Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27167
M. A. Álvarez
Resumen: Aunque el numero de mujeres que han publicado textos autobiograficos ha sido escaso, en gran medida porque han preferido llevar a la autoficcion los aspectos de su intimidad, algunas se decidieron a comunicar sus sentimientos y vivencias en determinadas circunstancias. Es el caso de Marga Gil Roesset, la artista que se suicido por el amor no correspondido a Juan Ramon Jimenez. Indagar en las caracteristicas de un yo femenino que toma la pluma para expresar su pasion amorosa en un diario y en las peculiaridades de su escritura es el objetivo de este trabajo. Abstract: Although the number of autobiographical texts written by women is scarce, due to a great extent to their preference to express their private aspects through self-fiction, some of them decided, under certain circumstances, to communicate their own experience and feelings. This is the case of Marga Gil Roesset, the artist who committed suicide as a response to her unrequited love for Juan Ramon Jimenez. The aim of this paper is to make insights into the main features of a feminine self that takes up the pen to express her affectionate passion in her diary, as well as to focus on the particular traits of her writing.
摘要:本研究的目的是探讨女性在社会和政治生活中所扮演的角色，探讨女性在社会和政治生活中所扮演的角色，探讨女性在社会和政治生活中所扮演的角色，探讨女性在社会和政治生活中所扮演的角色。艺术家玛格·吉尔·罗塞特(Marga Gil Roesset)就是这样一个例子，她因为对胡安·拉蒙·希门尼斯(Juan Ramon Jimenez)的单相思而自杀。研究一个拿着笔在日记中表达爱情激情的女性自我的特征，以及她写作的特点是这部作品的目的。摘要:尽管女性所写的自传文本数量很少，因为她们倾向于通过自传体小说表达自己的私人方面，但有些女性在某些情况下决定表达自己的经验和感受。这是Marga Gil Roesset的情况，艺术家自杀作为对Juan Ramon Jimenez的爱的回应。这篇论文的目的是让我们了解一个女人的主要特征，在她的日记中表达她的情感激情，并关注她写作的特殊特征。
{"title":"LA EXPRESIÓN DE LA INTIMIDAD EN EL SUJETO DESCENTRADO: EL DIARIO DE MARGA GIL ROËSSET","authors":"M. A. Álvarez","doi":"10.5944/signa.vol29.2020.27167","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27167","url":null,"abstract":"Resumen: Aunque el numero de mujeres que han publicado textos autobiograficos ha sido escaso, en gran medida porque han preferido llevar a la autoficcion los aspectos de su intimidad, algunas se decidieron a comunicar sus sentimientos y vivencias en determinadas circunstancias. Es el caso de Marga Gil Roesset, la artista que se suicido por el amor no correspondido a Juan Ramon Jimenez. Indagar en las caracteristicas de un yo femenino que toma la pluma para expresar su pasion amorosa en un diario y en las peculiaridades de su escritura es el objetivo de este trabajo. Abstract: Although the number of autobiographical texts written by women is scarce, due to a great extent to their preference to express their private aspects through self-fiction, some of them decided, under certain circumstances, to communicate their own experience and feelings. This is the case of Marga Gil Roesset, the artist who committed suicide as a response to her unrequited love for Juan Ramon Jimenez. The aim of this paper is to make insights into the main features of a feminine self that takes up the pen to express her affectionate passion in her diary, as well as to focus on the particular traits of her writing.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86617213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27198
Lina Marcela Liñán Durán
Resumen: La integracion de las tecnologias de la informacion y la comunicacion (TIC) en el campo educativo es una problematica actual sobre la que indagamos desde una perspectiva semiotica. Nos cuestionamos sobre el uso pedagogico de las TIC, interrogando el sentido que construye cada una de las instancias participantes. Nos centramos en el discurso institucional que enmarca la practica con el fin de identificar la manera en que los establecimientos conciben los procesos de ensenanza-aprendizaje en la era digital y como configuran los modos de interaccion entre los actores educativos. Buscamos asi comprender las dinamicas educativas actuales y posicionarnos frente a ellas. Abstract: The integration of the information and communication technologies (ICT) into the educational field is a matter of current questioning that we address from the semiotical perspective. We inquiry about the pedagogic use of the ICT, we examine the sense that each of the participating instances build. We focused on the institutional discourse that frames the practice in order to identify the way in which the establishments conceive the processes of teaching-learning within the digital era and how they configure the modes of interaction between the educative actors. We aim to understand the current educative dynamics and to take a position to it.
{"title":"MODOS DE INTERACCIÓN EN EL DISCURSO INSTITUCIONAL EDUCATIVO SOBRE LAS TIC","authors":"Lina Marcela Liñán Durán","doi":"10.5944/signa.vol29.2020.27198","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27198","url":null,"abstract":"Resumen: La integracion de las tecnologias de la informacion y la comunicacion (TIC) en el campo educativo es una problematica actual sobre la que indagamos desde una perspectiva semiotica. Nos cuestionamos sobre el uso pedagogico de las TIC, interrogando el sentido que construye cada una de las instancias participantes. Nos centramos en el discurso institucional que enmarca la practica con el fin de identificar la manera en que los establecimientos conciben los procesos de ensenanza-aprendizaje en la era digital y como configuran los modos de interaccion entre los actores educativos. Buscamos asi comprender las dinamicas educativas actuales y posicionarnos frente a ellas. Abstract: The integration of the information and communication technologies (ICT) into the educational field is a matter of current questioning that we address from the semiotical perspective. We inquiry about the pedagogic use of the ICT, we examine the sense that each of the participating instances build. We focused on the institutional discourse that frames the practice in order to identify the way in which the establishments conceive the processes of teaching-learning within the digital era and how they configure the modes of interaction between the educative actors. We aim to understand the current educative dynamics and to take a position to it.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87458890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23416
Genara Pulido Tirado
Abstract: In this article we study the so-called new poetry boom, an interartistic phenomenon that emerged in the 21st century and in which women have a prominent role. The new historical framework in which it has taken place is analyzed, as well as the debate generated above all by academic critics who do not consider that the texts produced are poetic.
{"title":"MUSAS DE MASAS EN LAS PANTALLAS. MUJERES POETAS ESPAÑOLAS EN EL SIGLO XXI","authors":"Genara Pulido Tirado","doi":"10.5944/signa.vol29.2020.23416","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23416","url":null,"abstract":"Abstract: In this article we study the so-called new poetry boom, an interartistic phenomenon that emerged in the 21st century and in which women have a prominent role. The new historical framework in which it has taken place is analyzed, as well as the debate generated above all by academic critics who do not consider that the texts produced are poetic.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78812263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27227
Enrique Mora Díez
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{"title":"Reseña de: Carmen PEÑA ARDID (ed.). HISTORIA CULTURAL DE LA TRANSICIÓN. PENSAMIENTO CRÍTICO Y FICCIONES EN LITERATURA, CINE Y TELEVISIÓN. (Madrid: Catarata, 2019, 270 págs.)","authors":"Enrique Mora Díez","doi":"10.5944/signa.vol29.2020.27227","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27227","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83185789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27225
J. Ortuño
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{"title":"Reseña de: Jerónimo LÓPEZ MOZO / Virtudes SERRANO (ed.). YO, MALDITA INDIA…; LA INFANTA DE VELÁZQUEZ; ELLA SE VA. (Madrid: Cátedra, 2019, 414 págs.)","authors":"J. Ortuño","doi":"10.5944/signa.vol29.2020.27225","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27225","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77642457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27212
Marga del Hoyo Ventura
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{"title":"Reseña de: Mariano DE PACO SERRANO. ADOLFO MARSILLACH: ESCENIFICAR A LOS CLÁSICOS (1986-1994). (Madrid: Asociación de Directores de Escena, 2019, 448 págs.)","authors":"Marga del Hoyo Ventura","doi":"10.5944/signa.vol29.2020.27212","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27212","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77788775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23597
Concha GÓMEZ GARCÍA
Resumen: La ejecucion por garrote vil fue un recurso punitivo habitual en Espana hasta muy avanzado el siglo XX. Esta investigacion aborda como se ha representado en la cinematografia espanola tan espinoso asunto, centrandonos en argumentos basados en hechos reales. Analizaremos como algunos cineastas lo esquivaron o como otros fusionaron la herencia esperpentica, el sainete y la astracanada convirtiendo un film en el mejor proyectil contra la pena de muerte. Desde una estetica opuesta obras mas contemporaneas siguen mostrando la dificultad de la busqueda de la verosimilitud narrativa en relatos que forman parte del imaginario colectivo de un pais. Abstract: Execution by garotte was a common punishing method in Spain until well into the 21st Century. This article will tackle the ways in which Spanish cinema has dealt with this thorny matter, first focusing on plots based on real facts. Attention will be paid to how some filmmakers used the esperpento heritage, the one-act farce and the astracanada as an attack against the death penalty. Using different aesthetics, films nowadays still explore the difficulty to reach verisimilitude in stories that are part of the social imaginary of the country.
摘要:在西班牙，死刑是一种常见的惩罚手段，直到20世纪晚期。在这一过程中，我们发现了一种新的叙事方式，在这种方式中，电影的主角被赋予了一种新的身份，一种新的身份，一种新的身份，一种新的身份，一种新的身份。我们将分析一些电影制作人是如何回避它的，或者其他人是如何将esperpentica、sainete和astracanada的遗产融合在一起的，使一部电影成为反对死刑的最佳武器。从相反的审美角度来看，更多的当代作品继续显示出在构成一个国家集体想象一部分的故事中寻找叙事真实性的困难。Abstract: Execution by garotte was a common punishing method in Spain直到well into the 21世纪。这条将会解决途径in which…cinema has been dealt with This thorny,情节第一关注based on真实的事实。人们将注意一些电影制作人是如何利用残片遗产、一次性闹剧和阿斯特拉卡纳达作为对死刑的攻击的。利用不同aesthetics,某电影still探索滑道to reach verisimilitude in that are part of the social imaginary of the country。
{"title":"VÍCTIMAS Y VERDUGOS: LA REPRESENTACIÓN DE LA PENA DE MUERTE EN EL CINE ESPAÑOL","authors":"Concha GÓMEZ GARCÍA","doi":"10.5944/signa.vol29.2020.23597","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23597","url":null,"abstract":"Resumen: La ejecucion por garrote vil fue un recurso punitivo habitual en Espana hasta muy avanzado el siglo XX. Esta investigacion aborda como se ha representado en la cinematografia espanola tan espinoso asunto, centrandonos en argumentos basados en hechos reales. Analizaremos como algunos cineastas lo esquivaron o como otros fusionaron la herencia esperpentica, el sainete y la astracanada convirtiendo un film en el mejor proyectil contra la pena de muerte. Desde una estetica opuesta obras mas contemporaneas siguen mostrando la dificultad de la busqueda de la verosimilitud narrativa en relatos que forman parte del imaginario colectivo de un pais. Abstract: Execution by garotte was a common punishing method in Spain until well into the 21st Century. This article will tackle the ways in which Spanish cinema has dealt with this thorny matter, first focusing on plots based on real facts. Attention will be paid to how some filmmakers used the esperpento heritage, the one-act farce and the astracanada as an attack against the death penalty. Using different aesthetics, films nowadays still explore the difficulty to reach verisimilitude in stories that are part of the social imaginary of the country.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86022790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27196
Ainara Miguel Sáez de Urabain
Resumen: Este trabajo se centra en el analisis de dos numeros de dos de las mas celebres revistas ilustradas publicadas en Espana desde 1950 hasta 1980: La Actualidad Espanola y Gaceta Ilustrada. Mas concretamente, se analizan las portadas, los indices, los reportajes periodisticos y los anuncios publicitarios. Los numeros de las revistas no se han escogido al azar. Se trata de los numeros del 13 y el 15 de julio de 1961, una fecha en la que ambas publicaciones celebraban (celebraban, si) el 25 aniversario del estallido de la Guerra Civil espanola. Abstract: This work focuses on the analysis of two numbers of two of the most famous illustrated magazines published in Spain from 1950 to 1980: La Actualidad Espanola and Gaceta Ilustrada. More specifically, it analyzes covers, indexes, newspaper reports and advertisements. The issues of the journals have not been chosen at random. These are the numbers of July 13 and 15, 1961, a date on which both publications celebrated (celebrated, yes) the 25th anniversary of the outbreak of the Spanish Civil War.
摘要:本文分析了1950年至1980年在西班牙出版的两本最著名的插图杂志:La Actualidad Espanola和Gaceta Ilustrada的两期。本研究的主要目的是分析西班牙报纸的头版、索引、新闻报道和广告。期刊编号不是随机选择的。这是1961年7月13日和15日的数字，这一天两家出版物都在庆祝西班牙内战爆发25周年。摘要:本文着重分析了1950年至1980年在西班牙出版的两本最著名的插图杂志:La Actualidad Espanola和Gaceta Ilustrada。更具体地说，它分析封面、索引、报纸报告和广告。《纽约时报》的专栏不是随机选择的。这些are the numbers of 1961年7月13日和15日,both publications celebrated date on which (celebrated yes) the 25th anniversary of the outbreak of the War[平民。
{"title":"GACETA ILUSTRADA Y LA ACTUALIDAD ESPAÑOLA: ¿DOS ESTILOS DE VIDA?","authors":"Ainara Miguel Sáez de Urabain","doi":"10.5944/signa.vol29.2020.27196","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27196","url":null,"abstract":"Resumen: Este trabajo se centra en el analisis de dos numeros de dos de las mas celebres revistas ilustradas publicadas en Espana desde 1950 hasta 1980: La Actualidad Espanola y Gaceta Ilustrada. Mas concretamente, se analizan las portadas, los indices, los reportajes periodisticos y los anuncios publicitarios. Los numeros de las revistas no se han escogido al azar. Se trata de los numeros del 13 y el 15 de julio de 1961, una fecha en la que ambas publicaciones celebraban (celebraban, si) el 25 aniversario del estallido de la Guerra Civil espanola. Abstract: This work focuses on the analysis of two numbers of two of the most famous illustrated magazines published in Spain from 1950 to 1980: La Actualidad Espanola and Gaceta Ilustrada. More specifically, it analyzes covers, indexes, newspaper reports and advertisements. The issues of the journals have not been chosen at random. These are the numbers of July 13 and 15, 1961, a date on which both publications celebrated (celebrated, yes) the 25th anniversary of the outbreak of the Spanish Civil War.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84805293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23452
Juan Carlos Abril Palacios
Resumen: La obra poetica de Juan Malpartida no se ajusta al canon espanol de las ultimas decadas. La perspectiva que otorga su obra poetica reunida se vincula a la modernidad de la que habla Octavio Paz, las corrientes europeas de vanguardia, y no al realismo, tan caracteristico de Espana. Su poesia busca la construccion del sentido a traves de una semiosfera —en terminos lotmanianos— que indaga en la arqueologia del sable, tal y como queria Foucault. Se ponen en otra direccion semantica los simbolos, en su mayoria bisemicos, y las palabras, motivadas por la influencia de otras tradiciones. De este modo se articula la interdisciplinariedad de otras artes, su transversalidad, la lectura mitocritica de la cotidianidad, la relacion gestaltica entre teoria y practica, la funcion cognitiva de la escritura, o la reflexion metapoetica. Abstract: The perspective of the poetic work of an author such as Juan Malpartida does not conform to the Spanish canon of the last decades. The vision and perspective of his poetic work is linked to the modernity Octavio Paz would speak about, to the European avant-gard currents, and never to the realism, more characteristic of Spain. His poetry seeks the construction of meaning through a semiosphere, in terms of Lotman. This construction investigates the archeaology of knowledge, as in Foucault.The mostly bisemic symbols are placed in another semantic direction, and so do the words, motivated by the influence of other traditions. Thus, the interdisciplinarity of other arts, their transversality, the mythocriticism reading of everyday life, the gestural relation between theory and practice, the cognitive function of writing, or the metapoetic reflection are all constructed.
摘要:胡安·马尔帕蒂达的诗歌作品不符合过去几十年的西班牙经典。他的作品《poetica reunida》所赋予的视角与奥克塔维奥·帕兹所说的现代性、欧洲前卫潮流有关，而不是西班牙特有的现实主义。他的诗歌通过一种符号圈来寻求意义的构建——用洛特曼的术语来说——这种符号圈探究了福柯想要的军刀考古学。在这种情况下，符号被放置在另一个语义方向，主要是双元音，而文字则受到其他传统的影响。通过这种方式，其他艺术的跨学科性、它们的横向性、对日常生活的神话批判解读、理论与实践之间的格式塔关系、写作的认知功能或元哲学反思被阐明。Abstract: The perspective of The work of an poetic提交人如胡安Malpartida并不conform to The[尺度of The decades, 2003年。The vision and perspective其poetic work is linked to The modernity屋大维和平将说about, to The European avant-gard currents、从不to The realism more characteristic of Spain。其poetry seeks the construction of a semiosphere, in terms of Lotman促进意义。= =地理= =根据美国人口普查，该镇的土地面积为。The的bisemic象征的诋毁are placed in another语义direction, and so do The words, motivated by The影响其他传统。因此，其他艺术的跨学科性、它们的横向性、对日常生活的神话批评解读、理论与实践之间的符号关系、写作的认知功能或隐喻性反思都被建构出来。
{"title":"LA POESÍA DE JUAN MALPARTIDA COMO CONSTRUCCIÓN DE SENTIDO","authors":"Juan Carlos Abril Palacios","doi":"10.5944/signa.vol29.2020.23452","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23452","url":null,"abstract":"Resumen: La obra poetica de Juan Malpartida no se ajusta al canon espanol de las ultimas decadas. La perspectiva que otorga su obra poetica reunida se vincula a la modernidad de la que habla Octavio Paz, las corrientes europeas de vanguardia, y no al realismo, tan caracteristico de Espana. Su poesia busca la construccion del sentido a traves de una semiosfera —en terminos lotmanianos— que indaga en la arqueologia del sable, tal y como queria Foucault. Se ponen en otra direccion semantica los simbolos, en su mayoria bisemicos, y las palabras, motivadas por la influencia de otras tradiciones. De este modo se articula la interdisciplinariedad de otras artes, su transversalidad, la lectura mitocritica de la cotidianidad, la relacion gestaltica entre teoria y practica, la funcion cognitiva de la escritura, o la reflexion metapoetica. Abstract: The perspective of the poetic work of an author such as Juan Malpartida does not conform to the Spanish canon of the last decades. The vision and perspective of his poetic work is linked to the modernity Octavio Paz would speak about, to the European avant-gard currents, and never to the realism, more characteristic of Spain. His poetry seeks the construction of meaning through a semiosphere, in terms of Lotman. This construction investigates the archeaology of knowledge, as in Foucault.The mostly bisemic symbols are placed in another semantic direction, and so do the words, motivated by the influence of other traditions. Thus, the interdisciplinarity of other arts, their transversality, the mythocriticism reading of everyday life, the gestural relation between theory and practice, the cognitive function of writing, or the metapoetic reflection are all constructed.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86537843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23400
I. G. Gil
Abstract: This paper examines two recent and opposite models for the study of the lyric genre: mimetic-narratological and performative, two important contributions of international literary criticism to the field. Nevertheless, they have had scarcely any repercussions in Spanish literary theory. First, we focus on the narratological applications to the study of poetic and lyric texts. Second, we address Jonathan Culler’s theoretical proposal developed in his book Theory of the Lyric, in which he rejects the assimilation of lyric poetry to the model of narrative fiction, and he proposes instead to investigate its singularity, not imitative but performative.
{"title":"NUEVOS ENFOQUES TEÓRICOS PARA EL ESTUDIO DE LA POESÍA LÍRICA","authors":"I. G. Gil","doi":"10.5944/signa.vol29.2020.23400","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23400","url":null,"abstract":"Abstract: This paper examines two recent and opposite models for the study of the lyric genre: mimetic-narratological and performative, two important contributions of international literary criticism to the field. Nevertheless, they have had scarcely any repercussions in Spanish literary theory. First, we focus on the narratological applications to the study of poetic and lyric texts. Second, we address Jonathan Culler’s theoretical proposal developed in his book Theory of the Lyric, in which he rejects the assimilation of lyric poetry to the model of narrative fiction, and he proposes instead to investigate its singularity, not imitative but performative.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83160879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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