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England versus Sicily in Pirandello's “The black baby goat” 皮兰德洛的“黑山羊宝宝”中的英格兰对西西里
IF 0.1 4区 文学 Pub Date : 2023-08-08 DOI: 10.1177/00145858231189275
Giordana Poggioli-Kaftan
Con il racconto “Il capretto nero,” Pirandello vuole resistere e sfatare l'articolazione di un discorso razziale, descrittivo e prescrittivo, che si era venuto ad articolare in Europa durante la modernità. Alternando commenti umoristici a quelli ironici, Pirandello mette in risalto la sua diffidenza verso il trionfo del razionalismo e del realismo che la modernità aveva imposto in Europa e che aveva sciaguratamente generato il darwinismo sociale e l’eugenetica. Da una condanna del razionalismo, Pirandello passa ad una critica nazional-politica che verte sulla mancata creazione di una vera unità d’Italia.
在短篇小说《黑人小子》中,皮兰德洛想要抵制和消除现代性时期在欧洲开始表达的种族话语,这种话语是描述性的和规定性的。皮兰德洛时而幽默,时而讽刺,他强调了自己对理性主义和现实主义胜利的不信任,这种胜利是现代强加给欧洲的,不幸的是,它产生了社会达尔文主义和优生学。从对理性主义的谴责,皮兰德洛转向了国家政治批评,重点关注未能建立意大利真正的统一。
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引用次数: 0
Dante, Matelda, Proserpina 但丁、马泰尔达、普罗瑟皮纳
IF 0.1 4区 文学 Pub Date : 2023-08-08 DOI: 10.1177/00145858231189439
R. Deidier
L’articolo si focalizza sulla questione dell’identificazione del personaggio di Matelda a partire dal XXVIII canto del Purgatorio, recuperando ipotesi dibattute dagli studiosi ma ancora legittime, per giungere a un’identificazione plausibile attraverso fonti poco indagate e soprattutto attraverso il paragone con il mito di Proserpina, alla luce delle osservazioni che furono di una grande interprete come Maria Corti. The article focuses on the question of the identification of the character of Matelda starting from the XXVIII canto of Purgatory, recovering hypotheses debated by scholars but still legitimate, to arrive at a plausible identification through little-investigated sources and above all through the comparison with the myth of Proserpina, in the light of the observations that were made by a great interpreter like Maria Corti.
本文从第二十八首《炼狱之歌》开始,重点讨论了马泰尔达性格的识别问题,恢复了学者们争论但仍然合法的假设,通过很少调查的来源,尤其是通过与普罗瑟皮纳神话的比较,得出了一个可信的识别,根据Maria Corti这样一位伟大的口译员所做的观察。本文从第二十八首《炼狱之歌》开始,重点讨论了马泰尔达性格的识别问题,恢复了学者们争论但仍然合法的假设,通过很少的调查来源,尤其是通过与普罗瑟皮纳神话的比较,得出了一个可信的识别,根据像Maria Corti这样的伟大口译员所做的观察。
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引用次数: 0
Transnational and decolonial Italian Studies: Beyond the focus on curriculum renewal 跨国与非殖民意大利研究:超越课程更新的焦点
IF 0.1 4区 文学 Pub Date : 2023-08-01 DOI: 10.1177/00145858231175131
F. Ricatti
Over the past 15 years, my work has been shaped by transnational approaches, which have provided epistemological and pedagogical tools for exploring and developing new ways of learning, teaching and thinking about Italian histories, cultures and languages. These transnational approaches have critically challenged the dominant frame for the teaching of Italian language and culture, which had been typically shaped by a narrow and normative focus on the relation between the nation, its main language, and its canonical literature. Instead, transnational Italian studies have recognised the multilingual, multifaceted and multi-sited nature of Italian cultures, and the need to explore them beyond the narrow boundaries of the nation and its best-known texts (see Bond, 2014; Burdett and Polezzi, 2020; Burdett et al., 2020; Burns and Duncan, 2022; Polezzi, 2022). Intersecting with postcolonial, intersectional, transcultural and decolonial theories, methodologies and pedagogies, transnational Italian studies have opened up great opportunities for curriculum renewal and, at times, the development of more diverse language departments. Furthermore, the transnational approach has allowed a reflection on the future of Italian Studies that escaped the rigid confines of the nation, to dialogue more openly and productively with other language departments and disciplines, and to develop multilingual, transcultural and intersectional courses, programmes and research projects. More specifically, with regards to my own professional trajectory as a scholar of migration, the transnational approach has also allowed me to include migration history, migration studies and transcultural relations between migrants and First Nations people as key aspects of Italian language and culture programmes (see for instance Ricatti, 2018, 2020, 2021). As Dereck Duncan (2022: 112) recently argued, any reflection and practice on diversity and decolonisation in Italian Studies has to ‘start from the positionality of the
在过去的15年里,我的工作受到跨国方法的影响,这些方法为探索和开发新的学习、教学和思考意大利历史、文化和语言的方法提供了认识论和教学工具。这些跨国方法严重挑战了意大利语言和文化教学的主导框架,这种框架通常是由狭隘和规范的关注国家、主要语言和权威文学之间的关系所形成的。相反,跨国意大利研究已经认识到意大利文化的多语言、多面性和多地点性,并且需要超越国家和最著名文本的狭窄边界来探索它们(见Bond, 2014;Burdett and Polezzi, 2020;Burdett et al., 2020;伯恩斯和邓肯,2022;Polezzi, 2022)。与后殖民、交叉、跨文化和非殖民理论、方法和教学法相结合,跨国意大利语研究为课程更新开辟了巨大的机会,有时还为发展更多样化的语言部门提供了机会。此外,跨国方法使人们能够反思意大利研究的未来,摆脱国家的严格限制,与其他语言部门和学科进行更公开和富有成效的对话,并开发多语言,跨文化和交叉的课程,方案和研究项目。更具体地说,就我自己作为移民学者的职业轨迹而言,跨国方法也使我能够将移民历史,移民研究以及移民与第一民族之间的跨文化关系作为意大利语言和文化计划的关键方面(例如参见Ricatti, 2018, 2020, 2021)。正如Dereck Duncan(2022: 112)最近所指出的,意大利研究中对多样性和非殖民化的任何反思和实践都必须“从意大利文化的定位出发”
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引用次数: 0
Choice and solidarity in Viola Ardone's Oliva Denaro Viola Ardone的《Oliva Denaro》中的选择和团结
IF 0.1 4区 文学 Pub Date : 2023-07-27 DOI: 10.1177/00145858231189460
Anne Donadey
Contemporary Italian writer Viola Ardone's most recent novel, Oliva Denaro (2021), fictionalizes the story of Franca Viola, a young Sicilian woman whose refusal to marry her rapist in the 1960s was the first such situation to become highly publicized. In 1981, the law supporting so-called “reparatory marriages” was repealed in Italy, and Viola's case is widely seen as having been the impetus for the change. This article first places the novel in its historical context. It discusses afterlives of Viola’ story, which was important in the Italian public sphere in the mid-1960s and has enjoyed renewed popularity since 2012. This article argues that the running thread of choice in Ardone's novel should not be read as a liberal feminist version of one individual woman defying an entire society and becoming a fully autonomous self in the process, but as a situation that applies to every character in the text. It demonstrates that, unlike the way in which Viola's story is often framed, Ardone views feminist social justice change as a collective endeavor—a gathering of many individual choices that contribute to a collective end and require institutional backing—rather than a sole individual's trajectory.
意大利当代作家维奥拉·阿尔东的最新小说《奥利瓦·德纳罗》(2021)虚构了一位年轻的西西里女子弗兰卡·维奥拉的故事,她在20世纪60年代拒绝与强奸犯结婚,这是第一个被高度宣传的此类情况。1981年,意大利废除了支持所谓“修复性婚姻”的法律,维奥拉的案件被广泛认为是这一变化的推动力。本文首先将这部小说置于其历史语境中。它讨论了维奥拉故事的来龙去脉,该故事在20世纪60年代中期在意大利公共领域很重要,自2012年以来再次受到欢迎。这篇文章认为,阿东小说中的选择主线不应该被解读为一个自由主义的女权主义版本,一个女性个体反抗整个社会,并在这个过程中成为一个完全自主的自己,而应该被解读成一种适用于文中每个角色的情况。这表明,与维奥拉的故事通常被框定的方式不同,阿东将女权主义社会正义变革视为一种集体努力——许多个人选择的集合,这些选择有助于实现集体目标,需要制度支持——而不是一个单独的个人轨迹。
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引用次数: 0
L’acquisizione dei marcatori metadiscorsivi negli apprendenti sinofoni d’italiano L2 e LS: Una ricerca longitudinale 元话语标记在学习意大利汉语第二人称和第二人称中的习得:一项纵向研究
IF 0.1 4区 文学 Pub Date : 2023-07-25 DOI: 10.1177/00145858231190055
Yang Ni
I marcatori metadiscorsivi giocano un ruolo importante nella gestione e nella produzione dei testi scritti soprattutto per quanto concerne il livello intermedio-avanzato. Il presente contributo intende analizzare l’uso dei marcatori metadiscorsivi nei testi argomentativi prodotti dagli apprendenti sinofoni d’italiano in contesti L2 e LS, nonché osservare se e in che misura tale uso si differenzia dalle caratteristiche della lingua target. Il lavoro conclude con alcune implicazioni utili al fine di proporre strategie didattiche efficaci da indirizzare ad apprendenti sinofoni.
元语言标记在书面文本的管理和制作中发挥着重要作用,特别是在高级中级阶段。本贡献的目的是分析意大利语学习者在L2和LS语境下编写的论证文本中使用元语言标记物的情况,以及这种使用是否以及在何种程度上不同于目标语言的特征。这项工作的结论是,为外语学习者提出有效的教学策略有一些有用的含义。
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引用次数: 0
Book review: Peter Carravetta, Language at the Boundaries: Philosophy, Literature, and the Poetics of Culture 书评:彼得·卡拉维塔,《边界上的语言:哲学、文学和文化诗学》
IF 0.1 4区 文学 Pub Date : 2023-07-24 DOI: 10.1177/00145858231189731
Rocco Rubini
of Columbus Day. In his “Postscript” to this compact, well-documented book, Tamburri offers his final thoughts on “where history has fallen by the wayside.” Citing examples of insensitivity by Italian American leaders and groups in their “outlandish” responses to such issues as the protests following the murder of George Floyd, Tamburri underlines the historial ignorance of those who attempt to equate Italian Lives Matter in the context of Black Lives Matter. In response to another unfounded claim that over the past 40 years Italian Americans have seen their heritage and history “slip away,” Tamburri counters by stating that “over the past five decades we have watched many Italian Americans abandon their language, history, and literature as they move into WASP America” (p. 108; emphasis in original). Inspired by Giovanni Schiavo’s call to build an intellectual class of Italian Americans on Italian Americans, Tamburri argues that the primary concern is to develop courses and curricula in Italian/American and Italian Diaspora Studies in our colleges and universities. However, he concludes with the caveat that there must be a collective buy-in on the part of academic units and non-academic Italian/American associations in order to move forward in a productive way.
哥伦布日。在这本紧凑、文献翔实的书的“后记”中,坦布里提出了他对“历史在哪里被遗弃了”的最后想法。坦布里引用了意大利裔美国领导人和团体对诸如乔治·弗洛伊德被谋杀后的抗议等问题的“古怪”反应的不敏感的例子,强调了那些试图将“意大利人的命也重要”与“黑人的命也重要”等同起来的人的历史无知。另一个毫无根据的说法是,在过去的40年里,意大利裔美国人看到他们的遗产和历史“溜走了”,坦布里反驳说,“在过去的50年里,我们看到许多意大利裔美国人在进入WASP美国时放弃了他们的语言、历史和文学”(第108页;强调原文)。受Giovanni Schiavo关于在意大利裔美国人基础上建立一个意大利裔美国人知识阶层的呼吁的启发,Tamburri认为,主要关注的是在我们的学院和大学中开发意大利/美国人和意大利侨民研究的课程和课程。然而,他最后警告说,学术单位和非学术的意大利/美国协会必须集体买入,以便以富有成效的方式向前发展。
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引用次数: 0
Introduction: Critical issues in Transnational Italian Studies 引言:意大利跨国研究中的关键问题
IF 0.1 4区 文学 Pub Date : 2023-07-20 DOI: 10.1177/00145858231185833
Serena A. Bassi, Loredana Polezzi, Giulia Riccò
Almost a decade ago, scholar of Italian literature Emma Bond authored the article that anticipated (with its title as well as its argument) the so-called “trans-national turn” in Italian studies (Bond, 2014). That turn has since taken many shapes: large research projects, book series, journal issues, conference panels, symposia, working groups, undergraduate and graduate courses, departmental name changes, tenure track jobs and lectureships. The success of Transnational Italian Studies in the UK and the USA (and to a much lesser extent in Italy) has to do with its ability to multiply the vantage points from which we may look at Italy and at Italian culture as objects of inquiry, thereby demanding that we also ask increasingly theoretical questions about what a nation and its culture really are, how they come into being, how they are perceived and represented. A transnational approach to Italian Studies asks us to take into account the violent histories of nationalism, colonialism, emigration, and migration that continue to inform national identity formation, as well as the (thus far) marginal characters in the disciplinary stories we tell, who nonetheless stand at the very center of that process. The increasing popularity of the term “transnational” within Italian Studies, however, also points towards possible risks, such as the potential for the label (now mostly spelled without Bond’s hyphen) to be used in increasingly paradigmatic ways, creating homogenizing effects or promoting a new orthodoxy, while only gesturing towards surface changes rather than encouraging deeper transformation. This special issue of Forum Italicum investigates the changes brought about by the “transnational turn” in Italian Studies as well as their effects by taking stock of developments in the field and, at
大约十年前,意大利文学学者Emma Bond撰写了一篇文章,预计(及其标题和论点)意大利研究将出现所谓的“跨国家转向”(Bond,2014)。自那以后,这种转变有多种形式:大型研究项目、系列丛书、期刊、会议小组、研讨会、工作组、本科生和研究生课程、系名变更、终身教职工作和讲师职位。跨国意大利研究在英国和美国的成功(在意大利的成功程度要小得多)与它能够增加我们将意大利和意大利文化视为研究对象的有利位置有关,从而要求我们也提出越来越多的理论问题,即一个国家及其文化到底是什么,它们是如何形成的,他们是如何被感知和表现的。意大利研究的跨国方法要求我们考虑到民族主义、殖民主义、移民和移民的暴力历史,这些历史继续影响着国家身份的形成,以及我们讲述的学科故事中(迄今为止)的边缘人物,他们仍然站在这一过程的中心。然而,“跨国”一词在意大利研究中越来越受欢迎,也表明了可能的风险,例如这个标签(现在大多拼写为没有邦德连字符)可能会以越来越典型的方式使用,产生同质化的效果或促进新的正统观念,而只是示意表面的变化,而不是鼓励更深层次的转变。本期意大利论坛特刊通过评估该领域的发展,探讨了意大利研究“跨国转向”带来的变化及其影响
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引用次数: 0
The linguistic and cultural rights of students in the Italian language and studies classroom 学生在意大利语和研究课堂上的语言和文化权利
IF 0.1 4区 文学 Pub Date : 2023-07-12 DOI: 10.1177/00145858231186922
Clorinda Donato
In a webinar discussion with writer Amara Lakhous and graphic novelist Takoua Ben Mohamed hosted by Giulia Riccò and her colleagues at the University of Michigan
在密歇根大学Giulia Riccå和她的同事主持的与作家Amara Lakhous和平面小说家Takoua Ben Mohamed的网络研讨会讨论中
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引用次数: 0
Per un uso critico della fotografia che plasma l’identità siciliana 对于塑造西西里人身份的摄影的批判性使用
IF 0.1 4区 文学 Pub Date : 2023-07-12 DOI: 10.1177/00145858231183411
Flaviana Astone
La fotografia, che rafforza lo sguardo sulla realtà, sembra aver goduto da sempre di un primato su altri strumenti di osservazione. Appare oggettiva, indiscutibile, vera, mentre in effetti costituisce un formidabile strumento di costruzione della realtà. In questo articolo avanziamo l’ipotesi di interpretare le fotografie che hanno narrato la Sicilia negli ultimi centocinquant’anni come uno degli strumenti che maggiormente hanno contribuito a costruire un’identità siciliana arcaica, rurale, arretrata. Ciò, per una serie di tecniche e soluzioni estetiche che sono proprie dell’arte fotografica che, proprio per questo motivo, è divenuta una delle forme di rappresentazione più utilizzate nell’isola.
摄影加强了人们对现实的看法,似乎一直是其他观察工具的首要地位。它似乎是客观的、无可辩驳的、真实的,而实际上它是构建现实的强大工具。在这篇文章中,我们提出了这样一种假设,即过去150年里描绘西西里岛的照片是帮助建立一个古老的、农村的、落后的西西里身份的主要工具之一。这是由于摄影艺术特有的一系列美学技术和解决方案,正因为如此,摄影艺术已成为岛上最常用的表现形式之一。
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引用次数: 0
The two voices of the first Italian Canadian poet: Liborio Lattoni, fascist racial propaganda, and the legacy of Giacomo Leopardi 第一位意大利裔加拿大诗人的两种声音:Liborio Lattoni、法西斯种族宣传和Giacomo Leopardi的遗产
IF 0.1 4区 文学 Pub Date : 2023-07-10 DOI: 10.1177/00145858231182118
M. Brera
Liborio Lattoni (1874–1958) settled in Montreal in 1908 and soon became a champion of Italian patriotic propaganda, both during the Great War and until 1940, when he and his son Mario were interned for being followers of Mussolini's regime. This pioneer of Italian Canadian literature, recreated, through the columns of a fascist periodical and a relentless poetic production spanning from the Thirties to the end of the Fifties, a transnational cultural identity which mixed contemporary politics, racial prejudice, and linguistic testimonies of ethnic belonging through the absorption of both elements of fascist propaganda and the linguistic and stylistic emulation of the fellow marchigiano poet Giacomo Leopardi. This study of Lattoni's poems published in the Italian Canadian ethnic press between the two wars highlights the ambiguous relationship between nationalist and transnational cultural practices and expands the understanding of the uses of literature in fascist propaganda, especially as a counterpoint of key historical events such as the military invasion of Ethiopia.
利博里奥·拉托尼(1874-1958)于1908年定居蒙特利尔,并很快成为意大利爱国主义宣传的拥护者,这一活动在第一次世界大战期间一直持续到1940年,直到他和儿子马里奥因追随墨索里尼政权而被拘留。这位意大利加拿大文学的先驱,通过法西斯期刊的专栏和从30年代到50年代末持续不断的诗歌创作,通过吸收法西斯宣传的元素和马尔基齐亚诺诗人贾科莫·利奥帕尔迪的语言和风格模仿,重新创造了一种跨国文化身份,这种文化身份混合了当代政治、种族偏见和民族属于的语言见证。对两次战争期间意大利裔加拿大民族出版社发表的拉托尼诗歌的研究突出了民族主义与跨国文化实践之间的模糊关系,并扩大了对文学在法西斯宣传中的应用的理解,特别是作为对关键历史事件的对应物,如军事入侵埃塞俄比亚。
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引用次数: 0
期刊
Forum Italicum
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