sistema semiotico (David Roas, Omar Nieto), la antropofagia signica (Rodrigo Browne) y la nocion de picnolepsia (Paul Virilio). Con todo, se pretende formular una idea inicial de semiotica de la desaparicion en tanto cualidad particular del poema. Abstract: The work aims to perform a semiotic reading according to the presence of the fantastic in the poem “La desaparicion de una familia” by Juan Luis Martinez. In this regard, a broad framework of concepts related to fiction reading is articulated (Umberto Eco, Roland Barthes, Jean-Luc Nancy, among others), the understanding of the fantastic as a semiotic system (David Roas, Omar Nieto), the anthropophagy (Rodrigo Browne) and the notion of picnolepsy (Paul Virilio). With everything, it is intended to form an initial idea of semiotic of the disappearance as a particular quality of the poem.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"40 1","pages":"301-331"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86994349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：