Pub Date : 2017-11-28DOI: 10.4000/ANGLOPHONIA.1106
Caroline Peynaud
Les journalistes produisent un discours fortement contraint, par les normes du genre ainsi que par la necessite de produire un discours attractif, adapte au lectorat. Cette volonte d’adaptation releve d’un processus d’accommodation par lequel les auteurs adaptent leur discours a leurs lecteurs, sans toutefois en avoir une image tres precise, tandis que les lecteurs, a leur tour, interpretent le discours selon leur connaissance des normes du genre. L’analyse des modes d’accommodation permet ainsi de comprendre plus precisement comment se construit la relation entre les journalistes et leurs lecteurs. Le cas des anaphores en THE, non strictes et associatives, est particulierement revelateur du choix des journalistes de presenter une information comme nouvelle ou ancienne dans la mesure ou le choix de presenter l’information sous forme definie ne peut pas systematiquement se justifier par une connaissance partagee. Ces choix illustrent alors un processus d’accommodation par lequel les journalistes presentent une information comme ancienne alors meme qu’elle est probablement nouvelle pour les lecteurs. Ces analyses, fondees sur un corpus de presse de 35000 mots, mettent en evidence le fait que ces choix permettent aux journalistes de repondre aux contraintes du genre. Lorsque le referent est le sujet principal du texte, les anaphores construisent des paradigmes designationnels qui augmentent la cohesion de l’article. Lorsque le referent fait partie d’un sujet annexe, au contraire, les anaphores permettent de placer l’information en arriere-plan, tout en donnant toutes les informations necessaires a la comprehension de l’article.
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Pub Date : 2017-01-16DOI: 10.4000/ANGLOPHONIA.1183
Gábor Turcsán
Cet article contribue a la comprehension de la grammaire d’un sous-ensemble des alternances voyelle–zero en anglais, a travers les resultats d’une enquete phonologique descriptive sur le statut de la syncope en anglais parle contemporain. Le corpus comprend 15 heures de conversations informelles de 30 locuteurs de trois varietes d’anglais (Californie, Lancashire et Ayrshire) et la lecture d’un texte avec 40 mots trisyllabiques incluant des sites potentiels de syncope. L’analyse quantitative des donnees montre que presque la moitie des syncopes produites par nos locuteurs sont considerees comme agrammaticales par les dictionnaires de prononciation. Le but de l’article est de comprendre comment un tel decalage est possible entre la grammaire descriptive et l’usage, en se focalisant sur des cas problematiques. Une analyse qualitative indique des regularites de surface interessantes : la chute de la voyelle n’entraine pas de resyllabification, par consequent, il n’y a pas de destruction de la structure sous-jacente. Les locuteurs semblent adherer au principe de la monotonicite et laissent des traces phonetiques fines pour marquer la non-adjacence, aidant ainsi l’interlocuteur a reconstruire la forme pleine. La grammaire traditionnelle semble ne pas incorporer la notion des noyaux vides et la non-adjacence sous-jacente, alors que les locuteurs les integrent parfaitement dans leur systeme.
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Pub Date : 2017-01-16DOI: 10.4000/ANGLOPHONIA.1192
Gabriel Flambard
The VP anaphors do it and do this/do that have been little studied in the literature, although they are mentioned in passing in a number of more general works such as Hankamer and Sag (1976), Culicover and Jackendoff (2005) or descriptive grammars by Quirk et al. (1985) or Huddleston and Pullum (2002). With the exception of Souesme (1985), very few extant studies are available and there are almost none that explore the internal structure of VPAs in detail. This paper argues for a compositional analysis of the structure of VPAs, proposing that they are ordinary transitive constructions of the form ‘do + object pronoun’ and, following Simner (2001) and Stroik (2001), that it is the pronoun, rather than the VP expression as a whole, which serves as the anaphoric element. The compositional nature of VPAs is evidenced by a range of syntactic and semantic facts which point to the relative independence of main verb do and the object pronoun in such constructions. Foremost among these is the very possibility of alternating between it and demonstrative pronouns, which is itself highly suggestive of a compositional structure. Further evidence is supplied by passivisation (it/this/that was done) or pseudo-clefting with do this/that (This/That is what I did). Secondly, we will address the question of how both parts of the VP contribute to its interpretation. Object pronouns in VPAs are distinguished by having a VP as their antecedent, or ‘antecedent-trigger’, as Cornish (1992, 1996) calls the segment of discourse through which an appropriate antecedent is retrieved. The anaphoric relation between the object pronoun and the VP trigger holds regardless of the fact that the pronoun cannot be replaced with any VP expression (e.g. * John did {mowing/ (to) mow} the lawn), as replaceability is not a necessary condition for antecedenthood.
副隐喻做它和做这个/做那个在文献中很少被研究,尽管它们在一些更一般的作品中被顺便提到,如Hankamer和Sag (1976), Culicover和Jackendoff(2005)或Quirk等人(1985)或Huddleston和Pullum(2002)的描述性语法。除了Souesme(1985)之外,现有的研究很少,几乎没有研究详细探讨vpa的内部结构。本文主张对VPAs的结构进行成分分析,提出它们是“do +宾语代词”形式的普通及物结构,并继Simner(2001)和Stroik(2001)之后,它是代词,而不是整个VP表达,作为回指元素。一系列的句法和语义事实表明,谓语动词do和宾语代词在谓语结构中相对独立。其中最重要的是它和指示代词之间交替的可能性,这本身就高度暗示了一种作曲结构。进一步的证据由钝化(it/this/that was done)或do this/that (this/that is what I did)提供。其次,我们将解决副总统的两个部分如何对其解释做出贡献的问题。VPAs中的宾语代词的特点是有一个VP作为它们的先行词,或者像Cornish(1992,1996)所说的“先行词触发”,通过这个先行词可以检索到合适的先行词。宾语代词和副动词触发器之间的回指关系是成立的,尽管代词不能被任何副动词表达所取代(例如,* John did {mowing/ (to) mow} The lawn),因为可替换性并不是先行性的必要条件。
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Pub Date : 2017-01-16DOI: 10.4000/ANGLOPHONIA.1175
Mathilde Pinson
Le but de cette contribution est d’etablir quel role les facteurs processuels jouent dans l’evolution de l’acceptabilite a partir de deux etudes de cas : la complementation infinitive du verbe help (avec ou sans to) et la distribution de la construction [capacite + help]. Les corpus selectionnes pour cette etude, en particulier COHA et l’Old Bailey, revelent que ces facteurs ne contribuent pas simplement a expliquer la basse frequence des structures marginales, mais peuvent meme etre consideres comme le moteur initiant le changement linguistique, confirmant ainsi la prediction de Rohdenburg (2003 : 243). Le principe d’horror aequi (Brugmann 1909) s’avere etre le facteur initial ayant mene a la disparition actuelle de to apres help et les difficultes de traitement cognitif s’averent etre responsables de l’obsolescence de la construction [capacite + help]NPI. En limitant la frequence de certaines structures, ces facteurs processuels contribuent a diminuer la familiarite des locuteurs avec ces structures, ce qui finit par affecter leurs jugements d’acceptabilite, et, a terme, la grammaire de la langue.
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Pub Date : 2017-01-16DOI: 10.4000/ANGLOPHONIA.1162
Sylvie Hancil
Reflechir sur le systeme d’une langue, c’est reflechir sur la grammaire qui la regit en tenant compte des exemples recevables et non recevables par le locuteur d’une langue parlee. Cet article defend la position qu’il n’existe pas de grammaticalite puisqu’aucun linguiste n’a jamais reussi a etablir une frontiere entre le grammatical et l’agrammatical. On se pose la question de savoir ce qu’est la grammaire puis on etend notre champ d’etude au domaine de l’oral, en particulier aux problemes pour l’annotation de corpus d’anglais oral que sont le taggage des mots, les reparations langagieres, les constructions Markoviennes, les distinctions logiques, l’usage non standard, la difference dialectale et les erreurs de performance.
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Pub Date : 2017-01-16DOI: 10.4000/ANGLOPHONIA.1210
P. Fournier
Le fonctionnement du systeme accentuel des composes savants suffixes en anglais contemporain est complexe. La prise en compte des frontieres morphologiques et de l’influence des bases pre-suffixales permettent de mettre en evidence le potentiel d’attractivite de ces bases vis-a-vis de la position de l’accent principal. Ces bases sont ainsi etiquetees comme attractives, non-attractives ou semi-attractives. Cet article confronte la validite de cette classification etablie sur l’analyse des composes savants en -ous, en etudiant l’accentuation des memes bases suffixees en -al, suffixe qui entretient des proprietes comparables a celles de -ous. La constitution d’une typologie des bases operee selon leur potentiel d’attractivite et valide en tout type de suffixation, s’avere delicate car d’autres facteurs paraissent egalement avoir un effet determinant sur l’accentuation.
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Pub Date : 2008-12-01DOI: 10.4000/ANGLOPHONIA.1009
Fiona Rossette
Alors que la linguistique s’interesse en priorite aux marqueurs de surface, ou au signifiant (en particulier en France dans le cadre de l’apprentissage de l’anglais), les ressorts de l’implicite retiennent moins l’attention. Cela est notamment le cas dans l’etude de l’enchainement des propositions, ou l’on traite principalement de la subordination, de la coordination, et des connecteurs adverbiaux (ex. however, therefore). Je propose ici d’identifier les relations qui ne sont pas ainsi marquees entre les propositions. Ces relations «implicites» ne posent aucun probleme au lecteur, qui a l’habitude de lire entre les lignes ou, plutot, entre les propositions. Je decrirai ici le modele d’interpretation dit «interactif» elabore par Hoey (2001) et qui met en avant le travail d’anticipation effectue par le co-enonciateur. Ensuite, je presenterai une etude de cas, basee sur la description des relations implicites dans deux textes argumentatifs. Dans ce genre, les relations de general-specifique et de justification, ainsi que les schemas paralleles, sont preponderants. Il en ressort egalement que le discours resiste tres souvent a une analyse lineaire et segmentale. Toute tentative d’etablir une liste exhaustive des relations, ou de coller a tout prix une etiquette a chaque enchainement, s’avere artificielle et meme contre-productive.
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This article deals with a particular kind of imperative mood, namely the positive imperative mood in utterances with the adverb SO. Moreover, the verbs which we study are restricted to a specific group including fold, hold, push, tie, and turn. SO refers here to a gesture made by the utterer. This paper aims at showing that the marker SO is linked to the utterer and, more precisely, to the point of view of the utterer.
{"title":"L’impératif positif dans les énoncés avec l’adverbe SO","authors":"Elisabet Johansson-Manoury","doi":"10.4000/ANGLOPHONIA.794","DOIUrl":"https://doi.org/10.4000/ANGLOPHONIA.794","url":null,"abstract":"This article deals with a particular kind of imperative mood, namely the positive imperative mood in utterances with the adverb SO. Moreover, the verbs which we study are restricted to a specific group including fold, hold, push, tie, and turn. SO refers here to a gesture made by the utterer. This paper aims at showing that the marker SO is linked to the utterer and, more precisely, to the point of view of the utterer.","PeriodicalId":31138,"journal":{"name":"Anglophonia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2007-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75209693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In spite of the iconoclastic bent of the Lollards, the first English opponents to the Roman Church in the XIVth century, the Tudor reformers under the reigns of Henry VIII, Edward VI and Elizabeth, made an extensive use of drama as a means of persuasion. Far from being banned, propaganda through drama was part of a systematic plan initiated by the sovereigns or their zealous counsellors As was the case with two plays written by John Skelton and Sir David Lindsay at the outbreak of religious unrest (respectively 1515 and 1540), which were emblematic of the type of drama that the reformers found ready for use, the Protestant polemic interludes of the XVIth century are commissioned works, composed for a homogeneous audience. Their structure is unsophisticated, and their characters mainly allegorical. They are based on a systematic detraction of the Pope, the papist church, its institutions, liturgy and, on the other hand, on a vindication of the reformed faith. Whereas the pre-Reformation interlude was a comedy (in the sense of a divine comedy), the new hero is free to choose a way of life leading to damnation, or the Mankind character of the medieval plays is represented by a bifurcated figure; in the latter case, the plot of the Prodigal Son is used and adapted to this new persepective, the elder son playing the part of the evil man. Also, a new character, called the Vice of the Play, impersonates the concept of free will, which for the XVIth century Protestants, was the very image of confusion and impurity. The end of the story comes with the end of the century: the same type of propaganda is then found under the guise of the history play, in which patriotism and the cult of the sovereign superseded religious debate. No doubt, drama was a cogent auxiliary of the English Reformation.
{"title":"Techniques de persuasion dans les interludes protestants anglais du XVIe siècle","authors":"J. Debax","doi":"10.3406/CALIB.2005.1530","DOIUrl":"https://doi.org/10.3406/CALIB.2005.1530","url":null,"abstract":"In spite of the iconoclastic bent of the Lollards, the first English opponents to the Roman Church in the XIVth century, the Tudor reformers under the reigns of Henry VIII, Edward VI and Elizabeth, made an extensive use of drama as a means of persuasion. Far from being banned, propaganda through drama was part of a systematic plan initiated by the sovereigns or their zealous counsellors As was the case with two plays written by John Skelton and Sir David Lindsay at the outbreak of religious unrest (respectively 1515 and 1540), which were emblematic of the type of drama that the reformers found ready for use, the Protestant polemic interludes of the XVIth century are commissioned works, composed for a homogeneous audience. Their structure is unsophisticated, and their characters mainly allegorical. They are based on a systematic detraction of the Pope, the papist church, its institutions, liturgy and, on the other hand, on a vindication of the reformed faith. Whereas the pre-Reformation interlude was a comedy (in the sense of a divine comedy), the new hero is free to choose a way of life leading to damnation, or the Mankind character of the medieval plays is represented by a bifurcated figure; in the latter case, the plot of the Prodigal Son is used and adapted to this new persepective, the elder son playing the part of the evil man. Also, a new character, called the Vice of the Play, impersonates the concept of free will, which for the XVIth century Protestants, was the very image of confusion and impurity. The end of the story comes with the end of the century: the same type of propaganda is then found under the guise of the history play, in which patriotism and the cult of the sovereign superseded religious debate. No doubt, drama was a cogent auxiliary of the English Reformation.","PeriodicalId":31138,"journal":{"name":"Anglophonia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2005-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87891116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this paper is to demonstrate how Hegel, when discussing the relationships between the Church and the State, is led to reconsider a classical question of Political Philosophy - i.e. the theologico-political question. More precisely, there is one aspect of this theologico-political issue that has become central in Hegel and in the Hegelian school succeeding him. It is commonly known as the question of secularisation and can be phrased in the following manner : is it possible that, eventually, modern political principles could be theological principles — that is : pre-modern principles — in a secularised form ? The theme has been common enough ever since the publication in 1922 of Carl Shmitt’s Political Theology. According to him, the philosopher who first explicitly posited that the principles of the State were religious principles adapted to this world was none other than Hegel himself, particularly when he came to conceive of the State as "the divine on earth" and the power of the State as divine power on earth.
{"title":"Les rapports de l'Eglise et de l'Etat selon Hegel","authors":"F. Fischbach","doi":"10.3406/CALIB.2005.1560","DOIUrl":"https://doi.org/10.3406/CALIB.2005.1560","url":null,"abstract":"The aim of this paper is to demonstrate how Hegel, when discussing the relationships between the Church and the State, is led to reconsider a classical question of Political Philosophy - i.e. the theologico-political question. More precisely, there is one aspect of this theologico-political issue that has become central in Hegel and in the Hegelian school succeeding him. It is commonly known as the question of secularisation and can be phrased in the following manner : is it possible that, eventually, modern political principles could be theological principles — that is : pre-modern principles — in a secularised form ? The theme has been common enough ever since the publication in 1922 of Carl Shmitt’s Political Theology. According to him, the philosopher who first explicitly posited that the principles of the State were religious principles adapted to this world was none other than Hegel himself, particularly when he came to conceive of the State as \"the divine on earth\" and the power of the State as divine power on earth.","PeriodicalId":31138,"journal":{"name":"Anglophonia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2005-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88904504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}