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Sonido y afecto en Calderón. Un estudio de las asonancias. by Simon Kroll 声音和感情在calderon。对谐音的研究。作者:西蒙·克罗尔
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/boc.0.a901334
F. Antonucci
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引用次数: 0
El universo de una polémica. Góngora y la cultura española del siglo XVII por Mercedes Blanco y Aude Plagnard, editoras. 争论的宇宙。gongora和17世纪的西班牙文化,梅塞德斯·布兰科和奥德·普拉纳德,出版社。
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/boc.0.a901325
Ana Carolina Garriga
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引用次数: 0
James A. Parr, sin par (1936–2022): Editor, Bulletin of the Comediantes 1973–98 PART II James A. Parr, sin par(1936-2022):编辑,1973 - 1998年《喜剧演员公报》第二部分
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/boc.0.a901320
Edward H. Friedman
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引用次数: 0
James A. Parr, sin par (1936–2022): Editor, Bulletin of the Comediantes 1973–98 PART I James A.Parr,sin-par(1936–2022):编辑,《喜剧人公报》1973–98第一部分
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/boc.0.a901319
Sharon D. Voros
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引用次数: 0
The Cambridge Companion to Shakespeare and Race por Ayanna Thompson, editor. 阿亚娜·汤普森主编的《剑桥莎士比亚与种族伴侣》。
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/boc.0.a901341
Manuel Olmedo Gobante
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引用次数: 0
El gran teatro del mundo. by Pedro Calderón de la Barca. 世界大剧院。佩德罗calderon de la Barca。
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/boc.0.a901327
Rasmus Vangshardt
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引用次数: 0
Mirando desde el puente.Estudios en homenaje al profesor James S. Amelang. por Fernando Andrés Robres, Mauro Hernández Benítez y Saúl Martínez Bermejo, editores. 从桥上看。向詹姆斯·阿梅朗教授致敬的研究。由编辑费尔南多·安德烈斯·罗布雷斯、毛罗·埃尔南德斯·贝尼特斯和索尔·马丁内斯·贝尔梅霍撰写。
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/boc.0.a901323
Miguel Martínez
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引用次数: 0
Performing Conversion: Cities, Theatre and Early Modern Transformations. by José R. Jouve Martín and Steven Wittek, editors. 表演转换:城市、剧院和早期现代转型。作者:jos<s:1> R. Jouve Martín和Steven Wittek,编辑。
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/boc.0.a901333
Benjamin Easton
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引用次数: 0
Sovereign Joy: Afro-Mexican Kings and Queens, 1539–1640. by Miguel A. Valerio. 《君主的喜悦:非裔墨西哥国王和王后》,1539-1640年。Miguel A.Valerio著。
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/boc.0.a901342
J. R. Jouve Martín
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引用次数: 0
The Ambivalent Amazons of Lope de Vega’s Las mujeres sin hombres Lope de Vega的雄心勃勃的亚马逊女性没有男人
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.1353/boc.2021.0023
Stacey Triplette
Abstract:In the 1621 mythological comedia Las mujeres sin hombres, Lope de Vega expresses admiration for the Amazons, but he also describes them in misogynistic terms adapted from classical, medieval, and early modern sources. Lope’s Amazons are strong, warlike, politically capable, and competent in educating their young women. Yet they are also fools for love. This article explores the ambivalence of Lope’s use of these fabled women warriors. Unlike most writers who reinterpreted the Amazon myths, Lope contemporizes the women warriors and suggests that Spanish women may be their spiritual inheritors. By marrying the Amazons off to male characters, Lope brings them under patriarchal control. However, he also allows them to escape death, the usual fate of these fighting women in his likely sources. In Las mujeres sin hombres, the Amazons’ survival in defeat figures their subversive potential; Lope suggests that they may be role models for and echoes of early modern Spanish women who resisted the dominance of men.
摘要:在1621年的神话喜剧《Las mujeres sin hombres》中,洛佩·德·维加表达了对亚马逊人的钦佩,但他也用改编自古典、中世纪和现代早期的厌女词汇来描述他们。洛佩笔下的亚马逊人坚强、好战、政治能力强,有能力教育年轻女性。然而,他们也是爱的傻瓜。本文探讨了洛佩使用这些传说中的女战士的矛盾心理。与大多数重新解读亚马逊神话的作家不同,洛佩对女战士进行了现代化,并暗示西班牙女性可能是她们的精神继承者。通过将亚马逊人嫁给男性角色,洛佩将他们置于父权制的控制之下。然而,他也允许她们逃离死亡,这是他可能的来源中这些战斗女性的常见命运。在Las mujeres sin hombres,亚马逊人在失败中的生存体现了他们的颠覆潜力;洛佩认为,她们可能是反抗男性统治的早期现代西班牙女性的榜样和回声。
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引用次数: 0
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BULLETIN OF THE COMEDIANTES
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