RESUMEN: Este estudio, tras analizar las diversas hipótesis sobre la identidad del novelista Juan de Flores, se decanta por la que propuso Vicente Beltrán de Heredia. Se trata de un clérigo sevillano, residente en Italia durante trece años, protegido del prior de la iglesia del Santo Sepulcro de Toro. Tras la localización de diversos documentos, se establece su relación con su padre, el mercader Fernando de Flores, su vinculación con la ciudad de Toro, especialmente con la poderosa familia de los Fonseca, y con la ciudad de Ourense, donde escribió algunas de sus obras. A partir de su Crónica [incompleta] de los Reyes Católicos, se fundamentan algunas de las teorías previamente expuestas. Se establece finalmente su relación con la Corte castellana, así como su probable fecha de nacimiento y su relación con Sevilla. ABSTRACT: This study, after analyzing the diverse hypotheses about the identity of the novelist Juan de Flores, opts for the one proposed by Vicente Beltrán de Heredia. He is a Sevillian clergyman, resident in Italy for thirteen years, protected from the prior of the church of the Santo Sepulcro of Toro. After the location of diverse documents, his relationship with his father, the merchant Fernando de Flores, is established, as well as his link with the city of Toro, especially with the powerful family of the Fonseca, and with the city of Ourense, where he wrote some of his works. From his Chronicle [incomplete] of the Catholic Monarchs, some of the previously exposed theories are based. Finally, his relationship with the Castilian Court is established, as well as his probable date of birth and his relationship with Seville.
{"title":"El novelista Juan de Flores, clérigo sevillano: de Rodríguez del Padrón a los orígenes italianos de su obra literaria","authors":"Jesús Fernando Cáseda Teresa","doi":"10.51472/JESO20211014","DOIUrl":"https://doi.org/10.51472/JESO20211014","url":null,"abstract":"RESUMEN:\u0000Este estudio, tras analizar las diversas hipótesis sobre la identidad del novelista Juan de Flores, se decanta por la que propuso Vicente Beltrán de Heredia. Se trata de un clérigo sevillano, residente en Italia durante trece años, protegido del prior de la iglesia del Santo Sepulcro de Toro. Tras la localización de diversos documentos, se establece su relación con su padre, el mercader Fernando de Flores, su vinculación con la ciudad de Toro, especialmente con la poderosa familia de los Fonseca, y con la ciudad de Ourense, donde escribió algunas de sus obras. A partir de su Crónica [incompleta] de los Reyes Católicos, se fundamentan algunas de las teorías previamente expuestas. Se establece finalmente su relación con la Corte castellana, así como su probable fecha de nacimiento y su relación con Sevilla.\u0000ABSTRACT:\u0000This study, after analyzing the diverse hypotheses about the identity of the novelist Juan de Flores, opts for the one proposed by Vicente Beltrán de Heredia. He is a Sevillian clergyman, resident in Italy for thirteen years, protected from the prior of the church of the Santo Sepulcro of Toro. After the location of diverse documents, his relationship with his father, the merchant Fernando de Flores, is established, as well as his link with the city of Toro, especially with the powerful family of the Fonseca, and with the city of Ourense, where he wrote some of his works. From his Chronicle [incomplete] of the Catholic Monarchs, some of the previously exposed theories are based. Finally, his relationship with the Castilian Court is established, as well as his probable date of birth and his relationship with Seville.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"237-272"},"PeriodicalIF":0.0,"publicationDate":"2021-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49095271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: Reseña del libro de Luis Gómez Canseco, Juan Enríquez de Zúñiga y su perrita. ABSTRACT: Review of the book Juan Enríquez de Zúñiga y su perrita, by Luis Gómez Canseco.
摘要：路易斯·戈麦斯·坎塞科、胡安·恩里克斯·德·祖尼加和他的小狗的书。摘要：路易斯·戈麦斯·坎塞科（Luis Gomez Canseco）对胡安·恩里克斯·德·祖尼加（Juan Enriquez de Zúñiga）和他的小狗的书进行了回顾。
{"title":"Reseña. Gómez Canseco, Luis, Don Juan Enríquez de Zúñiga y su perrita, Huelva, Universidad de Huelva (Biblioteca biográfica del Renacimiento Español), 2020, 139 págs. ISBN: 978-84-18280-18-4","authors":"Natalia Navarro Espinosa","doi":"10.51472/JESO20211015","DOIUrl":"https://doi.org/10.51472/JESO20211015","url":null,"abstract":"RESUMEN:\u0000Reseña del libro de Luis Gómez Canseco, Juan Enríquez de Zúñiga y su perrita.\u0000ABSTRACT:\u0000Review of the book Juan Enríquez de Zúñiga y su perrita, by Luis Gómez Canseco.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"273-276"},"PeriodicalIF":0.0,"publicationDate":"2021-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49521192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: Este ensayo propone una lectura de La pícara Justina y sus paratextos, a partir de la relación de complementariedad entre el self-fashioning y las artes plásticas. Este análisis subraya el potencial de emblemas y jeroglíficos, escudos y empresas, de moldear la identidad individual y así contrarrestar la fijación del orden establecido con la genealogía, el abolengo, y la “limpieza de sangre”. El caso de Rodrigo Calderón, poderoso ministro de Felipe III, cuyo escudo de armas figura en la portada de la editio princeps, sirve como ejemplo para investigar la conexión entre la heráldica y el fenómeno del self-fashioning, en la España de la temprana modernidad. Por una parte, la manipulación de la identidad a partir de formas simbólicas representa un desafío al sistema; por otra, la adopción de sus paradigmas perpetúa y sustenta los idearios culturales sobre los que está construido. ABSTRACT: This essay proposes a reading of La pícara Justina and its paratexts based on the complementary relationship between self-fashioning and artistic modes of expression. This analysis emphasizes the potential of emblems and hieroglyphics, imprese and coats of arms, to shape individual identity in order to counteract the establishment’s fixation with genealogy, ancestry, and the so-called “purity of blood”. The case of Rodrigo Calderón, a powerful political figure at the court of Philip III whose coat of arms is featured on the title page of the first edition, offers an example to investigate the connection between heraldry and the process of self-fashioning in early modern Spain. On the one hand, the exercise of shaping one’s public persona through symbolic forms of representation constitutes a challenge to the social order; on the other hand, the adoption of its own paradigms, contributes to perpetuate discriminatory cultural practices and prevailing ideologies.
{"title":"Figuras impertinentes: Rodrigo Calderón y el Libro de entretenimiento de la pícara Justina (1604)","authors":"Claudia Mesa Higuera","doi":"10.51472/JESO20211013","DOIUrl":"https://doi.org/10.51472/JESO20211013","url":null,"abstract":"RESUMEN:\u0000Este ensayo propone una lectura de La pícara Justina y sus paratextos, a partir de la relación de complementariedad entre el self-fashioning y las artes plásticas. Este análisis subraya el potencial de emblemas y jeroglíficos, escudos y empresas, de moldear la identidad individual y así contrarrestar la fijación del orden establecido con la genealogía, el abolengo, y la “limpieza de sangre”. El caso de Rodrigo Calderón, poderoso ministro de Felipe III, cuyo escudo de armas figura en la portada de la editio princeps, sirve como ejemplo para investigar la conexión entre la heráldica y el fenómeno del self-fashioning, en la España de la temprana modernidad. Por una parte, la manipulación de la identidad a partir de formas simbólicas representa un desafío al sistema; por otra, la adopción de sus paradigmas perpetúa y sustenta los idearios culturales sobre los que está construido.\u0000ABSTRACT:\u0000This essay proposes a reading of La pícara Justina and its paratexts based on the complementary relationship between self-fashioning and artistic modes of expression. This analysis emphasizes the potential of emblems and hieroglyphics, imprese and coats of arms, to shape individual identity in order to counteract the establishment’s fixation with genealogy, ancestry, and the so-called “purity of blood”. The case of Rodrigo Calderón, a powerful political figure at the court of Philip III whose coat of arms is featured on the title page of the first edition, offers an example to investigate the connection between heraldry and the process of self-fashioning in early modern Spain. On the one hand, the exercise of shaping one’s public persona through symbolic forms of representation constitutes a challenge to the social order; on the other hand, the adoption of its own paradigms, contributes to perpetuate discriminatory cultural practices and prevailing ideologies.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"90 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74856278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: El mito neogótico es fundamental en la obra de Lope de Vega, aunque habitualmente solo se estudia en el teatro. Este trabajo pretende examinar el sentido del goticismo en otras parcelas como la poesía, la épica y la novela, para tratar de ofrecer una visión panorámica del Lope godo. ABSTRACT: Neogothic myth is essential in Lope de Vega's work, even if usually it's been studied in theatre. This work aims to examine the presence and meaning of gothicism in other fields, such as poetry, epic and novel, in order to offer a panoramic vision of a gothic Lope.
{"title":"Los godos de Lope (poesía, épica, novela)","authors":"Adrián J. Sáez","doi":"10.51472/JESO20211012","DOIUrl":"https://doi.org/10.51472/JESO20211012","url":null,"abstract":"RESUMEN: El mito neogótico es fundamental en la obra de Lope de Vega, aunque habitualmente solo se estudia en el teatro. Este trabajo pretende examinar el sentido del goticismo en otras parcelas como la poesía, la épica y la novela, para tratar de ofrecer una visión panorámica del Lope godo.\u0000\u0000ABSTRACT: Neogothic myth is essential in Lope de Vega's work, even if usually it's been studied in theatre. This work aims to examine the presence and meaning of gothicism in other fields, such as poetry, epic and novel, in order to offer a panoramic vision of a gothic Lope.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"185-201"},"PeriodicalIF":0.0,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48183333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: La epístola VIII de La Filomena se estructura sobre la base de la descripción de un fabuloso vergel. Mediante la ecfrasis de las breves historias mitológicas que adornan los elementos de este espacio, la voz poética deja entrever abundantes reflexiones sobre problemáticas relativas a su particular visión de la poesía, su relación con otros poetas del campo (cruzada por la permanente queja frente a la envidia de sus colegas), la siempre compleja cuestión del mecenazgo y la gratitud de los poderosos y otras cuestiones vinculadas a su quehacer como poeta. En este trabajo, nos proponemos analizar la estrecha relación que existe entre los problemas enumerados y los núcleos míticos elegidos para su representación y descripción. ABSTRACT: Filomena´s Eighth Epistle contains the description of a fabulous garden. Through the ecfrasis of the brief mythological stories that adorn the elements of this space, the poetic voice reveals abundant reflections. The topics of those considerations point to problems related to his particular vision of poetry, his relationship with other poets (crossed by the permanent complaint against the envy of his colleagues), the complex question of patronage and the gratitude of the Nobels and other issues related to his work as a poet. In this paper, we propose to analyze the close relationship that exists between the problems listed and the mythical stories chosen for their representation and description.
摘要:《菲洛梅娜》第八封信的结构是基于对一个神话般的果园的描述。通过ecfrasis简短故事mitológicas所挂的这个空间的元素,让声音诗意瞥见思考关于特定问题的丰富视觉诗歌现场,与其他诗人的关系(由常设交叉抱怨同事羡慕),复杂问题总是光顾的感谢和其他相关问题的工作,如诗人。在本文中，我们试图分析所列举的问题与所选择的神话核心之间的密切关系。= =地理= =根据美国人口普查，这个县的面积为。Through the ecfrasis of the brief mythological that adorn the elements of this space, the poetic voice reveals厚生reflections。.这些制造商point to problems特别是vision of poetry,有关其relationship with other poets(历届by The常驻申诉against The envy of colleagues), The complex问题patronage and The感谢of The Nobels and related to work as a poet国内的其他问题。在本文中，我们建议分析所列问题与所选择的神话故事之间存在的密切关系。
{"title":"Poesía y materia mitológica en “El jardín de Lope de Vega”","authors":"Ximena González","doi":"10.51472/JESO20211008","DOIUrl":"https://doi.org/10.51472/JESO20211008","url":null,"abstract":"RESUMEN: La epístola VIII de La Filomena se estructura sobre la base de la descripción de un fabuloso vergel. Mediante la ecfrasis de las breves historias mitológicas que adornan los elementos de este espacio, la voz poética deja entrever abundantes reflexiones sobre problemáticas relativas a su particular visión de la poesía, su relación con otros poetas del campo (cruzada por la permanente queja frente a la envidia de sus colegas), la siempre compleja cuestión del mecenazgo y la gratitud de los poderosos y otras cuestiones vinculadas a su quehacer como poeta. En este trabajo, nos proponemos analizar la estrecha relación que existe entre los problemas enumerados y los núcleos míticos elegidos para su representación y descripción. ABSTRACT: Filomena´s Eighth Epistle contains the description of a fabulous garden. Through the ecfrasis of the brief mythological stories that adorn the elements of this space, the poetic voice reveals abundant reflections. The topics of those considerations point to problems related to his particular vision of poetry, his relationship with other poets (crossed by the permanent complaint against the envy of his colleagues), the complex question of patronage and the gratitude of the Nobels and other issues related to his work as a poet. In this paper, we propose to analyze the close relationship that exists between the problems listed and the mythical stories chosen for their representation and description.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"124-137"},"PeriodicalIF":0.0,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45208374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: La novena epístola de La Filomena, dedicada a don Juan de Arguijo, posee una particular importancia dentro del corpus que integra no sólo por la posición destacada que ocupa como última pieza del epistolario escrita por Lope, sino también porque en ella se condensan una serie de sentidos poéticos y metapoéticos que atraviesan el volumen misceláneo del que forma parte. El presente artículo se propone examinar algunos procedimientos mediante los cuales la estructura de esta composición entra en diálogo con la materia que trata, contribuyendo a construir la imagen de poeta culto que Lope está bogando por forjarse durante esta época. ABSTRACT: The epistle dedicated to Juan de Arguijo in Lope´s La Filomena has a particular importance not only because it is the last epistle of the volumen written by Lope, but also because it summarizes several poetic and metapoetic meanings. This article aims to explore some structural and theme procedures whereby the text builds the cultivated poet image Lope was looking forward to create for himself.
{"title":"Juegos especulares y entramado poético en la Epístola a don Juan de Arguijo de La Filomena","authors":"N. Vitali","doi":"10.51472/JESO20211009","DOIUrl":"https://doi.org/10.51472/JESO20211009","url":null,"abstract":"RESUMEN:\u0000La novena epístola de La Filomena, dedicada a don Juan de Arguijo, posee una particular importancia dentro del corpus que integra no sólo por la posición destacada que ocupa como última pieza del epistolario escrita por Lope, sino también porque en ella se condensan una serie de sentidos poéticos y metapoéticos que atraviesan el volumen misceláneo del que forma parte. El presente artículo se propone examinar algunos procedimientos mediante los cuales la estructura de esta composición entra en diálogo con la materia que trata, contribuyendo a construir la imagen de poeta culto que Lope está bogando por forjarse durante esta época.\u0000ABSTRACT:\u0000The epistle dedicated to Juan de Arguijo in Lope´s La Filomena has a particular importance not only because it is the last epistle of the volumen written by Lope, but also because it summarizes several poetic and metapoetic meanings. This article aims to explore some structural and theme procedures whereby the text builds the cultivated poet image Lope was looking forward to create for himself.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"138-150"},"PeriodicalIF":0.0,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48662690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: En la Epístola V dedicada al Conde de Lemos, Lope propone un juego de máscaras y de personas, de sujetos reales y de configuraciones ficcionales a efectos de recuperar el favor de su antiguo mecenas. La intencionalidad del mensaje se manifiesta a través de una fantasía alegórica concretizada en el plano onírico. En la dialéctica realidad/ensoñación, Lope aborda las tensiones entre el prestigio literario y la pobreza apremiante, entre la autoexaltación y el descrédito público, entre la experiencia vivencial y la creación poética. Autobiografía y proyecto literario se fusionan, una vez más, para enaltecer a un Lope que, a pesar de todo y contra todos, se ufana de ser poeta. ABSTRACT: In Epistle V dedicated to the count of Lemos, Lope proposes a game of masks and people, real subjects and fictional configurations in order to regain the favor of his former patron. The intentionality of the message is manifested through an allegorical fantasy concretized in the dream plane. In the dialectic reality / reverie, Lope addresses the tensions between literary prestige and pressing poverty, between self-exaltation and public discredit, between experiential experience and poetic creation. Autobiography and literary project merge, once again, to praise a Lope who, despite everything and against everyone, prides himself on being a poet
{"title":"Ensoñación y realidad en la Epístola V, al excelentísimo Señor Conde de Lemos, Presidente de Indias","authors":"Silvia López D’Amato","doi":"10.51472/JESO20211007","DOIUrl":"https://doi.org/10.51472/JESO20211007","url":null,"abstract":"RESUMEN:\u0000En la Epístola V dedicada al Conde de Lemos, Lope propone un juego de máscaras y de personas, de sujetos reales y de configuraciones ficcionales a efectos de recuperar el favor de su antiguo mecenas. La intencionalidad del mensaje se manifiesta a través de una fantasía alegórica concretizada en el plano onírico. En la dialéctica realidad/ensoñación, Lope aborda las tensiones entre el prestigio literario y la pobreza apremiante, entre la autoexaltación y el descrédito público, entre la experiencia vivencial y la creación poética. Autobiografía y proyecto literario se fusionan, una vez más, para enaltecer a un Lope que, a pesar de todo y contra todos, se ufana de ser poeta. \u0000ABSTRACT:\u0000In Epistle V dedicated to the count of Lemos, Lope proposes a game of masks and people, real subjects and fictional configurations in order to regain the favor of his former patron. The intentionality of the message is manifested through an allegorical fantasy concretized in the dream plane. In the dialectic reality / reverie, Lope addresses the tensions between literary prestige and pressing poverty, between self-exaltation and public discredit, between experiential experience and poetic creation. Autobiography and literary project merge, once again, to praise a Lope who, despite everything and against everyone, prides himself on being a poet","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"111-123"},"PeriodicalIF":0.0,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47563059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: Entre 1617 y 1621, la fama de Lope de Vega era innegable; sin embargo, es el periodo de mayor virulencia de los ataques contra el Fénix de los ingenios. Por ello, Lope prepara un volumen misceláneo: La Filomena y otras diversas rimas cuya temática le sirve para construir un discurso de defensa de su obra contra sus muchos detractores. La incorporación de la Epístola de Amarilis a Belardo a este volumen le ayuda especialmente para mostrar que su obra es apreciada hasta en los confines del imperio español. ABSTRACT: Between 1617 and 1621, Lope de Vega's fame was undeniable; however, this is the period of the most virulent attacks against the Fénix de los Ingenios. For this reason, Lope prepared a miscellaneous volume: La Filomena y otras diversas rimas whose themes served him to construct a discourse in defence of his work against its many detractors. The inclusion of the Epístola de Amarilis a Belardo in this volume helps him specially to show that his work is appreciated even in the confines of the Spanish Empire.
{"title":"“Con gran razón, a tu valor inmenso, consagran mil deidades sus labores”: la Epístola de Amarilis a Belardo como defensa de la obra de Lope de Vega","authors":"Martina Vinatea","doi":"10.51472/JESO20211010","DOIUrl":"https://doi.org/10.51472/JESO20211010","url":null,"abstract":"RESUMEN: Entre 1617 y 1621, la fama de Lope de Vega era innegable; sin embargo, es el periodo de mayor virulencia de los ataques contra el Fénix de los ingenios. Por ello, Lope prepara un volumen misceláneo: La Filomena y otras diversas rimas cuya temática le sirve para construir un discurso de defensa de su obra contra sus muchos detractores. La incorporación de la Epístola de Amarilis a Belardo a este volumen le ayuda especialmente para mostrar que su obra es apreciada hasta en los confines del imperio español. \u0000\u0000ABSTRACT: Between 1617 and 1621, Lope de Vega's fame was undeniable; however, this is the period of the most virulent attacks against the Fénix de los Ingenios. For this reason, Lope prepared a miscellaneous volume: La Filomena y otras diversas rimas whose themes served him to construct a discourse in defence of his work against its many detractors. The inclusion of the Epístola de Amarilis a Belardo in this volume helps him specially to show that his work is appreciated even in the confines of the Spanish Empire.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"151-168"},"PeriodicalIF":0.0,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49200617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN Lo que pretendemos en estas páginas es ahondar en las estrategias retóricas que articuló Lope para describir la condición de Francisco Pérez de Amaya, jurista antequerano, en las epístolas “primera” y “octava” de La Filomena; el modo en que lo atacó recurriendo a metáforas y símiles que se han pasado por alto en los estudios relacionados. Al analizar tales imágenes, observaremos el desplazamiento profesional y el vejamen personal que Lope le encaja en este peculiar retrato, y saldrán a flote referencias cruzadas y otros aspectos interesantes sobre el imaginario de nuestro poeta y su posicionamiento frente a los cultos. ABSTRACT Throughout theses pages we will intend to examine the rhetorical strategies displayed by Lope when describing Francisco Pérez de Amaya, a lawyer from Antequera, in the first and eighth epistles included in La Filomena. We will examine, therefore, the way in which the poet attacked him drawing on metaphores and similes that, up to now, have been overlooked in specialised and related papers. Once analyzed those images, we will discover the peculiar portrait made by Lope, full of professional displacements and personal satires. Together with it, some cross-references and interesting aspects on our poet’s imaginary will arise, as well as his stance against the “cultos”.
{"title":"De gozques, Anaxandros y griguiescos: Francisco Pérez de Amaya retratado por Lope de Vega","authors":"Cipriano López Lorenzo","doi":"10.51472/JESO20211004","DOIUrl":"https://doi.org/10.51472/JESO20211004","url":null,"abstract":"RESUMEN\u0000Lo que pretendemos en estas páginas es ahondar en las estrategias retóricas que articuló Lope para describir la condición de Francisco Pérez de Amaya, jurista antequerano, en las epístolas “primera” y “octava” de La Filomena; el modo en que lo atacó recurriendo a metáforas y símiles que se han pasado por alto en los estudios relacionados. Al analizar tales imágenes, observaremos el desplazamiento profesional y el vejamen personal que Lope le encaja en este peculiar retrato, y saldrán a flote referencias cruzadas y otros aspectos interesantes sobre el imaginario de nuestro poeta y su posicionamiento frente a los cultos.\u0000\u0000ABSTRACT\u0000Throughout theses pages we will intend to examine the rhetorical strategies displayed by Lope when describing Francisco Pérez de Amaya, a lawyer from Antequera, in the first and eighth epistles included in La Filomena. We will examine, therefore, the way in which the poet attacked him drawing on metaphores and similes that, up to now, have been overlooked in specialised and related papers. Once analyzed those images, we will discover the peculiar portrait made by Lope, full of professional displacements and personal satires. Together with it, some cross-references and interesting aspects on our poet’s imaginary will arise, as well as his stance against the “cultos”.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"70-89"},"PeriodicalIF":0.0,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45194060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: La segunda parte de La Filomena actualiza la contienda Spongia-Expostulatio Spongiae como un mecanismo de reivindicación de la figura de Lope como poeta cortesano. Este trabajo se propone analizar las estrategias de defensa desplegadas en los dos parlamentos de Filomena. Consideramos que su alegato está construido en torno a dos ejes. En el primer discurso, la erudición desplegada a través de sentencias y aforismos funciona como un elemento de legitimación. En el segundo, donde realmente defiende sus obras, el encuadre que ofrecen a su defensa dos fragmentos de La Arcadia, valida la totalidad de sus obras consolidándose como un verdadero poeta castellano. ABSTRACT: The second part of La Filomena updates the Spongia-Expostulatio Spongiae contest as a mechanism to claim Lope as a courtly poet. This paper intends to analyze the defense strategies deployed in the two Filomena parliaments. We consider that his allegation is elaborated around two axes. In the first speech, the erudition displayed through sentences and aphorisms functions as an element of legitimation. In the second, where he really defends his works, the framework offered by two fragments of La Arcadia to his defense, validates all his works consolidating himself as a true Castilian poet.
{"title":"De sentencias, aforismos y pastores: dos notas sobre la \"Segunda parte\" de La Filomena","authors":"Patricia T. Festini","doi":"10.51472/JESO20211011","DOIUrl":"https://doi.org/10.51472/JESO20211011","url":null,"abstract":"RESUMEN: La segunda parte de La Filomena actualiza la contienda Spongia-Expostulatio Spongiae como un mecanismo de reivindicación de la figura de Lope como poeta cortesano. Este trabajo se propone analizar las estrategias de defensa desplegadas en los dos parlamentos de Filomena. Consideramos que su alegato está construido en torno a dos ejes. En el primer discurso, la erudición desplegada a través de sentencias y aforismos funciona como un elemento de legitimación. En el segundo, donde realmente defiende sus obras, el encuadre que ofrecen a su defensa dos fragmentos de La Arcadia, valida la totalidad de sus obras consolidándose como un verdadero poeta castellano.\u0000\u0000ABSTRACT: The second part of La Filomena updates the Spongia-Expostulatio Spongiae contest as a mechanism to claim Lope as a courtly poet. This paper intends to analyze the defense strategies deployed in the two Filomena parliaments. We consider that his allegation is elaborated around two axes. In the first speech, the erudition displayed through sentences and aphorisms functions as an element of legitimation. In the second, where he really defends his works, the framework offered by two fragments of La Arcadia to his defense, validates all his works consolidating himself as a true Castilian poet.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"169-184"},"PeriodicalIF":0.0,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46673345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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